Portrait of Paul Delaroche

The 100 Most Famous Paul Delaroche Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 120 works by Paul Delaroche in our catalogue

In short

Of all the originals Paul Delaroche left, the most famous is The Execution of Lady Jane Gray (1833), in the collection of the National Gallery, London. Close behind it come Bonaparte Crossing the Alps (1848) and Young Christian Martyr (1853). Our catalog holds 120 works by Paul Delaroche; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1797 – 1856, Paris Academic art Most works: Wallace Collection

Paul Delaroche's top 10 paintings: the gallery's choice

1
The Execution of Lady Jane Gray (1833) by Paul Delaroche

The Execution of Lady Jane Gray

1833 · Oil On Canvas · National Gallery, London

In the quiet, somber halls of the National Gallery, there exists a moment frozen in time that continues to arrest the breath of every passerby. Paul Delaroche’s 1833 masterpiece, The Execution of Lady Jane Grey, is far more than a mere historical record; it is a visceral, cinematic tableau that captures the precise second where royal ambition meets mortal terror. The scene unfolds with a chilling intimacy, presenting us with…

2
Bonaparte Crossing the Alps (1848) by Paul Delaroche

Bonaparte Crossing the Alps

1848 · Oil On Canvas · The Louvre, Paris

In the grand theater of nineteenth-century French art, few works command the viewer's attention with such immediate, dramatic presence as Hippolyte Paul Delaroche’s “Bonaparte Crossing the Alps.” Completed around 1850, this masterpiece serves as a breathtaking window into a pivotal moment of European transformation. Rather than offering a static portrait, Delaroché presents a visual chronicle of Napoleon Bonaparte’s audacious military maneuver through the treacherous mountain passes in the spring of…

3
Young Christian Martyr (1853) by Paul Delaroche

Young Christian Martyr

1853 · Oil On Canvas · The Louvre, Paris

"Young Christian Martyr" by Paul Delaroche is a hauntingly beautiful masterpiece that captures the essence of Romanticism and Symbolism. This evocative artwork invites viewers into a world of mystery, emotion, and profound symbolism, making it a captivating addition to any art collection or interior design scheme.

4
Napoleon Crossing the Alps (1850) by Paul Delaroche

Napoleon Crossing the Alps

1850 · Acrylic On Canvas · Walker Art Gallery, Liverpool

Napoleon Crossing the Alps: A Romantic Triumph of Heroic Vision Hippolyte Paul Delaroche’s “Napoleon Crossing the Alps” (1850) stands as an enduring emblem of 19th-century Romanticism—a movement that prioritized emotion and imagination over strict academic conventions. More than just a depiction of a pivotal historical event, this monumental canvas embodies Delaroche's masterful ability to transform raw observation into breathtaking artistic grandeur, securing its place among the most celebrated artworks of…

5
Young Christian Martyr (1853) by Paul Delaroche

Young Christian Martyr

1853 · Oil On Canvas · Hermitage Museum, Saint Petersburg

Hippolyte Paul Delaroche's “Young Christian Martyr,” painted in 1853, is more than just a depiction of a biblical scene; it’s a profound meditation on mortality, grief, and the sublime power of nature. This oil-on-canvas masterpiece, measuring 74 x 60 cm, exemplifies Delaroche's mastery – a blending of Romantic fervor with the meticulous techniques demanded by the French Academic tradition. The artwork immediately captivates with its dramatic lighting, rich color palette…

6
Descent from the Cross (1820) by Paul Delaroche

Descent from the Cross

1820 · Oil On Canvas · Condé Museum, Chantilly

In this poignant scene, the French Romantic artist Paul Delaroche captures a moment of profound stillness and sorrow. Titled Descent from the Cross, the work also goes by the name Deposition of Christ. It portrays the heavy, somber reality of the removal of Jesus Christ’s body from the cross following his crucifixion. The weight of the moment hangs in the air as the physical toll of the event becomes visible…

7
The Death of Elizabeth I, Queen of England (1828) by Paul Delaroche

The Death of Elizabeth I, Queen of England

1828 · Oil · The Louvre, Paris

In this 1828 composition, we find ourselves drawn into a quiet, heavy chamber where the air seems thick with the weight of an ending. The scene centers upon the bed of Elizabeth I, whose lifeless form is draped in mourning robes, resting at the heart of a solemn gathering. Around her, twelve figures are arranged in a careful, theatrical study of grief. There is a physician, attendants, and members of…

8
Napoléon Bonaparte abdicated in Fontainebleau by Paul Delaroche

Napoléon Bonaparte abdicated in Fontainebleau

Oil On Canvas

In the quiet, heavy atmosphere of Paul Delaroche’s Napoléon Bonaparte abdicated in Fontainebleau, we are not merely witnessing a political transition, but a profound human collapse. The canvas captures the precise moment when the thunder of conquest fades into the hollow silence of exile. As the former Emperor sits ensconced in his chair, his posture does not scream with the fury of a fallen titan; instead, it whispers of a…

9
Marie Antoinette by Paul Delaroche

Marie Antoinette

Oil On Canvas · Detroit Institute of Arts, Detroit

The oil on canvas titled Marie Antoinette by the French artist Paul Delaroche captures a singular, quiet presence. Painted during the 19th century, the work focuses on the subject's head and shoulders. She is framed within an oval vignette, a soft aperture that pulls the viewer toward her face. The composition is intimate. A white shawl rests against her skin, its folds catching a light that descends from the upper…

10
The Execution of Lady Jane Grey (1833) by Paul Delaroche

The Execution of Lady Jane Grey

1833 · Oil On Canvas · National Gallery, London

The Execution of Lady Jane Grey by Paul Delaroche, completed in 1833, portrays the moments preceding the death of the young woman known as the Nine Days' Queen. The subject was proclaimed Queen of England on 10 July 1553, but her reign lasted only nine days. The oil painting depicts the period leading up to her execution on 12 February 1554. Paul Delaroche focuses on the specific instant when the…

The Paul Delaroche selection continues, 11 to 100

11assassination (1834) by Paul Delarocheassassination1834 12Portrait of Adam Jerzy Czartoryski (1770–1861) (1857) by Paul DelarochePortrait of Adam Jerzy Czartoryski (1770–1861)1857 · National Museum in Warsaw 13Young Christian Martyr (1855) by Paul DelarocheYoung Christian Martyr1855 · The Louvre 14Hemicycle (detail) (1837) by Paul DelarocheHemicycle (detail)1837 · École Nationale Supérieure des Beaux-Arts 15Saint Vincent de Paul Preaching to the Court of Louis XIII on Behalf of the Abandoned Children (1823) by Paul DelarocheSaint Vincent de Paul Preaching to the Court of Louis XIII on Behalf of the Abandoned Children1823 · Yale University Art Gallery 16Study for the Head of Christ for La Madeleine, Paris (Portrait of Eugène Buttura) (1834) by Paul DelarocheStudy for the Head of Christ for La Madeleine, Paris (Portrait of Eugène Buttura)1834 · Scottish National Gallery 17The Statesman and Historian Guizot (1839) by Paul DelarocheThe Statesman and Historian Guizot1839 · Ny Carlsberg Glyptotek 18saint veronica (1865) by Paul Delarochesaint veronica1865 19The Christian Martyr (1853) by Paul DelarocheThe Christian Martyr1853 · Walters Art Museum 20Courageous Resistance of Étienne Duranti, First President of the Parlement de Toulouse, During the Wars of the League, Under Henry III (1827) by Paul DelarocheCourageous Resistance of Étienne Duranti, First President of the Parlement de Toulouse, During the Wars of the League, Under Henry III1827 · Conseil D'état 21Edward V and the Duke of York in the Tower (1831) by Paul DelarocheEdward V and the Duke of York in the Tower1831 · Wallace Collection 22Head of a boy. (1837) by Paul DelarocheHead of a boy.1837 · National Museum in Warsaw 23The Sequel to a duel (1825) by Paul DelarocheThe Sequel to a duel1825 24Moses in the Bulrush Basket (1836) by Paul DelarocheMoses in the Bulrush Basket1836 · Amsterdam Museum 25The Temptation of Saint Anthony (1832) by Paul DelarocheThe Temptation of Saint Anthony1832 · Wallace Collection 26The Conversion of Saint Mary Magdalene (1834) by Paul DelarocheThe Conversion of Saint Mary Magdalene1834 · Wallace Collection 27Peter I the Great of Russia (1838) by Paul DelarochePeter I the Great of Russia1838 28Peter the Great of Russia detail (1838) by Paul DelarochePeter the Great of Russia detail1838 29Portrait of a Man on His Deathbed, Formerly Called Armand Carrel (1840) by Paul DelarochePortrait of a Man on His Deathbed, Formerly Called Armand Carrel1840 · Carnavalet Museum 30Pilgrims in Rome (1842) by Paul DelarochePilgrims in Rome1842 · The National Museum in Poznań 31portrait of Paul, duc de Noailles, from the Académie française (1802-1885) by Paul Delaroche (1845) by Paul Delarocheportrait of Paul, duc de Noailles, from the Académie française (1802-1885) by Paul Delaroche1845 32Gregory XVI, Pope (1765-1846) (1844) by Paul DelarocheGregory XVI, Pope (1765-1846)1844 · Opera House 33Napoleon at Fontainebleau, 31 March 1814 (1845) by Paul DelarocheNapoleon at Fontainebleau, 31 March 18141845 34Portrait of Philippe-Grégoire Delaroche, the Artist’s Younger Son (1851) by Paul DelarochePortrait of Philippe-Grégoire Delaroche, the Artist’s Younger Son1851 · Yale University Art Gallery 35Napoleon at St Helena (1855) by Paul DelarocheNapoleon at St Helena1855 · Royal Collection 36Portrait of Delfina Potocka (1807–1877) (1849) by Paul DelarochePortrait of Delfina Potocka (1807–1877)1849 · National Museum in Warsaw 37Portrait of Horace Delaroche (1838) by Paul DelarochePortrait of Horace Delaroche1838 · Petit Palais 38Joan of Arc in Prison (1823) by Paul DelarocheJoan of Arc in Prison1823 · Wallace Collection 39comte portrait by Paul Delarochecomte portrait 40Moses in the Bulrushes by Paul DelarocheMoses in the Bulrushes 41Hemicycle of the Ecole des Beaux-Arts (detail) - (1814) by Paul DelarocheHemicycle of the Ecole des Beaux-Arts (detail) -1814 42death of elizabeth (1828) by Paul Delarochedeath of elizabeth1828 43Cardinal Mazarin's Last Sickness (1830) by Paul DelarocheCardinal Mazarin's Last Sickness1830 · Wallace Collection 44Angel Gabriel (1835) by Paul DelarocheAngel Gabriel1835 · Chimei Museum 45Self portrait charcoal (1838) by Paul DelarocheSelf portrait charcoal1838 46Portrait of General Bertrand (1836) by Paul DelarochePortrait of General Bertrand1836 47The Execution of Lady Jane Grey centre (1834) by Paul DelarocheThe Execution of Lady Jane Grey centre1834 48Hémicycle (section 3) (1842) by Paul DelarocheHémicycle (section 3)1842 49Virgin and child (1844) by Paul DelarocheVirgin and child1844 50The Childhood of Pico della Mirandola (1842) by Paul DelarocheThe Childhood of Pico della Mirandola1842 51Offering to the God Pan (1855) by Paul DelarocheOffering to the God Pan1855 · Cleveland Museum of Art 52An Elder Sister of Mrs Bowes by Paul DelarocheAn Elder Sister of Mrs BowesBowes Museum 53Pencil Study I by Paul DelarochePencil Study I 54Pencil Study III by Paul DelarochePencil Study III 55Christ on the Mount of Olives by Paul DelarocheChrist on the Mount of Olives 56Francois Guizot by Paul DelarocheFrancois Guizot 57Pencil Study II by Paul DelarochePencil Study II 58Portrait of a Marquise by Paul DelarochePortrait of a MarquiseBavarian State Painting Collections 59Christ in the garden of Gethsemane by Paul DelarocheChrist in the garden of Gethsemane 60The children of King Edward imprisoned in the Tower by Paul DelarocheThe children of King Edward imprisoned in the Tower 61Hemicycle of the Ecole des Beaux-Arts by Paul DelarocheHemicycle of the Ecole des Beaux-Arts 62Filippo Lippo Falling in Love with his Model (1822) by Paul DelarocheFilippo Lippo Falling in Love with his Model1822 63Narcisse-Achille de Salvandy by Paul DelarocheNarcisse-Achille de Salvandy 64untitled (8146) by Paul Delarocheuntitled (8146)Museum of Fine Arts 65st. sebastian by Paul Delarochest. sebastianDetroit Institute of Arts 66juene mere et ses enfants by Paul Delarochejuene mere et ses enfants 67Head of a Camoldine Monk by Paul DelarocheHead of a Camoldine Monk 68Marquis de Pastoret by Paul DelarocheMarquis de Pastoret 69Family scene (unfinished) by Paul DelarocheFamily scene (unfinished) 70Charles de Remusat by Paul DelarocheCharles de Remusat 71oan of Arc is interrogated by The Cardinal of Winchester in her prison by Paul Delarocheoan of Arc is interrogated by The Cardinal of Winchester in her prisonWallace Collection 72Cromwell and Charles I by Paul DelarocheCromwell and Charles I 73Cardinal Richelieu by Paul DelarocheCardinal Richelieu 74Cardinal Mazarin Dying by Paul DelarocheCardinal Mazarin Dying 75Saint Veronica by Paul DelarocheSaint Veronica 76The Death of Elizabeth by Paul DelarocheThe Death of Elizabeth 77Madonna and the Child by Paul DelarocheMadonna and the Child 78A Child Learning to Read by Paul DelarocheA Child Learning to ReadWallace Collection 79Strafford by Paul DelarocheStrafford 80Hemicycle of the Ecole des Beaux-Arts 1 by Paul DelarocheHemicycle of the Ecole des Beaux-Arts 1 81Cardinal Richelieu 1 by Paul DelarocheCardinal Richelieu 1 82Young Mother and Her Children by Paul DelarocheYoung Mother and Her Children 83Peter the Great of Russia by Paul DelarochePeter the Great of Russia 84A Family Scene by Paul DelarocheA Family Scene 85Mother and Child by Paul DelarocheMother and ChildWallace Collection 86Charles I Insulted by Cromwell's Soldiers (1836) by Paul DelarocheCharles I Insulted by Cromwell's Soldiers1836 · National Gallery 87The Death of the Sons of King Edward in the Tower (1831) by Paul DelarocheThe Death of the Sons of King Edward in the Tower1831 · The Louvre 88Saint Amelia, Queen of Hungary (1831) by Paul DelarocheSaint Amelia, Queen of Hungary1831 89Napoléon at Fontainebleau, 31 March 1814, painted in 1840 by Paul DelarocheNapoléon at Fontainebleau, 31 March 1814, painted in 1840Grand Palais 90Oliver Cromwell Opening the Coffin of Charles I (1831) by Paul DelarocheOliver Cromwell Opening the Coffin of Charles I1831 · Musée des Beaux-Arts 91Saint Cecilia and the Angels (1836) by Paul DelarocheSaint Cecilia and the Angels1836 · Victoria and Albert Museum 92The Murder of the Duke of Guise (1834) by Paul DelarocheThe Murder of the Duke of Guise1834 · Condé Museum 93Herodias by Paul DelarocheHerodiasWallraf-Richartz-Museum 94The Artist's Wife, Louise Vernet, on Her Deathbed (1846) by Paul DelarocheThe Artist's Wife, Louise Vernet, on Her Deathbed1846 · Musée d'Arts de Nantes 95The Victors of the Bastille in Front of the Hôtel de Ville (1834) by Paul DelarocheThe Victors of the Bastille in Front of the Hôtel de Ville1834 · Petit Palais 96The State Barge of Cardinal Richelieu on the Rhone by Paul DelarocheThe State Barge of Cardinal Richelieu on the RhoneWallace Collection 97Duke of Angouleme at the capture of Trocadero 31st August (1823) by Paul DelarocheDuke of Angouleme at the capture of Trocadero 31st August1823 · Château de Versailles 98Portrait of Henrietta Sontag by Paul DelarochePortrait of Henrietta SontagHermitage Museum 99Girl in a Basin by Paul DelarocheGirl in a BasinMusée des Beaux-Arts et d'Archéologie 100Resting on the Banks of the Tiber (1834) by Paul DelarocheResting on the Banks of the Tiber1834 · Hermitage Museum

The subjects that held Paul Delaroche's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Paul Delaroche's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Paul Delaroche Paintings from this list
Wallace Collection, LondonWallace Collection London 9 Edward V and the Duke of York in the Tower, The Temptation of Saint Anthony, The Conversion of Saint Mary Magdalene
The Louvre, ParisThe Louvre Paris 5 Bonaparte Crossing the Alps, Young Christian Martyr, The Death of Elizabeth I, Queen of England
National Gallery, LondonNational Gallery London 3 The Execution of Lady Jane Gray, The Execution of Lady Jane Grey, Charles I Insulted by Cromwell's Soldiers
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 3 Young Christian Martyr, Portrait of Henrietta Sontag, Resting on the Banks of the Tiber
National Museum in Warsaw, WarsawNational Museum in Warsaw Warsaw 3 Portrait of Adam Jerzy Czartoryski (1770–1861), Head of a boy., Portrait of Delfina Potocka (1807–1877)
Condé Museum, ChantillyCondé Museum Chantilly 2 Descent from the Cross, The Murder of the Duke of Guise
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 Marie Antoinette, st. sebastian
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Saint Vincent de Paul Preaching to the Court of Louis XIII on Behalf of the Abandoned Children, Portrait of Philippe-Grégoire Delaroche, the Artist’s Younger Son

Paul Delaroche decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Paul Delaroche's paintings

Which work is Paul Delaroche most famous for?Reveal the answer

The Execution of Lady Jane Gray (1833), National Gallery, London. Bonaparte Crossing the Alps (1848) and Young Christian Martyr (1853) come next.

What age was Paul Delaroche when The Execution of Lady Jane Gray was made?Reveal the answer

36 years old: The Execution of Lady Jane Gray dates from 1833, and Paul Delaroche was born in 1797.

What are the ten most famous Paul Delaroche paintings?Reveal the answer

The Execution of Lady Jane Gray, Bonaparte Crossing the Alps, Young Christian Martyr, Napoleon Crossing the Alps, Young Christian Martyr, Descent from the Cross, The Death of Elizabeth I, Queen of England, Napoléon Bonaparte abdicated in Fontainebleau, Marie Antoinette and The Execution of Lady Jane Grey. The ranking above gives each one's year and museum.

How many paintings did Paul Delaroche leave?Reveal the answer

Our catalog holds 120 works by Paul Delaroche, dated from 1814 to 1855.

In which museums do Paul Delaroche's masterpieces hang?Reveal the answer

Mostly in Wallace Collection (London), The Louvre (Paris) and National Gallery (London). The museum table above lists them all.

In which years did Paul Delaroche paint the most famous works?Reveal the answer

In 1830s: 27 of the 100 works on this page were made then, The Execution of Lady Jane Gray among them.

What are the first and the last famous originals of Paul Delaroche?Reveal the answer

On this page, the earliest is Hemicycle of the Ecole des Beaux-Arts (detail) - (1814) and the latest Young Christian Martyr (1855).

Which subjects did Paul Delaroche choose most often?Reveal the answer

Man (17), Woman (11) and Portrait (8), across the 100 works on this page.

Which technique did Paul Delaroche use most?Reveal the answer

Oil On Canvas, for 29 of the 100 works on this page.

To which art movement does Paul Delaroche belong?Reveal the answer

Academic art and Romanticism, judging by the originals on this page.

Which Paul Delaroche works hang at the Wallace Collection?Reveal the answer

Edward V and the Duke of York in the Tower, The Temptation of Saint Anthony and The Conversion of Saint Mary Magdalene: the Wallace Collection, London holds 9 of the works on this page.

Paul Delaroche: life and work

The Master of Historical Drama: The Life and Legacy of Paul Delaroche

In the vibrant, turbulent landscape of nineteenth-century French art, few figures commanded the stage with as much dramatic presence as Hippolyte Paul Delaroche. Born in Paris in 1797 into a family where art was woven into the very fabric of daily life, Delaroche was destined for greatness. With a father serving as an art expert and an uncle curating the prestigious Cabinet des Estampes, his childhood was an immersive education in visual splendor. This early exposure to the masters provided him with more than just aesthetic appreciation; it instilled a profound respect for the weight of history and the power of a single, well-placed brushstroke. Under the mentorship of Antoine-Jean Gros, Delaroche began to master the art of the grand narrative, learning how to infuse monumental subjects with a sense of breathless immediacy that would become his hallmark.

Delaroche’s artistry occupied a fascinating, liminal space between the sweeping emotionalism of Romanticism and the disciplined precision of Academicism. While many of his contemporaries were lost in pure abstraction or rigid neoclassicism, Delaroche sought a middle path—a pragmatic realism that aimed to strip away the idealized veneer of history to reveal its raw, human core. He did not merely paint kings and queens; he painted their vulnerability, their terror, and their quietest moments of despair. This approach allowed him to bridge the gap between the grandiosity of the past and the burgeoning realism of his own era, making historical events feel startlingly present to a mid-century audience.

A Tapestry of Emotion and Precision

The true genius of Delaroche lay in his ability to transform a canvas into a theatrical stage. His works often functioned as visual chronicles, meticulously researched and rendered with a breathtaking attention to detail that captivated the public imagination. In masterpieces such as The Execution of Lady Jane Grey, one can feel the heavy, suffocating atmosphere of tragedy. The painting is not merely a depiction of an event; it is an exploration of innocence lost, achieved through a masterful use of light and shadow that guides the viewer's eye toward the poignant, silent grief of the protagonists. Similarly, his depictions of Napoleon—whether in the solemnity of Napoléon at Fontainebleau or the heroic scale of Napoleon Crossing the Alps—demonstrate his ability to balance the legendary status of the figure with a deeply humanizing touch.

Beyond his solo triumphs, Delaroche’s influence rippled through the Parisian art scene as a respected educator and mentor. His studio became a crucible for the next generation of French masters, fostering talents such as:

Through these connections, Delaroche’s stylistic DNA—characterized by meticulous glazing techniques and an emotive narrative structure—became embedded in the very foundation of French painting.

The Enduring Resonance of a Vanished Past

As the nineteenth century progressed, the art world underwent rapid transformations, yet the works of Delaroche remained a steadfast anchor for those seeking the spectacle of history. He possessed a unique ability to evoke a sense of nostalgia for a vanished era, treating subjects from English and French history with an equal measure of reverence and realism. Whether he was capturing the tender familial devotion in Resting on the Banks of the Tiber or the violent political upheaval in The Murder of the Duke of Guise, his work always sought to find the universal human truth beneath the historical costume.

Though the era of grand history painting eventually gave way to the fleeting impressions of the Impressionists, Delaroche’s legacy remains unshakeable. He stands as a pivotal bridge in art history, a painter who could command the grandeur of the old world while embracing the psychological depth required by the new. His canvases continue to invite us into the past, not as distant, dusty relics, but as living, breathing moments of profound human experience, forever preserved in the exquisite detail of his brush.