Portrait of Lambert Sustris

The 33 Most Famous Lambert Sustris Paintings, Each One of a Kind

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 34 works by Lambert Sustris in our catalogue

In short

Woman with Shield (1550) is the Lambert Sustris painting that draws the most eyes; the original belongs to the Rijksmuseum, Amsterdam. After it, the eye goes to Portrait of a Man in a Cape (1560) and Portrait of Wilhelm the Elder, Imperial Steward, Baron of Waldburg, Lord of Scheer and Trauchburg (1469-1557) (1548). Among the 34 works of Lambert Sustris in our catalog, these 33 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1515 – 1584, Amsterdam Renaissance Most works: Rijksmuseum

Top 10 paintings by Lambert Sustris, through the gallery's eye

1
Woman with Shield (1550) by Lambert Sustris

Woman with Shield

1550 · Oil On Panel · Rijksmuseum, Amsterdam

(Vrouw met schild) is a work by the Dutch artist Lambert Sustris. Executed about 1550, the painting forms part of a larger series of four female allegorical figures. This specific composition is one of several related works, alongside studies such as Woman with Mirror and Woman with Water Jug.

2
Portrait of a Man in a Cape (1560) by Lambert Sustris

Portrait of a Man in a Cape

1560 · Oil On Panel · Kunsthistorisches Museum, Vienna

A single man occupies the center of a dark, quiet world. He is caught in a moment of stillness, his body turned slightly to the left while his gaze holds the viewer in a direct, steady stare. He wears a heavy, dark cape that seems to absorb the very light around him, its velvet-like texture rendered with a soft, tactile precision. Beneath the cloak, a white ruff collar provides a…

3
Portrait of Wilhelm the Elder, Imperial Steward, Baron of Waldburg, Lord of Scheer and Trauchburg (1469-1557) (1548) by Lambert Sustris

Portrait of Wilhelm the Elder, Imperial Steward, Baron of Waldburg, Lord of Scheer and Trauchburg (1469-1557)

1548 · Oil On Panel · Bavarian State Painting Collections, Munich

In this seated portrait, we encounter Wilhelm the Elder, a man whose very posture commands a quiet, heavy authority. He is positioned slightly off-center, a choice that lends a sense of lived-in dignity to the composition rather than a rigid, formal stiffness. The palette is somber, dominated by deep blacks and muted earthy tones that allow the subtle glint of his gold jewelry to catch the light. There is a…

4
Veronika Vöhlin, born von Freyberg zum Eisenberg, Hallenwang and Neidlingen (1523-1582) (1552) by Lambert Sustris

Veronika Vöhlin, born von Freyberg zum Eisenberg, Hallenwang and Neidlingen (1523-1582)

1552 · Oil On Panel · Bavarian State Painting Collections, Munich

A vertical, three-quarter length portrait presents Veronika Vöhlin against a dark, architectural backdrop. She is positioned slightly off-center, her figure defined by the heavy folds of a voluminous gown and a fur-lined mantle. The subject's pale skin provides a sharp contrast to the deep, somber tones of her attire, which includes rich browns, blacks, and muted golds. Light enters from the upper left, casting soft shadows across her face and…

5
John the Baptist preaching (1530) by Lambert Sustris

John the Baptist preaching

1530 · Oil · Centraal Museum, Utrecht

In John the Baptist preaching, Lambert Sustris employs an expansive, wide horizontal format to organize a complex religious narrative. The composition is anchored on the left by large, prominent trees that provide a strong verticality against the landscape. From this foreground, the viewer's eye is led through a diagonal arrangement of a gathered crowd, which directs attention toward the central figure of the preacher. This movement creates a sense of…

7
Head Study of a Young Man (1540) by Lambert Sustris

Head Study of a Young Man

1540 · Oil · Slovak National Gallery, Bratislava

This oil on canvas work, titled Head Study of a Young Man, offers a quiet moment of observation from the artist Lambert Sustris. Created around 1540, the painting presents a focused study of a single subject. It is a portrait of a young man, captured in a three-quarter view that emphasizes the contours of the face and the direction of his gaze.

9
Diana and Actaeon (1549) by Lambert Sustris

Diana and Actaeon

1549 · Oil On Canvas · Royal Collection, London

The oil on canvas painting titled Diana and Actaeon was executed by the artist Lambert Sustris. This work depicts the mythological figures of Diana and Actaeon within a wooded setting. The creation of the piece occurred between circa 1530 and circa 1569.

Lambert Sustris's famous paintings, numbers 11 to 33

The subjects that held Lambert Sustris's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Lambert Sustris's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Lambert Sustris Paintings from this list
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 5 Woman with Shield, Woman with Water Jug, Nessus and Deianira, Lambert Sustris (attributed to), 1540 - 1560
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 5 Portrait of Wilhelm the Elder, Imperial Steward, Baron of Waldburg, Lord of Scheer and Trauchburg (1469-1557), Veronika Vöhlin, born von Freyberg zum Eisenberg, Hallenwang and Neidlingen (1523-1582), Venus and Vulcan, Eavesdropped by Mars
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 3 Portrait of a Man in a Cape, Landscape with classical ruins and women bathing, Tobias and Archangel Raphael on a Journey
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 2 Landscape with Jupiter and Io, Venus
The Louvre, ParisThe Louvre Paris 2 The Baptism of the Ethiopian Eunuch by the Deacon Philip, Venus and Cupid
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Noli Me Tangere at the Palais des Beaux-Arts de Lille., Judith
Centraal Museum, UtrechtCentraal Museum Utrecht 1 John the Baptist preaching
Slovak National Gallery, BratislavaSlovak National Gallery Bratislava 1 Head Study of a Young Man

Lambert Sustris across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Lambert Sustris's paintings: questions for the gallery

What is the single most famous work of Lambert Sustris?Reveal the answer

Woman with Shield (1550), Rijksmuseum, Amsterdam. Portrait of a Man in a Cape (1560) and Portrait of Wilhelm the Elder, Imperial Steward, Baron of Waldburg, Lord of Scheer and Trauchburg (1469-1557) (1548) come next.

At what age did Lambert Sustris create Woman with Shield?Reveal the answer

35 years old: Woman with Shield dates from 1550, and Lambert Sustris was born in 1515.

Which ten paintings by Lambert Sustris are the most famous?Reveal the answer

Woman with Shield, Portrait of a Man in a Cape, Portrait of Wilhelm the Elder, Imperial Steward, Baron of Waldburg, Lord of Scheer and Trauchburg (1469-1557), Veronika Vöhlin, born von Freyberg zum Eisenberg, Hallenwang and Neidlingen (1523-1582), John the Baptist preaching, Venus and Vulcan, Eavesdropped by Mars, Head Study of a Young Man, Judith with the Head of Holofernes, Diana and Actaeon and Flora with a cupid in a landscape. The ranking above gives each one's year and museum.

How many works by Lambert Sustris are known?Reveal the answer

Our catalog holds 34 works by Lambert Sustris, dated from 1530 to 1575.

Where can the most famous Lambert Sustris originals be seen?Reveal the answer

Mostly in Rijksmuseum (Amsterdam), Bavarian State Painting Collections (Munich) and Kunsthistorisches Museum (Vienna). The museum table above lists them all.

During which period did Lambert Sustris create the best-known paintings?Reveal the answer

In 1540s: 7 of the 33 works on this page were made then, Portrait of Wilhelm the Elder, Imperial Steward, Baron of Waldburg, Lord of Scheer and Trauchburg (1469-1557) among them.

Which famous Lambert Sustris painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is John the Baptist preaching (1530) and the latest Allegory of Childhood (?) (1575).

What subjects did Lambert Sustris favour?Reveal the answer

Woman (10), Landscape (8) and Sky (6), across the 33 works on this page.

What materials did Lambert Sustris paint with most?Reveal the answer

Oil On Canvas, for 8 of the 33 works on this page.

Which movement does the work of Lambert Sustris belong to?Reveal the answer

Renaissance, judging by the originals on this page.

What Lambert Sustris originals can I see at the Rijksmuseum?Reveal the answer

Woman with Shield, Woman with Water Jug and Nessus and Deianira, Lambert Sustris (attributed to), 1540 - 1560: the Rijksmuseum, Amsterdam holds 5 of the works on this page.

Lambert Sustris: a portrait of the artist

Lambert Sustris: A Circle of Venetian Influence

Lambert Sustris (c. 1520 – after 1584) stands as a pivotal figure within the artistic milieu of Antwerp and Venice during the High Renaissance, representing a crucial link between Titian’s workshop and subsequent generations of Flemish painters. Born in Amsterdam, his early life remains shrouded in relative obscurity, though he swiftly established himself as a talented artist operating primarily in Italy – specifically Venice – where he honed his skills under the tutelage of the celebrated master Titian. This formative association profoundly shaped Sustris's artistic vision, imbuing it with Venetian color palettes and compositional strategies that would define his oeuvre.
  • Early Career & Venetian Patronage: Sustris began his artistic journey assisting Titian in Venice around 1540, immersing himself in the vibrant artistic culture of the Serenissima Republic. He quickly gained recognition for his meticulous draftsmanship and ability to execute complex commissions, securing patronage from prominent families like the Fugger banking household in Augsburg.
  • Style & Technique: Sustris’s distinctive style is characterized by a masterful blending of Venetian realism with Northern Mannerist sensibilities. His paintings demonstrate an exceptional command of color – particularly luminous reds and golds – mirroring Titian's groundbreaking use of pigment—and meticulous attention to detail, reflecting the influence of Venetian artistic conventions.
  • Notable Works: Sustris’s output includes iconic depictions such as ‘Woman with Mirror,’ ‘Nessus & Deianira,’ and ‘Venus and Cupid,’ each showcasing his exceptional skill in portraying human emotion and capturing atmospheric effects. These works exemplify the “circle of Sustris,” a group of paintings produced by artists trained under Titian who continued to develop Sustris’s stylistic approach.
  • Legacy & Influence: Sustris's legacy extends beyond his individual masterpieces, impacting the artistic trajectory of Antwerp and influencing subsequent Flemish painters. His work served as an inspiration for artists like Anthony van Dyck, demonstrating the enduring power of Venetian art traditions in shaping Northern European painting during the Baroque period.

The Circle of Sustris: Titian’s Artistic Legacy

Lambert Sustris's artistic development was inextricably linked to Titian’s workshop, establishing him as a central conduit for Venetian artistic innovation into the Flemish realm. The “circle of Sustris” comprised a cohort of artists who diligently studied Titian’s techniques and stylistic preferences—resulting in remarkably consistent visual language across multiple canvases. This collaborative effort ensured that Venetian color theory, compositional dynamism, and psychological depth permeated Northern European painting.
  • Shared Artistic Vision: Artists associated with Sustris meticulously replicated Titian's masterful use of glazing techniques – creating luminous surfaces and conveying subtle tonal variations—a hallmark of Venetian painting.
  • Compositional Considerations: Furthermore, Sustris’s paintings adopted Venetian compositional strategies prioritizing dramatic lighting and spatial depth, mirroring Titian’s penchant for theatrical staging within his artworks.
  • Psychological Depth: The circle's artists excelled at portraying human emotion with nuanced sensitivity—reflecting Titian’s profound understanding of the human psyche and translating it into visual representations that resonated deeply with viewers.

Exploring Sustris’s Oeuvre: Venetian Echoes in Antwerp

Lambert Sustris’s artistic activity extended beyond Venice, finding considerable success in Antwerp—a thriving center for Flemish art during the Renaissance and Baroque eras. His presence in Antwerp solidified his reputation as a skilled painter and decorator, attracting commissions from wealthy patrons eager to adorn their residences with opulent artworks. The influence of Venetian aesthetics is palpable throughout Sustris’s Antwerp productions, demonstrating the pervasive reach of Venetian artistic traditions across Europe.
  • Decorative Projects: Sustris undertook ambitious decorative undertakings—primarily murals—transforming aristocratic interiors into breathtaking spaces adorned with vibrant colors and intricate designs—reflecting Venetian grandeur and sophistication.
  • Religious Paintings: He produced numerous religious paintings—often commissioned for churches—capturing biblical narratives with meticulous detail and conveying spiritual fervor through masterful use of color and light—echoing the stylistic conventions prevalent in Venetian devotional art.

Lambert Sustris & The Louvre Collection

The J. Paul Getty Museum holds a significant representation of Lambert Sustris’s artistic output, showcasing his mastery of Venetian painting techniques and contributing to scholarly understanding of the “circle of Sustris.” His paintings—particularly ‘Woman with Mirror,’ ‘Nessus & Deianira,’ and ‘Venus and Cupid’—remain treasured specimens of Renaissance portraiture and mythological narrative—demonstrating Sustris's ability to synthesize Venetian artistic ideals with Northern Mannerist sensibilities. The Louvre Museum houses several Sustris canvases, furthering the dissemination of his artwork and bolstering its historical significance.

Concluding Remarks: A Lasting Impression

Lambert Sustris’s contribution to Renaissance art transcends mere stylistic imitation; he embodies a crucial transmission of Venetian artistic heritage into Northern Europe—leaving an indelible mark on subsequent generations of Flemish painters. His unwavering dedication to mastering Titian's techniques and his masterful execution of complex commissions cemented his position as one of the foremost artists of his time—ensuring that Sustris’s legacy continues to inspire admiration for centuries to come.