Portrait of Lorenzo Costa

The 72 Most Famous Lorenzo Costa Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 74 works by Lorenzo Costa in our catalogue

In short

Venus (detail) (1515) is the Lorenzo Costa painting that draws the most eyes; the original belongs to the Szépművészeti Múzeum, Budapest. After it, the eye goes to Venus (1518) and The Reign of Comus (detail) (1511). Among the 74 works of Lorenzo Costa in our catalog, these 72 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1460 – 1535, Ferrara High renaissance Most works: National Gallery

Top 10 paintings by Lorenzo Costa, through the gallery's eye

1
Venus (detail) (1515) by Lorenzo Costa

Venus (detail)

1515 · Szépművészeti Múzeum, Budapest

To gaze upon this detail from Venus is to encounter an echo of divine beauty captured in oil and wood. Lorenzo Costa (the Elder)’s rendering transcends mere portraiture; it is a meditation on idealized femininity, a moment suspended between earthly allure and celestial grace. The subject, the goddess Venus herself, is presented with an almost breathtaking intimacy. Her profile emerges from a deep, velvety darkness, allowing the artist to focus…

2
Venus (1518) by Lorenzo Costa

Venus

1518 · Szépművészeti Múzeum, Budapest

To gaze upon this depiction of Venus is to step directly into the luminous heart of the Italian Renaissance. Lorenzo Costa (the Elder) has captured not merely a nude figure, but an embodiment of idealized beauty—a vision steeped in classical mythology and humanist philosophy. The subject itself, the goddess of love and beauty, stands poised against a profound black void, allowing every curve, every gesture, and every whisper of flesh…

3
The Reign of Comus (detail) (1511) by Lorenzo Costa

The Reign of Comus (detail)

1511 · Oil On Canvas · The Louvre, Paris

Lorenzo Costa’s “The Reign of Comus,” completed in 1511, isn't merely a painting; it’s a meticulously crafted window into the opulent world of Isabella d’Este, Marchioness of Mantua. This captivating work, now residing within the hallowed halls of the Louvre Museum, offers a vibrant tableau of celebration, intrigue, and the enduring power of myth – a testament to the Renaissance’s fascination with classical ideals and humanist thought. More than just…

4
Portrait of Battista Fiera (1492) by Lorenzo Costa

Portrait of Battista Fiera

1492 · Oil On Panel · National Gallery, London

This bust-length portrait presents a formal and dignified man positioned slightly off-center. The subject's body is angled toward the right, while his gaze is directed toward the viewer's left. Set against a dark black background, the composition utilizes a palette of deep, muted tones, including a rich violet or deep purple garment and the warm, reddish-brown hues found in the subject's hair.

5
The Virgin and Child (1505) by Lorenzo Costa

The Virgin and Child

1505 · Oil On Panel · National Gallery, London

The air within the frame feels heavy with a quiet, sacred peace. At the center of this structured world, the Virgin Mary sits upon an architectural throne, her presence commanding yet gentle. She wears a mantle of deep, saturated blue that flows around her, contrasting against the vibrant red of her gown. In her arms, she cradles the Christ Child, a tender connection that anchors the entire composition. Around them,…

6
The Bentivoglio Family (1493) by Lorenzo Costa

The Bentivoglio Family

1493 · Oil On Panel · Thyssen-Bornemisza Museum, Madrid

The Bentivoglio Family is a portrait by Lorenzo Costa, executed in 1493. The composition features a dense grouping of multiple figures, identified as likely members of the Bentivoglio lineage. This assembly of individuals is presented in a tight, intimate arrangement that emphasizes the shared gravity of the subjects.

7
The Holy Family (1510) by Lorenzo Costa

The Holy Family

1510 · Oil · Toledo Museum of Art, Toledo

In this oil on panel painting from 1510, three figures are arranged in a stable triangular formation against a landscape. The Virgin Mary occupies a central position, draped in a mantle of deep ultramarine blue over a crimson red undergarment. Beside her, Joseph is depicted in a robe of vibrant crimson red. The Christ Child is positioned within this grouping, creating a sense of geometric balance. The figures are illuminated…

8
The Holy Family (1500) by Lorenzo Costa

The Holy Family

1500 · Oil On Panel · National Gallery of Ireland, Dublin City

The air feels heavy with a quiet, devotional peace as we gaze upon this triangular arrangement of figures. In the immediate foreground, the Christ Child lies horizontally, his pale, soft flesh a stark contrast to the deep, saturated tones surrounding him. To his right, the Virgin Mary rests in a mantle of deep ultramarine blue, her presence radiating a gentle, maternal tenderness. On the left, Saint Joseph anchors the composition,…

9
Portrait of a Lady (1490) by Lorenzo Costa

Portrait of a Lady

1490 · Oil On Panel · Currier Gallery of Art, Manchester

A young woman emerges from a darkness so absolute it feels like a void. She does not confront the viewer; instead, her gaze drifts toward the left, caught in a moment of private thought. Her skin possesses the pale, luminous quality of polished porcelain, catching a soft light that descends from the upper left. This light carves the gentle curves of her neck and the soft slope of her shoulders,…

10
Portrait of a young man (1490) by Lorenzo Costa

Portrait of a young man

1490 · Oil On Panel · Gemäldegalerie, Berlin

Lorenzo Costa’s Portrait of a young man presents a close-up view of a single male figure, focusing on the head and shoulders. The subject is captured from a direct, eye-level perspective, establishing an intimate connection with the viewer. His expression is contemplative, bordering on melancholic, which contributes to the somber mood of the composition. This psychological weight is framed by a dark, indistinct background that offers no specific setting, ensuring…

Lorenzo Costa's famous paintings, numbers 11 to 72

11Saint Helena (1505) by Lorenzo CostaSaint Helena1505 · Royal Collection 12Madonna and Child with Brocade (1505) by Lorenzo CostaMadonna and Child with Brocade1505 · Russell-Cotes Art Gallery - Museum 13Presentation of Christ in the Temple (1502) by Lorenzo CostaPresentation of Christ in the Temple1502 · Gemäldegalerie 14The Triumph of Federico II Gonzaga (1522) by Lorenzo CostaThe Triumph of Federico II Gonzaga1522 · National Gallery Prague 15Concert (1485) by Lorenzo CostaConcert1485 · National Gallery 16Virgin and Child Enthroned (1495) by Lorenzo CostaVirgin and Child Enthroned1495 · Thyssen-Bornemisza Museum 17Court of Isabella d'Este (detail) (1506) by Lorenzo CostaCourt of Isabella d'Este (detail)1506 · The Louvre 18Court of Isabella d'Este (1506) by Lorenzo CostaCourt of Isabella d'Este1506 · The Louvre 19Mary and child enthroned with four saints (1480) by Lorenzo CostaMary and child enthroned with four saints1480 · Gemäldegalerie 20St Jerome (1485) by Lorenzo CostaSt Jerome1485 · San Petronio 21Vision of the Apocalypse (1490) by Lorenzo CostaVision of the Apocalypse1490 · San Giacomo Maggiore 22Portrait of a Lady with a Lap-dog (1500) by Lorenzo CostaPortrait of a Lady with a Lap-dog1500 · Royal Collection 23Virgin and Child (1501) by Lorenzo CostaVirgin and Child1501 · Collezione Vittorio Cini 24Legend of Sts Cecilia and Valerian, Scene 2 (1504) by Lorenzo CostaLegend of Sts Cecilia and Valerian, Scene 21504 25Venus (1515) by Lorenzo CostaVenus1515 · Szépművészeti Múzeum 26Legend of Sts Cecilia and Valerian, Scene 9 (1504) by Lorenzo CostaLegend of Sts Cecilia and Valerian, Scene 91504 27Portrait of a Woman (1500) by Lorenzo CostaPortrait of a Woman1500 · Hermitage Museum 28Portrait of a Man by Lorenzo CostaPortrait of a ManBrooklyn Museum 29Portrait of a Woman with a Pearl Necklace by Lorenzo CostaPortrait of a Woman with a Pearl NecklaceMuseum of Fine Arts 30Saint Margaret praying by Lorenzo CostaSaint Margaret praying 31Madonna and Saints by Lorenzo CostaMadonna and Saints 32Conversion of St Valerian by Lorenzo CostaConversion of St Valerian 33Saint John the Baptist by Lorenzo CostaSaint John the BaptistNational Gallery 34Ange jouant avec un chien by Lorenzo CostaAnge jouant avec un chien 35Triumph of Death by Lorenzo CostaTriumph of Death 36Saint Sébastien debout, de trois quarts vers la gauche by Lorenzo CostaSaint Sébastien debout, de trois quarts vers la gauche 37Sepoltura di Gesù Cristo by Lorenzo CostaSepoltura di Gesù Cristo 38St Cecily's Charity by Lorenzo CostaSt Cecily's Charity 39Portrait of Battista Fiera by Lorenzo CostaPortrait of Battista Fiera 40Sposalizio della Vergine e i Santi Francesco e Anna by Lorenzo CostaSposalizio della Vergine e i Santi Francesco e Anna 41St Sebastian by Lorenzo CostaSt Sebastian 42Mary and Joseph by Lorenzo CostaMary and JosephPinacoteca Nazionale di Bologna 43Crowning of the Madonna with Saints by Lorenzo CostaCrowning of the Madonna with Saints 44Portrait of a Woman by Lorenzo CostaPortrait of a Woman 45Adorazione del Bambino con i Magi in lontananza(Presepio) by Lorenzo CostaAdorazione del Bambino con i Magi in lontananza(Presepio) 46San Petronio fra i Santi Domenico e Francesco by Lorenzo CostaSan Petronio fra i Santi Domenico e Francesco 47The Virgin and Child Enthroned between a Soldier Saint and Saint John the Baptis by Lorenzo CostaThe Virgin and Child Enthroned between a Soldier Saint and Saint John the Baptis 48A Thebaid. Monks and Hermits in a Landscape by Lorenzo CostaA Thebaid. Monks and Hermits in a Landscape 49Allegory of the Court of Isabella d'Este, canvas by Lorenzo CostaAllegory of the Court of Isabella d'Este, canvas 50Saint peter by Lorenzo CostaSaint peterNational Gallery 51and Gianfrancesco Maineri - The Virgin and Child with Saints by Lorenzo Costaand Gianfrancesco Maineri - The Virgin and Child with SaintsNational Gallery 52Story of Moses (The Dance of Miriam) by Lorenzo CostaStory of Moses (The Dance of Miriam)National Gallery 53The Holy Family by Lorenzo CostaThe Holy FamilyRijksmuseum 54Madonna col Bambino in trono tra i santi Petronio e Tecla by Lorenzo CostaMadonna col Bambino in trono tra i santi Petronio e Tecla 55Portrait of a Cardinal in his Study by Lorenzo CostaPortrait of a Cardinal in his StudyMinneapolis Institute of Art 56Saint philip by Lorenzo CostaSaint philipNational Gallery 57Two Young Man at a Column (detail) by Lorenzo CostaTwo Young Man at a Column (detail)Pushkin State Museum 58Story of Moses (The Israelites gathering Manna) by Lorenzo CostaStory of Moses (The Israelites gathering Manna)National Gallery 59Saint John the Evangelist by Lorenzo CostaSaint John the EvangelistNational Gallery 60Reading Maria by Lorenzo CostaReading Maria 61Adoration of the Shepherds with Angels by Lorenzo CostaAdoration of the Shepherds with AngelsNational Gallery 62High Altarpiece, Oratory of S. Pietro in Vincoli by Lorenzo CostaHigh Altarpiece, Oratory of S. Pietro in Vincoli 63Giovanni II Bentivoglio and His Family (1488) by Lorenzo CostaGiovanni II Bentivoglio and His Family1488 64Nativity by Lorenzo CostaNativityMusée Des Beaux 65The Reign of Comus (1511) by Lorenzo CostaThe Reign of Comus1511 · The Louvre 66Sainte Veronique by Lorenzo CostaSainte Veronique 67Presentation of Christ (1485) by Lorenzo CostaPresentation of Christ1485 · Gemäldegalerie 68Madonna on throne with saints (1530) by Lorenzo CostaMadonna on throne with saints1530 69Garden of the peaceful arts by Lorenzo CostaGarden of the peaceful arts 70Adoration of the Magi (1499) by Lorenzo CostaAdoration of the Magi1499 · Pinacoteca di Brera 71St Sebastian (1490) by Lorenzo CostaSt Sebastian1490 · Galleria degli Uffizi 72Portrait of Giovanni Bentivoglio (1492) by Lorenzo CostaPortrait of Giovanni Bentivoglio1492 · Galleria degli Uffizi

Lorenzo Costa's famous paintings, period by period

The subjects that held Lorenzo Costa's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Lorenzo Costa's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Lorenzo Costa Paintings from this list
National Gallery, LondonNational Gallery London 11 Portrait of Battista Fiera, The Virgin and Child, Concert
The Louvre, ParisThe Louvre Paris 4 The Reign of Comus (detail), Court of Isabella d'Este (detail), Court of Isabella d'Este
Gemäldegalerie, BerlinGemäldegalerie Berlin 4 Portrait of a young man, Presentation of Christ in the Temple, Mary and child enthroned with four saints
Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 3 Venus (detail), Venus, Venus
Thyssen-Bornemisza Museum, MadridThyssen-Bornemisza Museum Madrid 2 The Bentivoglio Family, Virgin and Child Enthroned
Royal Collection, LondonRoyal Collection London 2 Saint Helena, Portrait of a Lady with a Lap-dog
Galleria degli Uffizi, FlorenceGalleria degli Uffizi Florence 2 St Sebastian, Portrait of Giovanni Bentivoglio
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 The Holy Family

Lorenzo Costa across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Lorenzo Costa's paintings: questions for the gallery

What is the single most famous work of Lorenzo Costa?Reveal the answer

Venus (detail) (1515), Szépművészeti Múzeum, Budapest. Venus (1518) and The Reign of Comus (detail) (1511) come next.

At what age did Lorenzo Costa create Venus (detail)?Reveal the answer

55 years old: Venus (detail) dates from 1515, and Lorenzo Costa was born in 1460.

Which ten paintings by Lorenzo Costa are the most famous?Reveal the answer

Venus (detail), Venus, The Reign of Comus (detail), Portrait of Battista Fiera, The Virgin and Child, The Bentivoglio Family, The Holy Family, The Holy Family, Portrait of a Lady and Portrait of a young man. The ranking above gives each one's year and museum.

How many works by Lorenzo Costa are known?Reveal the answer

Our catalog holds 74 works by Lorenzo Costa, dated from 1480 to 1530.

Where can the most famous Lorenzo Costa originals be seen?Reveal the answer

Mostly in National Gallery (London), The Louvre (Paris) and Gemäldegalerie (Berlin). The museum table above lists them all.

During which period did Lorenzo Costa create the best-known paintings?Reveal the answer

In 1500s: 12 of the 72 works on this page were made then, The Virgin and Child among them.

Which famous Lorenzo Costa painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Mary and child enthroned with four saints (1480) and the latest Madonna on throne with saints (1530).

What subjects did Lorenzo Costa favour?Reveal the answer

Saints (10), Woman (9) and People (8), across the 72 works on this page.

What materials did Lorenzo Costa paint with most?Reveal the answer

Oil On Canvas, for 10 of the 72 works on this page.

Which movement does the work of Lorenzo Costa belong to?Reveal the answer

High renaissance and Renaissance, judging by the originals on this page.

What Lorenzo Costa originals can I see at the National Gallery?Reveal the answer

Portrait of Battista Fiera, The Virgin and Child and Concert: the National Gallery, London holds 11 of the works on this page.

Lorenzo Costa: a portrait of the artist

The Painter of Myth and Faith: The Life of Lorenzo Costa

Lorenzo Costa (1460–1535) stands as a cornerstone figure within the flourishing artistic landscape of the Italian Renaissance, embodying the intellectual dynamism of the Ferrara and Bologna schools. Born in the vibrant city of Ferrara, Costa emerged during a period where the boundaries between spiritual devotion and humanist inquiry were beautifully blurred. His oeuvre is characterized by a distinctive blend of stylistic elegance and profound contemplation, a quality that allowed him to navigate the complex demands of both religious institutions and the most sophisticated secular courts of his era. Through his brush, the ethereal light of the divine met the structured grace of classical mythology, creating a visual language that resonated deeply with the Renaissance spirit.

Formative Years and the Mastery of Light

While the archival records of Costa’s earliest years remain somewhat elusive, his artistic DNA was clearly forged in the workshops of Northern Italy. It is widely recognized that he underwent rigorous training under the master Francesco Francia in Bologna. This apprenticeship was transformative, instilling in him a meticulous attention to detail and an early fascination with the technique of sfumato—the subtle, smoky blending of tones popularized by Leonardo da Vinci. From Francia, Costa inherited a profound understanding of perspective and the dramatic use of chiaroscuro, which allowed him to sculpt figures out of shadow and imbue his compositions with an unprecedented sense of depth and emotional weight. This technical foundation enabled him to move beyond mere representation, seeking instead to capture the very atmosphere surrounding his subjects.

The Splendor of the Mantuan Court

The zenith of Costa’s career was inextricably linked to his prestigious appointment as court painter to Isabella d'Este, the Marchioness of Mantua. As one of the most formidable and discerning patrons in European history, Isabella d'Este demanded art that functioned as both aesthetic triumph and intellectual puzzle. Under her watchful eye, Costa’s work evolved to embrace complex mythological allegories and humanist ideals. His paintings became much more than religious icons; they were sophisticated narratives designed for an audience of scholars and aristocrats. This period of his life was marked by:
  • The integration of classical Greek and Roman myths into contemporary Italian painting.
  • A heightened focus on symbolic meaning, where every gesture and botanical detail carried weight.
  • The refinement of a soft, atmospheric style that could convey the delicate grace required by courtly taste.

Legacy and Historical Significance

As the Renaissance progressed, Costa’s influence rippled through the artistic communities of Ferrara and Bologna, leaving an indelible mark on the development of the Italian school. His ability to harmonize the rugged, emotive traditions of the Ferrarese masters with the more lyrical, polished style of the Bolognese painters created a unique stylistic bridge. Even as new movements began to emerge, Costa’s dedication to the balance of beauty and narrative remained a standard for his successors. Today, he is remembered not merely as a skilled craftsman, but as a visionary who captured the soul of an age—an artist capable of making the ancient myths feel as immediate and breathing as the sacred figures of the Christian faith.