The most famous painting in the Gemäldegalerie is Pieter Brueghel the Elder's The Dutch Proverbs (1559). The next four in this ranking are Johannes Vermeer's A Lady Drinking and a Gentleman and The Glass of Wine (1660), Petrus Christus's Portrait of a Young Woman (1470) and Johannes Vermeer's Young Woman with a Pearl Necklace (1662).
The list below ranks the 8 best-known paintings of the Gemäldegalerie, dated 1470 to 1662, by 7 painters.
The originals
The 8 famous paintings of the Gemäldegalerie our artists study first
The painter, the date, the medium and the dimensions of each original, with a note from its page.
- The Dutch Proverbs by Pieter Brueghel the Elder, 1559
- A Lady Drinking and a Gentleman and The Glass of Wine by Johannes Vermeer, 1660
- Portrait of a Young Woman by Petrus Christus, 1470
- Young Woman with a Pearl Necklace by Johannes Vermeer, 1662
- The Fountain of Youth by Lucas Cranach the Elder, 1546
- Moses with the Ten Commandments by Rembrandt, 1659
- The Adoration of the Kings (Monforte Altar) by Hugo van der Goes, 1470
- Malle Babbe by Frans Hals, 1633
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Pieter Brueghel the Elder (1525–1569)
1. The Dutch Proverbs by Pieter Brueghel the Elder, 1559
Gemäldegalerie, Berlin1559Oil on oak panel117 × 163 cm
A Reflection of 16th-Century Life: Created during a period of significant social and religious upheaval in the Netherlands, Netherlandish Proverbs offers a glimpse into the anxieties and moral concerns of the time. The painting also reflects the humanist interest in classical literature and folklore, drawing upon established collections like Erasmus’s Adagia. The original title, “The Blue Cloak” or "The Folly of the World," suggests that he aimed to expose human foolishness and vice.
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Johannes Vermeer (1632–1675)
2. A Lady Drinking and a Gentleman and The Glass of Wine by Johannes Vermeer, 1660
Gemäldegalerie, Berlin1660Oil on canvas66 × 76 cm
Painted in 1660, this artwork is a product of the Dutch Golden Age, a period of great cultural and economic prosperity in the Netherlands.
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Petrus Christus (1410–1475)
3. Portrait of a Young Woman by Petrus Christus, 1470
Gemäldegalerie, Berlin1470Oil on oak panel22 × 29 cm
This work exemplifies the transition from the heavy symbolism of the Middle Ages to a more humanistic, observational style, where the texture of fabric and the soft glow of skin are rendered with an almost miraculous clarity. To behold this portrait is to appreciate the revolutionary use of oil paint that defined the Flemish Primitives.
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Johannes Vermeer (1632–1675)
4. Young Woman with a Pearl Necklace by Johannes Vermeer, 1662
Gemäldegalerie, Berlin1662Oil on canvas45 × 55 cm
The subject is a young Dutch woman, likely of upper-class descent, captured in a moment of private reflection. Vermeer’s focus remains on the subtle details of this domestic scene. In The Concert, he depicts a man and two women performing together, capturing a fleeting moment of sound and stillness. One might also consider The Girl with a Pearl Earring, which remains one of his most notable works, focusing on the way light catches a single, luminous point. It is held within the Staatliche Museen zu Berlin.
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Lucas Cranach the Elder (1472–1553)
5. The Fountain of Youth by Lucas Cranach the Elder, 1546
Gemäldegalerie, Berlin1546Oil on lime panel122 × 186 cm
The dimensions of 186.1 x 120.6 cm allow for an expansive portrayal of this complex scene, maximizing the impact of Cranach's artistic vision. “The Fountain of Youth” was created during a period of immense social and religious change in Germany, directly influenced by the rise of Protestantism. Its acquisition from the Royal Castles’ Collection and subsequent exhibitions across Europe (Berlin 1937, Weimar, Wittenberg 1953, Basel 1974) underscore its historical importance and artistic value.
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Rembrandt (1606–1669)
6. Moses with the Ten Commandments by Rembrandt, 1659
Gemäldegalerie, Berlin1659Oil on canvas136 × 168 cm
Yet, this radiance is tempered by the heavy shadows of chiaroscuro, Rembrandt’s signature technique, which wraps the scene in a sense of cosmic weight and intimacy. The composition is anchored by the raw tension held within Moses ' hands.
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Hugo van der Goes (1440–1482)
7. The Adoration of the Kings (Monforte Altar) by Hugo van der Goes, 1470
Gemäldegalerie, Berlin1470Oil on oak panel147 × 242 cm
Produced during the height of the Northern Renaissance, this altarpiece reflects the era’s devotion to realism, symbolism, and spiritual storytelling. Likely by Hugo van der Goes, a pioneering Flemish painter, the work showcases innovations in composition and emotional expression that influenced subsequent generations of artists.
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Frans Hals (1580–1666)
8. Malle Babbe by Frans Hals, 1633
Gemäldegalerie, Berlin1633Oil on canvas66 × 78 cm
To behold Malle Babbe is to witness the revolutionary technique of Frans Hals at the height of his powers. Integrating a piece as historically significant as Malle Babbe into a contemporary setting requires an eye for balance and storytelling.
The collection in figures
The originals of the Gemäldegalerie in our catalogue
1,523 originals of the Gemäldegalerie — paintings and works on paper — century by century
The originals in figures
- 8 originals, ranked by fame, 7 painters of the originals, Petrus Christus to Johannes Vermeer.
- Painters with the most originals here: Johannes Vermeer (2), Pieter Brueghel the Elder (1), Petrus Christus (1).
- Petrus Christus's Portrait of a Young Woman (1470) – Johannes Vermeer's Young Woman with a Pearl Necklace (1662).
- Hugo van der Goes's The Adoration of the Kings (1470), 147 × 242 cm – Petrus Christus's Portrait of a Young Woman (1470), 22 × 29 cm.
- 1,526 originals of the Gemäldegalerie in our catalogue: 1,523 paintings and works on paper by 733 artists, 1278–1975.
The countries the painters of the Gemäldegalerie came from
The painters with the most originals at the Gemäldegalerie
Questions to the studio
Questions about the originals of the Gemäldegalerie
Open a question to read our answer.
What is the most famous painting in the Gemäldegalerie?
No. 1 in the Gemäldegalerie is Pieter Brueghel the Elder's The Dutch Proverbs (1559). Next come Johannes Vermeer's A Lady Drinking and a Gentleman and The Glass of Wine (1660), Petrus Christus's Portrait of a Young Woman (1470) and Johannes Vermeer's Young Woman with a Pearl Necklace (1662).
What are the top 5 most famous paintings in the Gemäldegalerie?
In order: The Dutch Proverbs by Pieter Brueghel the Elder, A Lady Drinking and a Gentleman and The Glass of Wine by Johannes Vermeer, Portrait of a Young Woman by Petrus Christus, Young Woman with a Pearl Necklace by Johannes Vermeer and The Fountain of Youth by Lucas Cranach the Elder.
Which Johannes Vermeer paintings hang in the Gemäldegalerie?
Johannes Vermeer has 2 paintings in this ranking — A Lady Drinking and a Gentleman and The Glass of Wine (No. 2) and Young Woman with a Pearl Necklace (No. 4) — and 2 records in our catalogue of the Gemäldegalerie.
How many Pieter Brueghel the Elder paintings are in the Gemäldegalerie?
Pieter Brueghel the Elder has 1 paintings in this ranking — The Dutch Proverbs (No. 1) — and 2 records in our catalogue of the Gemäldegalerie.
How many Petrus Christus paintings are in the Gemäldegalerie?
Petrus Christus has 1 paintings in this ranking — Portrait of a Young Woman (No. 3) — and 3 records in our catalogue of the Gemäldegalerie.
In which city is the Gemäldegalerie?
In Berlin, Germany. The Gemäldegalerie holds 1,526 works of our catalogue by 733 artists (1278–1975), among them the 8 paintings ranked here.
What are the big 3 at the Gemäldegalerie?
The highlights of the Gemäldegalerie are the Works by Rembrandt van Rijn, the Girl with a Pearl Necklace by Vermeer and the Paintings by Caravaggio, followed by the Works by Raphael and Michelangelo.
What is the oldest painting in the Gemäldegalerie on this list?
The earliest is Petrus Christus's Portrait of a Young Woman (1470) (1470); the latest, Johannes Vermeer's Young Woman with a Pearl Necklace (1662) (1662).
Which of these paintings is the biggest?
The biggest is Hugo van der Goes's The Adoration of the Kings (1470) at 147 × 242 cm; the smallest, Petrus Christus's Portrait of a Young Woman (1470) at 22 × 29 cm.
How was this list of the paintings of the Gemäldegalerie ranked?
The paintings of the Gemäldegalerie in our catalogue are ranked by how widely each one is known: the number of Wikipedia language editions with an article on it (Wikidata sitelinks), its place in our catalogue's manual ranking and the visits its page receives. The same painting catalogued several times counts once; details, copies and studies are left out.
The house of the originals
The Gemäldegalerie in Berlin: history and collections of the originals
The Gemäldegalerie (or provide a shorter input}, False, Painting Gallery) — museum — in Berlin, Germany. Its collection counts approximately 850 works. Its highlights: Works by Rembrandt van Rijn, Girl with a Pearl Necklace by Vermeer, Paintings by Caravaggio, Works by Raphael and Michelangelo. Our catalogue lists 1,523 of its paintings and works on paper, by 733 artists, dated 1278 to 1975.
A Sanctuary of European Vision
The Gemäldegalerie is an art museum located in Berlin, Germany. Situated within the Kulturforum museum district west of Potsdamer Platz, the institution maintains a collection of European paintings spanning the 13th to the 18th centuries. The museum first opened in 1830, and the current building was completed in 1998. The collection consists of approximately 850 works. These paintings represent a significant assembly of European art history, held within a space designed to facilitate the study of technical and stylistic development. The selection includes works by several significant painters, such as: Johannes Vermeer Peter Paul Rubens Rembrandt van Rijn Jan van Eyck The institution focuses on the evolution of painting through the centuries. Visitors encounter a chronological progression that moves from the early Gothic period through the Renaissance and the Baroque, ending in the Neoclassical era. This arrangement allows for a direct observation of how artists manipulated light, perspective, and medium over several hundred years.
The Architecture of the Kulturforum
The Gemäldegalerie is housed within the Kulturforum, a modernist complex in Berlin. The architecture was designed by Hans Scharoun. His approach utilizes an asymmetrical design to foster contemplation among visitors. This layout avoids the rigid, linear structures common in older institutions, allowing for a more fluid movement through the space. The design prioritizes the management of natural light. The interplay of light and shadow within these spaces is essential to the experience of the works on display. The building's form reflects the post-war architectural ambitions of the era.
A Journey Through Artistic Evolution
The collection is organized chronologically to facilitate an exploration of artistic development. This curated progression allows visitors to trace the movement from early Gothic solemnity to the grandeur of the Renaissance. The sequence continues through the dramatic tension of the Baroque and into the refined elegance of Neoclassicism. By following this order, one observes the technical shifts that defined European painting over five centuries. The galleries provide a study in how artists manipulated light and perspective to define their subjects. This evolution is visible in the transition from the precise, detailed naturalism of the 15th century to the more dynamic compositions of later eras. The works demonstrate a continuous refinement of how oil on canvas can capture depth and human expression. A Lady Drinking and a Gentleman and the Glass of Wine, about 1660 - Johannes Vermeer
5 facts about the home of the originals
- In which city is the Gemäldegalerie located?Berlin
- Who designed the architecture of the Kulturforum, where the museum is housed?Hans Scharoun
- Approximately how many works are in the Gemäldegalerie collection?850
- Which artist is known for his mastery of light and shadow in the museum's collection?Rembrandt van Rijn
- The Gemäldegalerie's collection spans which centuries?13th to 18th centuries
The Gemäldegalerie: every original we catalogueThe museums of Berlin
To read
Three articles on the originals and their painters
How the originals are ranked
The originals of the Gemäldegalerie in our catalogue are ranked by fame: the Wikipedia language editions that describe the painting, our studio's ranking and the visits to its page on OriginalUniqueArt.com. One entry per original, counted in our catalogue and not in the museum's inventory, without details, copies, studies, sculptures or works on paper; every date, dimension and medium is the catalogue's, and the notes are drawn from the painting's description.
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