Portrait of Godfrey Kneller

The 100 Most Famous Godfrey Kneller Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 372 works by Godfrey Kneller in our catalogue

In short

Of all the originals Godfrey Kneller left, the most famous is Isaac Newton (1702). Close behind it come Portrait of Pyotr Potyomkin (1682) and William Russell, 1st Duke of Bedford (1690). Our catalog holds 372 works by Godfrey Kneller; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1646 – 1723, Lübeck Baroque Most works: National Portrait Gallery

Godfrey Kneller's top 10 paintings: the gallery's choice

1
Isaac Newton (1702) by Godfrey Kneller

Isaac Newton

1702 · Oil On Canvas

This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…

2
Portrait of Pyotr Potyomkin (1682) by Godfrey Kneller

Portrait of Pyotr Potyomkin

1682 · Oil On Canvas · Hermitage Museum, Saint Petersburg

Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…

3
William Russell, 1st Duke of Bedford (1690) by Godfrey Kneller

William Russell, 1st Duke of Bedford

1690 · Oil On Canvas · National Portrait Gallery, London

A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…

4
Thomas Wharton, 1st Marquess of Wharton (1710) by Godfrey Kneller

Thomas Wharton, 1st Marquess of Wharton

1710 · Oil On Canvas · National Portrait Gallery, London

A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…

5
Richard Lumley, 2nd Earl of Scarbrough (1717) by Godfrey Kneller

Richard Lumley, 2nd Earl of Scarbrough

1717 · Oil On Canvas · National Portrait Gallery, London

A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…

6
Queen Anne (1690) by Godfrey Kneller

Queen Anne

1690 · Oil · National Portrait Gallery, London

In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…

7
Robert Harley, 1st Earl of Oxford (1714) by Godfrey Kneller

Robert Harley, 1st Earl of Oxford

1714 · Oil On Canvas · National Portrait Gallery, London

The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…

8
Sir Samuel Garth (1707) by Godfrey Kneller

Sir Samuel Garth

1707 · Oil · National Portrait Gallery, London

The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…

9
Charles Townshend, 2nd Viscount Townshend (1704) by Godfrey Kneller

Charles Townshend, 2nd Viscount Townshend

1704 · Oil On Canvas · National Portrait Gallery, London

This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…

10
Charles Fitzroy, 2nd Duke of Grafton (1703) by Godfrey Kneller

Charles Fitzroy, 2nd Duke of Grafton

1703 · Oil On Canvas · National Portrait Gallery, London

The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…

The Godfrey Kneller selection continues, 11 to 100

11Anthony Leigh (1689) by Godfrey KnellerAnthony Leigh1689 · National Portrait Gallery 12Sir John Vanbrugh (1707) by Godfrey KnellerSir John Vanbrugh1707 · National Portrait Gallery 13Unknown man, formerly known as Henry Sidney, Earl of Romney (1700) by Godfrey KnellerUnknown man, formerly known as Henry Sidney, Earl of Romney1700 · National Portrait Gallery 14Edward Southwell (1702) by Godfrey KnellerEdward Southwell1702 15Sidney Godolphin, 1st Earl of Godolphin (1707) by Godfrey KnellerSidney Godolphin, 1st Earl of Godolphin1707 · National Portrait Gallery 16Aubrey de Vere, 20th Earl of Oxford (1690) by Godfrey KnellerAubrey de Vere, 20th Earl of Oxford1690 · National Portrait Gallery 17Charles Seymour, 6th Duke of Somerset (1703) by Godfrey KnellerCharles Seymour, 6th Duke of Somerset1703 · National Portrait Gallery 18Portrait of Johann Philipp Schönborn, elector of Mainz (1666) by Godfrey KnellerPortrait of Johann Philipp Schönborn, elector of Mainz1666 · Kunsthistorisches Museum 19Arthur Maynwaring (1707) by Godfrey KnellerArthur Maynwaring1707 · National Portrait Gallery 20William Pulteney, 1st Earl of Bath (1717) by Godfrey KnellerWilliam Pulteney, 1st Earl of Bath1717 · National Portrait Gallery 21Edward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall (1692) by Godfrey KnellerEdward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall1692 · Government Art Collection 22King George I (1716) by Godfrey KnellerKing George I1716 · National Portrait Gallery 23Self-portrait (1670) by Godfrey KnellerSelf-portrait1670 24Sir Henry Booth, 1st Earl of Warrington (1651-1694) (1674) by Godfrey KnellerSir Henry Booth, 1st Earl of Warrington (1651-1694)1674 · Dunham Massey Hall 25Abraham banishes Hagar and Ishmael (1670) by Godfrey KnellerAbraham banishes Hagar and Ishmael1670 · Bavarian State Painting Collections 26Georg Schweigger (1674) by Godfrey KnellerGeorg Schweigger1674 · Herzog Anton Ulrich Museum 27A scholar in his study (1668) by Godfrey KnellerA scholar in his study1668 · Agnes Etherington Art Center 28Scholar in His Study (1668) by Godfrey KnellerScholar in His Study1668 29Portrait of Johann Adam Reincken (1674) by Godfrey KnellerPortrait of Johann Adam Reincken1674 · Museum für Hamburgische Geschichte 30The Philosopher (1668) by Godfrey KnellerThe Philosopher1668 · St. Anne's Museum 31Walter Charleton MD (1619-1707) (1670) by Godfrey KnellerWalter Charleton MD (1619-1707)1670 · The Hunterian Museum and Art Gallery 32Elijah and the Angel (1672) by Godfrey KnellerElijah and the Angel1672 · Tate Britain 33Margrave Johann Friedrich von Brandenburg-Ansbach (1681) by Godfrey KnellerMargrave Johann Friedrich von Brandenburg-Ansbach1681 · Bavarian State Painting Collections 34Barbara Talbot, Viscountess Longueville (c.1670-1763) as a girl (1677) by Godfrey KnellerBarbara Talbot, Viscountess Longueville (c.1670-1763) as a girl1677 · Lacock Abbey 35Catherine Sedley, Countess of Dorchester (1657-1717) (1685) by Godfrey KnellerCatherine Sedley, Countess of Dorchester (1657-1717)1685 · Kedleston Hall 36Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) (1680) by Godfrey KnellerCharles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1680 · Hardwick Hall 37Possibly Colonel William Windham I, MP (1647-1689) (1684) by Godfrey KnellerPossibly Colonel William Windham I, MP (1647-1689)1684 · Felbrigg Hall 38Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 1710 (1680) by Godfrey KnellerSir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 17101680 · Clandon Park 39Princess Anne, later Queen Anne (1665-1714) (1683) by Godfrey KnellerPrincess Anne, later Queen Anne (1665-1714)1683 40Catherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714) (1680) by Godfrey KnellerCatherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714)1680 · Charlecote Park 41Captain Thomas Lucy (c.1655 – 1684) (1680) by Godfrey KnellerCaptain Thomas Lucy (c.1655 – 1684)1680 · Charlecote Park 42Alice Sherard, Lady Brownlow (1659-1721) (1680) by Godfrey KnellerAlice Sherard, Lady Brownlow (1659-1721)1680 · Belton House 43Sarah Churchill, Duchess of Marlborough (1660–1744) (1680) by Godfrey KnellerSarah Churchill, Duchess of Marlborough (1660–1744)1680 · Antony House 44Admiral Sir Thomas Allin, 1612-85 (1680) by Godfrey KnellerAdmiral Sir Thomas Allin, 1612-851680 · National Maritime Museum 45Portrait of John Banckes (1676) by Godfrey KnellerPortrait of John Banckes1676 46Philip, 4th Lord of Wharton (1685) by Godfrey KnellerPhilip, 4th Lord of Wharton1685 47James II (1633-1701) when Duke of York (1684) by Godfrey KnellerJames II (1633-1701) when Duke of York1684 · Royal Collection 48Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library (1680) by Godfrey KnellerSir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Scottish National Portrait Gallery 49Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library (1680) by Godfrey KnellerSir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Scottish National Portrait Gallery 50Self-Portrait (1680) by Godfrey KnellerSelf-Portrait1680 · Yale Center for British Art 51The Moroccan Ambassador (1684) by Godfrey KnellerThe Moroccan Ambassador1684 52Edward Loveden (1680) by Godfrey KnellerEdward Loveden1680 · Llyfrgell Genedlaethol Cymru 53Portrait of Sir Robert Howard (1698) by Godfrey KnellerPortrait of Sir Robert Howard1698 54Sarah Jennings, Duchess of Marlborough (1660-1744) (1694) by Godfrey KnellerSarah Jennings, Duchess of Marlborough (1660-1744)1694 · Petworth House 55Sir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes (1691) by Godfrey KnellerSir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes1691 56King Charles II (1630–1685) (1694) by Godfrey KnellerKing Charles II (1630–1685)1694 · Mompesson House 57Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706) (1694) by Godfrey KnellerCharles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706)1694 · Knole House 58Sir Thomas Felton (1649-1708/9) (1699) by Godfrey KnellerSir Thomas Felton (1649-1708/9)1699 · Ickworth 59An Unknown Lady with her Son (1696) by Godfrey KnellerAn Unknown Lady with her Son1696 · Hartwell House 60Rachel Russell, Duchess of Devonshire (1674 – 1725) (1692) by Godfrey KnellerRachel Russell, Duchess of Devonshire (1674 – 1725)1692 · Hardwick Hall 61Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) (1695) by Godfrey KnellerCharles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1695 · Hardwick Hall 62Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717) (1690) by Godfrey KnellerCatherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717)1690 · Felbrigg Hall 63Ashe Windham, MP (1673-1749) (1689) by Godfrey KnellerAshe Windham, MP (1673-1749)1689 · Felbrigg Hall 64Colonel William Windham I, MP (1647-1689) (1696) by Godfrey KnellerColonel William Windham I, MP (1647-1689)1696 · Felbrigg Hall 65Samuel Pepys, 1633-1703 (1689) by Godfrey KnellerSamuel Pepys, 1633-17031689 · National Maritime Museum 66Admiral Edward Russell, 1652-1727, 1st Earl of Orford (1693) by Godfrey KnellerAdmiral Edward Russell, 1652-1727, 1st Earl of Orford1693 · National Maritime Museum 67William Hewer, 1642-1715 (1689) by Godfrey KnellerWilliam Hewer, 1642-17151689 · National Maritime Museum 68William III (1650-1702), Prince of Orange, King of England (1690) by Godfrey KnellerWilliam III (1650-1702), Prince of Orange, King of England1690 69Portrait of William III of Orange 1650-1702) (1690) by Godfrey KnellerPortrait of William III of Orange 1650-1702)1690 70Thomas Papillon (1698) by Godfrey KnellerThomas Papillon1698 · National Portrait Gallery 71Charles Sackville, 6th Earl of Dorset (1697) by Godfrey KnellerCharles Sackville, 6th Earl of Dorset1697 · National Portrait Gallery 72Charles Townshend, 2nd Viscount Townshend (1690) by Godfrey KnellerCharles Townshend, 2nd Viscount Townshend1690 · National Portrait Gallery 73Charles Montagu, 1st Earl of Halifax (1690) by Godfrey KnellerCharles Montagu, 1st Earl of Halifax1690 · National Portrait Gallery 74Sir Anthony Deane (1690) by Godfrey KnellerSir Anthony Deane1690 · National Portrait Gallery 75William, Duke of Gloucester (1689-1700), when a Child (1691) by Godfrey KnellerWilliam, Duke of Gloucester (1689-1700), when a Child1691 · Royal Collection 76Diana De Vere, Duchess of St. Albans (d.1742) (1691) by Godfrey KnellerDiana De Vere, Duchess of St. Albans (d.1742)1691 · Hampton Court Palace 77Mary Scrope, later Mrs Pitt (b.1676) (1691) by Godfrey KnellerMary Scrope, later Mrs Pitt (b.1676)1691 · Hampton Court Palace 78Carey Fraser, Countess of Peterborough (d.1709) (1690) by Godfrey KnellerCarey Fraser, Countess of Peterborough (d.1709)1690 · Hampton Court Palace 79Mary Bentinck, Countess of Essex (d.1726) (1690) by Godfrey KnellerMary Bentinck, Countess of Essex (d.1726)1690 · Hampton Court Palace 80Mary Compton, Countess of Dorset (1669-91) (1690) by Godfrey KnellerMary Compton, Countess of Dorset (1669-91)1690 · Hampton Court Palace 81Isabella Bennett, Duchess of Grafton (1667-1723) (1690) by Godfrey KnellerIsabella Bennett, Duchess of Grafton (1667-1723)1690 · Hampton Court Palace 82Mary II (1662-1694) (1690) by Godfrey KnellerMary II (1662-1694)1690 · Royal Collection 83Frances Whitmore, Lady Middleton (c. 1666-94) (1690) by Godfrey KnellerFrances Whitmore, Lady Middleton (c. 1666-94)1690 · Hampton Court Palace 84William III (1650-1702) in Garter Robes (1697) by Godfrey KnellerWilliam III (1650-1702) in Garter Robes1697 · Royal Collection 85William, Duke of Gloucester (1689-1700) (1699) by Godfrey KnellerWilliam, Duke of Gloucester (1689-1700)1699 · Royal Collection 86Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (1697) by Godfrey KnellerPortrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss1697 · Yale Center for British Art 87Portrait of canon Frans de Cock, cantor of the cathedral of Antwerp (1697) by Godfrey KnellerPortrait of canon Frans de Cock, cantor of the cathedral of Antwerp1697 · Royal Museum of Fine Arts Antwerp 88Portrait of Johan Hulft (1697) by Godfrey KnellerPortrait of Johan Hulft1697 · Museum Het Valkhof 89John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite (1688) by Godfrey KnellerJohn Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite1688 · Scottish National Portrait Gallery 90John Dryden (1693) by Godfrey KnellerJohn Dryden1693 · National Portrait Gallery 91A Warrior (1700) by Godfrey KnellerA Warrior1700 · Birmingham Museum and Art Gallery 92A Warrior (1700) by Godfrey KnellerA Warrior1700 · Birmingham Museum and Art Gallery 93King William III of England Returning from the Peace of Ryswick, Margate, 1697 (1701) by Godfrey KnellerKing William III of England Returning from the Peace of Ryswick, Margate, 16971701 · National Gallery of Ireland 94Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710) (1710) by Godfrey KnellerSir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710)1710 · Clandon Park 95Charles Sackville, 6th Earl of Dorset (1638-1706) (1700) by Godfrey KnellerCharles Sackville, 6th Earl of Dorset (1638-1706)1700 · Sissinghurst Castle 96Admiral George Delaval, MP (1668 -1723) (1710) by Godfrey KnellerAdmiral George Delaval, MP (1668 -1723)1710 97Queen Anne (1665-1714) (1705) by Godfrey KnellerQueen Anne (1665-1714)1705 · Petworth House 98Arnold Joost Van Keppel, 1st Earl of Albemarle (1669-1718) (1701) by Godfrey KnellerArnold Joost Van Keppel, 1st Earl of Albemarle (1669-1718)1701 · Mount Stewart 99Peter Legh XII (1669-1744) (1702) by Godfrey KnellerPeter Legh XII (1669-1744)1702 · Lyme Park 100James Butler, 2nd Duke of Ormonde (1665-1745) (1707) by Godfrey KnellerJames Butler, 2nd Duke of Ormonde (1665-1745)1707 · Knole House

Godfrey Kneller's famous paintings, period by period

The subjects that held Godfrey Kneller's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Godfrey Kneller's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Godfrey Kneller Paintings from this list
National Portrait Gallery, LondonNational Portrait Gallery London 70 William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough
Hampton Court Palace, LondonHampton Court Palace London 10 Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709)
Royal Collection, LondonRoyal Collection London 12 James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694)
National Maritime Museum, LondonNational Maritime Museum London 23 Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford
Felbrigg Hall, NorwichFelbrigg Hall Norwich 4 Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749)
Hardwick HallHardwick Hall 9 Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 6 Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite
Yale Center for British Art, New HavenYale Center for British Art New Haven 6 Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

Godfrey Kneller decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Godfrey Kneller's paintings

Which work is Godfrey Kneller most famous for?Reveal the answer

Isaac Newton (1702). Portrait of Pyotr Potyomkin (1682) and William Russell, 1st Duke of Bedford (1690) come next.

What age was Godfrey Kneller when Isaac Newton was made?Reveal the answer

56 years old: Isaac Newton dates from 1702, and Godfrey Kneller was born in 1646.

What are the ten most famous Godfrey Kneller paintings?Reveal the answer

Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend and Charles Fitzroy, 2nd Duke of Grafton. The ranking above gives each one's year and museum.

How many paintings did Godfrey Kneller leave?Reveal the answer

Our catalog holds 372 works by Godfrey Kneller, dated from 1666 to 1717.

In which museums do Godfrey Kneller's masterpieces hang?Reveal the answer

Mostly in National Portrait Gallery (London), Hampton Court Palace (London) and Royal Collection (London). The museum table above lists them all.

In which years did Godfrey Kneller paint the most famous works?Reveal the answer

In 1690s: 38 of the 100 works on this page were made then, William Russell, 1st Duke of Bedford among them.

What are the first and the last famous originals of Godfrey Kneller?Reveal the answer

On this page, the earliest is Portrait of Johann Philipp Schönborn, elector of Mainz (1666) and the latest Richard Lumley, 2nd Earl of Scarbrough (1717).

Which subjects did Godfrey Kneller choose most often?Reveal the answer

Man (68), Wig (34) and Lace (24), across the 100 works on this page.

Which technique did Godfrey Kneller use most?Reveal the answer

Oil On Canvas, for 86 of the 100 works on this page.

To which art movement does Godfrey Kneller belong?Reveal the answer

Baroque, judging by the originals on this page.

Which Godfrey Kneller works hang at the National Portrait Gallery?Reveal the answer

William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton and Richard Lumley, 2nd Earl of Scarbrough: the National Portrait Gallery, London holds 23 of the works on this page.

Godfrey Kneller: life and work

Sir Godfrey Kneller: The Master of Manner

Godfrey Kneller (1646-1723) stands as a monumental figure in English Baroque art, recognized primarily for his unparalleled skill in capturing the likenesses of prominent individuals – particularly what became known as “Kit-Cat portraits.” These exquisitely detailed depictions of cats adorning aristocratic interiors exemplify his meticulous technique and profound understanding of visual culture. Born Gottfried Kniller in Lübeck, Germany, he emigrated to England around 1675, establishing himself as a prolific portraitist and securing prestigious commissions from royalty and nobility throughout the reign of Charles II and George I. His legacy extends beyond mere artistic achievement; he played a crucial role in shaping the visual landscape of Georgian Britain and fostering an enduring fascination with royal patronage.
  • Early Life & Training: Kneller’s formative years were spent studying under Johann Zacharias Kneller, his brother, who instilled in him a rigorous approach to drawing and painting—a cornerstone of his artistic philosophy. This disciplined training honed his observational skills and prepared him for the demands of producing portraits that conveyed not only physical appearance but also psychological character.
  • The Kit-Cat Portrait Phenomenon: Kneller’s fame skyrocketed thanks to his innovative “Kit-Cat portraits.” These canvases featured cats meticulously rendered alongside their aristocratic owners, reflecting a burgeoning trend in decorative arts and signaling a shift towards portraying subjects within their domestic environments. The symbolism embedded in these portraits—representing wealth, status, and intellectual pursuits—demonstrates Kneller's astute awareness of contemporary social conventions.
  • Royal Patronage & Artistic Development: Kneller’s career flourished under the patronage of Charles II and George I, securing commissions that allowed him to refine his style and explore ambitious projects. He became court painter to both monarchs, producing portraits of kings, queens, princes, and diplomats—works that solidified his reputation as one of England's foremost artists. His meticulous attention to detail and masterful use of chiaroscuro (the dramatic interplay of light and shadow) exemplify the grandeur of the Grand Manner style prevalent during his era.
  • Notable Works & Legacy: Among Kneller’s most celebrated achievements are portraits of Charles II, Henry Purcell, Christopher Wren, Isaac Newton, and Benjamin Franklin—each capturing subjects with remarkable accuracy and conveying their personalities with sensitivity. His influence extended beyond portraiture; he served as director of the Royal Military School of Music in Twickenham for decades, fostering artistic talent and contributing to the cultural vibrancy of Georgian London.
  • A Lasting Impression: Kneller’s meticulous technique and stylistic innovations continue to inspire artists today. He remains a symbol of artistic excellence and exemplifies the enduring power of portraiture as a medium for documenting history and capturing the essence of human character. His work resides in major museums worldwide, ensuring that his contribution to English Baroque art will be remembered for generations to come.

Influences & Artistic Style

Kneller’s artistic vision was profoundly shaped by the traditions of Flemish and Italian Baroque painting—particularly Rembrandt van Rijn and Caravaggio—whose dramatic use of light and shadow established a precedent for portraying emotion and psychological complexity. He embraced the Grand Manner style, characterized by monumental scale, idealized figures, and carefully orchestrated compositions designed to convey dignity and authority. This stylistic approach reflected the aspirations of the English monarchy during his time and cemented Kneller’s position as a champion of artistic innovation.

The Kneller Hall & Its Significance

The house Kneller built in Whitton, near Twickenham, became occupied by Kneller Hall in the mid-19th century—a testament to his enduring influence on British society and culture. This stately mansion served as a home for the Royal Military School of Music, symbolizing Kneller’s commitment to artistic education and fostering a tradition of musical excellence. The hall itself stands as an architectural landmark, reflecting the grandeur of Georgian Britain and embodying the values championed by Kneller—discipline, refinement, and intellectual curiosity.

Further Exploration

For deeper insights into Godfrey Kneller’s life and work, consult resources such as: