Where the great paintings hang

100 Famous Paintings and the Museums That Hold Them

The five most famous paintings, and the cities that hold them, are Mona Lisa (Leonardo da Vinci, Paris), Guernica (Pablo Picasso, Madrid), The Starry Night (Vincent van Gogh, New York), The Last Supper (Leonardo da Vinci, Milan) and The Scream (Edvard Munch, Oslo). From the Renaissance to Pop Art, each painting is given with its artist, the museum that holds it, the size of the original and the story that made it famous.

100 paintings · 57 artists · 52 museums

How the list is made. Each painting is scored on the Wikipedia languages that describe it, a year of readership of those articles, museum attendance, auction records, thefts, loans and its presence in film and advertising, then reviewed by hand. The score measures fame, not artistic worth, and is revised each year.

Mona Lisa by Leonardo da Vinci
No. 1Mona Lisa, Leonardo da Vinci, Musée du Louvre

The paintings

The 100 famous paintings and their museums

  1. Mona Lisa by Leonardo da Vinci, c. 1503–1519, Musée du Louvre

    Leonardo da Vinci c. 1503–1519 High Renaissance Musée du Louvre, Paris 77 × 53 cm

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    Leonardo da Vinci

    Mona Lisa

    Leonardo never delivered this portrait of Lisa Gherardini; he carried it to France, where Francis I bought it. Its theft in 1911 and two-year disappearance made it a global celebrity. Most of the Louvre's nine million yearly visitors now file past its bulletproof glass, making it the most visited painting on earth.

  2. Guernica by Pablo Picasso, 1937, Museo Reina Sofía

    Pablo Picasso 1937 Cubism Museo Reina Sofía, Madrid 349 × 777 cm

    2of 100

    Pablo Picasso

    Guernica

    Commissioned for the Spanish Pavilion of the 1937 Paris World's Fair, Picasso painted the bombing of the Basque town in five weeks, in grey and black only. He refused to let it enter Spain under Franco; it stayed at MoMA until 1981. It remains the most famous anti-war image ever painted.

  3. The Starry Night by Vincent van Gogh, 1889, Museum of Modern Art

    Vincent van Gogh 1889 Post-Impressionism Museum of Modern Art, New York 74 × 92 cm

    3of 100

    Vincent van Gogh

    The Starry Night

    Painted from memory in the asylum of Saint-Rémy, one month after Van Gogh's arrival, the swirling sky over an invented village sold for almost nothing in his lifetime. MoMA acquired it in 1941. It is now one of the most reproduced images in the world and the model for every 'night sky' painted since.

  4. The Last Supper by Leonardo da Vinci, 1495–1498, Santa Maria delle Grazie

    Leonardo da Vinci 1495–1498 High Renaissance Santa Maria delle Grazie, Milan 460 × 880 cm

    4of 100

    Leonardo da Vinci

    The Last Supper

    Leonardo painted the mural in tempera on dry plaster, an experiment that began flaking within twenty years. It survived a doorway cut through Christ's feet, Napoleon's stables and a 1943 bomb that destroyed the refectory roof. A 21-year restoration ended in 1999; visits are limited to 15 minutes.

  5. The Scream by Edvard Munch, 1893, National Museum

    Edvard Munch 1893 Expressionism National Museum, Oslo 91 × 73 cm

    5of 100

    Edvard Munch

    The Scream

    Munch recorded the moment on an Oslo fjord path when 'the sky turned blood red' and he felt 'an infinite scream passing through nature'. He made four versions; two were stolen, in 1994 and 2004, and both recovered. The 1895 pastel sold for 119.9 million dollars in 2012.

  6. Girl with a Pearl Earring by Johannes Vermeer, c. 1665, Mauritshuis

    Johannes Vermeer c. 1665 Dutch Golden Age Mauritshuis, The Hague 44.5 × 39 cm

    6of 100

    Johannes Vermeer

    Girl with a Pearl Earring

    Not a portrait but a 'tronie', a study of a face in exotic costume, bought at auction in 1881 for two guilders. The 'pearl' is two strokes of lead white with no hook. Tracy Chevalier's 1999 novel and the 2003 film turned Vermeer's quiet girl into the 'Mona Lisa of the North'.

  7. The Birth of Venus by Sandro Botticelli, c. 1484–1486, Galleria degli Uffizi

    Sandro Botticelli c. 1484–1486 Early Renaissance Galleria degli Uffizi, Florence 172.5 × 278.5 cm

    7of 100

    Sandro Botticelli

    The Birth of Venus

    Botticelli painted the first large-scale nude on canvas since antiquity for the Medici, probably after a poem by Poliziano. The elongated goddess on her shell ignores the laws of anatomy on purpose. Saved from Savonarola's bonfires, it has hung in the Uffizi since 1815 and fixed the image of Venus for ever.

  8. The Garden of Earthly Delights by Hieronymus Bosch, c. 1490–1510, Museo del Prado

    Hieronymus Bosch c. 1490–1510 Northern Renaissance Museo del Prado, Madrid 220 × 389 cm (open)

    8of 100

    Hieronymus Bosch

    The Garden of Earthly Delights

    A triptych that reads from Eden on the left to a nocturnal hell on the right, crowded with hybrid creatures and a tree-man wearing a disc hat. Philip II of Spain hung it in the Escorial. Five centuries later it is the most zoomed-into image in the Prado's online collection.

  9. Las Meninas by Diego Velázquez, 1656, Museo del Prado

    Diego Velázquez 1656 Baroque Museo del Prado, Madrid 318 × 276 cm

    9of 100

    Diego Velázquez

    Las Meninas

    The five-year-old Infanta Margarita, her maids of honour, a dwarf, a mastiff, the king and queen in a mirror and Velázquez himself at his easel: the most analysed composition in painting. Luca Giordano called it 'the theology of painting'; Picasso made 58 variations of it in 1957.

  10. The Persistence of Memory by Salvador Dalí, 1931, Museum of Modern Art

    Salvador Dalí 1931 Surrealism Museum of Modern Art, New York 24 × 33 cm

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    Salvador Dalí

    The Persistence of Memory

    Smaller than a sheet of paper, Dalí's melting watches were painted in one evening after a dinner of Camembert, he claimed, while Gala was at the cinema. The cliffs are Cap de Creus near his home. It has belonged to MoMA since 1934 and is the Surrealist image everyone can name.

  11. The Great Wave off Kanagawa by Katsushika Hokusai, c. 1831, various (Metropolitan Museum, British Museum)

    Katsushika Hokusai c. 1831 Ukiyo-e various (Metropolitan Museum, British Museum) 25.7 × 37.9 cm (woodblock print)

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    Katsushika Hokusai

    The Great Wave off Kanagawa

    The first of Hokusai's 'Thirty-six Views of Mount Fuji', printed in thousands of copies using the imported pigment Prussian blue. Monet, Van Gogh and Debussy owned impressions. Today it is the best-known Japanese image in the world and the 'wave' emoji on every phone.

  12. Liberty Leading the People by Eugène Delacroix, 1830, Musée du Louvre

    Eugène Delacroix 1830 Romanticism Musée du Louvre, Paris 260 × 325 cm

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    Eugène Delacroix

    Liberty Leading the People

    Painted within months of the July Revolution of 1830, Delacroix's bare-breasted Liberty with the tricolour was bought by the new king, then hidden as too inflammatory until 1874. Reproduced on the 100-franc note and a postage stamp, it is the image France uses for itself.

  13. The Creation of Adam by Michelangelo, c. 1511, Sistine Chapel

    Michelangelo c. 1511 High Renaissance Sistine Chapel, Vatican City 280 × 570 cm

    13of 100

    Michelangelo

    The Creation of Adam

    The fourth of nine Genesis scenes on the Sistine ceiling, painted by a sculptor who insisted he was no painter. The two fingers that almost touch have become the most quoted detail in Western art. Some anatomists read the red mantle around God as a human brain, a joke by a man who dissected corpses.

  14. The School of Athens by Raphael, 1509–1511, Apostolic Palace

    Raphael 1509–1511 High Renaissance Apostolic Palace, Vatican City 500 × 770 cm

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    Raphael

    The School of Athens

    Raphael's fresco for the papal library gathers Plato, Aristotle, Pythagoras and Euclid under Bramante's vaults. Plato has Leonardo's face, Heraclitus Michelangelo's, and the young man in a black cap on the right is Raphael himself. It is the picture of philosophy in every textbook.

  15. The Night Watch by Rembrandt, 1642, Rijksmuseum

    Rembrandt 1642 Baroque Rijksmuseum, Amsterdam 363 × 437 cm

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    Rembrandt

    The Night Watch

    A group portrait of Captain Frans Banninck Cocq's militia company, paid for by its eighteen members, that Rembrandt turned into a scene in motion. It was cut down on all sides in 1715 to fit a wall, slashed twice and sprayed with acid, and is being restored in public since 2019.

  16. The Kiss by Gustav Klimt, 1907–1908, Belvedere

    Gustav Klimt 1907–1908 Art Nouveau Belvedere, Vienna 180 × 180 cm

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    Gustav Klimt

    The Kiss

    Austria bought the unfinished canvas for 25,000 crowns before Klimt had shown it, the highest price ever paid for a painting in the country. Gold leaf, a technique he learned from his father, an engraver, and Byzantine mosaics seen in Ravenna, wraps two lovers on a flower-strewn cliff edge.

  17. A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat, 1884–1886, Art Institute of Chicago

    Georges Seurat 1884–1886 Neo-Impressionism Art Institute of Chicago, Chicago 208 × 308 cm

    17of 100

    Georges Seurat

    A Sunday Afternoon on the Island of La Grande Jatte

    Seurat spent two years and 28 drawings building this Parisian Sunday from millions of dots of pure colour, the first manifesto of Pointillism. Shown at the last Impressionist exhibition in 1886, it reached Chicago in 1926 and inspired Sondheim's musical 'Sunday in the Park with George'.

  18. The Arnolfini Portrait by Jan van Eyck, 1434, National Gallery

    Jan van Eyck 1434 Early Netherlandish Painting National Gallery, London 82 × 60 cm

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    Jan van Eyck

    The Arnolfini Portrait

    A Bruges merchant and his wife in a bedroom, every surface rendered in the new oil technique Van Eyck perfected: the convex mirror reflects two visitors, and the painter signed the wall 'Johannes de Eyck fuit hic'. Historians still argue whether it is a wedding, a betrothal or a memorial.

  19. American Gothic by Grant Wood, 1930, Art Institute of Chicago

    Grant Wood 1930 Regionalism Art Institute of Chicago, Chicago 78 × 65 cm

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    Grant Wood

    American Gothic

    Grant Wood saw the small Carpenter Gothic house in Eldon, Iowa, and posed his sister and his dentist in front of it. The Art Institute bought it for 300 dollars after it won a bronze medal. It is the most parodied American painting, from the Addams Family to breakfast-cereal boxes.

  20. Water Lilies by Claude Monet, c. 1915–1926, Musée de l'Orangerie

    Claude Monet c. 1915–1926 Impressionism Musée de l'Orangerie, Paris various, up to 200 × 1,275 cm

    20of 100

    Claude Monet

    Water Lilies

    Monet painted his pond at Giverny about 250 times over thirty years, with cataracts clouding his sight. The eight curved panels he gave France in 1922 fill two oval rooms at the Orangerie, opened in 1927, months after his death. A 1919 canvas sold for 80.4 million dollars in 2008.

  21. Les Demoiselles d'Avignon by Pablo Picasso, 1907, Museum of Modern Art

    Pablo Picasso 1907 Cubism Museum of Modern Art, New York 244 × 234 cm

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    Pablo Picasso

    Les Demoiselles d'Avignon

    Five prostitutes from a brothel on Barcelona's Carrer d'Avinyó, faces fractured into masks, after Picasso's visit to the ethnographic museum at the Trocadéro. Friends were horrified; Braque said it was like 'drinking paraffin'. Rolled up for years, it is where 20th-century painting begins.

  22. Nighthawks by Edward Hopper, 1942, Art Institute of Chicago

    Edward Hopper 1942 American Realism Art Institute of Chicago, Chicago 84 × 152 cm

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    Edward Hopper

    Nighthawks

    Hopper finished the all-night diner, inspired by a restaurant on Greenwich Avenue, weeks after Pearl Harbor; his wife Jo posed for the woman in red. The Art Institute bought it the same year for 3,000 dollars. No door is visible: the four figures are sealed behind glass.

  23. Impression, Sunrise by Claude Monet, 1872, Musée Marmottan Monet

    Claude Monet 1872 Impressionism Musée Marmottan Monet, Paris 48 × 63 cm

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    Claude Monet

    Impression, Sunrise

    The port of Le Havre in orange mist, painted in a single session. When the critic Louis Leroy mocked the title in 1874, the word 'Impressionists' stuck to a whole movement. Stolen in 1985 with eight other Monets, it was recovered in Corsica in 1990.

  24. Lady with an Ermine by Leonardo da Vinci, c. 1489–1491, Czartoryski Museum

    Leonardo da Vinci c. 1489–1491 High Renaissance Czartoryski Museum, Kraków 54 × 39 cm

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    Leonardo da Vinci

    Lady with an Ermine

    Cecilia Gallerani, the 16-year-old mistress of the Duke of Milan, turns as if someone has spoken, an animal in her arms whose Greek name puns on hers. Hidden from the Nazis, seized by Hans Frank, recovered in 1946: Poland bought it with the whole Czartoryski collection in 2016 for 100 million euros.

  25. Wanderer above the Sea of Fog by Caspar David Friedrich, c. 1818, Hamburger Kunsthalle

    Caspar David Friedrich c. 1818 Romanticism Hamburger Kunsthalle, Hamburg 95 × 75 cm

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    Caspar David Friedrich

    Wanderer above the Sea of Fog

    A man seen from behind, stick in hand, over a sea of cloud in Saxon Switzerland. Friedrich never explained who he was. Rediscovered in the 20th century after a long eclipse, it became the cover of countless books on Romanticism, Nietzsche and solitude, and the default image of the sublime.

  26. The Raft of the Medusa by Théodore Géricault, 1818–1819, Musée du Louvre

    Théodore Géricault 1818–1819 Romanticism Musée du Louvre, Paris 491 × 716 cm

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    Théodore Géricault

    The Raft of the Medusa

    The 1816 wreck of a French frigate, whose 147 abandoned passengers resorted to cannibalism, painted by a 27-year-old who interviewed survivors and studied corpses in the morgue. A political bomb at the 1819 Salon, it made Géricault's name; he died at 32. Delacroix posed for one of the dead.

  27. Luncheon on the Grass by Édouard Manet, 1863, Musée d'Orsay

    Édouard Manet 1863 Realism Musée d'Orsay, Paris 208 × 264.5 cm

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    Édouard Manet

    Luncheon on the Grass

    Rejected by the Salon and shown at the Salon des Refusés, a naked woman picnicking with two clothed men caused the scandal of 1863. The pose is lifted from a Raphael engraving; the flat lighting broke every academic rule. It is the painting usually credited with starting modern art.

  28. Saturn Devouring His Son by Francisco Goya, c. 1819–1823, Museo del Prado

    Francisco Goya c. 1819–1823 Romanticism Museo del Prado, Madrid 143.5 × 81.4 cm

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    Francisco Goya

    Saturn Devouring His Son

    One of fourteen 'Black Paintings' Goya painted directly on the walls of his house outside Madrid, deaf and in his seventies, never meant to be seen. Transferred to canvas after his death, the god eating his child has become the internet's favourite image of horror.

  29. Salvator Mundi by Leonardo da Vinci, c. 1499–1510, private collection

    Leonardo da Vinci c. 1499–1510 High Renaissance private collection 65.6 × 45.4 cm

    29of 100

    Leonardo da Vinci

    Salvator Mundi

    Bought in 2005 as an overpainted copy for about 1,175 dollars, it was restored and shown at London's National Gallery in 2011 as Leonardo's lost Christ as Saviour of the World. Christie's sold it in November 2017 for 450.3 million dollars, a record for any painting. Its attribution is still debated.

  30. The Third of May 1808 by Francisco Goya, 1814, Museo del Prado

    Francisco Goya 1814 Romanticism Museo del Prado, Madrid 268 × 347 cm

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    Francisco Goya

    The Third of May 1808

    Goya's record of Napoleon's troops executing Madrid citizens on Príncipe Pío hill: a man in a white shirt, arms raised like a crucifixion, faces the faceless firing squad. Kenneth Clark called it 'the first great picture which can be called revolutionary in every sense'. Picasso's Guernica answers it.

  31. Sunflowers by Vincent van Gogh, 1888, Neue Pinakothek

    Vincent van Gogh 1888 Post-Impressionism Neue Pinakothek, Munich 92 × 73 cm

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    Vincent van Gogh

    Sunflowers

    Van Gogh painted the series in Arles in August 1888 to decorate Gauguin's bedroom, using the new chrome yellows. He made seven versions; one was destroyed in Japan in 1945. Another version sold for 39.9 million dollars in 1987, then a record for any painting.

  32. The Last Judgment by Michelangelo, 1536–1541, Sistine Chapel

    Michelangelo 1536–1541 High Renaissance Sistine Chapel, Vatican City 1,370 × 1,200 cm

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    Michelangelo

    The Last Judgment

    Michelangelo returned to the Sistine Chapel 25 years after the ceiling to cover the altar wall with 300 writhing figures. The nudity so scandalised the Council of Trent that Daniele da Volterra was paid to paint loincloths over them in 1565, earning the nickname 'the breeches-maker'.

  33. The Origin of the World by Gustave Courbet, 1866, Musée d'Orsay

    Gustave Courbet 1866 Realism Musée d'Orsay, Paris 46 × 55 cm

    33of 100

    Gustave Courbet

    The Origin of the World

    Painted for the Ottoman diplomat Khalil Bey, Courbet's close-up of a woman's body was kept hidden behind a sliding panel for over a century; its last private owner was the psychoanalyst Jacques Lacan. It entered the Musée d'Orsay in 1995 and still sets off censorship disputes on social networks.

  34. Primavera by Sandro Botticelli, c. 1480, Galleria degli Uffizi

    Sandro Botticelli c. 1480 Early Renaissance Galleria degli Uffizi, Florence 203 × 314 cm

    34of 100

    Sandro Botticelli

    Primavera

    Venus, the Three Graces, Mercury and Flora in an orange grove with 500 identified plant species and 190 flowers, painted for a Medici wedding. Botanists have catalogued every one. With the Birth of Venus next door, it draws the longest queue in Florence.

  35. The Death of Marat by Jacques-Louis David, 1793, Royal Museums of Fine Arts of Belgium

    Jacques-Louis David 1793 Neoclassicism Royal Museums of Fine Arts of Belgium, Brussels 165 × 128 cm

    35of 100

    Jacques-Louis David

    The Death of Marat

    David, a Jacobin deputy, had visited his friend the day before Charlotte Corday stabbed him in his bath. He painted the revolutionary as a secular Christ, skin smoothed, letter in hand. It hung in the hall of the National Convention, then stayed with David's family until 1893.

  36. The Nude Maja by Francisco Goya, c. 1797–1800, Museo del Prado

    Francisco Goya c. 1797–1800 Romanticism Museo del Prado, Madrid 97 × 190 cm

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    Francisco Goya

    The Nude Maja

    One of the first life-size female nudes in Western art without a mythological pretext, painted for the royal favourite Manuel Godoy, who owned it together with its clothed twin. The Inquisition summoned Goya in 1815 to explain it. The two Majas have hung side by side in the Prado since 1901.

  37. Whistler's Mother by James McNeill Whistler, 1871, Musée d'Orsay

    James McNeill Whistler 1871 Aestheticism Musée d'Orsay, Paris 144 × 162 cm

    37of 100

    James McNeill Whistler

    Whistler's Mother

    Officially 'Arrangement in Grey and Black No. 1', the seated Anna Whistler was bought by the French state in 1891, the first American painting to enter the Louvre collections. A 1934 US postage stamp made it the national icon of motherhood; Mr Bean dropped it in a 1997 film.

  38. Café Terrace at Night by Vincent van Gogh, 1888, Kröller-Müller Museum

    Vincent van Gogh 1888 Post-Impressionism Kröller-Müller Museum, Otterlo 81 × 65.5 cm

    38of 100

    Vincent van Gogh

    Café Terrace at Night

    The first canvas Van Gogh painted outdoors at night, on the Place du Forum in Arles, without using black. He wrote to his sister that the night was 'more alive and richly coloured than the day'. The café still trades on the square under the name 'Café Van Gogh'.

  39. Portrait of Adele Bloch-Bauer I by Gustav Klimt, 1907, Neue Galerie

    Gustav Klimt 1907 Art Nouveau Neue Galerie, New York 138 × 138 cm

    39of 100

    Gustav Klimt

    Portrait of Adele Bloch-Bauer I

    Klimt spent three years and 100 drawings on the Viennese hostess, dressed in gold and silver leaf. Seized by the Nazis in 1938 and renamed 'The Lady in Gold' to hide her Jewish identity, it was returned to her niece Maria Altmann in 2006 after a US Supreme Court case, and sold for 135 million dollars.

  40. Olympia by Édouard Manet, 1863, Musée d'Orsay

    Édouard Manet 1863 Realism Musée d'Orsay, Paris 130.5 × 190 cm

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    Édouard Manet

    Olympia

    Victorine Meurent as a Parisian courtesan, staring at the viewer, a black cat at her feet in place of Titian's dog. At the 1865 Salon guards were posted to protect it from umbrellas. Monet raised a subscription in 1890 to buy it for the nation; it entered the Louvre in 1907.

  41. Bal du moulin de la Galette by Pierre-Auguste Renoir, 1876, Musée d'Orsay

    Pierre-Auguste Renoir 1876 Impressionism Musée d'Orsay, Paris 131 × 175 cm

    41of 100

    Pierre-Auguste Renoir

    Bal du moulin de la Galette

    A Sunday dance in a Montmartre garden, dappled light falling through acacia leaves on Renoir's friends and models. Caillebotte bought it and bequeathed it to the state in 1894. A smaller version sold for 78.1 million dollars in 1990 to a Japanese paper tycoon.

  42. The Ghent Altarpiece by Jan van Eyck, 1432, Saint Bavo's Cathedral

    Jan van Eyck 1432 Early Netherlandish Painting Saint Bavo's Cathedral, Ghent 350 × 470 cm (open)

    42of 100

    Jan van Eyck

    The Ghent Altarpiece

    Hubert and Jan van Eyck's polyptych of the Adoration of the Mystic Lamb is often called the most stolen artwork in history: taken to Paris by Napoleon's armies, sold in part to Prussia, hidden by the Nazis in an Austrian salt mine. The Just Judges panel, stolen in 1934, has never been found.

  43. The Swing by Jean-Honoré Fragonard, 1767, Wallace Collection

    Jean-Honoré Fragonard 1767 Rococo Wallace Collection, London 81 × 64 cm

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    Jean-Honoré Fragonard

    The Swing

    A courtier asked for a painting of his mistress on a swing pushed by a bishop while he admired her from below; Fragonard replaced the bishop with an old husband. A slipper flies off, a stone Cupid demands silence. It is the Rococo in one image, and the visual model for Disney's 'Tangled'.

  44. The Virgin of the Rocks by Leonardo da Vinci, c. 1495–1508, National Gallery

    Leonardo da Vinci c. 1495–1508 High Renaissance National Gallery, London 189.5 × 120 cm

    44of 100

    Leonardo da Vinci

    The Virgin of the Rocks

    Leonardo painted the subject twice for a Milan confraternity. The first version, now in the Louvre, never reached the chapel after a dispute over the fee; this second one, finished with assistants, stayed there until 1785. Infrared scans in 2019 revealed an abandoned composition hidden beneath the London panel.

  45. Ophelia by John Everett Millais, 1851–1852, Tate Britain

    John Everett Millais 1851–1852 Pre-Raphaelite Tate Britain, London 76 × 112 cm

    45of 100

    John Everett Millais

    Ophelia

    Millais painted the riverbank at Ewell for five months, then the 19-year-old Elizabeth Siddal floating in a bathtub heated by oil lamps; she caught a severe cold when the lamps went out. Every flower follows Shakespeare's text. Henry Tate gave it to the nation in 1894.

  46. The Death of Socrates by Jacques-Louis David, 1787, Metropolitan Museum of Art

    Jacques-Louis David 1787 Neoclassicism Metropolitan Museum of Art, New York 129.5 × 196.2 cm

    46of 100

    Jacques-Louis David

    The Death of Socrates

    Condemned to death for impiety, Socrates reaches for the cup of hemlock while still teaching, his disciples collapsing in grief around him. Shown at the 1787 Salon, it confirmed David as the leader of Neoclassicism; Joshua Reynolds compared it to the Sistine Chapel. The Metropolitan Museum bought it in 1931.

  47. The Treachery of Images by René Magritte, 1929, Los Angeles County Museum of Art

    René Magritte 1929 Surrealism Los Angeles County Museum of Art, Los Angeles 60.3 × 81.1 cm

    47of 100

    René Magritte

    The Treachery of Images

    A carefully painted pipe over the handwritten line 'Ceci n'est pas une pipe'. 'Could you stuff my pipe? No, it's just a representation,' Magritte explained. Foucault wrote a book about it in 1973. It is the painting philosophers and advertising agencies quote most.

  48. The Potato Eaters by Vincent van Gogh, 1885, Van Gogh Museum

    Vincent van Gogh 1885 Realism Van Gogh Museum, Amsterdam 82 × 114 cm

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    Vincent van Gogh

    The Potato Eaters

    Van Gogh's first major painting, made in Nuenen after dozens of studies of peasant heads: a family eating, by lamplight, the potatoes they have dug. He wrote to his brother that it should make people think of the hands that worked the soil. His friend Anthon van Rappard condemned it; Van Gogh still called it his best.

  49. The Son of Man by René Magritte, 1964, private collection

    René Magritte 1964 Surrealism private collection 116 × 89 cm

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    René Magritte

    The Son of Man

    A self-portrait commissioned by Magritte's patron Harry Torczyner: bowler hat, overcoat, sea wall, and a green apple hiding the face. Magritte said 'everything we see hides another thing'. It has become the shorthand for Surrealism in advertising and film, from 'The Thomas Crown Affair' onward.

  50. The Coronation of Napoleon by Jacques-Louis David, 1805–1807, Musée du Louvre

    Jacques-Louis David 1805–1807 Neoclassicism Musée du Louvre, Paris 621 × 979 cm

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    Jacques-Louis David

    The Coronation of Napoleon

    David's vast record of the ceremony of 2 December 1804 at Notre-Dame shows Napoleon about to crown Josephine after crowning himself. At the emperor's request David added Napoleon's mother in the gallery, although she had stayed away. A second version, painted between 1808 and 1822, hangs at Versailles.

  51. Bedroom in Arles by Vincent van Gogh, 1888, Van Gogh Museum

    Vincent van Gogh 1888 Post-Impressionism Van Gogh Museum, Amsterdam 72 × 90 cm

    51of 100

    Vincent van Gogh

    Bedroom in Arles

    Van Gogh's room in the Yellow House, painted to express 'absolute rest' with flat colours like a Japanese print; the walls were violet, now faded to blue. He made three versions after a flood damaged the first. Visitors can sleep in a full-size replica built by the Art Institute of Chicago.

  52. Napoleon Crossing the Alps by Jacques-Louis David, 1801–1805, Belvedere

    Jacques-Louis David 1801–1805 Neoclassicism Belvedere, Vienna 260 × 221 cm

    52of 100

    Jacques-Louis David

    Napoleon Crossing the Alps

    Napoleon crossed the Great St Bernard Pass in May 1800 on a mule; he asked David to paint him calm on a fiery horse. Charles IV of Spain commissioned the first picture, and David's studio made five versions, now at Malmaison, Charlottenburg, Versailles and the Belvedere. In 1850 Delaroche answered it with the mule.

  53. The Storm on the Sea of Galilee by Rembrandt, 1633, Isabella Stewart Gardner Museum

    Rembrandt 1633 Dutch Golden Age Isabella Stewart Gardner Museum, Boston 160 × 128 cm

    53of 100

    Rembrandt

    The Storm on the Sea of Galilee

    Rembrandt's only seascape shows the disciples fighting a wave that is about to capsize their boat, while one of them looks out at the viewer with the painter's own face. Thieves cut it from its frame in the 1990 Gardner Museum robbery, still unsolved, and the empty frame hangs in its place.

  54. The Sistine Madonna by Raphael, 1512–1513, Gemäldegalerie Alte Meister

    Raphael 1512–1513 High Renaissance Gemäldegalerie Alte Meister, Dresden 265 × 196 cm

    54of 100

    Raphael

    The Sistine Madonna

    Painted for the church of San Sisto in Piacenza and bought by Augustus III in 1754, Raphael's Madonna steps forward on clouds between parted curtains. The two leaning cherubs at the bottom became one of the most reproduced details in art. Taken to Moscow in 1945, the painting was returned to Dresden in 1955.

  55. Campbell's Soup Cans by Andy Warhol, 1962, Museum of Modern Art

    Andy Warhol 1962 Pop Art Museum of Modern Art, New York 32 panels, each 51 × 41 cm

    55of 100

    Andy Warhol

    Campbell's Soup Cans

    Thirty-two canvases, one for each flavour the company sold, shown in a Los Angeles gallery on a shelf like groceries. Five sold at 100 dollars each; the dealer bought them back to keep the set. Warhol said he had eaten the soup for lunch every day for twenty years.

  56. Ivan the Terrible and His Son Ivan by Ilya Repin, 1883–1885, Tretyakov Gallery

    Ilya Repin 1883–1885 Realism Tretyakov Gallery, Moscow 199.5 × 254 cm

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    Ilya Repin

    Ivan the Terrible and His Son Ivan

    Repin shows the tsar clutching the son he has just struck dead with his staff in 1581. Alexander III had it withdrawn from exhibition for months. In 1913 a visitor slashed it with a knife, and in 2018 another broke its glass with a metal post. It is the best-known image of Russian history.

  57. Black Square by Kazimir Malevich, 1915, Tretyakov Gallery

    Kazimir Malevich 1915 Suprematism Tretyakov Gallery, Moscow 79.5 × 79.5 cm

    57of 100

    Kazimir Malevich

    Black Square

    Malevich hung the first version across the corner of the room, where an icon belongs, at the '0.10' exhibition in Petrograd in 1915, calling it the 'zero of form'. Under the cracked black paint an earlier coloured composition and a racist joke were found in 2015. Four versions exist.

  58. The Ambassadors by Hans Holbein the Younger, 1533, National Gallery

    Hans Holbein the Younger 1533 Northern Renaissance National Gallery, London 207 × 209.5 cm

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    Hans Holbein the Younger

    The Ambassadors

    Holbein portrayed two French envoys to the court of Henry VIII among globes, books and instruments, including a lute with a broken string. Across the floor floats a distorted skull that becomes legible only from the side, an anamorphosis reminding the viewer of death. The National Gallery bought it in 1890.

  59. The Anatomy Lesson of Dr Nicolaes Tulp by Rembrandt, 1632, Mauritshuis

    Rembrandt 1632 Baroque Mauritshuis, The Hague 169.5 × 216.5 cm

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    Rembrandt

    The Anatomy Lesson of Dr Nicolaes Tulp

    Rembrandt's first Amsterdam commission at 25: the city's anatomist demonstrates the tendons of a hanged thief, Aris Kindt, before seven surgeons who paid to be included. Surgeons still debate the anatomy of the dissected forearm. It made his reputation and remains the picture of medicine's beginnings.

  60. Venus of Urbino by Titian, 1538, Galleria degli Uffizi

    Titian 1538 High Renaissance Galleria degli Uffizi, Florence 119 × 165 cm

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    Titian

    Venus of Urbino

    Painted for the Duke of Urbino, a woman reclines on a bed in a Venetian palace, a dog asleep at her feet, maids searching a chest behind. Mark Twain called it 'the foulest, the vilest, the obscenest picture the world possesses'. Manet copied its pose exactly for Olympia.

  61. A Bar at the Folies-Bergère by Édouard Manet, 1882, The Courtauld

    Édouard Manet 1882 Impressionism The Courtauld, London 96 × 130 cm

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    Édouard Manet

    A Bar at the Folies-Bergère

    Manet's last major work, finished a year before his death. The barmaid Suzon stands before a mirror whose reflection does not match the room: the customer she faces appears on the right, the bottles shift. Generations of art historians have tried, and failed, to make the geometry work.

  62. The Calling of Saint Matthew by Caravaggio, 1599–1600, San Luigi dei Francesi

    Caravaggio 1599–1600 Baroque San Luigi dei Francesi, Rome 322 × 340 cm

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    Caravaggio

    The Calling of Saint Matthew

    A shaft of light from an unseen window crosses a Roman tavern as Christ points at a tax collector counting coins. Caravaggio's first public commission still hangs in the chapel it was painted for; visitors feed a coin into a meter to light it. Pope Francis has said he sees himself in Matthew.

  63. Wheatfield with Crows by Vincent van Gogh, 1890, Van Gogh Museum

    Vincent van Gogh 1890 Post-Impressionism Van Gogh Museum, Amsterdam 50.5 × 103 cm

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    Vincent van Gogh

    Wheatfield with Crows

    A double-square canvas of a field under a stormy sky with three diverging paths and a flock of crows, painted in Auvers in July 1890. Long presented as his last work before he shot himself in a similar field; it was not, but the legend made it the picture of an artist's final despair.

  64. The Tower of Babel by Pieter Brueghel the Elder, 1563, Kunsthistorisches Museum

    Pieter Brueghel the Elder 1563 Northern Renaissance Kunsthistorisches Museum, Vienna 114 × 155 cm

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    Pieter Brueghel the Elder

    The Tower of Babel

    Bruegel modelled the tower on the Colosseum, which he had drawn in Rome, and filled it with hundreds of tiny builders, cranes and a visiting king. The spiral already leans and the top floors are being built before the lower ones are finished. It is the picture of every overreaching project since.

  65. Luncheon of the Boating Party by Pierre-Auguste Renoir, 1880–1881, The Phillips Collection

    Pierre-Auguste Renoir 1880–1881 Impressionism The Phillips Collection, Washington, DC 130 × 173 cm

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    Pierre-Auguste Renoir

    Luncheon of the Boating Party

    Fourteen friends on the balcony of the Maison Fournaise at Chatou, including Renoir's future wife Aline with a dog and the painter Caillebotte in a straw hat. Duncan Phillips bought it in 1923 for 125,000 dollars, then a record. The restaurant still serves lunch on the same terrace.

  66. La Grande Odalisque by Jean-Auguste-Dominique Ingres, 1814, Musée du Louvre

    Jean-Auguste-Dominique Ingres 1814 Neoclassicism Musée du Louvre, Paris 91 × 162 cm

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    Jean-Auguste-Dominique Ingres

    La Grande Odalisque

    Commissioned by Napoleon's sister Caroline, Queen of Naples, a concubine looks back over a spine critics said had 'three vertebrae too many'. Ingres lengthened it on purpose. The distortion that shocked the 1819 Salon is why the figure is remembered, and why the Guerrilla Girls put a gorilla mask on it.

  67. The Hunters in the Snow by Pieter Brueghel the Elder, 1565, Kunsthistorisches Museum

    Pieter Brueghel the Elder 1565 Northern Renaissance Kunsthistorisches Museum, Vienna 117 × 162 cm

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    Pieter Brueghel the Elder

    The Hunters in the Snow

    Three hunters and their dogs return with a single fox to a village skating on frozen ponds, the first great winter landscape in European art, painted during the 'Little Ice Age'. Part of a cycle of the months for an Antwerp banker. Tarkovsky filmed it in 'Solaris'.

  68. Madame X by John Singer Sargent, 1883–1884, Metropolitan Museum of Art

    John Singer Sargent 1883–1884 Realism Metropolitan Museum of Art, New York 208.6 × 109.9 cm

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    John Singer Sargent

    Madame X

    Sargent painted the Parisian society beauty Virginie Gautreau in a black satin dress, one jewelled strap slipping from her shoulder. The 1884 Salon was scandalised; he repainted the strap and soon left Paris for London. He sold the portrait to the Metropolitan Museum in 1916, calling it the best thing he had done.

  69. Where Do We Come From? What Are We? Where Are We Going? by Paul Gauguin, 1897–1898, Museum of Fine Arts

    Paul Gauguin 1897–1898 Post-Impressionism Museum of Fine Arts, Boston 139 × 375 cm

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    Paul Gauguin

    Where Do We Come From? What Are We? Where Are We Going?

    Gauguin painted his largest canvas in Tahiti in a month, he said, before a failed suicide attempt with arsenic. Read from right to left, from a sleeping baby to an old woman, with the title written in the corner. He considered it his masterpiece; Boston bought it in 1936.

  70. Oath of the Horatii by Jacques-Louis David, 1784, Musée du Louvre

    Jacques-Louis David 1784 Neoclassicism Musée du Louvre, Paris 330 × 425 cm

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    Jacques-Louis David

    Oath of the Horatii

    Three Roman brothers swear on their swords to fight for the city while the women weep: a royal commission that became, five years later, the image of Revolutionary virtue. Painted in Rome and exhibited there first, it is the founding picture of Neoclassicism.

  71. Reply of the Zaporozhian Cossacks by Ilya Repin, 1880–1891, State Russian Museum

    Ilya Repin 1880–1891 Realism State Russian Museum, Saint Petersburg 203 × 358 cm

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    Ilya Repin

    Reply of the Zaporozhian Cossacks

    Repin spent more than ten years on these Cossacks roaring with laughter as they compose an insulting letter to the Ottoman sultan, after a legendary 17th-century text. Alexander III bought it for 35,000 roubles, then a record for a Russian painting. A second version is in Kharkiv; the scene is a symbol of Ukrainian defiance.

  72. Nude Descending a Staircase, No. 2 by Marcel Duchamp, 1912, Philadelphia Museum of Art

    Marcel Duchamp 1912 Cubism Philadelphia Museum of Art, Philadelphia 147 × 89 cm

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    Marcel Duchamp

    Nude Descending a Staircase, No. 2

    Rejected by the Cubists themselves at the 1912 Salon des Indépendants, the figure in twenty superimposed positions, inspired by chronophotography, became the scandal of the 1913 Armory Show in New York, where a critic called it 'an explosion in a shingle factory'. It made Duchamp famous in America.

  73. The Milkmaid by Johannes Vermeer, c. 1657–1658, Rijksmuseum

    Johannes Vermeer c. 1657–1658 Dutch Golden Age Rijksmuseum, Amsterdam 45.5 × 41 cm

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    Johannes Vermeer

    The Milkmaid

    A kitchen maid pours milk in a corner lit from a window, every nail hole and crumb of bread recorded with dots of light. The Rijksmuseum bought it in 1908 after a national debate in parliament over the price. Vermeer's 36 surviving paintings make each one a destination.

  74. Isle of the Dead by Arnold Böcklin, 1880, Kunstmuseum Basel

    Arnold Böcklin 1880 Symbolism Kunstmuseum Basel, Basel 111 × 115 cm

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    Arnold Böcklin

    Isle of the Dead

    A rowing boat carries a white-shrouded figure and a coffin towards a rocky island of cypresses. Böcklin painted five versions between 1880 and 1886, and prints of it hung in countless German homes. Rachmaninoff wrote a symphonic poem after it, and Hitler bought the third version in 1933. The first version is in Basel.

  75. The Return of the Prodigal Son by Rembrandt, c. 1661–1669, Hermitage Museum

    Rembrandt c. 1661–1669 Dutch Golden Age Hermitage Museum, Saint Petersburg 262 × 205 cm

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    Rembrandt

    The Return of the Prodigal Son

    One of Rembrandt's last paintings: the ragged son kneels against the chest of his half-blind father while the elder brother looks on. Catherine the Great bought it for the Hermitage in 1766. Henri Nouwen's 1992 book about it turned it into a meditation image for millions of readers.

  76. Starry Night Over the Rhône by Vincent van Gogh, 1888, Musée d'Orsay

    Vincent van Gogh 1888 Post-Impressionism Musée d'Orsay, Paris 72.5 × 92 cm

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    Vincent van Gogh

    Starry Night Over the Rhône

    Painted on the river bank in Arles by gaslight, with the Great Bear reflected in the water and a couple walking in the foreground, nine months before the Saint-Rémy 'Starry Night'. Van Gogh exhibited it at the Salon des Indépendants in 1889, one of the few times he showed work in public.

  77. The Gleaners by Jean-François Millet, 1857, Musée d'Orsay

    Jean-François Millet 1857 Realism Musée d'Orsay, Paris 83.5 × 110 cm

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    Jean-François Millet

    The Gleaners

    Three peasant women bend to pick leftover stalks after the harvest, a right of the poor, while the bountiful farm glows in the background. The 1857 Salon saw a socialist threat in their monumental bodies. It is now the image of rural labour in every history book.

  78. Christina's World by Andrew Wyeth, 1948, Museum of Modern Art

    Andrew Wyeth 1948 American Regionalism Museum of Modern Art, New York 82 × 121 cm

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    Andrew Wyeth

    Christina's World

    Anna Christina Olson, who had a degenerative muscle disease and refused a wheelchair, crawls across a field toward her farmhouse in Cushing, Maine. Wyeth used his wife as the body model. MoMA bought it for 1,800 dollars in 1949; its director later called it their most popular painting.

  79. Barge Haulers on the Volga by Ilya Repin, 1870–1873, State Russian Museum

    Ilya Repin 1870–1873 Realism State Russian Museum, Saint Petersburg 131.5 × 281 cm

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    Ilya Repin

    Barge Haulers on the Volga

    Repin painted eleven men dragging a barge upstream after meeting haulers on the Volga in 1870. Grand Duke Vladimir Alexandrovich bought it, it won a medal at the 1873 Vienna World's Fair and Dostoevsky praised its honesty. Soviet schoolbooks later used it as the image of the labour of the poor.

  80. The Blue Boy by Thomas Gainsborough, c. 1770, The Huntington

    Thomas Gainsborough c. 1770 Rococo The Huntington, San Marino, California 178 × 112 cm

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    Thomas Gainsborough

    The Blue Boy

    A merchant's son in a Van Dyck costume a century out of date, painted to prove that a portrait could be built on blue, against Reynolds's advice. Its sale to Henry Huntington in 1921 for 728,000 dollars, then the highest price for any painting, caused national mourning in Britain.

  81. The Card Players by Paul Cézanne, 1894–1895, Musée d'Orsay

    Paul Cézanne 1894–1895 Post-Impressionism Musée d'Orsay, Paris 47.5 × 57 cm

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    Paul Cézanne

    The Card Players

    Cézanne painted five versions of Provençal peasants absorbed in a game of cards, from five players down to two. The Orsay picture, the smallest, shows two men facing each other across a bottle. In 2011 another version was sold privately to the royal family of Qatar for a price reported at over 250 million dollars.

  82. The Two Fridas by Frida Kahlo, 1939, Museo de Arte Moderno

    Frida Kahlo 1939 Surrealism Museo de Arte Moderno, Mexico City 173.5 × 173 cm

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    Frida Kahlo

    The Two Fridas

    Painted in the months of her divorce from Diego Rivera, Kahlo's largest canvas shows two selves holding hands, hearts exposed and joined by an artery that one Frida clamps with surgical forceps. The Mexican government bought it in 1947 for 4,000 pesos, her highest price in her lifetime.

  83. Portrait of Dr Gachet by Vincent van Gogh, 1890, private collection

    Vincent van Gogh 1890 Post-Impressionism private collection 67 × 56 cm

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    Vincent van Gogh

    Portrait of Dr Gachet

    The homeopathic doctor who looked after Van Gogh in Auvers, leaning on a red table with a foxglove, painted with 'the heartbroken expression of our time'. Sold in 1990 for 82.5 million dollars to a Japanese businessman, a world record, it has not been seen in public since.

  84. A Burial at Ornans by Gustave Courbet, 1849–1850, Musée d'Orsay

    Gustave Courbet 1849–1850 Realism Musée d'Orsay, Paris 315 × 668 cm

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    Gustave Courbet

    A Burial at Ornans

    Courbet gave the funeral of an ordinary villager in his native Ornans the size of a history painting, with about fifty life-size inhabitants as his models. The 1850–1851 Salon was outraged that common people filled such a canvas. It became the manifesto of Realism, and Courbet called it the burial of Romanticism.

  85. The Kiss (Hayez) by Francesco Hayez, 1859, Pinacoteca di Brera

    Francesco Hayez 1859 Romanticism Pinacoteca di Brera, Milan 112 × 88 cm

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    Francesco Hayez

    The Kiss (Hayez)

    Painted the year the Austrians were driven out of Lombardy, the embrace of a young man about to leave and the woman he loves was read as a symbol of Italian unification, the colours of their clothes recalling the French and Italian flags. Hayez painted at least four versions; the first hangs in the Brera.

  86. Netherlandish Proverbs by Pieter Brueghel the Elder, 1559, Gemäldegalerie

    Pieter Brueghel the Elder 1559 Northern Renaissance Gemäldegalerie, Berlin 117 × 163 cm

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    Pieter Brueghel the Elder

    Netherlandish Proverbs

    Bruegel packed more than a hundred Flemish proverbs into one village square: a man banging his head against a wall, another filling the well after the calf has drowned, a globe turned upside down. Historians are still identifying them. His son Pieter the Younger painted about twenty copies of it.

  87. Irises by Vincent van Gogh, 1889, J. Paul Getty Museum

    Vincent van Gogh 1889 Post-Impressionism J. Paul Getty Museum, Los Angeles 71 × 93 cm

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    Vincent van Gogh

    Irises

    Painted in the asylum garden at Saint-Rémy in Van Gogh's first week there, before his first attack; his brother Theo showed it at the Salon des Indépendants. In 1987 it sold for 53.9 million dollars, a world record, to a buyer who could not pay; the Getty bought it in 1990.

  88. The Burial of the Count of Orgaz by El Greco, 1586–1588, Church of Santo Tomé

    El Greco 1586–1588 Mannerism Church of Santo Tomé, Toledo 480 × 360 cm

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    El Greco

    The Burial of the Count of Orgaz

    El Greco painted the legend of Saints Stephen and Augustine coming down to bury a 14th-century benefactor, with portraits of Toledo notables below and heaven opening above. It has never left the church it was made for. The boy in the foreground is the painter's son; the handkerchief in his pocket is dated 1578, his birth year.

  89. The Rokeby Venus by Diego Velázquez, 1647–1651, National Gallery

    Diego Velázquez 1647–1651 Baroque National Gallery, London 122.5 × 177 cm

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    Diego Velázquez

    The Rokeby Venus

    The only surviving female nude by Velázquez shows Venus from behind, her face blurred in the mirror held by Cupid. It hung at Rokeby Park in Yorkshire until the National Gallery bought it in 1906. In 1914 the suffragette Mary Richardson slashed it seven times with a meat cleaver; the cuts were repaired.

  90. The Fallen Angel by Alexandre Cabanel, 1847, Musée Fabre

    Alexandre Cabanel 1847 Academic art Musée Fabre, Montpellier 121 × 189.7 cm

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    Alexandre Cabanel

    The Fallen Angel

    Painted in Rome by the 24-year-old Cabanel, then a student of the French Academy, it shows Lucifer lying on a rock after his fall, a tear running from eyes full of anger. The Musée Fabre in Montpellier, the painter's home town, owns it; its furious, tearful face became a widely shared image online in the 2010s.

  91. The Wedding at Cana by Paolo Veronese, 1562–1563, Musée du Louvre

    Paolo Veronese 1562–1563 Venetian Renaissance Musée du Louvre, Paris 677 × 994 cm

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    Paolo Veronese

    The Wedding at Cana

    The largest painting in the Louvre, made for the refectory of San Giorgio Maggiore in Venice, sets Christ's first miracle in a Venetian banquet of more than 130 guests. Napoleon's troops cut it in two in 1797 to carry it to Paris. It now faces the Mona Lisa across the Salle des États.

  92. The Hay Wain by John Constable, 1821, National Gallery

    John Constable 1821 Romanticism National Gallery, London 130 × 185 cm

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    John Constable

    The Hay Wain

    A cart crossing the Stour by Willy Lott's cottage at Flatford, painted in Constable's London studio from oil sketches. Ignored in England, it won a gold medal at the 1824 Paris Salon and changed Delacroix's palette. In a 2005 BBC poll it was voted Britain's second favourite painting.

  93. The Fighting Temeraire by J. M. W. Turner, 1839, National Gallery

    J. M. W. Turner 1839 Romanticism National Gallery, London 91 × 122 cm

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    J. M. W. Turner

    The Fighting Temeraire

    A veteran of Trafalgar towed up the Thames by a steam tug to be broken up, under a sunset Turner set in the wrong direction on purpose. He refused every offer to sell it, calling it 'my darling'. Voted Britain's greatest painting in 2005; printed on the 20-pound note since 2020.

  94. The Nightmare by Henry Fuseli, 1781, Detroit Institute of Arts

    Henry Fuseli 1781 Romanticism Detroit Institute of Arts, Detroit 101.6 × 127 cm

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    Henry Fuseli

    The Nightmare

    A woman lies swooning with a demon squatting on her chest while a ghostly horse peers through the curtains. Shown at the Royal Academy in 1782, it made Fuseli famous overnight; engravings of it sold across Europe and he painted several more versions. Freud is said to have kept a print of it in his Vienna apartment.

  95. Judith Beheading Holofernes by Caravaggio, c. 1598–1599, Galleria Nazionale d'Arte Antica

    Caravaggio c. 1598–1599 Baroque Galleria Nazionale d'Arte Antica, Rome 145 × 195 cm

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    Caravaggio

    Judith Beheading Holofernes

    Caravaggio shows the very moment the young widow cuts through the Assyrian general's neck, her face torn between disgust and resolve while her old servant waits with the bag. Rediscovered in a private collection in 1951, it entered the Palazzo Barberini in 1971. Artemisia Gentileschi answered it with her own versions.

  96. The Art of Painting by Johannes Vermeer, c. 1666–1668, Kunsthistorisches Museum

    Johannes Vermeer c. 1666–1668 Dutch Golden Age Kunsthistorisches Museum, Vienna 120 × 100 cm

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    Johannes Vermeer

    The Art of Painting

    Vermeer shows a painter from behind, at work on a model posed as Clio, the muse of history, under a large map of the Netherlands. He kept the picture until his death, and his widow tried to save it from his creditors. Hitler bought it in 1940; it was returned to Austria in 1946.

  97. The Dance by Henri Matisse, 1910, Hermitage Museum

    Henri Matisse 1910 Fauvism Hermitage Museum, Saint Petersburg 260 × 391 cm

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    Henri Matisse

    The Dance

    Five red figures circle on a green hill under a blue sky, painted for the staircase of Sergei Shchukin's Moscow mansion, who nearly cancelled the order after the 1910 Salon d'Automne booed it. Matisse used only three colours. It is the image of joy that modern art keeps coming back to.

  98. The Weeping Woman by Pablo Picasso, 1937, Tate Modern

    Pablo Picasso 1937 Cubism Tate Modern, London 60 × 49 cm

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    Pablo Picasso

    The Weeping Woman

    Painted in the months after Guernica, it shows Dora Maar, Picasso's companion and the photographer who documented Guernica, her face broken into acid colours as she cries into a handkerchief. Picasso painted a whole series of weeping women that year. The Tate bought this one in 1987; another version was stolen in Melbourne in 1986.

  99. Girl with Balloon by Banksy, 2002, South Bank (removed)

    Banksy 2002 Street art South Bank (removed), London stencil mural

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    Banksy

    Girl with Balloon

    Banksy stencilled a girl letting go of a red heart-shaped balloon on the South Bank stairs in London in 2002. A framed version shredded itself at Sotheby's in October 2018 just after selling for 1.04 million pounds; renamed Love is in the Bin, it resold for 18.6 million pounds in 2021. A 2017 poll named it the UK's favourite artwork.

  100. The Massacre at Chios by Eugène Delacroix, 1824, Musée du Louvre

    Eugène Delacroix 1824 Romanticism Musée du Louvre, Paris 419 × 354 cm

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    Eugène Delacroix

    The Massacre at Chios

    Delacroix painted the slaughter of Greek islanders by Ottoman troops in 1822, two years after it happened, while Europe took sides in the Greek War of Independence. At the 1824 Salon Gros called it the massacre of painting, yet the French state bought it. It made the 26-year-old Delacroix the leader of Romanticism.

In figures

Who painted them, where they hang: the figures

Questions

Questions about famous paintings and their museums

What is the most famous painting in the world?

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The Mona Lisa by Leonardo da Vinci, painted around 1503 and kept at the Louvre in Paris. About 10 million people see it every year, more than any other painting, and its 1911 theft made it a worldwide celebrity. The Starry Night, The Last Supper, The Scream and Guernica complete the top five of this ranking.

Who is the most famous painter in the world?

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Leonardo da Vinci is the painter the world knows best: he painted the Mona Lisa and The Last Supper, Nos. 1 and 4 of this ranking. Vincent van Gogh is the most present, with nine of the 100, eight of them painted in the last thirty months of his life, and Pablo Picasso is the most famous painter of the 20th century. Our ranking of the 100 greatest painters of all time orders the artists themselves.

Who painted the most famous paintings?

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Vincent van Gogh has the most entries in this ranking with nine paintings, followed by Leonardo da Vinci and Jacques-Louis David with five each, Rembrandt with four, and Pablo Picasso, Johannes Vermeer, Édouard Manet, Francisco Goya, Ilya Repin and Pieter Bruegel the Elder with three each. Eight of the nine Van Gogh works were painted in the last two and a half years of his life.

Which art movement has the most famous paintings?

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Romanticism, with 11 of the 100, from Goya, Fuseli and Friedrich to Géricault, Delacroix, Turner and Constable. It is followed by the High Renaissance, Post-Impressionism and Realism, with 10 each, Neoclassicism and the Baroque with 6 each, Impressionism with 5 and Surrealism with 4. Grouped by period, the 19th century alone accounts for 43 of the 100 most famous paintings.

Where are the most famous paintings?

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The Musée d'Orsay in Paris holds nine of the 100, the Louvre eight, the National Gallery in London six, and the Museum of Modern Art in New York and the Prado in Madrid five each. Only three of the 100 are in private hands and one, Banksy's Girl with Balloon, was a street mural; the others can be seen in public museums or churches.

How is this ranking of famous paintings made?

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Each painting receives a recognition score: the readership of its Wikipedia articles over twelve months in the 40 largest languages (55%), the number of Wikipedia languages that cover it (20%), its place in published rankings of famous paintings (15%) and in Wikipedia's list of vital articles (10%). WahooArt's curators then review the list by hand. It measures fame, not artistic value, and is updated every year.

What is the most expensive painting ever sold?

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Leonardo da Vinci's Salvator Mundi, sold at Christie's in New York in November 2017 for 450.3 million dollars. Among the paintings in this ranking, the records are Klimt's Portrait of Adele Bloch-Bauer I (135 million dollars in 2006), Munch's The Scream pastel (119.9 million in 2012) and Van Gogh's Portrait of Dr Gachet (82.5 million in 1990).

What is the difference between the most famous and the most popular paintings?

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Fame measures how many people recognise a painting; popularity measures what people choose to buy or display. The Starry Night, Water Lilies and the Café Terrace at Night are both famous and popular. Guernica, The Raft of the Medusa and Saturn Devouring His Son are world-famous but rarely hung at home.

Can I buy a reproduction of a famous painting, and how much does it cost?

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Yes. Most of the paintings in this list are in the public domain; the next answer names the ones that may still be protected. WahooArt offers a hand-painted oil reproduction on linen canvas of each one, from about 200 dollars for a 50 cm high canvas, and a museum-quality art print on cotton canvas from about 50 dollars. Every entry below links to its order page with the exact price for your size.

Are famous paintings in the public domain?

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Paintings by artists who died more than 70 years ago are in the public domain in most countries, which covers 89 of the 100 works here. The eleven works by Picasso, Dalí, Magritte, Hopper, Wyeth, Duchamp, Warhol and Banksy may still be protected by copyright and are shown here for information.

What are the most famous modern paintings?

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In this ranking: Guernica, Les Demoiselles d'Avignon and The Weeping Woman by Picasso, The Persistence of Memory by Dalí, American Gothic by Grant Wood, Nighthawks by Hopper, The Son of Man and The Treachery of Images by Magritte, Malevich's Black Square, Duchamp's Nude Descending a Staircase, The Two Fridas by Kahlo, Christina's World by Wyeth and Warhol's Campbell's Soup Cans.

Which famous paintings are the oldest and the newest?

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The oldest is the Ghent Altarpiece by Hubert and Jan van Eyck, completed in 1432, two years before Jan's Arnolfini Portrait. The newest is Banksy's Girl with Balloon, stencilled in London in 2002; the newest canvas is Magritte's The Son of Man of 1964. The Renaissance (1400–1600) accounts for 23 of the 100 and the 19th century for 43.

Masterpieces that inspire us, by movement

Masterpieces that inspire us, by period