The 100 Famous Post Impressionism Paintings That Inspire Our Artists

Kröller-Müller Museum, Otterlo1888Oil on canvas81 × 65 cm

Most strikingly, the painting demonstrates Van Gogh's ambition to depict night not as a void of black, but as a richly colored experience filled with life and possibility. Created during a period of intense creativity for Van Gogh, this painting reflects his fascination with Japanese prints and their use of bold outlines and flattened perspective.

The singular detailartificial lightingcafé terrace

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Hermitage Museum, Saint Petersburg1908Oil on canvas180 × 220 cm

Falling squarely within the Post- Impressionist movement – and foreshadowing Matisse’s pivotal role in Fauvism – this piece departs dramatically from traditional representational painting. Instead of striving for photographic realism, Matisse prioritizes the expressive power of color and simplified forms.

The singular detailstill life arrangementbold color use (red)

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Museum of Fine Arts, Boston1897Oil on canvas139.1 × 374.6 cm

Arranged across a lush, dreamlike landscape blending Tahitian scenery with symbolic elements, the composition deliberately defies traditional Western narrative structure, reading from right to left. Rejecting the fleeting impressions of light favored by earlier Impressionists, he employed Synthetism – a technique prioritizing subjective experience and symbolic meaning over realistic representation.

The singular detailflattened aestheticnon-traditional composition (reads right to left)

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Van Gogh Museum, Amsterdam1886Oil on canvas32 × 25 cm

Executed in Van Gogh’s emerging Post-Impressionist style, the painting showcases his characteristic expressive brushwork and bold application of paint – an early example of the impasto technique he would later master. The rough rendering of the skull prioritizes form and emotional impact over anatomical precision.

The singular detaildefiancedark humor

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MOMA - Museum of Modern Art, New York City1897Oil on canvas129.5 × 200.7 cm

Created during the Post-Impressionist era, this painting reflects a growing interest in subjective experience and symbolic representation. The painting's initial reception was mixed, but it quickly gained recognition as a unique and powerful statement within the evolving art landscape.

The singular detailvibrant colorsjuxtaposition of vulnerability

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Bayerische Staatsgemaldesammlungen, Munich1888Oil on canvas91 × 71 cm

This duality reflects Van Gogh’s own internal struggles and his awareness of life's impermanence. This series of sunflower paintings was created during a particularly hopeful period for Van Gogh, as he prepared his “Yellow House” in Arles to become a haven for artists.

The singular detailwilting flowersvibrant colors

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Musée d'Orsay, Paris1893Oil on canvas97 × 130 cm

The painting captures two men engrossed in their card game, their focused expressions hinting at both strategy and perhaps a deeper contemplation of fortune’s fickle hand. The simple setting – a modest table, a bottle of wine, and worn clothing – speaks volumes about the hardships and realities of working-class life in late 19th-century France.

The singular detailquiet contemplationsomber mood

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Van Gogh Museum, Amsterdam1885Oil on canvas82 × 114 cm

Van Gogh intended to convey the honest toil and simple dignity of these laborers, whose hands that reach for the food have also tilled the earth. Despite its somber mood, the painting radiates a powerful humanity that makes it one of Van Gogh's most compelling works.

The singular detailintense focus on figures' faces and expressionsdark, earthy tones

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Musée d'Orsay, Paris1891Oil on canvas

Seated on what appears to be a woven mat, their postures suggest contemplation and quiet connection. This work reflects his fascination with Polynesian culture, though it’s important to acknowledge that his interpretation was filtered through a Western lens.

The singular detailbold colorssimplified shapes

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Pushkin State Museum, Moscow1911Oil on canvas140 × 95 cm

The central focus is a vibrant fishbowl filled with lively red goldfish, surrounded by lush greenery and colorful flowers. This piece is part of a series that includes other notable works like "Goldfish and Sculpture" and "Studio with Goldfish," all of which highlight Matisse's unique ability to blend color, form, and emotion.

The singular detaillush greenerypatterned wallpaper

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National Gallery, London1884Oil on canvas201 × 301.5 cm

The composition is balanced with a horizontal orientation, featuring figures scattered across the foreground and middle ground. "Bañistas en Asnieres" exemplifies Seurat's Post-Impressionist style, characterized by its emphasis on color, expressive brushwork, and a departure from strict realism.

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Yale University Art Gallery, New Haven1888Oil on canvas72 × 92 cm

This piece exemplifies Van Gogh’s mature Post-Impressionist style. Rejecting the purely optical concerns of Impressionism, he employed color and form to convey inner experience. Created during a period of intense creativity and personal struggle for Van Gogh, this artwork reflects his fascination with capturing the essence of everyday life while simultaneously revealing its underlying anxieties.

The singular detailsymbolic isolationintense colors

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Philadelphia Museum of Art1898–1905Oil on canvas210.5 × 250.8 cm

The painting presents thirteen nude female figures arranged in a woodland setting, seemingly lost in quiet contemplation near a body of water. Large Bathers (Philadelphia) emerged during a period of radical artistic experimentation.

The singular detailflattened perspectivenude figures

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1911Oil on canvas110 × 110 cm

Rejecting the constraints of academic tradition, Klimt and his fellow Secessionists sought to create a “total work of art,” integrating all artistic disciplines. “Farm Garden with Crucifix,” created during his mature period, showcases his independence and ability to seamlessly blend symbolic depth with aesthetic beauty.

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Buffalo AKG Art Museum1889Oil on canvas91 × 73 cm

Far removed from traditional religious iconography, it is a powerful statement of spiritual questioning and emotional distance, marking a significant departure within Post- Impressionist painting. The figure’s yellowish-green skin tone and elongated form immediately challenge conventional portrayals of Christ's suffering.

The singular detailbreton figuressymbolic landscape

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Van Gogh Museum, Amsterdam1888Oil on canvas72 × 92 cm

This piece exemplifies Van Gogh's pivotal role in the Post- Impressionist movement. Departing from Impressionism’s focus on fleeting moments of light, Van Gogh employed bold colors and expressive brushstrokes to convey his subjective experience of reality. Notably, the painting showcases “The Yellow House,” where Van Gogh hoped to establish an artist’s colony with Paul Gauguin.

The singular detailswirling blue skylamppost

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Centre Pompidou, Paris1923Oil on canvas90 × 116 cm

Executed with Valadon’s signature expressive brushwork, this painting exemplifies Post-Impressionism’s emphasis on subjective vision and emotional resonance. Unlike the smooth finishes favored by earlier artists, Valadon embraces visible strokes and a textured surface, lending a tactile quality to the work.

The singular detailopen bookfloral motifs

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Art Institute of Chicago1895Oil on canvas62 × 79 cm

This vibrant composition features a basket brimming with apples and pears, accompanied by bread rolls on a plate and a dark bottle. From living rooms to offices, "Basket of Apples" is a versatile piece that can enhance any decor style.

The singular detailvibrant contrast between warm fruits and cool backgroundbold colors and loose brushstrokes

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Van Gogh Museum, Amsterdam1888Oil on canvas72 × 90 cm

It offers an extraordinarily intimate glimpse into the artist’s private world – a space conceived as a haven, yet imbued with underlying emotional currents. The two chairs – one yellow, one green – are often interpreted as representing Van Gogh himself and a hoped-for companion, most likely Paul Gauguin.

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Pushkin State Museum, Moscow1904Oil on canvas60 × 73 cm

Cézanne’s genius lay not in replicating reality but in distilling its essence. Vollard's decision to organize a solo exhibition of Cézanne’s paintings in 1895 proved to be a turning point, bringing the artist’s work to a wider audience and establishing him as a major figure in the art world.

The singular detailmountain rangetrees

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Kunstmuseum Den Haag, The Hague1908–1910Oil on canvas70 × 99 cm

Classifying “Avond (Evening): The Red Tree” as purely Post-Impressionist feels somewhat reductive. This pursuit led him to experiment with Pointillism and Fauvism in his earlier works, ultimately leading him to the rigorous principles of Neoplasticism – a style characterized by primary colors, straight lines, and right angles.

The singular detailblue backgroundred tree

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Van Gogh Museum, Amsterdam1890Oil on canvas50 × 103 cm

Painted in July 1890, shortly before Van Gogh’s tragic death, this work has long been associated with his final days. While recent scholarship suggests Tree Roots was likely his last painting, Wheatfield with Crows remains powerfully linked to his emotional state at the time. 50 x 103 cm Date: 1890

The singular detailcrowswheat field

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Metropolitan Museum of Art, New York1888Oil paint or pastels100 × 155 cm

Seurat's "Circus Sideshow" is executed in his signature pointillist style, where tiny dots of color are meticulously applied to create a harmonious whole. Created in 1888, "Circus Sideshow" is part of Seurat's exploration of modern life and the urban experience.

The singular detailvibrant color palette with warm tonesuse of pointillist technique for textured effect

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Barnes Foundation, Philadelphia1892Oil on canvas73 × 92 cm

More than simply depicting a geographical feature, Cézanne sought to capture the essence of Mont Sainte-Victoire – its underlying structure, its relationship to space and light, and ultimately, its emotional resonance. Cézanne spent his later years in the hills overlooking Aix-en-Provence, returning repeatedly to Mont Sainte-Victoire as a source of inspiration.

The singular detailcolorbrushstrokes

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Hastings Museum Art Gallery1899Pen and brush and ink, watercolor and pencil

The café was opened by Pere Romeu, who had previously operated a similar establishment in Paris called Le Chat Noir. Picasso was a frequent visitor to the café and even held his first solo exhibition there in 1900. The painting is currently housed in the Hastings Museum and Art Gallery in the United Kingdom.

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Art Institute of Chicago1889Oil on canvas40 × 31 cm

Van Gogh’s self-portraits are renowned for their emotional depth and introspection. This particular Self-Portrait is notable for its simplicity and directness, with the artist wearing a blue shirt with white trim. The Rijksmuseum Vincent Van Gogh in Amsterdam is dedicated to showcasing the artist’s works and provides invaluable insights into his life and creative process.

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1905Oil on canvas

The painting depicts Madame Matisse, the artist's wife, elegantly adorned with an extravagant hat, becoming a symbol of both personal affection and artistic innovation. Emerging in the early 20th century, Fauvism (“wild beasts” in French) shocked the art world with its radical use of color.

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Fine Arts Museums of San Francisco1889Oil on panel24 × 15 cm

This wasn’t merely an aesthetic choice; Seurat was deeply interested in contemporary color theory – specifically the work of Michel Eugène Chevreul – believing that this method would achieve greater brilliance and accuracy in representing light and atmosphere. The painting presents the Eiffel Tower centrally positioned against a hazy Parisian sky.

The singular detailpointillist techniqueatmospheric perspective

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1909Oil on cardboard50 × 65 cm

The painting features a central table draped with a red-and-white checkered cloth, surrounded by various dishes and utensils. This period was marked by his involvement with the Der Blaue Reiter group, which emphasized spiritual and emotional resonance in art.

The singular detailcentral table with a red-and-white checkered clothlarge wooden cabinet adorned with various objects

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Whitney Museum of American Art, New York1894Oil on canvas59 × 72 cm

Painted in 1894, "Curtain, Jug and Fruit" reflects Cézanne's mature style, which bridged the gap between Impressionism and the avant-garde movements of the early 20th century. The arrangement of fruits in "Curtain, Jug and Fruit" can symbolize prosperity and the cycles of nature, while the jug may represent containment or the passage of time.

The singular detaileveryday objects arranged casuallyvibrant yet muted color palette

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Pushkin State Museum, Moscow1901Oil on canvas82 × 66 cm

The composition is balanced with the figure positioned slightly off-center to the right, creating a sense of space on the left side. "Sabartes" showcases Picasso's distinctive Post-Impressionist style, characterized by bold outlines, flat planes of color, and expressive brushstrokes.

The singular detailcontemplative expressionmuted palette

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1890Oil on canvas (presumed)39 × 31 cm

This work exemplifies Van Gogh's signature Post- Impressionistic style – a departure from strict realism towards subjective expression. While rooted in observation, the painting prioritizes conveying feeling through bold color choices and dynamic brushwork. Created towards the end of Van Gogh's tragically short life, this portrait reflects his ongoing experimentation with color and form.

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MOMA - Museum of Modern Art, New York City1905Oil on canvas72 × 59 cm

The year 1905 witnessed a seismic shift in artistic sensibilities. Impressionism’s serene landscapes and subtle tonal gradations were increasingly challenged by artists seeking to express emotion directly through vibrant hues—a reaction against what many perceived as the limitations of naturalistic representation.

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Kunstmuseum Basel1892Oil on canvas101 × 77 cm

Gauguin's paintings, while celebrating Tahitian culture, are also imbued with a sense of melancholy and a poignant awareness of the loss that accompanied Western contact. Artists like Pablo Picasso and Henri Matisse, deeply impacted by Gauguin’s work, would later build upon his revolutionary techniques and ideas.

The singular detailsymbolic figures

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Philadelphia Museum of Art1886Oil on canvas

This evocative painting transports viewers to a moonlit forest brimming with an alluring sense of mystery and quiet melancholy – a scene that feels both familiar and utterly dreamlike. Rejecting formal artistic training, he forged his own unique style characterized by bold, unmodulated colors, flattened forms, and an unconventional approach to perspective.

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45 × 33 cm

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Art Institute of Chicago1894Oil on canvas66 × 87 cm

This striking artwork immerses viewers in a vibrant scene rich with cultural and spiritual symbolism.

The singular detailspiritual symbolismindigenous motifs

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Hermitage Museum, Saint Petersburg1890Oil on canvas35.2 × 46.2 cm

" Still Life with Apples " is not only a beautiful piece of art but also an important milestone in the development of modern art. Still life with Apples Paul Cézanne: A pioneering French Post-Impressionist artist. A predominantly French art movement that developed roughly between 1886 and 1905.

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Musée d'Orsay, Paris1888Oil on canvas73 × 92 cm

Van Gogh's Post-Impressionist style is evident in the expressive use of color and bold brushwork. Starry Night Over the Rhone was painted during a prolific period in Van Gogh's life when he was living in Arles.

The singular detailtwo figures standing by the riverluminous stars and lights

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The Norton Simon Museum of Art, Pasadena1888Oil on canvas64 × 54 cm

This artwork is a quintessential example of Post-Impressionism, moving beyond the mere depiction of light and form to convey emotional experience. The visible brushstrokes aren’t merely a technique; they are integral to conveying Escalier’s weathered face, full white beard, and the very essence of his life lived outdoors.

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Orsay Museum, Paris1890Oil on canvas69 × 91.5 cm

Unlike Impressionism's focus on fleeting light effects, Synthetism prioritizes flattened planes of color and simplified forms, creating an illusionistic space that feels both stylized and emotionally resonant. The women's relaxed postures symbolize tranquility and harmony with their surroundings, mirroring Gauguin’s idealized vision of paradise.

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1916Oil on canvas

The painting titled The Return of the Fishing Fleet, Croisic is a work by the French artist Ferdinand Du Puigaudeau. Known in its original language as Le Retour de pêche au Croisic, the piece captures a specific maritime scene. The artist, Ferdinand Du Puigaudeau, rendered this composition in 1916.

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Eredità Bardini Museum1922Oil on canvas73 × 92 cm

The painting immediately draws the eye to a woman seated gracefully by an open window. The painting’s creation coincided with the burgeoning interest in psychological exploration within art—a trend fueled by thinkers like Sigmund Freud—reflecting Matisse's preoccupation with capturing inner states and emotions through visual imagery.

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Dallas Museum of Art1888Oil on canvas73 × 60 cm

The composition is anchored by a large tree that dominates the background, creating a vertical axis that draws the eye upward. Eragny-sur-Epte, where the artwork is set, was a place of solace for Pissarro, offering him inspiration and a retreat from urban life.

The singular detaillarge central treefigures engaged in apple picking

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Philadelphia Museum of Art1888Oil on canvas91 × 72 cm

Van Gogh's distinctive style is on full display in this artwork. Painted during Van Gogh's time in Arles, France, Twelve Sunflowers in a Vase was part of a series intended to decorate his home, which he hoped would become a shared studio with fellow artist Paul Gauguin.

The singular detailthick paint applicationvibrant colors

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1923Oil painting

“Standing Odalisque Reflected in a Mirror” succeeds in capturing a moment of quiet contemplation —a glimpse into the inner life of its subject. Created during a period of artistic experimentation following World War I, “Standing Odalisque Reflected in a Mirror” represents a significant step away from Impressionistic conventions.

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Kröller-Müller Museum, Otterlo1893Oil on canvas

The scene captures a specific moment in the Mediterranean landscape, where the fierce Mistral wind sweeps through the trees, adding an invisible layer of movement and energy to the stillness of the canvas. Moving away from the spontaneous, fleeting strokes of traditional Impressionism, Signac embraced a more scientific, disciplined approach to color theory.

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Philadelphia Museum of Art1918–1927Oil on canvas

While often categorized within Post-Impressionism due to its departure from strict realism, Paradise defies easy categorization. While influenced by artists like Paul Cézanne and Vincent van Gogh – particularly in his use of color and expressive brushwork – Duchamp quickly moved beyond their styles to forge his own unique path.

The singular detaileveadam

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MOMA - Museum of Modern Art, New York City1904Oil on canvas73 × 92 cm

Executed in the hallmark style of Post-Impressionism, this painting showcases bold, expressive brushwork and a vibrant color palette. During this era, Post-Impressionist painters like Cézanne sought to move beyond the fleeting impressions of Impressionism, emphasizing structure, volume, and underlying geometric forms.

The singular detailvibrant colorstextured brushwork

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Chrysler Museum of Art, Norfolk1891Oil on canvas90 × 130 cm

The central figure in this artwork is a reclining human-like form with an animal head, possibly a lion. Created during Gauguin's time in Tahiti, this artwork reflects his fascination with the island's culture and natural beauty.

The singular detailvibrant colorsdreamlike atmosphere

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1924Oil

The sun dips low toward the horizon, casting a warm, heavy glow across the Breton coastline. Two figures walk along the edge of the sand, their silhouettes softening as the light fades. In the distance, a solitary boat floats upon the water, a small speck against the shifting colors of the sea.

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J. Paul Getty Museum, Los Angeles1889Oil on canvas71 × 93 cm

Measuring 71 x 93 cm, “Irises” is a powerful expression of beauty found amidst personal turmoil, and remains one of his most beloved and recognizable works. This painting exemplifies Van Gogh’s distinctive Post- Impressionistic style. Created during a period of intense personal struggle, “Irises” offers a glimpse into Van Gogh's inner world.

The singular detailswirling brushstrokesvibrant blues

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Lenbachhaus, Munich1903Oil on canvas59 × 59 cm

The composition beautifully balances the figure of Münter with the surrounding landscape, creating a harmonious blend of human creativity and natural beauty. " Gabriele Münter painting in Kallmunz" reflects the early stages of this artistic evolution, showcasing Kandinsky’s transition from representational to more experimental styles.

The singular detailexpressive brushwork creating texture and movementvibrant color palette with earthy tones and bright accents

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Metropolitan Museum of Art, New York City1905Oil on canvas99 × 100 cm

This oil on canvas (99 x 100 cm) captures a fleeting moment inside the legendary Le Lapin Agile cabaret, a haven for artists, writers, and musicians in Montmartre. Created in 1905, this painting reflects a period of significant artistic experimentation and social change.

The singular detailharlequin figureself-portrait (possibly)

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1921Oil on canvas

On the Beach is an oil on canvas by the French artist Henri Lebasque. Created about 1921, the work reflects the artist's established interest in the interplay of light and leisure. The painting belongs to a period in Lebasque's career following his 1906 transformation in color application.

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ArtsDot.com1901Oil on canvas

The skull, centrally positioned and holding an apple in its skeletal hand, immediately draws the viewer's attention. Still Life with Skull is a quintessential example of Cézanne’s Post- Impressionistic style. Painted in 1901, towards the end of Cézanne's career, Still Life with Skull reflects a growing preoccupation with mortality that characterized his later works.

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1888Oil on canvas92 × 73 cm

Painted during Van Gogh's prolific period in Arles, France, this artwork exemplifies his Post-Impressionist approach. Unlike the Impressionists who focused on capturing fleeting moments of light, Van Gogh infused his work with emotional intensity and bold, expressive brushstrokes.

The singular detailbold, expressive linesthick, impasto brushstrokes

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Oil on canvas on board

Theatre du Vaudeville is an oil painting by the artist Edouard Cortès. The work depicts a Parisian street scene, focusing on the urban landscape and the activity surrounding a theater. Edouard Cortès was born in Lagny-sur-Marne, France, in 1882.

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Philadelphia Museum of Art1902Oil on canvas61 × 50 cm

Marcel Duchamp, a pioneer of conceptual art, is renowned for his innovative and thought-provoking works. Duchamp’s technique in Landscape at Blainville demonstrates his skill in capturing light and texture, drawing the viewer into the serene world he has created. Experience the tranquility of Marcel Duchamp's 'Landscape at Blainville' with AllPaintingsStore.com.

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Gemeentemuseum den Haag, The Hague1908Ink72 × 47 cm

Post-Impressionism arose as a reaction against Impressionists' preoccupation with capturing fleeting moments of light and color. While color isn't explicitly prominent, Mondrian’s palette during this period favored muted tones that prioritized form over vibrant hues—a characteristic of De Stijl’s aesthetic principles.

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Metropolitan Museum of Art, New York1891Oil on canvas113.7 × 87.6 cm

This work encapsulates Gauguin’s radical departure from European artistic conventions and his quest to capture spirituality outside the confines of Western tradition. Driven by disillusionment with Parisian society, Gauguin sought refuge in Tahiti, believing its untamed beauty and vibrant culture held the key to a more genuine way of life.

The singular detailmountainous backgroundapparition of Mary

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1920Oil on canvas

Created in 1920, this work reflects the post-World War I era’s exploration of human emotion and identity. The influence of Impressionism and Post-Impressionism is evident in the vibrant palette and textured surface, while the emphasis on emotional resonance aligns with the broader modernist movement.

The singular detailvivid interplay of color, texture, and linerich textured surface

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National Gallery of Art, Washington1905Oil on canvas81 × 101 cm

This approach bridges Impressionism’s focus on light and color with the more analytical concerns of Cubism. Created during a pivotal moment in art history, Still Life with Apples and Peaches reflects Cézanne's departure from traditional artistic conventions. Post-Impressionism Key Features: Planes of color, deliberate brushstrokes, geometric forms.

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National Gallery of Art, Washington1905Oil on canvas

It was here, amidst the salt air and sun-drenched Mediterranean coast, that Henri Matisse birthed a revolution. Technically, Open Window, Collioure is a triumph of flattened perspective and textural richness. Ultimately, Matisse’s vision remains as potent today as it was over a century ago.

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1907Oil paint69 × 105 cm

The composition centers on a woman reclining within the confines of a bed. The woman’s hand is visible in the lower portion of the scene, making contact with her child. The painting captures a quiet, private moment, a theme present in his other works from this period.

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1920Oil76 × 107 cm

Created about 1920, the painting captures a specific moment of military aftermath in the Middle East. Carline, born in London, United Kingdom, in 1888, brought a unique perspective to the canvas, shaped by his direct experiences during the First World War.

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Metropolitan Museum of Art, New York1894Oil on canvas72.4 × 90.5 cm

This beautiful oil on canvas painting is housed at the Metropolitan Museum of Art in New York, United States. The painting depicts a peaceful farm scene in Brittany, characterized by red brick houses surrounded by lush green trees. For those who appreciate the beauty of Farm in Brittany, AllPaintingsStore.com offers high-quality, handmade oil painting reproductions.

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Pushkin State Museum, Moscow1888Oil on canvas75 × 93 cm

Furthermore, Van Gogh’s artistic development during this period was significantly shaped by Japanese woodblock prints (Ukiyo-e). AllPaintingsStore offers meticulously hand-painted reproductions of “The Red Vineyard,” capturing the essence of Van Gogh’s original vision with exceptional detail and fidelity.

The singular detailhorsegrapes

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National Gallery, London1879Oil on canvas53.5 × 72.4 cm

Paul Cezanne was a French artist, often considered the father of modern art. Cezanne's innovative approach to painting laid the groundwork for many 20th-century artistic styles, including Fauvism, Cubism, and Expressionism. Cezanne's unique approach to painting color and form laid the foundation for many 20th-century artistic movements.

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Pushkin Museum1912Oil on canvas

Rejecting naturalistic representation, Matisse embraced pure color—unmixed pigments applied directly to the canvas—creating an audacious visual experience that prioritized feeling over observation. This bold chromatic palette, reminiscent of landscapes from Morocco, immediately distinguishes “Entrance to the Kasbah” from its contemporaries.

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Ohara Museum of Art, Kurashiki1890Oil on canvas81 × 65 cm

Cézanne wasn't interested in merely reproducing what he saw; he sought to understand and reconstruct the underlying structure of nature. Born and largely based in Aix-en-Provence, France, Cézanne held a lifelong fascination with his native landscape.

The singular detailvibrant colorsthick impasto

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1890Oil on canvas67 × 56 cm

The artwork exemplifies Van Gogh's distinctive Post-Impressionist style, characterized by bold brushstrokes, vibrant colors, and an emphasis on personal expression over realistic depiction. Dr. Gachet, who was also an artist, became a close friend and confidant to Van Gogh during this time, providing both medical care and emotional support.

The singular detailvivid color paletteswirling background patterns

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Hermitage Museum, Saint Petersburg1909Oil on canvas75 × 97 cm

Winter Landscape depicts a serene winter scene featuring a house in the middle of a snowy field, surrounded by trees. Kandinsky's Winter Landscape is not only a beautiful piece of art but also an important milestone in the development of modern art.

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Musée d'Orsay, Paris1898Oil on canvas140 × 91 cm

Instead, he employs a Synthetist approach—a technique pioneered by Cézanne and championed by Gauguin himself—that prioritizes flattened planes of color and simplified forms over meticulous detail. Initially drawn to Impressionist techniques through his acquaintance with Camille Pissarro, he swiftly recognized the limitations of this style and embarked on a path toward artistic independence.

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Virginia Museum of Fine Arts, Richmond1877Oil on canvas (presumed)46 × 38 cm

Painted at a time when Cézanne was striving to establish his artistic identity, this portrait reflects a deep connection between artist and subject. It’s a snapshot of bourgeois life in late 19th-century France, meticulously observed and translated onto canvas.

The singular detailmuted color paletteformal composition

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Centre Pompidou, Paris1907Oil24 × 33 cm

In “Park von Saint-Cloud, Waldlichtung,” these principles are brilliantly applied. “Park von Saint-Cloud, Waldlichtung” was created during a period of significant artistic ferment in Europe. Kandinsky’s work reflects these broader trends while simultaneously forging his own unique path.

The singular detailforest landscape

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Kröller-Müller Museum, Otterlo1888Oil32 × 35 cm

"Willows at Sunset" is a mesmerizing landscape painting that captures the essence of nature's beauty through vibrant colors and dynamic brushwork. Created in 1888 by Vincent van Gogh, this small yet powerful artwork showcases his distinctive Post-Impressionist style, characterized by bold colors, expressive lines, and thick impasto application.

The singular detailthick impasto texturesbold colors and expressive brushwork

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Metropolitan Museum of Art, New York1892Oil on canvas

This painting represents a pivotal moment in his career, marking a decisive shift away from the constraints of Impressionism and toward a bolder, more subjective style. Artists such as Pablo Picasso and Henri Matisse were deeply inspired by his work, adopting elements of his style to create their own groundbreaking art.

The singular detailsynthetist style

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MOMA - Museum of Modern Art, New York City1893Oil on canvas46.3 × 56.5 cm

The composition is a masterclass in the Post-Impressionist approach to space.

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1912Oil

In this corner of a garden, the season is making its final, colorful protest. Near the center, a solitary bench sits empty, waiting for a traveler to pause and witness the slow descent of the year.

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1910Oil on panel

Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth. The work belongs to the Post- Impressionism style.

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1915Oil on canvas-board

In the distance, a church steeple rises against the horizon, anchoring the composition amidst the sprawling greenery. This view captures the intersection of human settlement and the natural expanse of the countryside. The brushwork captures the textures of the fields and the atmospheric quality of the Devon sky.

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1913Oil on canvas93 × 67 cm

The narrow alleyway of Tin Ghaut breathes with a quiet, lived-in energy. Around her, the street hums with the subtle movements of daily life. The slipway, once a vital artery for the local community, was lost to urban renovation in the 1960s.

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1913Oil on canvas

In this 1913 oil on canvas, Roger Fry captures a quiet moment within the landscape of rural France. The work, titled Fort St André, Villeneuve-lès-Avignon, presents a view of a hillside and the surrounding coastal landscape. The scene focuses on the presence of the fort and the natural contours of the terrain.

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1909Oil92 × 61 cm

A naked man sits upon a wooden chair, positioned in the center of the frame. The work, dated 1909, demonstrates a focus on tonal depth and the structural harmony of the human form. The composition reflects a mastery of draftsmanship, a skill refined through rigorous study at the Slade School of Fine Art.

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The Phillips Collection, Washington, D.C.1914Oil on canvas

The scene unfolds beside a tranquil lakeside, where a group of figures—women and children alike—are gathered in a moment of shared repose. As the eye wanders across the composition, one encounters not just a social gathering, but a rhythmic dance of color and form.

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22 × 30 cm

Its story

1920Oil55 × 30 cm

Across from them, another figure sits in a similar state of quiet contemplation, staring out into the world beyond the glass. A single potted plant rests near the center of the scene, its green leaves providing the only organic interruption to the structured geometry of the dining area.

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1890

Its story