The Louvre, Paris, France

Originals · The Louvre, Paris

Famous Paintings in the Louvre: the Originals

1435 – 1913

Leonardo da Vinci's Mona Lisa (1503–1519) is the best-known painting in the Louvre; after it come Eugène Delacroix's Liberty Leading the People (1831), Jacques-Louis David's The Oath of the Horatii (1784) and Théodore Géricault's The Raft of the Medusa (1818).

The list below ranks the 25 best-known paintings of the Louvre, dated 1435 to 1913, by 16 painters.

25originals, ranked by fame
16painters of the originals, Jan van Eyck to Henri Matisse
3originals by Leonardo da Vinci, the most here
2,833originals of the Louvre in our catalogue

The originals

The 10 famous paintings of the Louvre our artists study first

The painter, the date, the medium and the dimensions of each original, with a note from its page.

  1. Mona Lisa (La Gioconda) by Leonardo da Vinci, 1503–1519
  2. Liberty Leading the People by Eugène Delacroix, 1831
  3. The Oath of the Horatii by Jacques-Louis David, 1784
  4. The Raft of the Medusa by Théodore Géricault, 1818
  5. The Grande Odalisque by Jean-Auguste-Dominique Ingres, 1814
  6. The Embarkation for Cythera by Jean-Antoine Watteau, 1717
  7. Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine by Jacques-Louis David, 1805
  8. The Massacre at Chios by Eugène Delacroix, 1824
  9. Saint John the Baptist by Leonardo da Vinci, 1515
  10. Portrait of Louis XIV by Hyacinthe Rigaud, 1701
  1. Mona Lisa (La Gioconda) by Leonardo da Vinci, 1503–1519, The Louvre

    Leonardo da Vinci (1452–1519)

    1. Mona Lisa (La Gioconda) by Leonardo da Vinci, 1503–1519

    The Louvre, Paris1503–1519Oil on poplar panel77 × 53 cm

    The work, known as Mona Lisa (La Gioconda), was created over a significant period, with the artist working on the piece between 1503 and 1519. Following the artist's passing, King Francis I acquired the work after 1519. On 21 August 1911, the painting vanished from its place, stolen by Vincenzo Peruggia. The Virgin and Child with Saint Anne, 1510 Lady with an Ermine, 1490 Saint John the Baptist, 1515 To encounter this portrait, one must visit the Louvre Museum in Paris.

    The originalOriginals by Leonardo da Vinci

  2. Liberty Leading the People by Eugène Delacroix, 1831, The Louvre

    Eugène Delacroix (1798–1863)

    2. Liberty Leading the People by Eugène Delacroix, 1831

    The Louvre, Paris1831Oil on canvas260 × 325 cm

    Painted in 1830, this monumental piece commemorates the July Revolution that toppled King Charles X, marking a pivotal moment in French history. The composition is a whirlwind of action, with figures arranged in a dynamic triangular formation that draws the viewer's eye to the central figure—a bare-breasted woman personifying Liberty.

    The originalOriginals by Eugène Delacroix

  3. The Oath of the Horatii by Jacques-Louis David, 1784, The Louvre

    Jacques-Louis David (1748–1825)

    3. The Oath of the Horatii by Jacques-Louis David, 1784

    The Louvre, Paris1784Oil on canvas329.8 × 424.8 cm

    It depicts the three Horatii brothers, poised in a state of resolute determination, as they pledge their lives to the Roman cause. The painting was created during a period of burgeoning republican sentiment in France, and its themes of sacrifice and duty acted as a powerful precursor to the revolutionary fervor that would soon transform Europe.

    The originalOriginals by Jacques-Louis David

  4. The Raft of the Medusa by Théodore Géricault, 1818, The Louvre

    Théodore Géricault (1791–1824)

    4. The Raft of the Medusa by Théodore Géricault, 1818

    The Louvre, Paris1818Oil on canvas491 × 716 cm

    The sinking of the Méduse wasn’t simply a nautical accident. It became a national outrage when it was revealed that the captain, appointed due to political connections rather than naval experience, abandoned 150 passengers and crew on a hastily constructed raft.

    The originalOriginals by Théodore Géricault

  5. The Grande Odalisque by Jean-Auguste-Dominique Ingres, 1814, The Louvre

    Jean-Auguste-Dominique Ingres (1780–1867)

    5. The Grande Odalisque by Jean-Auguste-Dominique Ingres, 1814

    The Louvre, Paris1814Oil on canvas91 × 162 cm

    This deliberate distortion, initially criticized, contributes to the painting’s dreamlike quality and emphasizes its aesthetic rather than purely realistic intent. The subject matter – an odalisque, or concubine within a Turkish harem – reflects the growing European interest in Eastern cultures during the 19th century. However, it quickly became an emblem of Ingres’ unique style and a pivotal work in the transition between Neoclassicism and Romanticism. Today, it remains one of the most recognizable and celebrated paintings in the collection of the Louvre Museum.

    The originalOriginals by Jean-Auguste-Dominique Ingres

  6. The Embarkation for Cythera by Jean-Antoine Watteau, 1717, The Louvre

    Jean-Antoine Watteau (1684–1721)

    6. The Embarkation for Cythera by Jean-Antoine Watteau, 1717

    The Louvre, Paris1717Oil on canvas129 × 194 cm

    The artwork depicts a lively scene of aristocratic revelry set against a pastoral landscape. Watteau's distinctive Rococo style is characterized by its lightheartedness, decorative detail, and emphasis on color and movement. This genre celebrated the carefree and pleasure-seeking lifestyle of the French aristocracy following the death of Louis XIV.

    The originalOriginals by Jean-Antoine Watteau

  7. Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine by Jacques-Louis David, 1805, The Louvre

    Jacques-Louis David (1748–1825)

    7. Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine by Jacques-Louis David, 1805

    The Louvre, Paris1805Oil on canvas629 × 979 cm

    The painting captures the electric atmosphere of the ceremony, where every gesture and gaze is laden with political significance. In this triumph of the Neoclassical movement, David eschews the frivolous ornamentation of the preceding Rococo era in favor of a rigorous, structured composition that reflects the stability of the new empire. The composition guides the eye through a sea of meticulously rendered figures—from the regal presence of Empress Josephine to the solemn onlookers in the crowd—ensuring that the viewer's focus remains fixed on the central act of coronation.

    The originalOriginals by Jacques-Louis David

  8. The Massacre at Chios by Eugène Delacroix, 1824, The Louvre

    Eugène Delacroix (1798–1863)

    8. The Massacre at Chios by Eugène Delacroix, 1824

    The Louvre, Paris1824Oil on canvas419 × 354 cm

    Delacroix, deeply moved by accounts of the atrocities, sought to capture not just the facts of the battle but also its devastating emotional consequences. “The Massacre at Chios” is a quintessential example of Romantic art. The central image of the Ottoman soldier on horseback, a symbol of imperial oppression and brutality, dominates the scene. However, over time, it has come to be recognized as one of Delacroix's most important works and a cornerstone of Romantic art.

    The originalOriginals by Eugène Delacroix

  9. Saint John the Baptist by Leonardo da Vinci, 1515, The Louvre

    Leonardo da Vinci (1452–1519)

    9. Saint John the Baptist by Leonardo da Vinci, 1515

    The Louvre, Paris1515Oil on panel69 × 57 cm

    The background of the painting is dark, which dramatically emphasizes the figure of Saint John, drawing the viewer’s eye directly to his expressive countenance. This careful consideration of composition and tonal harmony exemplifies Da Vinci’s meticulous attention to detail and his unwavering commitment to achieving artistic perfection.

    The originalOriginals by Leonardo da Vinci

  10. Portrait of Louis XIV by Hyacinthe Rigaud, 1701, The Louvre

    Hyacinthe Rigaud (1659–1743)

    10. Portrait of Louis XIV by Hyacinthe Rigaud, 1701

    The Louvre, Paris1701Oil on canvas277 × 194 cm

    This magnificent portrait captures the formidable presence of Louis XIV, the Sun King, in his regal splendor. Created by the renowned French Baroque painter Hyacinthe Rigaud in 1701, this artwork exemplifies the grandeur and meticulous detail characteristic of the Baroque era. Commissioned during a pivotal moment in European history, this portrait was painted in 1701, a year marked by political upheaval and the impending War of Spanish Succession. Rigaud’s portrayal of Louis XIV as a confident, majestic figure reinforces the image of stability and power that the Sun King sought to project across France and Europe.

    The originalOriginals by Hyacinthe Rigaud

More originals

No. 11 to No. 25: more famous paintings in the Louvre

  1. The Death of Sardanapalus by Eugène Delacroix, 1827, The Louvre

    11. The Death of Sardanapalus

    Eugène Delacroix · 1827

    Oil on canvas · 395 × 496 cm

    This act of defiant destruction forms the core narrative. “The Death of Sardanapalus” is not simply a historical depiction; it's an exploration of human emotion at its most extreme.

  2. The Virgin and Child with Saint Anne by Leonardo da Vinci, 1510, The Louvre

    12. The Virgin and Child with Saint Anne

    Leonardo da Vinci · 1510

    Oil painting · 168 × 130 cm

    This oil painting, created around 1510, captures a serene moment of intimate interaction between three figures set against a tranquil landscape. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence. The lamb held by the Christ Child symbolizes His future sacrifice and the redemption of humanity.

  3. The Virgin to Chancellor Rolin by Jan van Eyck, 1435, The Louvre

    13. The Virgin to Chancellor Rolin

    Jan van Eyck · 1435

    Oil on panel · 66 × 62 cm

    This oil on panel composition was commissioned by Nicolas Rolin, who held the position of Chancellor of the Duchy of Burgundy. It remained in this location for several centuries, housed within the religious structure until the church was destroyed in 1793. Following this destruction, the work was moved to the Musée du Louvre in 1805.

  4. The Wedding at Cana by Paolo Veronese, 1563, The Louvre

    14. The Wedding at Cana

    Paolo Veronese · 1563

    Oil on canvas · 677 × 994 cm

    The scene, likely set within a majestic church or ceremonial hall, captures a moment of significance, emphasizing the unity and spiritual devotion of the gathered figures. The composition’s depth and complexity draw viewers into a bustling, vibrant world where human activity and sacred architecture intertwine seamlessly.

  5. Basket with Oranges by Henri Matisse, 1913, The Louvre

    15. Basket with Oranges

    Henri Matisse · 1913

    Oil on canvas · 94 × 83 cm

    The central focus of this painting is a bowl filled with oranges and lemons, placed on a table adorned with a floral-patterned cloth. Created in 1913, "Basket with Oranges" reflects Matisse's ongoing exploration of color and form during a pivotal period in modern art.

  6. Gilles by Jean-Antoine Watteau, 1719, The Louvre

    16. Gilles

    Jean-Antoine Watteau · 1719

    Oil on canvas (presumed) · 185 × 150 cm

    Watteau revolutionized French painting with his invention of the fête galante – a genre depicting elegant outdoor gatherings infused with a sense of playful romance and gentle melancholy. This painting reflects the aristocratic tastes of early 18th-century France, where leisure, refinement, and subtle emotional expression were highly valued.

  7. The Turkish Bath by Jean-Auguste-Dominique Ingres, 1863, The Louvre

    17. The Turkish Bath

    Jean-Auguste-Dominique Ingres · 1863

    Oil on panel · 110 × 108 cm

    Within this hazy, sun-drenched bathhouse, a multitude of nude figures are arranged in a rhythmic dance of limbs and light. While many of his contemporaries in the Romantic movement embraced turbulent brushstrokes and emotional distortion, Ingres remained a steadfast guardian of line.

  8. The Ship of Fools by Hieronymus Bosch, 1500, The Louvre

    18. The Ship of Fools

    Hieronymus Bosch · 1500

    Oil painting · 58 × 33 cm

    Central to the composition is a fantastical figure with a bird-like head, perched atop a lush, mystical tree embedded with a skull, symbolizing mortality and the transient nature of human life. Produced around 1500, this painting reflects the moral and religious concerns of its time, particularly the critique of societal excess and spiritual neglect.

  9. The Astronomer by Johannes Vermeer, 1668, The Louvre

    19. The Astronomer

    Johannes Vermeer · 1668

    Oil on canvas · 50 × 45 cm

    This intimate portrait of an astronomer engrossed in study offers a glimpse into the intellectual pursuits of 17th-century scholars, rendered with Vermeer's signature luminosity and meticulous detail. These works reflect the Dutch Golden Age's fascination with scientific exploration and intellectual achievement.

  10. Death of the Virgin by Caravaggio, 1601, The Louvre

    20. Death of the Virgin

    Caravaggio · 1601

    Oil on canvas · 369 × 245 cm

    The city pulsed with artistic fervor but also wrestled with social tensions, offering a fertile ground for an artist determined to forge his own path. Commissioned by Laerzio Cherubini for the Santa Maria della Scala church in Rome, “Death of the Virgin” initially faced resistance from ecclesiastical authorities.

  11. The Marriage at Cana by Paolo Veronese, 1563, The Louvre

    21. The Marriage at Cana

    Paolo Veronese · 1563

    Oil on canvas · 666 × 990 cm

    The painting's composition is framed by towering classical columns and arches, which not only create a sense of grandeur but also serve as a backdrop for the bustling activity. This emotional depth, combined with the painting's technical mastery, makes "The Marriage at Cana" a powerful and moving work of art.

  12. Basket of Peaches by Jean-Baptiste-Siméon Chardin, 1768, The Louvre

    22. Basket of Peaches

    Jean-Baptiste-Siméon Chardin · 1768

    Oil on canvas · 39 × 32 cm

    Arranged alongside are a dark glass, likely holding wine or cordial, a simple knife, and two walnuts. Painted during the height of his career, Basket of Peaches exists within a fascinating artistic landscape.

  13. The Rape of the Sabine Women by Nicolas Poussin, 1637, The Louvre

    23. The Rape of the Sabine Women

    Nicolas Poussin · 1637

    Oil on canvas · 159 × 206 cm

    The artwork captures the moment when Romulus, the founder of Rome, orchestrated the abduction of Sabine women to ensure the survival and growth of his city. This event, steeped in legend and history, was a popular subject among Renaissance and Baroque artists, symbolizing both the brutality and necessity of founding a new society.

  14. The Lictors Returning to Brutus the Bodies of his Sons by Jacques-Louis David, 1789, The Louvre

    24. The Lictors Returning to Brutus the Bodies of his Sons

    Jacques-Louis David · 1789

    Oil on canvas · 323 × 422 cm

    Created in 1789, the painting exemplifies Jacques-Louis David’s mastery of Neoclassical style —characterized by its clarity, precision, and restrained elegance. The story of Brutus was a potent symbol of sacrifice for the greater good, aligning with the revolutionary ideals of liberty and republicanism.

  15. La Belle Jardiniere by Raphael, 1507, The Louvre

    25. La Belle Jardiniere

    Raphael · 1507

    Oil on oak panel · 118 × 81 cm

    The composition is carefully balanced, with the Madonna gently cradling the infant Jesus, both figures radiating calmness and tenderness. The figures are positioned to create a harmonious flow, guiding the eye naturally across the scene and emphasizing the central theme of maternal care and divine innocence.

The collection in figures

The originals of the Louvre in our catalogue

2,682 originals of the Louvre — paintings and works on paper — century by century

  • 12th century2
  • 13th century7
  • 14th century16
  • 15th century145
  • 16th century244
  • 17th century372
  • 18th century277
  • 19th century227
  • 20th century4

The originals in figures

The countries the painters of the Louvre came from

  • France1311
  • Italy544
  • Netherlands297
  • Belgium189
  • Germany88
  • United Kingdom62
  • Spain30
  • Norway25

Two museums

The Louvre and the Musée d'Orsay: two collections of originals

The Louvre

Originals in our catalogue
2,833
Painted between
1180 – 1913, most from the 17th century
Most famous originals
Mona Lisa (La Gioconda), Liberty Leading the People, The Oath of the Horatii
Most originals by
Pierre-Henri de Valenciennes, Eustache Le Sueur, Eugène Delacroix

The Musée d'Orsay

Originals in our catalogue
1,598
Painted between
1819 – 1952, most from the 19th century
Most famous originals
The Origin of the World, The Luncheon on the Grass, Dance at the Moulin de la Galette
Most originals by
Claude Monet, Pierre-Auguste Renoir, Paul Cézanne

Questions to the studio

Questions about the originals of the Louvre

Open a question to read our answer.

What is the best-known painting of the Louvre?

Leonardo da Vinci's Mona Lisa (1503–1519) is the most famous painting in the Louvre and No. 1 of this ranking, ahead of Eugène Delacroix's Liberty Leading the People (1831), Jacques-Louis David's The Oath of the Horatii (1784) and Théodore Géricault's The Raft of the Medusa (1818).

Which five paintings of the Louvre are the most famous?

In order: Mona Lisa (La Gioconda) by Leonardo da Vinci, Liberty Leading the People by Eugène Delacroix, The Oath of the Horatii by Jacques-Louis David, The Raft of the Medusa by Théodore Géricault and The Grande Odalisque by Jean-Auguste-Dominique Ingres.

Which Leonardo da Vinci paintings hang in the Louvre?

3 of the 25 paintings of this ranking are by Leonardo da Vinci: Mona Lisa (La Gioconda) (No. 1), Saint John the Baptist (No. 9) and The Virgin and Child with Saint Anne (No. 12). Our catalogue lists 31 records of Vinci's works at the Louvre.

How many Eugène Delacroix paintings are in the Louvre?

3 of the 25 paintings of this ranking are by Eugène Delacroix: Liberty Leading the People (No. 2), The Massacre at Chios (No. 8) and The Death of Sardanapalus (No. 11). Our catalogue lists 42 records of Delacroix's works at the Louvre.

Are there any Jacques-Louis David paintings in the Louvre?

3 of the 25 paintings of this ranking are by Jacques-Louis David: The Oath of the Horatii (No. 3), Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine (No. 7) and The Lictors Returning to Brutus the Bodies of his Sons (No. 24). Our catalogue lists 37 records of David's works at the Louvre.

What are the 10 most famous paintings in the Louvre?

The ten best-known paintings of the Louvre are Mona Lisa (La Gioconda) (Leonardo da Vinci), Liberty Leading the People (Eugène Delacroix), The Oath of the Horatii (Jacques-Louis David), The Raft of the Medusa (Théodore Géricault), The Grande Odalisque (Jean-Auguste-Dominique Ingres), The Embarkation for Cythera (Jean-Antoine Watteau), Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine (Jacques-Louis David), The Massacre at Chios (Eugène Delacroix), Saint John the Baptist (Leonardo da Vinci) and Portrait of Louis XIV (Hyacinthe Rigaud).

Where is the Louvre?

The Louvre is in Paris, France. Our catalogue lists 2,833 of its works by 698 artists, dated 1180 to 1913; the 25 paintings of this ranking are all in its collection.

What is the difference between the Louvre and the Musée d'Orsay?

They cover different centuries. The 2,682 paintings of The Louvre in our catalogue are dated 1180 to 1913, most of them from the 17th century; the 1,552 of the Musée d'Orsay are dated 1819 to 1952. The best-known paintings of the Musée d'Orsay are The Origin of the World, The Luncheon on the Grass and Dance at the Moulin de la Galette.

What are the big 3 at the Louvre?

the Mona Lisa, the Venus de Milo and the Winged Victory are the three works everyone comes to the Louvre for; the museum's record also names the Seated Scribe and the Michelangelo's Slaves. Of the three, the Mona Lisa is a painting of this ranking (No. 1).

What is the oldest painting in the Louvre on this list?

Jan van Eyck's The Virgin to Chancellor Rolin (1435), dated 1435. The most recent is Henri Matisse's Basket with Oranges (1913), dated 1913.

Which of these paintings is the biggest?

Paolo Veronese's The Wedding at Cana (1563), 677 × 994 cm. The smallest is Jean-Baptiste-Siméon Chardin's Basket of Peaches (1768), 39 × 32 cm.

How is this ranking made?

By recognition: Wikipedia articles in the most languages (Wikidata sitelinks), our manual ranking and page visits, over the paintings of the Louvre in our catalogue. Several records of one painting count once; details, copies and studies are excluded.

The house of the originals

The Louvre in Paris: history and collections of the originals

The Louvre (Musée du Louvre, Louvre Palace, Louvre Museum) — national art museum — in Paris, France. Its collection counts over 500,000 works. Its highlights: Mona Lisa, Venus de Milo, Winged Victory, Seated Scribe, Michelangelo's Slaves. Our catalogue lists 2,682 of its paintings and works on paper, by 698 artists, dated 1180 to 1913.

The Origins and History of the Louvre

The history of the Louvre begins with its role as a grim medieval stronghold. Built in 1190, this fortress served to guard the edges of Paris. Its primary function was defensive, providing a fortified position on the Right Bank of the Seine to protect the city's perimeter. The transition from a military structure to a site of royal residence occurred through several centuries of change. In 1546, Francis I converted the fortress into the primary residence of the French kings. This shift marked the beginning of the site's evolution from a defensive bastion into the Louvre Palace. The purpose of the buildings shifted from protection to habitation, and eventually to the preservation of art. The museum was founded after the site's purpose transitioned from a royal home to a public institution. This evolution reflects the changing needs of the French state and the shifting landscape of the city.

The Architecture of the Louvre Palace

Originally built in the late 12th to 13th century under Philip II, the site began as a grim medieval stronghold. These rugged military walls were constructed to guard the edges of Paris. The architecture reflects a collision of human history and royal opulence, as the fortress was eventually replaced by the grandeur of a palace. The scale of the site is immense, making it the largest museum in the world. Located in Paris, France, the building sits adjacent to the Tuileries Gardens. The transition from a military structure to a royal residence occurred through centuries of change, moving from a defensive bastion to a site of habitation and eventually to the preservation of art.

Major Departments and Collections

The museum is organized into ten distinct departments. The collections database encompasses more than 500,000 works held within the Musée du Louvre and the Musée National Eugène-Delacroix. These holdings include sculptures located in the Tuileries and Carrousel gardens. the Egyptian Antiquities collection remains one of the most extensive in the world. It offers a look into the lives of ancient Egyptians, from the nobility and priests to ordinary people. Nearby, the Department of Near Eastern Antiquities covers a wide geographical expanse, stretching from North Africa to the Indus river. This collection represents a massive accumulation of human history spanning several millennia. The holdings are distributed across various specialized areas. Some objects are held in the museum's permanent galleries, while others are part of the national recovery of works.

5 facts about the home of the originals

  • In what year was the Louvre fortress built to guard the edges of Paris?1190
  • Which French king converted the fortress into the primary residence of the French kings in 1546?Francis I
  • The Louvre is located on the Right Bank of which river?The Seine
  • Which artist painted the 'Mona Lisa'?Leonardo da Vinci
  • How many distinct departments is the museum organized into?10

To read

Three articles on the originals and their painters

How the originals are ranked

The originals of the Louvre in our catalogue are ranked by fame: the Wikipedia language editions that describe the painting, our studio's ranking and the visits to its page on OriginalUniqueArt.com. One entry per original, counted in our catalogue and not in the museum's inventory, without details, copies, studies, sculptures or works on paper; every date, dimension and medium is the catalogue's, and the notes are drawn from the painting's description.

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