Inspiration · Fauvism
1898 – 1930
The most famous Fauvism paintings are Henri Matisse's Le bonheur de vivre (The Joy of Life) (1906), Henri Matisse's Woman with a Hat (1905) and Henri Matisse's The Dance (1909–1910, Hermitage Museum). This ranking lists the 100 best-known Fauvism paintings, painted between 1898 and 1930 by 16 artists, with the museum where each one hangs today.
Singular works
Every original here is unique and kept in one place. Its story, its home, and the detail that makes it unmistakable.
1906Oil on canvas
Emerging from the artistic ferment of post-Impressionism, Le bonheur de vivre boldly rejects traditional perspective and naturalistic color. Matisse, alongside artists like André Derain, employed intensely vivid, non-local colors – a hallmark of Fauvism (“wild beasts”). The painting caused a sensation (and some scandal) at the 1906 Salon des Indépendants, challenging conventional artistic norms and paving the way for further abstraction in 20th-century art.
The singular detailfragmented formsunconventional composition
Henri MatisseFauvism
1905Oil on canvas
"Woman with a Hat" is a striking portrait of Henri Matisse's wife, Amélie. Painted in 1905 and exhibited at the Salon d'Automne, "Woman with a Hat" was at the center of a controversy that marked a stylistic shift in Matisse's work.
The singular detailbold colorsdynamic brushstrokes
Henri MatisseFauvism
Hermitage Museum, Saint Petersburg1909–1910Oil on canvas260 × 391 cm
Emerging as a pivotal piece within the Fauvist (“wild beast”) aesthetic, this painting boldly rejects traditional naturalistic color in favor of expressive, non-representational hues. It reflects the burgeoning interest in Primitivism and non- Western art that influenced many early Modern artists.
The singular detailsimplified formscircular composition
Pushkin State Museum, Moscow1913Oil on canvas115 × 80 cm
The composition is skillfully centered around a deep blue window frame, acting as a stage for two contrasting floral arrangements. Interestingly, Matisse’s son, Pierre, later became a prominent art dealer in New York, further cementing the family’s legacy within the art world.
The singular detaillandscapewindow
MOMA - Museum of Modern Art, New York City1911Oil on canvas181 × 219.1 cm
This artwork celebrates the vibrant inner world of an artist, emphasizing the joy and spontaneity of the creative process. Created in 1911, this artwork belongs to a pivotal period in modern art history when artists like Henri Matisse challenged traditional representations and embraced bold color and simplified forms.
The singular detailbold colorssimplified forms
Art Institute of Chicago1905Oil on canvas
Several buildings occupy the middle ground, including one larger structure that dominates the central area. These houses are surrounded by dense clusters of trees. Created around 1905 or 1906, this work emerged during a period of significant change in French art.
Henri MatisseFauvism
The Louvre, Paris1913Oil on canvas94 × 83 cm
The central focus of this painting is a bowl filled with oranges and lemons, placed on a table adorned with a floral-patterned cloth. Created in 1913, "Basket with Oranges" reflects Matisse's ongoing exploration of color and form during a pivotal period in modern art.
The singular detaildynamic compositionvibrant color palette
National Gallery of Art, Washington1905Oil on canvas81.3 × 100.3 cm
André Derain (1880-1954) was a French artist who co-founded the Fauvist movement with Henri Matisse. The term 'Fauves' means 'wild beasts,' which refers to the bold use of color and expressive brushwork that characterized this style. Painted in 1905, this work exemplifies the style's emphasis on painterly qualities and strong color over representational values.
The singular detailloose brushworkbold colors
Hermitage Museum, Saint Petersburg1910Oil on canvas260 × 391 cm
Matisse's use of bold, primary colors —particularly the striking orange figures against a deep blue background —creates a sense of vitality and energy. Painted during the height of the Fauvism movement, " Dance (II), Eremitaget" reflects Matisse's revolutionary approach to color and form.
The singular detailsense of movementharmony
1905Oil on canvas (presumed)41 × 33 cm
This artwork stands at the cusp of Fauvism, an artistic movement characterized by intensely vivid colors and simplified forms. This portrait predates the infamous Salon d’Automne exhibition where their radical use of color earned them the label “Les Fauves” (the wild beasts).
The singular detailbold use of complementary colors (blue/orange)mask-like face
André DerainFauvism
Tate Liverpool1905Oil on canvas46 × 34.9 cm
Henri MatisseFauvism
National Gallery of Art, Washington1905Oil on canvas55 × 46 cm
Instead, Fauvists sought to liberate color from its descriptive role, employing it as a powerful expressive force. While firmly rooted in Fauvism, “The Open Window” also reveals Matisse’s earlier influences. A French artist (1869-1954) renowned for his mastery of color and fluid draughtsmanship.
The singular detailvasescat
Albert MarquetFauvism
Centre Pompidou, Paris1919Oil on canvas98.5 × 98.5 cm
Oil on canvas/board
The painting centers on the Ermita de Sant Joan d'Horta, a small hermitage nestled into the landscape, rendered not as a precise architectural study but as a powerful symbolic presence. The Ermita de Sant Joan d’Horta held a special significance for him as a place of personal reflection and artistic inspiration.
The singular detailflattened perspectivebold color
Raoul DufyFauvism
1906Oil on canvas
A crowd moves along the promenade of Trouville, their forms reduced to quick, gestural strokes that suggest the pulse of a summer afternoon. The posters, including a pennant for "Le Journal," act as anchors of intense pigment against the more subdued tones of the architecture.
André DerainFauvism
Musée d'Orsay, Paris1906Oil on canvas81 × 100 cm
Derain, a key figure in the movement alongside Matisse, sought to liberate color from its descriptive role, using it instead as a vehicle for pure emotion. The result is a painting that vibrates with life, demanding attention and refusing easy interpretation.
The singular detailboatsvibrant colors
Piet MondrianFauvism
Kunstmuseum Den Haag, The Hague1910Oil on canvas150 × 86 cm
Thick, irregular lines define the structural beams of the sails, while the texture of the oil paint creates a physical depth across the canvas. It is a moment of transition, where the soft light of the Hague School begins to give way to a more radical, compressed way of seeing.
1910Oil on canvas125 × 97 cm
The matador is rendered with a striking intensity that commands the viewer's immediate attention. These elements are handled with meticulous detail, providing a grounded realism that anchors the composition. The painting sits at the intersection of several movements, blending the structural concerns of Cezannism with the uninhibited palette of the Fauves.
La Ciotat, France1907Oil on canvas (presumed)
The painting depicts a hillside scene near the coastal town of La Ciotat in Southern France. A modest building, perhaps a rural dwelling, is nestled amongst lush foliage.
The singular detailflattened perspectivedynamic composition
Musée National d'Art Moderne1918Oil on canvas70 × 62 cm
Miró, heavily influenced by the radical color experiments of Matisse and Derain, abandons the constraints of naturalism in favor of emotional truth. During this period, Miró was navigating the complex intersections of Cubism and the burgeoning Surrealist movement.
1908Oil on canvas180 × 220 cm
Henri Matisse, a renowned French artist, is celebrated for his contributions to the development of modern art. One of his most notable works, La Desserte rouge Huile sur Toile St Petersbourg, museum of the Hermitage, exemplifies the essence of Fauvism, a style characterized by vivid colors and energetic brushstrokes.
Pushkin State Museum, Moscow1912Oil on canvas116 × 80 cm
The painting doesn’t aim for photographic realism but rather seeks to capture the atmosphere, light, and emotional resonance of the Casbah. Entrance to the Casbah, alongside works like Landscape viewed from a Window and paintings by fellow Fauvist André Derain, such as Drying the Sails, cemented Matisse's place as a revolutionary figure in modern art.
The singular detailbluered color scheme
Hermitage Museum, Saint Petersburg1911Oil on canvas143 × 194 cm
This large-scale oil on canvas (143 x 194 cm), currently residing in the Hermitage Museum, Saint Petersburg, offers an intimate glimpse into Matisse's personal life while simultaneously pushing the boundaries of modern art. To understand The Family of the Artist, one must first grasp the context of Fauvism.
The singular detailsimplified formsdomestic interior scene
National Gallery of Art, Washington1906Oil on canvas
This wasn’t an attempt to faithfully recreate reality; instead, Derain sought to express the emotional essence of London, a feeling of energy, movement, and perhaps even a touch of urban chaos.
The singular detailbold colorsdistortion
1898Oil on canvas
While Matisse himself resisted assigning specific symbolic meanings to his paintings, “Still Life with Oranges” undeniably carries a sense of optimism and vitality. WahooArt offers meticulously crafted hand-painted reproductions of Henri Matisse’s "Still Life with Oranges," capturing the artist's signature style and vibrant palette with exceptional detail.
The singular detailsimplified formsbold colors
1908Oil painting
To stand before Maxfield Parrish’s Jason and His Teacher is to step directly into a sun-drenched, mythic moment plucked from the annals of classical adventure. Flanking him are companions, their presence suggesting camaraderie forged through shared trials. The very title suggests a narrative rich with symbolism: Jason, the journeying hero, guided by his teacher.
Kazimir MalevichFauvism
191152 × 51 cm
Born in Kyiv Oblast, Ukraine, to a Polish family, Malevich absorbed the vibrant colors and patterns of Ukrainian folk art during his formative years. The painting's strong outlines and flat planes of color are reminiscent of artists like Henri Matisse, yet Malevich infuses the composition with a uniquely Russian sensibility.
André DerainFauvism
Pushkin State Museum, Moscow1905Oil on canvas82 × 101 cm
Derain, alongside Henri Matisse, spearheaded this revolutionary approach to art, prioritizing the subjective experience of color and light over strict adherence to realism. To truly appreciate “Drying the Sails,” it's crucial to understand the context of Fauvism.
The singular detailloose brushworkbold colors
Georges BraqueCubist Fauvism
1908Oil on canvas
The scene unfolds with a sweeping stone viaduct that anchors the composition, stretching across a valley to connect two sides of a rugged, picturesque landscape. By simplifying forms into geometric essentials, Braque echoes the influence of Paul Cézanne, yet he pushes further, allowing his planes to tilt and shift with a newfound, expressive freedom.
Henri MatisseFauvism
Museum of Grenoble1909Oil on canvas33 × 40 cm
However, his encounter with John Russell in Belle Île marked a pivotal shift, introducing him to the vibrant colors and expressive brushwork of Impressionism – particularly the bold experimentation of Vincent van Gogh. This influence is evident in “Pink Nude’s” flattened perspective and simplified shapes.
The singular detailsurfboardbirds
1919Oil on canvas
To fully appreciate Portrait of a Spanish Dancer, one must understand Miró’s deep connection to his native Catalonia. Miró wasn't interested in depicting Spain as a picturesque tourist destination; he wanted to capture its raw energy, its inner life, and its unique character.
Georges BraqueFauvism
1908
The use of a large blue cloth draped over the figure adds both visual interest and a symbolic layer – perhaps suggesting concealment or protection. 1908 was a crucial year for Braque, marking his transition from Fauvism towards more radical experimentation.
The singular detailbold colorsenergetic brushstrokes
Statens Museum for Kunst1905Oil on canvas40 × 32 cm
The most striking element is the vertical green stripe that bisects Madame Matisse’s face – " La Raie Verte " (The Green Line). Painted during a period of artistic upheaval, "Portrait de Madame Matisse " reflects the burgeoning modernist movement’s rejection of traditional art conventions.
Henri MatisseFauvism
Fondation Barnes, Philadelphia1917Oil on canvas
Pierre, his younger son, is positioned at a Pleyel piano, receiving instruction from his sister, Marguerite. While rooted in the principles of Fauvism – characterized by bold, non-naturalistic color – La Leçon de Musique demonstrates a shift towards greater refinement and structure within Matisse’s style.
The singular detailfamily portraitpiano
Henri MatisseFauvism
MoMA, New York1911Oil on canvas
The painting firmly establishes Matisse as a pivotal figure in Fauvism, a movement that rejected academic conventions and championed unrestrained chromatic intensity. Created during a period of significant artistic upheaval, “The Red Studio” arrived on the heels of Picasso’s groundbreaking “Les Demoiselles d'Avignon,” marking a decisive shift away from traditional artistic approaches.
The singular detailbold red hue
Hermitage Museum, Saint Petersburg1906Oil on canvas61 × 73 cm
It offers a glimpse into Matisse's evolving style during a pivotal year in his career, marking a significant departure from traditional representation. Matisse was experimenting with influences from Post-Impressionists like Van Gogh and Gauguin, but he pushed these ideas further, prioritizing pure color and expressive form over representational accuracy.
The singular detailbowlsbottle
Pyotr KonchalovskyFauvism
191292 × 72 cm
Kazimir MalevichFauvism
Tretyakov Gallery, Moscow1910Gouache27 × 26 cm
To understand “Self-Portrait,” it's crucial to situate it within the broader context of Post-Impressionism. Artists like Paul Cézanne, Vincent van Gogh, and Paul Gauguin explored subjective experience, emotional intensity, and symbolic meaning in their work. Malevich's Fauvist tendencies align with this broader trend toward greater expressiveness and experimentation within the Post-Impressionist landscape.
The singular detailbold colorsred tie
191150 × 71 cm
Jan Sluyters was a Dutch painter who experimented with several styles, including Fauvism and Cubism, before settling on a colorful expressionism. The Rijksmuseum Amsterdam and other notable museums have works by Jan Sluyters in their collections, showcasing his contribution to the world of art.
Centre Pompidou, Paris1925Oil on canvas130 × 98 cm
The influence of Art Deco is evident in the geometric patterns and stylized forms that dominate the background, mirroring the streamlined aesthetic popular during the 1920s. Simultaneously, there’s a subtle nod to Proto- Cubism – a transitional phase between Impressionism and Cubism – in the simplification of shapes and the flattening of perspective.
The singular detailgeometric shapesbold colors
Raoul DufyFauvism
1930Oil, canvas130 × 160 cm
Two figures inhabit the space: one positioned to the left of the gate and another further back on the right. This technique creates a sense of spontaneity, as if the viewer has caught a fleeting glimpse of a private garden or a quiet threshold.
Georges RouaultFauvism
The State Museum of Fine Arts of Tatarstan Republic, Kazan191285 × 109 cm
1898Oil on canvas33.3 × 45.7 cm
Joan MiróCubism and Fauvism
1916Oil on cardboard77 × 74 cm
Miró’s “Still Life with Rose” is firmly rooted in the tenets of Fauvism, a movement that prioritized color as the primary means of expression. While superficially resembling a traditional still life, “Still Life with Rose” is laden with symbolic weight.
The singular detailbold colorsgeometric shapes
Metropolitan Museum of Art, New York1906Oil on canvas
The painting presents a tranquil yet unsettling scene—a modest house nestled amongst dense foliage. Subtle geometric shapes —particularly in the architectural elements—hint at Braque’s burgeoning interest in Cubism's conceptual framework. Executed on canvas using oil paints, “The House Behind the Trees” exemplifies Braque's meticulous attention to detail. Painted during the formative years of Fauvism and Proto- Cubism, “The House Behind the Trees” encapsulates the anxieties and aspirations of artists grappling with the rapid transformations occurring in European society.
Joan MiróFauvism
Musée National d'Art Moderne, Paris1923Oil on canvas81 × 65 cm
It’s a pivotal work bridging the energetic freedom of Fauvism with the burgeoning subconscious explorations of Surrealism – a visual poem rendered in oil on canvas (81 x 65 cm). Created during a period of intense artistic experimentation in the early 20th century, The Farmer’s Wife reflects the seismic shifts occurring within the art world.
The singular detailspoonvase
Centre Pompidou, Paris1914Oil on canvas147 × 97 cm
Three chairs are strategically placed around the room—one near the left side and two closer to the right—creating a sense of spatial depth. It is part of a series of works where Matisse used goldfish as a recurring motif, symbolizing contemplation and peacefulness.
Raoul DufyFauvism
A single woman sits beneath the reach of a palm tree, seeking refuge from the heat. The scene is a quiet arrangement of tropical stillness. A potted plant rests on the ground, anchoring the composition in a moment of domestic leisure.
André DerainFauvism
1907Oil on canvas
The artwork titled Cassis, also known as Landscape at Cassis, is an oil on canvas painting. The subject matter focuses on a landscape setting located in Cassis, France. The provenance and ownership of the work involve the Hermann und Margrit Rupf-Stiftung, Kunstmuseum Bern.
Henri MatisseFauvism
Pushkin State Museum, Moscow1916Oil on canvas146 × 97 cm
The aquarium itself can be interpreted as a metaphor for Matisse’s studio – a carefully constructed space where he arranged objects to achieve a sense of harmony and balance.
The singular detailbold colorsflat forms
Metropolitan Museum of Art, New York1906Oil on canvas
Houses of Parliament at Night is a quintessential example of Fauvist technique. Derain employs an audacious palette—deep blues, fiery oranges, and intense greens—that defy the expected tones of a London night.
The singular detailclockboats
Musée National d'Art Moderne1906Oil on canvas89 × 116 cm
Matisse’s genius lies not in meticulous realism but in his ability to transform these ordinary items into a dynamic composition brimming with energy and emotion. The Fauvist movement itself challenged established artistic conventions and helped pave the way for subsequent modern art movements like Cubism and Expressionism.
André DerainFauvism
1905Oil on canvas
There is a palpable sense of camaraderie among the people on board, some standing near the edge while others remain further back, all caught in a moment of collective movement. Even the structures of the coast receive his attention, as seen in his depiction of the lighthouse at Collioure.
André DerainFauvism
National Gallery of Denmark, Copenhagen1906Oil on canvas100 × 81 cm
Inspired by the works of Paul Gauguin, particularly his use of vibrant color in Tahiti, and influenced by the emerging theories of color perception championed by Chevreul, Derain and Matisse embarked on a radical exploration of chromatic intensity. Derain’s technique is characterized by an unrestrained use of color—a hallmark of Fauvism.
The singular detailbold colorstriangular comp
Metropolitan Museum of Art, New York1905Oil on canvas46 × 55 cm
Employing a distinctive method—applying paint directly from the tube with quick, sketchy brushstrokes— Matisse achieved an unprecedented level of textural vibrancy. Two figures—likely Matisse’s wife Amélie and André Derain —are subtly integrated into the scene, adding depth and human presence without disrupting the painting's harmonious balance.
Maurice de VlaminckFauvism
1926
The painting portrays a winding road leading towards a village nestled amongst rolling hills, under a sky heavy with dramatic clouds. In "The Road," this is evident in the striking contrast between the deep blues of the sky, the vibrant yellows and reds of the houses, and the earthy tones of the road itself.
Statens Museum For Kunst, Copenhagen1913Oil on canvas
MOMA - Museum of Modern Art, New York City1905Oil on canvas35.2 × 28.2 cm
At first glance, the painting presents a seemingly simple scene: a woman, her back turned towards us, occupies the central space. The painting's composition, reminiscent of traditional Japanese woodblock prints (Ukiyo-e), is immediately apparent. Interestingly, Matisse's fascination with Japan extended beyond mere stylistic imitation.
The singular detailbold colorsdynamic brushstrokes
André DerainFauvism
1906Oil on canvas73 × 92 cm
The painting L'Estaque by André Derain is a quintessential example of Fauvism, a style characterized by the use of bold, vibrant colors and energetic brushstrokes. This style is reminiscent of other Fauvist works, such as The Turning Road, L'Estaque by André Derain, available on AllPaintingsStore.com.
Musée Matisse, Cateau-Cambrésis1905Oil on canvas46 × 55 cm
At first glance, the scene appears deceptively simple: a red brick wall anchors the background, providing a solid foundation for the lively activity unfolding before it. "Rue du Soleil" emerged during a period of immense artistic ferment. The painting's influence can be seen in the works of later Fauvist painters like André Derain and Maurice de Vlaminck, as well as in the work of artists from a wide range of movements, including Cubism and Abstract Expressionism.
1911Oil on canvas
At its center, a pristine white vase brimming with lush green foliage commands attention, surrounded by an array of ripe fruits and intricately patterned textiles. The balanced yet dynamic arrangement creates a sense of movement and rhythm, engaging the eye with its playful yet sophisticated layout.
The singular detaildecorative patternsvibrant palette
Maurice de VlaminckFauvism
André DerainFauvism
1907Oil on canvas132 × 195 cm
To stand before André Derain's Bathers is to step directly into the exhilarating heart of the early twentieth century art revolution. The very air around the canvas seems charged with the energy of bold pigment. Derain, a key figure alongside Henri Matisse, harnessed this nascent movement to break violently with academic tradition.
Statens Museum for Kunst1905Oil on canvas
Following his controversial exhibitions at the Salon d'Automne in Paris, where works like “Woman with a Hat” were met with derision and labeled "wild beasts," Matisse embraced a radical approach to color – one that prioritized emotional expression over naturalistic representation.
The singular detailbold colorsgreen stripe
Lineages
Fauvism98 · 1898–1930
Cubism and Fauvism1 · 1916–1916
Cubist Fauvism1 · 1908–1908
Where they live
Paris keeps 7 of these originals; the Pushkin State Museum, 4.
Musée National d'Art Moderne
Tretyakov Gallery
MoMA
Musée National d'Art Moderne
Statens Museum for Kunst
The masters
1869–1954 · France · 27
French Fauvist known for vibrant, non-naturalistic colors and expressive cut-paper collages that transformed his later years of illness.
1. Le bonheur de vivre (The Joy of Life), 2. Woman with a Hat, 3. The Dance, 4. Landscape Viewed from a Window, 5. L'Atelier rouge Huile sur Toile - (181x219), 7. Basket with Oranges, 9. Dance (II), Eremitaget, 10. Portrait of Mme. Matisse, 12. The Open Window, 22. La Desserte rouge Huile sur Toile St Petersbourg, 23. Entrance to the Casbah, 24. The Family of the Artist, 26. Still Life with Oranges, 34. Pink Nude, 39. Portrait de Madame Matisse, 40. La Leçon de musique, 41. The Red Studio, 42. Dishes and Fruit on a Red and Black Carpet, 52. Decorative Figure on an Ornamental Background, 69. Interior with Goldfish, 77. The Goldfish, 80. Still Life with a Red Rug, 85. Landscape at Collioure, 88. Japanese Woman at Seashore, 91. Rue du soleil Huile sur Toile, 94. Spanish Still Life (Seville II), 99. Madame Matisse, the Green Line
1876–1958 · France · 16
French Fauvist known for vibrant, non-naturalistic colors and energetic, thick brushwork that captures landscapes and scenes with raw emotion.
6. Houses at Chatou, 32. Southampton, 35. Man Smoking a Pipe, 38. Restaurant de la Machine at Bougival, 64. The Chatou Bridge, 71. Portrait of Madeleine, 74. Village, 79. Banks of the Seine to Carrières-sur-Seine, 81. Portrait of a Woman, 83. Banks of the Seine at Chatou, 86. The Road, 89. Paysage de Valmondois, 92. The Girl from Rat Mort, 95. The gardener, 97. Tugboat on the Seine, Chatou, 100. The Oise at Sergy
1880–1954 · France · 15
French Fauvist known for riotous colorism in Collioure landscapes and bold, vibrant depictions of the Thames and London cityscapes.
8. Landscape at Collioure, 11. Portrait of Matisse, 17. Charing Cross Bridge, 25. Charing Cross from SW, 30. Drying the Sails, 70. Untitled, 73. Cassis, 78. Houses of Parliament at Night, 82. Collioure, 84. Woman in a Chemise, 87. The Two Sisters, Statens Museum för Kunst, Cope, 90. L'Estaque, 93. Portrait of Lucien Gilbert, 96. Bathers, 98. Jeune Fille
1877–1953 · France · 7
French Fauvist known for a stenographic style of thin color washes depicting yachting regattas and elegant social gatherings.
16. Posters at Trouville, 31. Sailing-Boats in Troville, 53. The Grid, 58. Factory in Estaque, 65. The River, 72. The small palm tree, 76. Sainte-Adresse beach
1875–1947 · France · 5
French Fauvist known for atmospheric landscapes and serene port scenes using a muted palette and calligraphic, simplified lines.
13. Nude, 48. Paris, Le Pont de l'Institut, 57. Fruit, Knife and Napkin, 62. Fishing Boats Returning, Collioure, 68. Samois
1893–1983 · Spain · 5
Spanish Surrealist known for biomorphic shapes and a symbolic, dreamlike visual language that bridges the gap between the seen and the imagined.
15. Ermita de Sant Joan d'Horta, 21. Portrait of Hiberto Casany. (The Chauffeur), 36. Portrait of a Spanish Dancer, 59. Still Life with Rose, 66. The Farmer's Wife
1876–1956 · Ukraine · 5
A key figure of the Jack of Diamonds movement, he mastered Fauvism and Socialist Realism.
19. Matador Manuel Gartha, 49. San Gimignano, 56. Piazza della Signoria in Siena, 67. Katya with a dog, 75. Pushkin at the Mikhailovsky
In confidence
Hover gently over a question to read the answer.
No. 1 is Henri Matisse's Le bonheur de vivre (The Joy of Life) (1906). Next come Henri Matisse's Woman with a Hat (1905), Henri Matisse's The Dance (1909–1910, Hermitage Museum) and Henri Matisse's Landscape Viewed from a Window (1913, Pushkin State Museum).
Judged by this ranking, Henri Matisse: 27 of the 100 most famous Fauvism paintings are from this painter's hand, including Le bonheur de vivre (The Joy of Life), Woman with a Hat and The Dance.
The 10 most famous Fauvism paintings are Le bonheur de vivre (The Joy of Life) (Henri Matisse), Woman with a Hat (Henri Matisse), The Dance (Henri Matisse), Landscape Viewed from a Window (Henri Matisse), L'Atelier rouge Huile sur Toile - (181x219) (Henri Matisse), Houses at Chatou (Maurice de Vlaminck), Basket with Oranges (Henri Matisse), Landscape at Collioure (André Derain), Dance (II), Eremitaget (Henri Matisse) and Portrait of Mme. Matisse (Henri Matisse).
Start with Paris (7), Moscow (5) and Saint Petersburg (4): together they hold 16 of the 100, at the Pushkin State Museum, the Centre Pompidou and the Hermitage Museum.
With 4 of the 100, the Pushkin State Museum comes first, followed by the Centre Pompidou (4) and the Hermitage Museum (3); Paris has 7 in all.
Ranked by the number of their works among the 100 most famous Fauvism paintings: Henri Matisse (27), Maurice de Vlaminck (16), André Derain (15), Raoul Dufy (7) and Albert Marquet (5).
Henri Matisse's Still Life with Oranges (1898), dated 1898. The most recent is Raoul Dufy's The Grid (1930), dated 1930.
The biggest is Henri Matisse's The Dance (1909–1910, Hermitage Museum) at 260 × 391 cm; the smallest, Kazimir Malevich's Self-Portrait (1910, Tretyakov Gallery) at 27 × 26 cm.
Yes: 63 of the 100 can be ordered as a hand-painted oil reproduction, from $200, and 63 as a canvas print, from $58.
By recognition: Wikipedia articles in the most languages (Wikidata sitelinks), our manual ranking and page visits. Several records of one painting count once; details, copies and studies are excluded.
One of a kind
63 of these works can be painted by hand for a single owner, from $200.
We went through every Fauvism painting in our catalogue and placed the best-known first: those Wikipedia describes in the most languages, those our artists and curators rank highest and those most viewed on our pages. Each original appears once — no details or copies.
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