Portrait of Eugène Lami

Eugène Lami Paintings: The 98 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 99 works by Eugène Lami in our catalogue

In short

To the gallery's eye, Eugène Lami's most famous painting is Entrée de la duchesse d'Orléans dans le jardin des Tuileries, whose original hangs in the The Louvre, Paris. An evening with the Duke of Orleans at the Pavillon de Marsan (1843) and Funeral of King Louis Philippe (1775-1850) in Claremont in 1850 (1852) complete the trio every eye recognises. Of the 99 works by Eugène Lami in our catalog, the gallery presents the 98 most famous below, each original with its year, its museum and what makes it unique.

1800 – 1890, Paris Romanticism Most works: Château de Chantilly

The gallery's top 10 Eugène Lami paintings

1
Entrée de la duchesse d'Orléans dans le jardin des Tuileries by Eugène Lami

Entrée de la duchesse d'Orléans dans le jardin des Tuileries

Oil On Canvas · The Louvre, Paris

Eugène Louis Lami’s “Entrée de la duchesse d'Orléans dans le jardin des Tuileries” – A Romantic Snapshot of Parisian Grandeur The painting "Entrée de la duchesse d'Orléans dans le jardin des Tuileries," executed by Eugène Louis Lami around 1840, stands as a quintessential example of Romantic art—a genre obsessed with dramatic landscapes and idealized historical narratives. More than just a depiction of an event, it’s a carefully crafted tableau designed…

2
An evening with the Duke of Orleans at the Pavillon de Marsan (1843) by Eugène Lami

An evening with the Duke of Orleans at the Pavillon de Marsan

1843 · Drawing · Château de Chantilly, Chantilly

In the delicate lines of Eugène Louis Lami’s 1843 drawing, An evening with the Duke of Orleans at the Pavillon de Marsan, we are transported to a vanished era of French aristocratic elegance. This intimate work serves as a window into the social fabric of the mid-19th century, capturing a moment of refined conviviality within the storied walls of the Pavillon de Marsan. The scene unfolds with a sense of…

3
Funeral of King Louis Philippe (1775-1850) in Claremont in 1850 (1852) by Eugène Lami

Funeral of King Louis Philippe (1775-1850) in Claremont in 1850

1852 · Painting · Château de Chantilly, Chantilly

In the evocative masterpiece Funeral of King Louis Philippe (1775-1850) in Claremont in 1850, the renowned French painter Eugène Louis Lami invites us into a moment of profound historical gravity. The canvas captures the somber atmosphere of a funeral procession, a scene where the weight of mortality meets the grandeur of royal legacy. As we gaze upon the gathering, we are not merely observers of a ceremony, but witnesses to…

4
The Duke of Orleans on horseback in front of his staff (1850) by Eugène Lami

The Duke of Orleans on horseback in front of his staff

1850 · Château de Chantilly, Chantilly

In this evocative miniature masterpiece from 1850, Eugène Louis Lami captures a fleeting yet profound moment of aristocratic and military splendor. The painting, titled The Duke of Orleans on horseback in front of his staff, transports the viewer directly into the heart of nineteenth-century French history. At its center, the Duke is depicted with the quiet dignity characteristic of the Romantic era, mounted upon a horse that seems to move…

5
Project for the big castle of Chantilly (1848) by Eugène Lami

Project for the big castle of Chantilly

1848 · Château de Chantilly, Chantilly

A Vision of Grandeur: Lami’s Project for the Château de Chantilly This meticulously rendered architectural drawing offers a fascinating glimpse into the planned magnificence of the Château de Chantilly. Created in 1848 by Eugène Louis Lami, this is not a finished artwork *per se*, but rather a crucial preparatory study – a ‘project’ as the title suggests – revealing the vision for one of France's most iconic châteaux. The work…

Eugène Lami paintings, ranked 11 to 98

11Attentat De Fieschi by Eugène LamiAttentat De Fieschi 12An Officer Sitting At A Table Near Hussard Standing Holding A Glass Of Wine by Eugène LamiAn Officer Sitting At A Table Near Hussard Standing Holding A Glass Of Wine 13ATTENTAT DE FIESCHI.REVUE DE LA GARDE NATIONALE.28 JUILLET 1835 by Eugène LamiATTENTAT DE FIESCHI.REVUE DE LA GARDE NATIONALE.28 JUILLET 1835 14Combat de Claye, 27 mars 1814 by Eugène LamiCombat de Claye, 27 mars 1814 15Fete at the Chateau de Versailles on the occasion of the Marriage of the Dauphin by Eugène LamiFete at the Chateau de Versailles on the occasion of the Marriage of the Dauphin 16RECEPTION DE LA REINE D'ANGLETERRE AU TREPORT.2 SEPTEMBRE 1843 by Eugène LamiRECEPTION DE LA REINE D'ANGLETERRE AU TREPORT.2 SEPTEMBRE 1843 17Officers of the 79th Highlanders at Chobham Camp by Eugène LamiOfficers of the 79th Highlanders at Chobham Camp 18The Salvation Of Banners by Eugène LamiThe Salvation Of Banners 19L'ARRIVEE by Eugène LamiL'ARRIVEE 20ARRIVEE DE LA REINE VICTORIA AU CHATEAU D'EU.2 SEPTEMBRE 1843 by Eugène LamiARRIVEE DE LA REINE VICTORIA AU CHATEAU D'EU.2 SEPTEMBRE 1843 21Combat de Puerto de Miravete, 30 septembre 1823 by Eugène LamiCombat de Puerto de Miravete, 30 septembre 1823 22SIEGE D'ANVERS ARMEMENT DE LA PREMIERE PARALLELE.NUIT DU 29 AU 30 NOVEMBRE 1832 by Eugène LamiSIEGE D'ANVERS ARMEMENT DE LA PREMIERE PARALLELE.NUIT DU 29 AU 30 NOVEMBRE 1832 23LA PRINCESSE DE JOINVILLE by Eugène LamiLA PRINCESSE DE JOINVILLECondé Museum 24Portrait de femme (ébauche) by Eugène LamiPortrait de femme (ébauche) 25BATAILLE DE WATTIGNIES.16 OCTOBRE 1793 by Eugène LamiBATAILLE DE WATTIGNIES.16 OCTOBRE 1793 26LA DUCHESSE D'AUMALE by Eugène LamiLA DUCHESSE D'AUMALE 27LES GRANDES EAUX A VERSAILLES by Eugène LamiLES GRANDES EAUX A VERSAILLES 28LA GARNISON HOLLANDAISE MET BAS LES ARMES DEVANT LES FRANCAIS A LA CITADELLE D'ANVERS.24 DECEMBRE 1832 by Eugène LamiLA GARNISON HOLLANDAISE MET BAS LES ARMES DEVANT LES FRANCAIS A LA CITADELLE D'ANVERS.24 DECEMBRE 1832 29CHANTILLY AU XVIIIE SIECLE, DEJEUNER DE CHASSE by Eugène LamiCHANTILLY AU XVIIIE SIECLE, DEJEUNER DE CHASSE 30CHARLES 1ER RECEVANT UNE ROSE DES MAINS D'UNE JEUNE FILLE, AU MOMENT OU IL EST CONDUIT PRISONNIER AU CHATEAU DE CARISBROOK by Eugène LamiCHARLES 1ER RECEVANT UNE ROSE DES MAINS D'UNE JEUNE FILLE, AU MOMENT OU IL EST CONDUIT PRISONNIER AU CHATEAU DE CARISBROOKThe Louvre 31The Battle of Wertingen by Eugène LamiThe Battle of Wertingen 32Cavalier Allemand by Eugène LamiCavalier Allemand 33Leaving for the hunt by Eugène LamiLeaving for the hunt 34Georges Dandin by Eugène LamiGeorges Dandin 35No Tartuffe by Eugène LamiNo Tartuffe 36A Colonel On Horseback Leading His Soldiers by Eugène LamiA Colonel On Horseback Leading His Soldiers 37Grenadier by Eugène LamiGrenadier 38A Family in an Interior by Eugène LamiA Family in an Interior 39School Of Women by Eugène LamiSchool Of Women 40A Group Of Riders Carosse Around A Door To A Park by Eugène LamiA Group Of Riders Carosse Around A Door To A Park 41Women Learned by Eugène LamiWomen Learned 42Battle In Argonne by Eugène LamiBattle In Argonne 43Lovers Beautiful, Based Moliere by Eugène LamiLovers Beautiful, Based Moliere 44Sganarelle by Eugène LamiSganarelle 45The Arrival Of Louis Xiv At Fontainebleau Castle by Eugène LamiThe Arrival Of Louis Xiv At Fontainebleau Castle 46Ludgate circus by Eugène LamiLudgate circus 47A family concert by Eugène LamiA family concert 48Amphitryon by Eugène LamiAmphitryon 49The Nightbelles Scapin by Eugène LamiThe Nightbelles Scapin 50Dinner In The Salle Des Spectacles At Versailles by Eugène LamiDinner In The Salle Des Spectacles At Versailles 51Melicertes by Eugène LamiMelicertes 52Psychée by Eugène LamiPsychée 53Love Doctor by Eugène LamiLove Doctor 54Despite The Lovers by Eugène LamiDespite The Lovers 55Visit To The Hospital by Eugène LamiVisit To The Hospital 56The Misanthrope by Eugène LamiThe Misanthrope 57The Imaginary Invalid by Eugène LamiThe Imaginary Invalid 58The Avare by Eugène LamiThe Avare 59The Bore Based Moliere by Eugène LamiThe Bore Based Moliere 60The Princess Elide by Eugène LamiThe Princess Elide 61Hussard Riding, Turned Left by Eugène LamiHussard Riding, Turned Left 62Don Juan by Eugène LamiDon Juan 63Lovers Surprised by Eugène LamiLovers Surprised 64Dom Grace Navarre by Eugène LamiDom Grace Navarre 65Precious The Ridiculous by Eugène LamiPrecious The Ridiculous 66A Reception during the Reign of Louis-Philippe by Eugène LamiA Reception during the Reign of Louis-Philippe 67The Sicilian Love Or Painter by Eugène LamiThe Sicilian Love Or Painter 68Taking A Mameluke Harnessed Horse Profile Left by Eugène LamiTaking A Mameluke Harnessed Horse Profile Left 69A Horse In A Landscape Turned To The Right by Eugène LamiA Horse In A Landscape Turned To The Right 70Horace Vernet and his Children Riding in the Country by Eugène LamiHorace Vernet and his Children Riding in the Country 71The Doctor In Spite Of It by Eugène LamiThe Doctor In Spite Of It 72School Of Husbands by Eugène LamiSchool Of Husbands 73Portrait of a Bearded Man by Eugène LamiPortrait of a Bearded Man 74Pleasures Of The Enchanted Island, Based Molière by Eugène LamiPleasures Of The Enchanted Island, Based Molière 75Opening Of The Great Exhibition by Eugène LamiOpening Of The Great Exhibition 76Portrait Of Louis-philippe by Eugène LamiPortrait Of Louis-philippe 77Arrival Of Queen Victoria In Castle Eu by Eugène LamiArrival Of Queen Victoria In Castle Eu 78State Ball At Buckingham Palace, by Eugène LamiState Ball At Buckingham Palace, 79Visit Of Queen Victoria To Paris by Eugène LamiVisit Of Queen Victoria To Paris 80Concert, And Go Home by Eugène LamiConcert, And Go Home 81The mail coach by Eugène LamiThe mail coach 82Mary stuart hunt by Eugène LamiMary stuart hunt 83Monsieur De Pourceaugnac by Eugène LamiMonsieur De Pourceaugnac 84A Hussard Officer Riding, Right Pointing; And Dragon Horse Facing Left by Eugène LamiA Hussard Officer Riding, Right Pointing; And Dragon Horse Facing Left 85She Loves To Laugh, She Loves To Drink by Eugène LamiShe Loves To Laugh, She Loves To Drink 86Philippe To Column Vendôme by Eugène LamiPhilippe To Column Vendôme 87Boulevard Des Italiens In Paris At Night by Eugène LamiBoulevard Des Italiens In Paris At Night 88Woman On A Red Sofa by Eugène LamiWoman On A Red Sofa 89Carriage With Men And Women In Costume On The Champs-elysees by Eugène LamiCarriage With Men And Women In Costume On The Champs-elysees 90Ambassadors Of The Stairs At Versailles by Eugène LamiAmbassadors Of The Stairs At Versailles 91Study For A Painting Of A Costume Ball Given By The Princess Of Sagan by Eugène LamiStudy For A Painting Of A Costume Ball Given By The Princess Of Sagan 92CONCERT DONNE DANS LA GALERIE DES GUISE, AU CHATEAU D'EU, EN L'HONNEUR DE LA REINE VICTORIA. 4 SEPTEMBRE 1843, 9H DU SOIR by Eugène LamiCONCERT DONNE DANS LA GALERIE DES GUISE, AU CHATEAU D'EU, EN L'HONNEUR DE LA REINE VICTORIA. 4 SEPTEMBRE 1843, 9H DU SOIR 93Scène de carnaval, place de la Concorde (actuel 8ème arrondissement, Paris) by Eugène LamiScène de carnaval, place de la Concorde (actuel 8ème arrondissement, Paris)Carnavalet Museum 94CHANTILLY AU XVIIIE SIECLE, PROMENADE SUR L'EAU by Eugène LamiCHANTILLY AU XVIIIE SIECLE, PROMENADE SUR L'EAU 95RECEPTION, EN L'HONNEUR DE LA REINE VICTORIA, DANS LE SALON DE FAMILLE AU CHATEAU D'EU.3 SEPTEMBRE 1843 by Eugène LamiRECEPTION, EN L'HONNEUR DE LA REINE VICTORIA, DANS LE SALON DE FAMILLE AU CHATEAU D'EU.3 SEPTEMBRE 1843 96The Abduction of Rebecca by Eugène LamiThe Abduction of Rebecca 97BATAILLE DE L'ALMA.20 SEPTEMBRE 1854 by Eugène LamiBATAILLE DE L'ALMA.20 SEPTEMBRE 1854Opera House 98Charles I Receiving A Rose From A Young Girl When About To Be Brought As A Prisoner To Carisbrooke Castle by Eugène LamiCharles I Receiving A Rose From A Young Girl When About To Be Brought As A Prisoner To Carisbrooke Castle

Eugène Lami's famous paintings, period by period

The subjects that held Eugène Lami's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Eugène Lami's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Eugène Lami Paintings from this list
Château de Chantilly, ChantillyChâteau de Chantilly Chantilly 4 An evening with the Duke of Orleans at the Pavillon de Marsan, Funeral of King Louis Philippe (1775-1850) in Claremont in 1850, The Duke of Orleans on horseback in front of his staff
The Louvre, ParisThe Louvre Paris 2 Entrée de la duchesse d'Orléans dans le jardin des Tuileries, CHARLES 1ER RECEVANT UNE ROSE DES MAINS D'UNE JEUNE FILLE, AU MOMENT OU IL EST CONDUIT PRISONNIER AU CHATEAU DE CARISBROOK
Condé Museum, ChantillyCondé Museum Chantilly 1 LA PRINCESSE DE JOINVILLE
Carnavalet Museum, ParisCarnavalet Museum Paris 1 Scène de carnaval, place de la Concorde (actuel 8ème arrondissement, Paris)
Opera House, VersaillesOpera House Versailles 1 BATAILLE DE L'ALMA.20 SEPTEMBRE 1854

Eugène Lami, the signature paintings of each year

Some ten years, from 1843 to 1852, were enough for Eugène Lami: the gallery walks through them year by year, one famous original after another.

Works per year

Pick a year to see its originals.

Eugène Lami's paintings: the gallery answers

Which Eugène Lami painting is the most famous of all?Reveal the answer

Entrée de la duchesse d'Orléans dans le jardin des Tuileries, The Louvre, Paris. An evening with the Duke of Orleans at the Pavillon de Marsan (1843) and Funeral of King Louis Philippe (1775-1850) in Claremont in 1850 (1852) come next.

Which are Eugène Lami's top 10 paintings?Reveal the answer

Entrée de la duchesse d'Orléans dans le jardin des Tuileries, An evening with the Duke of Orleans at the Pavillon de Marsan, Funeral of King Louis Philippe (1775-1850) in Claremont in 1850, The Duke of Orleans on horseback in front of his staff, Project for the big castle of Chantilly, river landscape, COMBAT DANS LES DEFILES DE L'ARGONNE.SEPTEMBRE 1792, The Comtesse D'escarbagnas, The Bourgeois Gentleman and The Imprint Of Versailles. The ranking above gives each one's year and museum.

How many works did Eugène Lami create?Reveal the answer

Our catalog holds 99 works by Eugène Lami, dated from 1843 to 1852.

Where do Eugène Lami's most famous originals hang?Reveal the answer

Mostly in Château de Chantilly (Chantilly), The Louvre (Paris) and Condé Museum (Chantilly). The museum table above lists them all.

Which are Eugène Lami's earliest and latest famous works?Reveal the answer

On this page, the earliest is An evening with the Duke of Orleans at the Pavillon de Marsan (1843) and the latest Funeral of King Louis Philippe (1775-1850) in Claremont in 1850 (1852).

Which subjects did Eugène Lami return to most?Reveal the answer

Royalty (5), 19th century france (4) and Buildings (4), across the 98 works on this page.

Which medium did Eugène Lami work in most?Reveal the answer

Oil On Canvas, for 2 of the 98 works on this page.

Which movement is Eugène Lami associated with?Reveal the answer

Romanticism, judging by the originals on this page.

Which Eugène Lami originals does the Château de Chantilly hold?Reveal the answer

An evening with the Duke of Orleans at the Pavillon de Marsan, Funeral of King Louis Philippe (1775-1850) in Claremont in 1850 and The Duke of Orleans on horseback in front of his staff: the Château de Chantilly, Chantilly holds 4 of the works on this page.

Eugène Lami: the artist

The Elegance of a Bygone Era: The Life and Art of Eugène Louis Lami

In the vibrant tapestry of nineteenth-century French art, few threads shimmer with as much grace and historical precision as those woven by Eugène Louis Lami. Born in Paris in 1800, Lami emerged during a transformative epoch, a time when the Romantic movement began to intertwine with the burgeoning grandeur of the Second Empire. His life’s work serves as a luminous window into a lost world, capturing the delicate nuances of Parisian high society and the thundering majesty of military triumph. Through his mastery of watercolor, lithography, and illustration, Lami did more than merely record events; he breathed life into the very atmosphere of his age, preserving the ephemeral beauty of fashion, architecture, and ceremony for eternity.

Lami’s artistic journey was shaped by the prestigious halls of the École des Beaux-Arts, where he underwent a rigorous classical education. His development was profoundly influenced by the giants of French Romanticism. Under the guidance of masters such as Horace Vernet and Camille Roqueplan, Lami refined his ability to blend meticulous detail with emotional resonance. Furthermore, the impact of Antoine-Jean Gros cannot be overstated; from Gros, Lami inherited a penchant for dramatic storytelling and a command over monumental historical narratives. This lineage of influence allowed him to bridge the gap between the precise draughtsmanship of classical training and the sweeping, emotive spirit of the Romantic era, making him a versatile virtuoso capable of both intimate portraiture and epic military documentation.

A Master of Light, Fashion, and Social Splendor

While Lami’s technical foundation was rooted in the grand traditions of history painting, he found his most enduring acclaim as a chronicler of the social fabric of France. He possessed an extraordinary eye for the elegance of Parisian life, specializing in scenes that depicted the aristocratic residences and fashionable gatherings of the era. His watercolor works are particularly celebrated for their ability to convey atmosphere and psychological depth through delicate, translucent brushstrokes. In pieces such as “Entry to a Drawing Room at Marlborough House,” one can sense the subtle social hierarchies and the quiet, refined intimacy of the period.

Beyond the drawing rooms of the elite, Lami’s artistry extended to the architectural soul of France. His precision as a draftsman is evident in his detailed sketches and drawings, such as his 1848 project for the Château de Chantilly, which showcases a remarkable command of classical design and structural accuracy. This ability to capture both the grandeur of monumental architecture and the fleeting textures of silk and lace made him a preferred artist for those seeking to document the prestige of the French state and its nobility.

Military Glory and Lithographic Innovation

The scope of Lami’s talent reached far beyond the salons of Paris, extending into the smoke and splendor of the battlefield. Recognizing the profound public interest in military history and national identity, Lami embraced the medium of lithography to document the martial prowess of his time. He became a celebrated chronicler of cavalry and uniform, producing groundbreaking sets of prints that captured the spirit of the Spanish Cavalry and commemorated the vital Franco-British alliances forged during the Napoleonic Wars. His ability to render the weight of armor, the movement of horses, and the rigid discipline of troops brought a sense of tangible reality to the printed page.

This fascination with military splendor is perhaps most poignantly captured in his depictions of significant historical figures and events. Whether portraying the Duke of Orleans on horseback or capturing the solemnity of the Funeral of King Louis Philippe in 1850, Lami utilized a Romantic lens to imbue historical moments with a sense of profound gravity. His work stands as a monumental achievement in 19th-century art, offering a dual legacy: a meticulous record of military and architectural history, and a soulful, evocative portrait of the elegance and emotion that defined the French spirit during one of its most storied centuries.