Portrait of Pontormo

The 100 Most Famous Pontormo Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 176 works by Pontormo in our catalogue

In short

Of all the originals Pontormo left, the most famous is Deposition. Close behind it come Visitation (1528) and Halberdier (1520). Our catalog holds 176 works by Pontormo; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1494 – 1556, Empoli Mannerism Most works: Galleria degli Uffizi

Pontormo's top 10 paintings: the gallery's choice

1
Deposition by Pontormo

Deposition

Tempera On Panel

Pontormo executed the Deposition between 1525 and 1528. Commissioned by Lodovico Capponi in 1526, the work occupies the Capponi Chapel within the Church of Santa Felicita in Florence. The subject matter focuses on the deposition of Christ's body following the crucifixion.

2
Visitation (1528) by Pontormo

Visitation

1528 · Fresco

Jacopo Carucci, known as Pontormo, created this exquisite fresco in 1528, capturing a moment of profound religious significance with his signature Mannerist style. The "Visitation" is a testament to Pontormo's mastery of composition, color, and emotional depth, making it a sought-after piece for art enthusiasts and collectors alike.

3
Halberdier (1520) by Pontormo

Halberdier

1520 · Oil On Canvas · J. Paul Getty Museum, Los Angeles

Captivating Portrait of Strength and Individuality This striking artwork captures a commanding figure, embodying resilience, confidence, and cultural pride. The subject, a young man dressed in traditional attire and holding a halberd, exudes a sense of authority and dignity. His direct gaze engages viewers immediately, inviting them into a moment of introspection and admiration. The artist’s masterful portrayal emphasizes the subject’s physical presence and emotional depth, making it a compelling…

4
Virgin and Child, known as the Madonna del Libro (1545) by Pontormo

Virgin and Child, known as the Madonna del Libro

1545 · Oil On Panel · Yale University Art Gallery, New Haven

The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head tilted slightly as she looks toward the Christ Child. Her skin possesses a smooth, porcelain-like texture, illuminated by a focused light source that creates a sharp contrast against the shadows. She wears a deep crimson red garment, while a dark, midnight blue…

5
Study of a Woman, possibly Maria Salviati (1543) by Pontormo

Study of a Woman, possibly Maria Salviati

1543 · Chalk · Galleria degli Uffizi, Florence

To gaze upon this study of a woman is to step directly into the charged atmosphere of mid-sixteenth-century Florence. It is not merely a portrait, but an intimate psychological excavation, capturing the ephemeral grace and profound introspection characteristic of the Italian Mannerist period. The subject, rendered with exquisite delicacy, possesses a serene yet enigmatic quality; her direct gaze seems to meet the viewer's own, inviting a silent communion across the…

6
Ten thousand martyrs (1529) by Pontormo

Ten thousand martyrs

1529 · Oil On Canvas · Galleria degli Uffizi, Florence

Jacopo Pontormo's "Ten Thousand Martyrs," painted in 1529, is not merely a depiction of historical suffering; it’s a visceral plunge into the heart of religious trauma and defiant resistance. This monumental fresco, now rendered in exquisite detail as a hand-painted reproduction by WahooArt.com, captures a pivotal moment from early Christian history – the brutal execution of ten thousand soldiers who had converted to Christianity during the reign of Emperor Decius.…

7
Supper at Emmaus by Pontormo

Supper at Emmaus

Oil On Canvas

The work before us is Supper at Emmaus, a significant oil on canvas painted by Pontormo in 1525. This piece captures the specific biblical moment of the apparition of Christ to the Apostles, a narrative drawn from the Gospel of Luke, specifically chapter 24, verses 13 through 35. It is a scene of profound recognition, documenting the instant the disciples realize the identity of the man they are dining with…

8
Portrait of Francesco da Castiglione (1520) by Pontormo

Portrait of Francesco da Castiglione

1520 · Oil On Canvas · Palazzo Pitti, Florence

The year is 1520, and within the bustling artistic landscape of Florence, Jacopo Carucci Pontormo—a name now inextricably linked with both innovation and melancholy—crafted a portrait that transcends mere likeness. “Portrait of Francesco da Castiglione” isn’t simply a depiction of an elderly man; it's a carefully constructed meditation on age, wisdom, and the quiet dignity of a life well-lived. The painting immediately draws the eye with its rich, earthy palette…

9
Cupid and Apollo (1513) by Pontormo

Cupid and Apollo

1513 · Oil On Panel

Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers on the interaction between a standing male figure in classical armor on the left and a winged youth on the right. The scene is set against a dark, void-like background that isolates the two subjects.

10
Apollo and Daphne (1513) by Pontormo

Apollo and Daphne

1513 · Oil

In this dramatic scene by Pontormo, the air crackles with the sudden, frantic energy of a chase reaching its breaking point. The painting, created about 1513, captures the very moment of metamorphosis from Ovid's myth. Apollo reaches out, his fingers straining to grasp the nymph, but his pursuit is met with a terrifying transformation. Daphne is no longer merely a fleeing woman; she is caught in the midst of becoming…

The Pontormo selection continues, 11 to 100

11Two Male Figures Looking in a Mirror and a Putto. (1518) by PontormoTwo Male Figures Looking in a Mirror and a Putto.1518 12Visitation (1515) by PontormoVisitation1515 13Saint Francis (1517) by PontormoSaint Francis1517 14Study of a seated man (1518) by PontormoStudy of a seated man1518 15Study of nude (1518) by PontormoStudy of nude1518 16Archangel Michael (1519) by PontormoArchangel Michael1519 · St Andreas Picture Gallery 17St. Matthew the Evangelist (1525) by PontormoSt. Matthew the Evangelist1525 18Annunciation (1527) by PontormoAnnunciation1527 19Portrait of a Young Man (Alessandro de Medici ) (1526) by PontormoPortrait of a Young Man (Alessandro de Medici )1526 20The Holy Family (1525) by PontormoThe Holy Family1525 21Noli me tangere (1531) by PontormoNoli me tangere1531 · Casa Buonarroti 22Portrait of Two Friends (1520) by PontormoPortrait of Two Friends1520 · Collezione Vittorio Cini 23Portrait of Niccolò Ardinghelli (1542) by PontormoPortrait of Niccolò Ardinghelli1542 24Porträt des Giovanni della Casa (1503-1556) (1550) by PontormoPorträt des Giovanni della Casa (1503-1556)1550 25Christ seated, as a nude figure by PontormoChrist seated, as a nude figure 26Alessandro de' Medici (1535) by PontormoAlessandro de' Medici1535 · Art Institute of Chicago 27Noli Me Tangere by PontormoNoli Me Tangere 28Portrait of Two Friends by PontormoPortrait of Two Friends 29Madonna and Child (1532) by PontormoMadonna and Child1532 · Museum of John Paul II Collection 30Portrait of Alessandro de' Medici (1550) by PontormoPortrait of Alessandro de' Medici1550 · National Museum of Ancient Art 31St. Sebastian (1515) by PontormoSt. Sebastian1515 · Musée des Beaux-Arts de Dijon 32Reclining Male Nude (1540) by PontormoReclining Male Nude1540 · National Gallery of Canada 33Birth of John the Baptist (1526) by PontormoBirth of John the Baptist1526 · Galleria degli Uffizi 34Volta (1515) by PontormoVolta1515 35Volta (1515) by PontormoVolta1515 36Volta (1515) by PontormoVolta1515 37Volta (1515) by PontormoVolta1515 38Volta (1515) by PontormoVolta1515 39Scene with cherubs on papal coat of arms (1515) by PontormoScene with cherubs on papal coat of arms1515 40Study of a Boy Turning His Head (1529) by PontormoStudy of a Boy Turning His Head1529 · Galleria degli Uffizi 41Visitation (1520) by PontormoVisitation1520 42VillaMedici - Salon (1521) by PontormoVillaMedici - Salon1521 43VillaMedici - Vertumnus and Pomona (detail) (1521) by PontormoVillaMedici - Vertumnus and Pomona (detail)1521 44Alessandro de' Medici (1520) by PontormoAlessandro de' Medici1520 · Philadelphia Museum of Art 45Madonna and Child with Two Saints (1520) by PontormoMadonna and Child with Two Saints1520 46Madonna and Child with the Young St John (1520) by PontormoMadonna and Child with the Young St John1520 47Christ before Pilate (1520) by PontormoChrist before Pilate1520 48Supper at Emmaus (1520) by PontormoSupper at Emmaus1520 49Supper at Emmaus (1525) by PontormoSupper at Emmaus1525 · Galleria degli Uffizi 50Cosimo I de' Medici (1537) by PontormoCosimo I de' Medici1537 · Palazzo Pitti 51View on the Louvre and the Tour de Nesle form the Île de la Cité (1662) by PontormoView on the Louvre and the Tour de Nesle form the Île de la Cité1662 52Madonna with St. Francis and St. Jerome (1522) by PontormoMadonna with St. Francis and St. Jerome1522 · Galleria degli Uffizi 53portrait of Francesca Capponi as Saint Mary Magdalene by Pontormoportrait of Francesca Capponi as Saint Mary Magdalene 54autoportrait of Giovanni Antonio Lappoli by Pontormoautoportrait of Giovanni Antonio Lappoli 55Bust of the Virgin by PontormoBust of the VirginHarvard Art Museums 56Two nudes by PontormoTwo nudes 57Four Evangelists by PontormoFour Evangelists 58Study for the Deluge by PontormoStudy for the Deluge 59Christ the Judge with the Creation of Eve by PontormoChrist the Judge with the Creation of Eve 60Moses Receiving the Tables by PontormoMoses Receiving the Tables 61Seated Male Nule by PontormoSeated Male Nule 62Compositional study for Moses Receiving the Tables of the Law by PontormoCompositional study for Moses Receiving the Tables of the Law 63View of the Capponi Chapel by PontormoView of the Capponi Chapel 64Study for Deluge by PontormoStudy for Deluge 65Male Nude by PontormoMale Nude 66Figure study 1 by PontormoFigure study 1 67Halberdier 1 by PontormoHalberdier 1 68Salon by PontormoSalon 69Kicking player by PontormoKicking player 70Three Graces by PontormoThree Graces 71Visitation 2 by PontormoVisitation 2 72The Expulsion from Earthly Paradise by PontormoThe Expulsion from Earthly Paradise 73Annunciation 2 by PontormoAnnunciation 2 74Venus and Cupid by PontormoVenus and CupidRoyal Collection 75Leda and the Swan by PontormoLeda and the Swan 76Figure study by PontormoFigure study 77Joseph's Broders beg for Help by PontormoJoseph's Broders beg for Help 78Deposition (detail)3 by PontormoDeposition (detail)3 79Lady with a Basket of Spindles by PontormoLady with a Basket of Spindles 80Seated Nude with Raised Arm by PontormoSeated Nude with Raised Arm 81Compositional study for Christ the Judge with the Creation of Eve by PontormoCompositional study for Christ the Judge with the Creation of Eve 82Joseph Revealing Himself to his Brothers by PontormoJoseph Revealing Himself to his Brothers 83Adoration of the Magi by PontormoAdoration of the Magi 84Salon 1 by PontormoSalon 1 85Saint Agustine by PontormoSaint Agustine 86Adam and Eve at Work by PontormoAdam and Eve at Work 87Joseph Revealing Himself to his Brothers 1 by PontormoJoseph Revealing Himself to his Brothers 1 88Annunciation (detail) by PontormoAnnunciation (detail) 89Joseph with Jacob in Egypt by PontormoJoseph with Jacob in Egypt 90Portrait of Niccolò Ardinghelli by PontormoPortrait of Niccolò Ardinghelli 91Madonna and Child with St. Anne and the Saints by PontormoMadonna and Child with St. Anne and the Saints 92Sacra Conversazione by PontormoSacra Conversazione 93Portrait of a Lady with Dog by PontormoPortrait of a Lady with Dog 94The Resurrection of Christ by PontormoThe Resurrection of Christ 95Alessandro de Medici by PontormoAlessandro de Medici 96Saint Julian by PontormoSaint Julian 97St. Quentin by PontormoSt. Quentin 98Annunciation 1 by PontormoAnnunciation 1 99Madonna and Child with Angels by PontormoMadonna and Child with Angels 100Portrait of Maria Salviati with little Cosimo de Medici by PontormoPortrait of Maria Salviati with little Cosimo de MediciWalters Art Museum

Pontormo's famous paintings, period by period

The subjects that held Pontormo's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Pontormo's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Pontormo Paintings from this list
Galleria degli Uffizi, FlorenceGalleria degli Uffizi Florence 10 Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Birth of John the Baptist
Palazzo Pitti, FlorencePalazzo Pitti Florence 3 Portrait of Francesco da Castiglione, Cosimo I de' Medici
J. Paul Getty Museum, Los AngelesJ. Paul Getty Museum Los Angeles 1 Halberdier
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Virgin and Child, known as the Madonna del Libro
St Andreas Picture Gallery, EmpoliSt Andreas Picture Gallery Empoli 1 Archangel Michael
Casa Buonarroti, FlorenceCasa Buonarroti Florence 1 Noli me tangere
Collezione Vittorio Cini, VeniceCollezione Vittorio Cini Venice 1 Portrait of Two Friends
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Alessandro de' Medici

Pontormo decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Pontormo's paintings

Which work is Pontormo most famous for?Reveal the answer

Deposition. Visitation (1528) and Halberdier (1520) come next.

What are the ten most famous Pontormo paintings?Reveal the answer

Deposition, Visitation, Halberdier, Virgin and Child, known as the Madonna del Libro, Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Supper at Emmaus, Portrait of Francesco da Castiglione, Cupid and Apollo and Apollo and Daphne. The ranking above gives each one's year and museum.

How many paintings did Pontormo leave?Reveal the answer

Our catalog holds 176 works by Pontormo, dated from 1513 to 1550.

In which museums do Pontormo's masterpieces hang?Reveal the answer

Mostly in Galleria degli Uffizi (Florence), Palazzo Pitti (Florence) and J. Paul Getty Museum (Los Angeles). The museum table above lists them all.

In which years did Pontormo paint the most famous works?Reveal the answer

In 1520s: 21 of the 100 works on this page were made then, Visitation among them.

What are the first and the last famous originals of Pontormo?Reveal the answer

On this page, the earliest is Cupid and Apollo (1513) and the latest Porträt des Giovanni della Casa (1503-1556) (1550).

Which subjects did Pontormo choose most often?Reveal the answer

Man (11), Renaissance (10) and Woman (7), across the 100 works on this page.

Which technique did Pontormo use most?Reveal the answer

Oil On Panel, for 11 of the 100 works on this page.

To which art movement does Pontormo belong?Reveal the answer

Mannerism, judging by the originals on this page.

Which Pontormo works hang at the Galleria degli Uffizi?Reveal the answer

Study of a Woman, possibly Maria Salviati, Ten thousand martyrs and Birth of John the Baptist: the Galleria degli Uffizi, Florence holds 6 of the works on this page.

Can I commission a reproduction of a Pontormo painting?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Pontormo: life and work

The Melancholy Visionary: The Life and Legacy of Jacopo Pontormo

Jacopo Carucci, known to history by the evocative moniker Pontormo, was an artist whose brush captured the very essence of transition. Born in the small Tuscan village of Pontorme around 1494, his early life was marked by a profound sense of solitude and melancholy, qualities that would later infuse his canvases with an unparalleled psychological depth. As a young apprentice in Florence, he moved through a world of shifting artistic paradigms, eventually emerging as a central figure of the Florentine Mannerist movement. Unlike the masters of the High Renaissance who sought perfection through balance and mathematical harmony, Pontormo looked inward, seeking to express the turbulent, often unsettling complexities of the human soul. His formative years were shaped by the shadows of giants. Under the tutelage of Domenico del Pollaiuolo and the monumental influence of Michelangelo Buonarroti, he mastered the anatomical precision required of a Renaissance master, yet he possessed an irrepressible urge to distort that very reality for emotional effect. He drew inspiration not only from the sculptural weight of Michelangelo but also from the intricate, emotive engravings of Albrecht Dürer. This unique synthesis of Italian form and Northern European expressive detail allowed him to pioneer a style where figures seemed to lose their tether to gravity, drifting through ambiguous, dreamlike spaces.

The Architecture of Mannerism: Style and Innovation

To witness a Pontormo painting is to enter a realm where the familiar laws of physics and perspective are suspended. His work represents a deliberate departure from the serene, perspectival regularity of his predecessors. In masterpieces such as his "Visitation" or the haunting "Deposition," one observes the hallmarks of his revolutionary Mannerist aesthetic: elongated limbs, twining and unnatural poses, and a palette of vibrant, almost acidic colors that clash and shimmer with an otherworldly light. He replaced the stable, triangular compositions of the Renaissance with swirling, crowded arrangements that evoke a sense of restless energy and spiritual unrest. The technical brilliance of Pontormo lay in his ability to use color and form as psychological tools. His figures often appear to float within uncertain environments, unhampered by weight, creating a sense of profound instability. This was not mere artifice; it was a deliberate attempt to convey the spiritual anxieties of an era caught between the certainties of the Renaissance and the looming drama of the Baroque. Whether through the dramatic light in his "Supper at Emmaus" or the stark, emotive intensity found in his studies of Christ, Pontormo utilized every brushstroke to explore themes of grief, devotion, and the divine.

A Lasting Impression on Art History

The historical significance of Jacopo Pontormo cannot be overstated. He served as a vital bridge, translating the classical ideals of the 15th century into the expressive, theatrical language that would define much of the 16th-century art. His influence rippled through the Florentine School, shaping the works of successors like Bronzino and ensuring that the tension between beauty and artifice remained a central dialogue in European painting. His oeuvre remains a testament to the power of individual vision over tradition. Through his portraits, such as the regal "Cosimo I de' Medici," and his deeply symbolic religious works, he demonstrated that art could be more than a mirror of reality; it could be a window into the subconscious. Though his life was often shadowed by personal sorrow, the brilliance of his color and the complexity of his compositions continue to captivate, inviting every viewer to lose themselves in the beautiful, distorted, and deeply human world of the Florentine master.

All 176 works by Pontormo →