Portrait of Jan Gossaert

Jan Gossaert Paintings: The 100 Most Famous, Through a Gallery's Eye

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 241 works by Jan Gossaert in our catalogue

In short

To the gallery's eye, Jan Gossaert's most famous painting is Adam and Eve (1525), whose original hangs in the Rhode Island School of Design Museum of Art, Providence. Portrait of a man (1528) and Man of Sorrow (1525) complete the trio every eye recognises. Of the 241 works by Jan Gossaert in our catalog, the gallery presents the 100 most famous below, each original with its year, its museum and what makes it unique.

1478 – 1532, Maubeuge Northern renaissance Most works: Statens Museum For Kunst

The gallery's top 10 Jan Gossaert paintings

1
Adam and Eve (1525) by Jan Gossaert

Adam and Eve

In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…

2
Portrait of a man (1528) by Jan Gossaert

Portrait of a man

1528 · Oil On Panel · Royal Museums of Fine Arts of Belgium, Brussels

The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…

3
Man of Sorrow (1525) by Jan Gossaert

Man of Sorrow

1525 · Oil On Panel · National Museum in Kraków, Krakow

The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…

4
Portrait of a Man (1525) by Jan Gossaert

Portrait of a Man

1525 · Oil On Panel · Royal Museum of Fine Arts Antwerp, Antwerp

Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…

5
Two Wings from a Triptych (exterior) (1521) by Jan Gossaert

Two Wings from a Triptych (exterior)

1521 · Oil On Panel

The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…

6
Virgin and child enthroned (1527) by Jan Gossaert

Virgin and child enthroned

1527 · Oil On Canvas · Kunsthistorisches Museum, Vienna

To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…

7
Portrait of a man (1527) by Jan Gossaert

Portrait of a man

1527 · Oil On Panel · Kunsthistorisches Museum, Vienna

A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…

8
The Holy Family (1507) by Jan Gossaert

The Holy Family

1507 · Oil On Panel · J. Paul Getty Museum, Los Angeles

The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.

9
Hercules and Deianeira (1517) by Jan Gossaert

Hercules and Deianeira

1517 · Oil On Panel · The Barber Institute of Fine Arts, Birmingham

Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…

Jan Gossaert paintings, ranked 11 to 100

11The Virgin preparing the bath of the Child (1500) by Jan GossaertThe Virgin preparing the bath of the Child1500 · Bob Jones University Museum and Gallery 12Madonna with the Child (1500) by Jan GossaertMadonna with the Child1500 · Hämeenlinna Art Museum 13Virgin and child in the veil (1500) by Jan GossaertVirgin and child in the veil1500 · Royal Museums of Fine Arts of Belgium 14Madonna with child (1495) by Jan GossaertMadonna with child1495 15Portrait of Isabella of Austria (1514) by Jan GossaertPortrait of Isabella of Austria1514 16Floris van Egmond, Count of Buren (1510) by Jan GossaertFloris van Egmond, Count of Buren1510 · Brighton Museum & Art Gallery 17Saint Jerome (1512) by Jan GossaertSaint Jerome1512 · Statens Museum For Kunst 18Christ on the Mount of Olives (1507) by Jan GossaertChrist on the Mount of Olives1507 · Gemäldegalerie 19Portrait of a Man (1515) by Jan GossaertPortrait of a Man1515 · Pushkin State Museum 20The Beheading of St John the Baptist (1510) by Jan GossaertThe Beheading of St John the Baptist1510 · École Nationale Supérieure des Beaux-Arts 21Saint Jerome Penitent [right panel] (1512) by Jan GossaertSaint Jerome Penitent [right panel]1512 · National Gallery of Art 22Saint Jerome Penitent [left panel] (1512) by Jan GossaertSaint Jerome Penitent [left panel]1512 · National Gallery of Art 23The Malvagna Altarpiece (centre panel, detail) (1513) by Jan GossaertThe Malvagna Altarpiece (centre panel, detail)1513 24Agony in the Garden (1510) by Jan GossaertAgony in the Garden1510 25Holy Family with Coats of Arms of Charles... (1528) by Jan GossaertHoly Family with Coats of Arms of Charles...1528 · Saint Louis Art Museum 26Virgin and Child in a Landscape (1531) by Jan GossaertVirgin and Child in a Landscape1531 · Cleveland Museum of Art 27Self-portrait (1525) by Jan GossaertSelf-portrait1525 · Currier Gallery of Art 28Madonna and Child (1529) by Jan GossaertMadonna and Child1529 · Rijksmuseum Twenthe 29Christ on Mount Olive (1525) by Jan GossaertChrist on Mount Olive1525 · Bavarian State Painting Collections 30The Holy Family (1520) by Jan GossaertThe Holy Family1520 · Museum of Fine Arts 31Portrait of Henry III, Count of Nassau (1530) by Jan GossaertPortrait of Henry III, Count of Nassau1530 · Museu Nacional d'Art de Catalunya 32Christ sitting on the Cold Stone (1531) by Jan GossaertChrist sitting on the Cold Stone1531 · Royal Museum of Fine Arts Antwerp 33Virgin and Child with a Patron (1530) by Jan GossaertVirgin and Child with a Patron1530 · Statens Museum For Kunst 34Portrait of Anna de Bergh, Marquise de Veere (1530) by Jan GossaertPortrait of Anna de Bergh, Marquise de Veere1530 · McNay Art Museum 35Saint Luke painting the Virgin (1520) by Jan GossaertSaint Luke painting the Virgin1520 · National Gallery Prague 36Portrait of a Man (1524) by Jan GossaertPortrait of a Man1524 37Madonna with Child Jesus (1531) by Jan GossaertMadonna with Child Jesus1531 · National Museum in Warsaw 38Christus rust na de geseling (1527) by Jan GossaertChristus rust na de geseling1527 · Staatliche Kunsthalle Karlsruhe 39Madonna and Child (1532) by Jan GossaertMadonna and Child1532 40Madonna and Child playing with the veil (1530) by Jan GossaertMadonna and Child playing with the veil1530 41Cain Killing Abel (1525) by Jan GossaertCain Killing Abel1525 42Portrait of a Man (1524) by Jan GossaertPortrait of a Man1524 43Danaë (1527) by Jan GossaertDanaë1527 · Alte Pinakothek 44Scenes from the Life of St Giles (1520) by Jan GossaertScenes from the Life of St Giles1520 · Statens Museum For Kunst 45The Martyrdom of St Cyriacus and His Companions (1520) by Jan GossaertThe Martyrdom of St Cyriacus and His Companions1520 · Statens Museum For Kunst 46An Elderly Couple (1525) by Jan GossaertAn Elderly Couple1525 · National Gallery 47Young Girl with Astronomic Instrument (1530) by Jan GossaertYoung Girl with Astronomic Instrument1530 48Virgin Mary, Christ Blessing, and St John the Baptist (Deesis) (1525) by Jan GossaertVirgin Mary, Christ Blessing, and St John the Baptist (Deesis)1525 49Abbot Johann Ingenray (1535) by Jan GossaertAbbot Johann Ingenray1535 · Detroit Institute of Arts 50The Adoration of the Kings (1510) by Jan GossaertThe Adoration of the Kings1510 · National Gallery 51Wings of the Norfolk Triptych (1525) by Jan GossaertWings of the Norfolk Triptych1525 · Musées Royaux des Beaux-Arts 52Virgin and Child (1525) by Jan GossaertVirgin and Child1525 · Art Institute of Chicago 53Adam and Eve (1510) by Jan GossaertAdam and Eve1510 · Thyssen-Bornemisza Museum 54Danaë (detail) (1527) by Jan GossaertDanaë (detail)1527 · Alte Pinakothek 55The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel) (1517) by Jan GossaertThe Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel)1517 · The Louvre 56Danaë (1527) by Jan GossaertDanaë1527 · Alte Pinakothek 57Two Kings and a Woman Leaving a Palace (1510) by Jan GossaertTwo Kings and a Woman Leaving a Palace1510 58Madonna and Child (1527) by Jan GossaertMadonna and Child1527 · Museo del Prado 59The Adoration of the Kings (detail) (1500) by Jan GossaertThe Adoration of the Kings (detail)1500 60The Adoration of the Kings (1500) by Jan GossaertThe Adoration of the Kings1500 61Holy Family with St. Catherine and St. Barbara (1515) by Jan GossaertHoly Family with St. Catherine and St. Barbara1515 62St Jerome Penitent (1510) by Jan GossaertSt Jerome Penitent1510 63Hercules and Deianira (1517) by Jan GossaertHercules and Deianira1517 · Barber Institute of Fine Arts 64Neptune and Amphitrite, - (188x123.) (1516) by Jan GossaertNeptune and Amphitrite, - (188x123.)1516 65Hercules of the Forum Boarium (1509) by Jan GossaertHercules of the Forum Boarium1509 66Neptune and Amphitrite (1516) by Jan GossaertNeptune and Amphitrite1516 67Virgin and Child with Musical Angels (1510) by Jan GossaertVirgin and Child with Musical Angels1510 68A Reliquary (1510) by Jan GossaertA Reliquary1510 · The Morgan Library & Museum 69The Agony in the Garden (1510) by Jan GossaertThe Agony in the Garden1510 70Standing Warrior in Fantastic Armour (1509) by Jan GossaertStanding Warrior in Fantastic Armour1509 71The Carondelet Diptych left wing, Jean Carondelet (1517) by Jan GossaertThe Carondelet Diptych left wing, Jean Carondelet1517 72St John the Evangelist on Patmos (1515) by Jan GossaertSt John the Evangelist on Patmos1515 73The Holy Family Seated at the Foot of a Tree (1510) by Jan GossaertThe Holy Family Seated at the Foot of a Tree1510 74Apollo Citharoedus of the Casa Sassi (1509) by Jan GossaertApollo Citharoedus of the Casa Sassi1509 75Neptune and Amphitrite (detail) (1516) by Jan GossaertNeptune and Amphitrite (detail)1516 76The Malvagna Altarpiece (right wing, detail) (1513) by Jan GossaertThe Malvagna Altarpiece (right wing, detail)1513 77Jean Carondelet (1503) by Jan GossaertJean Carondelet1503 · Toledo Museum of Art 78The Adoration of the Magi (1515) by Jan GossaertThe Adoration of the Magi1515 79Agony in the Garden (detail) (1510) by Jan GossaertAgony in the Garden (detail)1510 80Bust of a Warrior in Fantastic Armour (1509) by Jan GossaertBust of a Warrior in Fantastic Armour1509 81Study after the Spinario (detail) (1509) by Jan GossaertStudy after the Spinario (detail)1509 · Universiteitsbibliotheek 82Virgin and Child with Sts Catherine and Barbara (1510) by Jan GossaertVirgin and Child with Sts Catherine and Barbara1510 83The Doria Pamphilj Diptych (right wing) (1510) by Jan GossaertThe Doria Pamphilj Diptych (right wing)1510 · Galleria Doria Pamphilj 84Carondelet Diptych (left wing) (1517) by Jan GossaertCarondelet Diptych (left wing)1517 85Study after the Spinario (recto) (1509) by Jan GossaertStudy after the Spinario (recto)1509 · Universiteitsbibliotheek 86Neptune and Amphitrite (1516) by Jan GossaertNeptune and Amphitrite1516 87The Malvagna Altarpiece (exterior wings) (1513) by Jan GossaertThe Malvagna Altarpiece (exterior wings)1513 88The Mystic Marriage of St Catherine (1503) by Jan GossaertThe Mystic Marriage of St Catherine1503 · Statens Museum For Kunst 89Carondelet Diptych (right wing) (1517) by Jan GossaertCarondelet Diptych (right wing)1517 90Emperor Augustus and the Tiburtine Sibyl (1503) by Jan GossaertEmperor Augustus and the Tiburtine Sibyl1503 91Carondelet Diptych (1517) by Jan GossaertCarondelet Diptych1517 92The Malvagna Altarpiece (side wings) (1513) by Jan GossaertThe Malvagna Altarpiece (side wings)1513 93View of the Colosseum Seen from the West (1509) by Jan GossaertView of the Colosseum Seen from the West1509 94Carondelet Diptych (verso) (1517) by Jan GossaertCarondelet Diptych (verso)1517 95The Malvagna Altarpiece (centre panel) (1513) by Jan GossaertThe Malvagna Altarpiece (centre panel)1513 96Portrait of a Man, possibly Jan Snoeck (1530) by Jan GossaertPortrait of a Man, possibly Jan Snoeck1530 · National Gallery of Art 97Mary with Child (1525) by Jan GossaertMary with Child1525 · Gemäldegalerie 98The Mocking of Christ or the Man of Sorrows (1525) by Jan GossaertThe Mocking of Christ or the Man of Sorrows1525 99King Christian II of Denmark (1525) by Jan GossaertKing Christian II of Denmark1525 100Virgin and Child Seated at the Foot of a Tree (1522) by Jan GossaertVirgin and Child Seated at the Foot of a Tree1522

Jan Gossaert's famous paintings, period by period

The subjects that held Jan Gossaert's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Jan Gossaert's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Jan Gossaert Paintings from this list
Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 5 Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck
Alte Pinakothek, MunichAlte Pinakothek Munich 3 Danaë, Danaë (detail), Danaë
Gemäldegalerie, BerlinGemäldegalerie Berlin 9 Christ on the Mount of Olives, Mary with Child
National Gallery, LondonNational Gallery London 7 An Elderly Couple, The Adoration of the Kings
Royal Museums of Fine Arts of Belgium, BrusselsRoyal Museums of Fine Arts of Belgium Brussels 4 Portrait of a man, Virgin and child in the veil
Royal Museum of Fine Arts Antwerp, AntwerpRoyal Museum of Fine Arts Antwerp Antwerp 4 Portrait of a Man, Christ sitting on the Cold Stone
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 3 Virgin and child enthroned, Portrait of a man

Jan Gossaert, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Jan Gossaert's paintings: the gallery answers

Which Jan Gossaert painting is the most famous of all?Reveal the answer

Adam and Eve (1525), Rhode Island School of Design Museum of Art, Providence. Portrait of a man (1528) and Man of Sorrow (1525) come next.

How old was Jan Gossaert on completing Adam and Eve?Reveal the answer

47 years old: Adam and Eve dates from 1525, and Jan Gossaert was born in 1478.

Which are Jan Gossaert's top 10 paintings?Reveal the answer

Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira and Triptych of the Holy Family. The ranking above gives each one's year and museum.

How many works did Jan Gossaert create?Reveal the answer

Our catalog holds 241 works by Jan Gossaert, dated from 1495 to 1532.

Where do Jan Gossaert's most famous originals hang?Reveal the answer

Mostly in Statens Museum For Kunst (Copenhagen), National Gallery of Art (Washington) and Alte Pinakothek (Munich). The museum table above lists them all.

When did Jan Gossaert create the most famous paintings?Reveal the answer

In 1510s: 39 of the 100 works on this page were made then, Hercules and Deianeira among them.

Which are Jan Gossaert's earliest and latest famous works?Reveal the answer

On this page, the earliest is Madonna with child (1495) and the latest Madonna and Child (1532).

Which subjects did Jan Gossaert return to most?Reveal the answer

Woman (12), Man (10) and Book (5), across the 100 works on this page.

Which medium did Jan Gossaert work in most?Reveal the answer

Oil On Panel, for 15 of the 100 works on this page.

Which movement is Jan Gossaert associated with?Reveal the answer

Northern renaissance, judging by the originals on this page.

Which Jan Gossaert originals does the Statens Museum For Kunst hold?Reveal the answer

Saint Jerome, Virgin and Child with a Patron and Scenes from the Life of St Giles: the Statens Museum For Kunst, Copenhagen holds 5 of the works on this page.

Can I have a Jan Gossaert painting reproduced by hand?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Jan Gossaert: the artist

The Renaissance Pioneer: The Life and Legacy of Jan Gossaert

In the shifting landscape of the early sixteenth century, few artists bridged the gap between the meticulous traditions of the North and the burgeoning humanism of the South as masterfully as Jan Gossaert. Known to history by the evocative moniker Mabuse, this visionary painter emerged from Maubeuge, France, to become a cornerstone of the Romanist movement. His life’s work represents a profound metamorphosis in Netherlandish art, where the sharp, tactile realism of the Flemish masters met the grand, sculptural elegance of the Italian Renaissance. To study Gossaert is to witness the very moment when the medieval soul began to embrace the classical light of antiquity.

While the precise details of his early training remain shrouded in the mists of time, Gossaert’s artistic DNA was deeply rooted in the traditions of the Low Countries. It is widely believed that his formative years were spent absorbing the technical rigors of masters such as Rogier van der Weyden and Hugo van der Goes. From these predecessors, he inherited an unparalleled devotion to detail—a way of rendering textures, fabrics, and light that felt almost tangible to the viewer. However, Gossaert was far from a mere imitator of the past; he possessed an insatiable curiosity for the new, looking toward the south to integrate the anatomical precision and architectural grandeur of the Italian Renaissance into his native style.

A Synthesis of North and South

The true genius of Mabuse lies in his ability to harmonize two seemingly disparate worlds. His development as a Romanist painter marked a departure from the purely Gothic sensibilities that had long dominated Northern Europe. Where earlier artists focused on symbolic depth and spiritual iconography, Gossaert introduced a sense of physical weight and classical proportion. He studied the human form with a new, scientific vigor, allowing his figures to occupy space with a sculptural presence that felt revolutionary for his era.

This stylistic evolution is most evident in his treatment of light and atmosphere. In his hands, light does not merely illuminate a scene; it sculpts it. He utilized atmospheric perspective to create vast, immersive landscapes that seem to recede infinitely into the distance, providing a dramatic stage for his subjects. His compositions often feature a complex interplay of shadows and brilliance, a technique that lends his religious and mythological scenes an almost theatrical intensity. This mastery allowed him to navigate the delicate balance between the profound spiritual contemplation required by religious commissions and the intellectual grandeur demanded by the humanist scholars of his time.

Masterworks and Historical Significance

Gossaert’s prolific career was sustained by a prestigious network of patrons, ranging from wealthy merchants to high-ranking clergy and nobility. His output was remarkably diverse, spanning monumental altarpieces that anchored cathedral interiors to intimate portraits that captured the psychological essence of his sitters. Some of his most enduring contributions include:

  • Religious Iconography: Works such as Deesis demonstrate his ability to use light and color to evoke deep spiritual reverence, portraying Christ with a majesty that is both human and divine.
  • Mythological Narratives: In pieces like Hercules and Deianeira, Gossaert showcased his command of classical themes, using the muscularity of ancient myth to push the boundaries of Northern anatomical painting.
  • Portraiture: His portraits stand as vital historical documents, characterized by a meticulous rendering of costume and a dignified, steady gaze that reflects the rising status of the individual in Renaissance society.

The historical significance of Jan Gossaert cannot be overstated. He acted as a vital conduit, transporting the classical ideals of Italy across the Alps and planting them firmly in the fertile soil of the Netherlands. By blending the meticulous craftsmanship of the Flemish tradition with the structural innovations of the Roman Renaissance, he paved the way for future generations of Northern artists. His legacy remains etched in the very fabric of art history, representing a triumphant era of cultural synthesis and artistic rebirth.

All 241 works by Jan Gossaert →