Portrait of Franz Krüger

The 59 Most Famous Franz Krüger Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 60 works by Franz Krüger in our catalogue

In short

Portrait of Alexander Arkadyevich Suvorov (1851) is the Franz Krüger painting that draws the most eyes; the original belongs to the Hermitage Museum, Saint Petersburg. After it, the eye goes to Portrait of Prince Andrei Obolensky (1850) and Portrait of Grand Duke Konstantin Nikolayevich (1850). Among the 60 works of Franz Krüger in our catalog, these 59 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1797 – 1857, Großbadegast Academic art Most works: Hermitage Museum

Top 10 paintings by Franz Krüger, through the gallery's eye

1
Portrait of Alexander Arkadyevich Suvorov (1851) by Franz Krüger

Portrait of Alexander Arkadyevich Suvorov

1851 · Oil On Canvas · Hermitage Museum, Saint Petersburg

To stand before a portrait like Franz Krüger's depiction of Alexander Arkadyevich Suvorov is not merely to observe paint on canvas; it is to step across the threshold of time and into the rarefied air of 19th-century Russian military grandeur. Painted in 1851, this oil masterpiece, currently gracing the halls of the Hermitage Museum, captures more than just a likeness—it encapsulates an era of profound national pride, martial discipline, and…

2
Portrait of Prince Andrei Obolensky (1850) by Franz Krüger

Portrait of Prince Andrei Obolensky

1850 · Oil · Hermitage Museum, Saint Petersburg

In this 1850 oil portrait, we encounter Prince Andrei Obolensky not merely as a figure of history, but as a man of profound, quiet authority. The composition follows a traditional three-quarter view, focusing on the subject from the waist up. There is a certain weight to his presence, anchored by the dark, somber tones of navy and black that define his ceremonial regalia. The lighting is deliberate, employing a chiaroscuro…

3
Portrait of Grand Duke Konstantin Nikolayevich (1850) by Franz Krüger

Portrait of Grand Duke Konstantin Nikolayevich

1850 · Oil · Hermitage Museum, Saint Petersburg

Franz Krüger captures the Grand Duke Konstantin Nikolayevich in a moment of quiet, military composure. The portrait, executed around 1850, utilizes a traditional bust-length composition that emphasizes the subject's direct, stoic gaze. A soft chiaroscuro effect illuminates the face, pulling the features forward from a dark, indeterminate background. This lighting strategy creates a sense of volume, defining the sharp structure of the jaw and the subtle textures of the skin.…

4
Portrait of Dmitry Volkonsky (1850) by Franz Krüger

Portrait of Dmitry Volkonsky

1850 · Oil · Hermitage Museum, Saint Petersburg

The portrait presents a man from the waist up, positioned within an oval format that focuses attention on his steady, outward gaze. He is dressed in a black frock coat and a crisp white cravat, with a dark brown fur mantle draped heavily over his shoulder. The lighting is directional, originating from the upper left to define the contours of his face and the texture of the linen. This technique…

5
Portrait of Alexei Bobrinsky (1850) by Franz Krüger

Portrait of Alexei Bobrinsky

1850 · Oil On Canvas · Hermitage Museum, Saint Petersburg

The gaze of Alexei Bobrinsky meets the viewer with a quiet, steady confidence. He sits within an oval frame, a bust portrait emerging from a dark, atmospheric void. Light descends from the upper left, carving the contours of his face and casting a soft shadow along the line of his nose and jaw. His skin possesses a natural warmth, a pale contrast to the deep, somber tones of the background.…

6
Portrait of Prince Alexei Orlov (1851) by Franz Krüger

Portrait of Prince Alexei Orlov

1851 · Oil On Canvas · Hermitage Museum, Saint Petersburg

A single light source strikes the figure from the upper left, carving the face of Prince Alexei Orlov out of a dark, atmospheric void. The light catches the sharp edge of a jawline and the metallic glint of an Iron Cross pinned to a heavy tunic. Deep blues dominate the fabric, a color so saturated it feels heavy, like the midnight air of a St. Petersburg evening. Gold embroidery traces…

7
Portrait of Empress Alexandra Fyodorovna (1836) by Franz Krüger

Portrait of Empress Alexandra Fyodorovna

1836 · Oil · Hermitage Museum, Saint Petersburg

A Study in Quiet Nobility Portrait of Empress Alexandra Fyodorovna The air in the room feels heavy with a sense of poised stillness. Seated slightly off-center, the Empress gazes out with a direct but soft look that carries a weight of quiet melancholy. She is a figure of refined Biedermeier elegance, her presence defined by a somber color palette that pulls the viewer into her private, atmospheric world. Deep blacks…

8
Portrait of Count Vladimir Adlerberg (1851) by Franz Krüger

Portrait of Count Vladimir Adlerberg

1851 · Oil On Canvas · Hermitage Museum, Saint Petersburg

The portrait depicts Count Vladimir Adlerberg in a three-quarter length pose, positioned slightly off-center against a classical architectural backdrop. He wears a dark navy or black military uniform, characterized by sharp lines and metallic details. Gold braided epaulettes and aiguillettes define the structure of the regalia, while medals catch the light on his chest. A light blue sash crosses his torso, providing a color contrast to the dark fabric of…

9
Portrait of Count Pyotr Shuvalov (1850) by Franz Krüger

Portrait of Count Pyotr Shuvalov

1850 · Oil On Canvas · Hermitage Museum, Saint Petersburg

In this 1850 oil on canvas, Count Pyotr Shuvalov is presented in a three-quarter length portrait. He is positioned slightly off-center, facing toward the right of the frame. The subject wears a dark navy or black military uniform, accented by a white sash and a polished brass breastplate. The metallic sheen of the cuirass and the gold of the epaulettes catch a strong light source originating from the upper left.…

10
Portrait of Count Alexander Kushelev-Bezborodko (1850) by Franz Krüger

Portrait of Count Alexander Kushelev-Bezborodko

1850 · Oil On Canvas · Hermitage Museum, Saint Petersburg

A formal three-quarter length portrait of Count Alexander Kushelev-Bezborodko, rendered in oil on canvas. The subject is seated in an ornate chair, positioned slightly off-center against a backdrop of muted gold drapery. He wears a dark frock coat and a crisp white cravat, his attire punctuated by the silk sheen of a blue sash and various medals. A single light source from the upper left casts a chiaroscuro effect across…

Franz Krüger's famous paintings, numbers 11 to 59

11Portrait of Count Piotr Wittgenstein (1842) by Franz KrügerPortrait of Count Piotr Wittgenstein1842 · Hermitage Museum 12Portrait of Ivan Paskevich (1834) by Franz KrügerPortrait of Ivan Paskevich1834 · Hermitage Museum 13Portrait of Pyotr Kleinmichel (1851) by Franz KrügerPortrait of Pyotr Kleinmichel1851 · Hermitage Museum 14Portrait of Prince Nikolai Saltykov (1850) by Franz KrügerPortrait of Prince Nikolai Saltykov1850 · Hermitage Museum 15Portrait of Fersen (?) (1850) by Franz KrügerPortrait of Fersen (?)1850 · Hermitage Museum 16Portrait of Grand Prince Alexander Nikolayevich (1840) by Franz KrügerPortrait of Grand Prince Alexander Nikolayevich1840 · Hermitage Museum 17horsemen at the smithy (1822) by Franz Krügerhorsemen at the smithy1822 18Horse-stable, gentleman in horse-back (1831) by Franz KrügerHorse-stable, gentleman in horse-back1831 19The Groom (1838) by Franz KrügerThe Groom1838 · Bavarian State Painting Collections 20Portrait of Prince Pyotr Volkonsky (1850) by Franz KrügerPortrait of Prince Pyotr Volkonsky1850 · Hermitage Museum 21Horse in the Stable (1846) by Franz KrügerHorse in the Stable1846 · Alte Nationalgalerie 22Nicholas I, Tsar of Russia (1796-1855) (1847) by Franz KrügerNicholas I, Tsar of Russia (1796-1855)1847 · Royal Collection 23Portrait of Pavel Kiselyov (1851) by Franz KrügerPortrait of Pavel Kiselyov1851 · Hermitage Museum 24Dead Rabbit (1852) by Franz KrügerDead Rabbit1852 · Alte Nationalgalerie 25Horses and Stable Boy (1850) by Franz KrügerHorses and Stable Boy1850 · Bavarian State Painting Collections 26Portrait of Alexandra Feodorovna (Charlotte of Prussia) (1854) by Franz KrügerPortrait of Alexandra Feodorovna (Charlotte of Prussia)1854 · State Historical Museum 27Horse Stable (1854) by Franz KrügerHorse Stable1854 · Staatliche Kunsthalle Karlsruhe 28Prince Frederick William of Prussia (1831-1888), later Emperor Frederick III of Germany (1857) by Franz KrügerPrince Frederick William of Prussia (1831-1888), later Emperor Frederick III of Germany1857 · Royal Collection 29Portrait of Alexander Menshikov (1851) by Franz KrügerPortrait of Alexander Menshikov1851 · Hermitage Museum 30Prince Augustus of Prussia (1817) by Franz KrügerPrince Augustus of Prussia1817 · Nationalgalerie 31Hommage to Friedrich Wilhelm IV in front of the Berlin City Palace by Franz KrügerHommage to Friedrich Wilhelm IV in front of the Berlin City Palace 32Portrait of Emperor Nicholas I (1852) by Franz KrügerPortrait of Emperor Nicholas I1852 · Hermitage Museum 33Parade at the Opernplatz (1829) by Franz KrügerParade at the Opernplatz1829 · Schloss Charlottenburg 34Running dog (1830) by Franz KrügerRunning dog1830 · Ernest Zmeták Art Gallery 35Two Cuirassiers from the Regiment of Czar Nicholas I (1839) by Franz KrügerTwo Cuirassiers from the Regiment of Czar Nicholas I1839 · Schloss Charlottenburg 36Rose in Glass (1849) by Franz KrügerRose in Glass1849 37Portrait of a woman in a cap by Franz KrügerPortrait of a woman in a capNational Museum in Warsaw 38Auguste of Fassmann by Franz KrügerAuguste of Fassmann 39Parade in Potsdam by Franz KrügerParade in Potsdam 40Horse Agathon at the stable of Glienicke castle by Franz KrügerHorse Agathon at the stable of Glienicke castle 41Riding to the Hunt by Franz KrügerRiding to the HuntAlte Nationalgalerie 42Mountain scenery with a castle, Salzburg by Franz KrügerMountain scenery with a castle, Salzburg 43Prince Wilhelm Riding out in the Company of the artist by Franz KrügerPrince Wilhelm Riding out in the Company of the artistAlte Nationalgalerie 44Russian Guards at Tsarskoye Selo in (1832(8)) by Franz KrügerRussian Guards at Tsarskoye Selo in (1832(8)) 45Russian Guards at Tsarskoye Selo in (1832(3)) by Franz KrügerRussian Guards at Tsarskoye Selo in (1832(3)) 46Two horsemen galloping by Franz KrügerTwo horsemen gallopingGermanisches Nationalmuseum 47Russian Guards at Tsarskoye Selo in (1832) by Franz KrügerRussian Guards at Tsarskoye Selo in (1832) 48Return from the chase by Franz KrügerReturn from the chaseAlte Nationalgalerie 49Russian Guards at Tsarskoye Selo in (1832(81)) by Franz KrügerRussian Guards at Tsarskoye Selo in (1832(81)) 50Russian Guards at Tsarskoye Selo in (1832(4)) by Franz KrügerRussian Guards at Tsarskoye Selo in (1832(4)) 51Russian Guards at Tsarskoye Selo in (18321) by Franz KrügerRussian Guards at Tsarskoye Selo in (18321) 52Riding out to Hunt by Franz KrügerRiding out to Hunt 53Equestrian Portrait of Grand Prince Alexander Nikolayevich by Franz KrügerEquestrian Portrait of Grand Prince Alexander NikolayevichHermitage Museum 54Karl Friedrich Schinkel by Franz KrügerKarl Friedrich SchinkelKupferstichkabinett 55Parade on Opernplatz in 1822 (1827) by Franz KrügerParade on Opernplatz in 18221827 · Alte Nationalgalerie 56Parade in Potsdam in 1817 (1848) by Franz KrügerParade in Potsdam in 18171848 · Alte Nationalgalerie 57Equestrian Portrait of Alexander I (1777–1825) (1837) by Franz KrügerEquestrian Portrait of Alexander I (1777–1825)1837 · Hermitage Museum 58Frederick William IV in his Study (1846) by Franz KrügerFrederick William IV in his Study1846 · Deutsches Museum 59Equestrian Portrait of Frederick William III (1830) by Franz KrügerEquestrian Portrait of Frederick William III1830 · Hermitage Museum

The subjects that held Franz Krüger's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Franz Krüger's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Franz Krüger Paintings from this list
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 23 Portrait of Alexander Arkadyevich Suvorov, Portrait of Prince Andrei Obolensky, Portrait of Grand Duke Konstantin Nikolayevich
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 7 Horse in the Stable, Dead Rabbit, Riding to the Hunt
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 2 The Groom, Horses and Stable Boy
Royal Collection, LondonRoyal Collection London 2 Nicholas I, Tsar of Russia (1796-1855), Prince Frederick William of Prussia (1831-1888), later Emperor Frederick III of Germany
Schloss Charlottenburg, BerlinSchloss Charlottenburg Berlin 2 Parade at the Opernplatz, Two Cuirassiers from the Regiment of Czar Nicholas I
State Historical Museum, MoscowState Historical Museum Moscow 1 Portrait of Alexandra Feodorovna (Charlotte of Prussia)
Staatliche Kunsthalle Karlsruhe, CarlsruheStaatliche Kunsthalle Karlsruhe Carlsruhe 1 Horse Stable
Nationalgalerie, BerlinNationalgalerie Berlin 1 Prince Augustus of Prussia

Franz Krüger across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Franz Krüger's paintings: questions for the gallery

What is the single most famous work of Franz Krüger?Reveal the answer

Portrait of Alexander Arkadyevich Suvorov (1851), Hermitage Museum, Saint Petersburg. Portrait of Prince Andrei Obolensky (1850) and Portrait of Grand Duke Konstantin Nikolayevich (1850) come next.

At what age did Franz Krüger create Portrait of Alexander Arkadyevich Suvorov?Reveal the answer

54 years old: Portrait of Alexander Arkadyevich Suvorov dates from 1851, and Franz Krüger was born in 1797.

Which ten paintings by Franz Krüger are the most famous?Reveal the answer

Portrait of Alexander Arkadyevich Suvorov, Portrait of Prince Andrei Obolensky, Portrait of Grand Duke Konstantin Nikolayevich, Portrait of Dmitry Volkonsky, Portrait of Alexei Bobrinsky, Portrait of Prince Alexei Orlov, Portrait of Empress Alexandra Fyodorovna, Portrait of Count Vladimir Adlerberg, Portrait of Count Pyotr Shuvalov and Portrait of Count Alexander Kushelev-Bezborodko. The ranking above gives each one's year and museum.

How many works by Franz Krüger are known?Reveal the answer

Our catalog holds 60 works by Franz Krüger, dated from 1817 to 1857.

Where can the most famous Franz Krüger originals be seen?Reveal the answer

Mostly in Hermitage Museum (Saint Petersburg), Alte Nationalgalerie (Berlin) and Bavarian State Painting Collections (Munich). The museum table above lists them all.

During which period did Franz Krüger create the best-known paintings?Reveal the answer

In 1850s: 21 of the 59 works on this page were made then, Portrait of Alexander Arkadyevich Suvorov among them.

Which famous Franz Krüger painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Prince Augustus of Prussia (1817) and the latest Prince Frederick William of Prussia (1831-1888), later Emperor Frederick III of Germany (1857).

What subjects did Franz Krüger favour?Reveal the answer

Man (24), Military uniform (17) and Medals (10), across the 59 works on this page.

What materials did Franz Krüger paint with most?Reveal the answer

Oil On Canvas, for 23 of the 59 works on this page.

Which movement does the work of Franz Krüger belong to?Reveal the answer

Academic art and Romanticism, judging by the originals on this page.

What Franz Krüger originals can I see at the Hermitage Museum?Reveal the answer

Portrait of Alexander Arkadyevich Suvorov, Portrait of Prince Andrei Obolensky and Portrait of Grand Duke Konstantin Nikolayevich: the Hermitage Museum, Saint Petersburg holds 23 of the works on this page.

Franz Krüger: a portrait of the artist

The Master of Prussian Grandeur

In the vibrant heart of nineteenth-century Berlin, few names commanded as much respect and affection as Franz Krüger. Affectionately known by the moniker "Pferde-Krüger" or "Horse-Krüger," this German painter and lithographer possessed a singular ability to breathe life into both the noble steeds of the Prussian cavalry and the distinguished faces of the city's elite. Born in Köthen, Germany, Krüger’s artistic journey was deeply rooted in an intimate connection with the natural world and the animal kingdom. His early friendship with the ornithologist Johann Friedrich Naumann sparked a fascination with animal painting that would eventually become a cornerstone of his celebrated reputation.

Krüker's technical foundation was laid at the Prussian Academy of Arts in Berlin, where he honed his skills before venturing into independent study. He sought inspiration in the most authentic of settings, often drawing directly from life within the Prussian royal stables. This dedication to realism allowed him to capture the muscular tension of a galloping horse and the subtle textures of a military uniform with unparalleled precision. His work was not merely about anatomical accuracy; it was about capturing the very spirit of an era defined by military ambition and aristocratic elegance.

A Portraitist of the Elite

As his reputation grew, Krüger became the most sought-after military and portrait painter in Berlin. His canvases served as a window into the social fabric of the time, documenting the "well-to-do" of the city with a blend of Romanticism and classical refinement. His talent for capturing psychological depth allowed him to move beyond stiff, formal traditions, presenting his subjects with a sense of character and presence. This skill led to prestigious commissions that placed him in the company of royalty and historical icons.

His notable achievements include:

  • Royal Commissions: His early success with portraits such as Prince Augustus of Prussia laid the groundwork for his fame, leading to frequent depictions of the royal family.
  • International Recognition: Krüger’s influence extended far beyond Berlin, as evidenced by his travels to the Russian court in St. Petersburg and his participation in the World Exhibition in Paris.
  • Mastery of Scale and Scene: Beyond individual portraits, he excelled in large-scale historical realism, such as Parade at the Opernplatz, which captured the bustling energy and architectural grandeur of Berlin's public life.

Legacy and Historical Significance

The significance of Franz Krüger lies in his ability to synthesize the lively energy of Romanticism with a meticulous, almost photographic realism. Whether he was portraying the imposing Emperor Nicholas I or the visionary architect Karl Friedrich Schinkel, Krüger’s work acted as a vital historical record of Prussian society. His paintings of military parades and equestrian scenes provided a sense of movement and vitality that resonated with the burgeoning national identity of the period.

Even as artistic movements shifted, Krüger's impact remained visible through his students and the enduring presence of his works in prestigious institutions like the Schloss Charlottenburg and the Hermitage Museum. He remains a definitive voice of nineteenth-century German art, a painter who could capture both the majesty of a monarch and the raw, unbridled power of a horse with equal grace and profound insight.