Portrait of Paris Bordone

Paris Bordone Paintings: The 73 Most Famous, Through a Gallery's Eye

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 74 works by Paris Bordone in our catalogue

In short

To the gallery's eye, Paris Bordone's most famous painting is Venus and Mars with Cupid (1559), whose original hangs in the Galleria Doria Pamphilj, Rome. Venus and Cupid (1540) and Christ Blessing (1540) complete the trio every eye recognises. Of the 74 works by Paris Bordone in our catalog, the gallery presents the 73 most famous below, each original with its year, its museum and what makes it unique.

1500 – 1571, Treviso Renaissance Most works: Kunsthistorisches Museum

The gallery's top 10 Paris Bordone paintings

1
Venus and Mars with Cupid (1559) by Paris Bordone

Venus and Mars with Cupid

1559 · Oil On Canvas · Galleria Doria Pamphilj, Rome

To gaze upon Paris Bordone's depiction of Venus and Mars with Cupid is to step directly into the vibrant, emotionally charged atmosphere of the High Renaissance meeting the burgeoning complexity of Mannerism. This painting captures not merely a mythological tableau, but a moment suspended in time—a playful negotiation between divine love, desire, and youthful energy. The composition itself draws the viewer into its central drama: Venus, embodying supreme beauty, holds…

2
Venus and Cupid (1540) by Paris Bordone

Venus and Cupid

1540 · Oil On Panel · Muzeum Narodowe, Warsaw

A woman lies on her side upon a bed, her form a soft curve against the landscape. She holds a baby close to her, a quiet gesture of maternal instinct amidst the mythic setting. Outside, the trees reach upward, framing a scene where the divine meets the domestic. A single bird cuts through the air above, a small movement in a still world. The light settles on her skin, catching…

3
Christ Blessing (1540) by Paris Bordone

Christ Blessing

1540 · Oil · Mauritshuis, The Hague

The air feels heavy with a sacred stillness as Christ turns his gaze slightly away from the viewer, his presence filling the space with a quiet, commanding grace. He exists in a realm of deep shadows, where the light catches the curve of a cheek and the gentle movement of a hand raised in blessing. This gesture of benediction, held in a suspended moment of grace, reaches out from the…

4
A Jeweler with a Lady (1550) by Paris Bordone

A Jeweler with a Lady

A heavy darkness holds the room. In this intimate space, a man and a woman exist within a chiaroscuro glow, their skin catching a light that seems to fall from a high, unseen window. He sits in the foreground, a figure of serious intent, his beard textured and his gaze drifting away from the viewer. Beside him, a woman with hair the color of autumn embers looks downward. The air…

5
Mars, Venus and Cupid (1550) by Paris Bordone

Mars, Venus and Cupid

1550 · Oil On Canvas · Hermitage Museum, Saint Petersburg

The canvas holds a heavy, dark landscape where light falls like a sudden weight upon three figures. Venus, draped in a gown of deep crimson, sits amidst the shadows of a lush, leafy background. Her skin possesses a luminous quality, contrasting against the dark, earthy greens of the surrounding trees. Beside her, Mars displays the defined musculature of a warrior, his form caught in the dramatic chiaroscuro that defines the…

6
Portrait of a Young Woman (1545) by Paris Bordone

Portrait of a Young Woman

1545 · Oil On Canvas · National Gallery, London

A single column of stone anchors the composition, a vertical shadow against the luminous skin of the subject. She sits in a three-quarter pose, her presence defined by the heavy, shimmering crimson of her gown. The fabric falls in deep, sculptural folds, catching a light that enters from the upper left. This light traces the fine lace at her neckline and the metallic glint of her jewelry, turning silk into…

7
Portrait of a young Woman (1550) by Paris Bordone

Portrait of a young Woman

1550 · Oil On Canvas · Thyssen-Bornemisza Museum, Madrid

The air in the room feels heavy with the scent of crushed petals and the musk of fine fur. A young woman sits before us, her presence commanding a quiet, aristocratic poise that seems to halt the very passage of time. She is draped in a gown of shimmering magenta silk, the heavy brocade catching the light in a way that suggests both weight and movement. Her skin possesses a…

8
Portrait of a Lady with a Boy (1530) by Paris Bordone

Portrait of a Lady with a Boy

1530 · Oil On Canvas · Hermitage Museum, Saint Petersburg

A woman’s silhouette forms a protective arc around a young child. In this 1530 oil on canvas, the light enters from the upper left, catching the luster of pearls and the metallic glint of gold embroidery. The fabric of her sleeve carries a heavy, textured weight, rendered with the visible brushwork of the Venetian school. She is a figure of dignity, her skin smoothed by light, her presence anchored by…

10
Annunciation (1555) by Paris Bordone

Annunciation

1555 · Oil On Canvas · Pinacoteca Nazionale, Siena

Annunciation by Paris Bordone: A Renaissance Reverie The Annunciation by Paris Bordone stands as a testament to Venetian artistic prowess during the High Renaissance—a painting that transcends mere depiction, immersing viewers in a meticulously crafted tableau of faith and beauty. Executed in 1555, this oil on canvas masterpiece measuring 99 x 134 cm resides within the Pinacoteca Nazionale di Siena, Italy, offering visitors an unparalleled glimpse into the artistic sensibilities…

Paris Bordone paintings, ranked 11 to 73

11Madonna and Child with Saint Sebastian (1518) by Paris BordoneMadonna and Child with Saint Sebastian1518 · Auckland Art Gallery Toi o Tāmaki 12The Rest on the Return from Egypt (1540) by Paris BordoneThe Rest on the Return from Egypt1540 · Scottish National Gallery 13Christ Taking Leave of His Mother (1530) by Paris BordoneChrist Taking Leave of His Mother1530 · Philadelphia Museum of Art 14Mythological Couple (Daphnis and Chloe ?) by Paris BordoneMythological Couple (Daphnis and Chloe ?)Grand Palais 15Young Venetian Woman with a Little Dog (1525) by Paris BordoneYoung Venetian Woman with a Little Dog1525 16Madonna and Child with Saint John the Baptist and Saint George (Holy Conversation) (1530) by Paris BordoneMadonna and Child with Saint John the Baptist and Saint George (Holy Conversation)1530 · Pushkin State Museum 17Portrait of a Man with a Laurel-Wreath (1523) by Paris BordonePortrait of a Man with a Laurel-Wreath1523 · Royal Collection 18Virgin and Child with Saints John the Baptist, Mary Magdalene and George (?) (1524) by Paris BordoneVirgin and Child with Saints John the Baptist, Mary Magdalene and George (?)1524 · Glasgow Museums Resource Centre 19Virgin Mary and Child with Saints Jerome and Anthony Abbot and a Donor (1522) by Paris BordoneVirgin Mary and Child with Saints Jerome and Anthony Abbot and a Donor1522 · Kelvingrove Art Gallery and Museum 20Portrait of a Bearded Man (1533) by Paris BordonePortrait of a Bearded Man1533 · Liechtenstein Museum 21Annunciation (1545) by Paris BordoneAnnunciation1545 · Musée des Beaux-Arts de Caen 22Portrait of a Gentleman (1545) by Paris BordonePortrait of a Gentleman1545 · The Hunterian Museum and Art Gallery 23The Holy Family in a Landscape with John the Baptist (1540) by Paris BordoneThe Holy Family in a Landscape with John the Baptist1540 24The Virgin and Child with Donors (1537) by Paris BordoneThe Virgin and Child with Donors1537 · Royal Collection 25Venetian Women at their Toilet (1545) by Paris BordoneVenetian Women at their Toilet1545 · Scottish National Gallery 26David and Bathsheba (1540) by Paris BordoneDavid and Bathsheba1540 · Walters Art Museum 27Flora (1540) by Paris BordoneFlora1540 28The Rape of Persephone (1545) by Paris BordoneThe Rape of Persephone1545 · Collection Bemberg 29Mars and Venus, surprised by Vulcan (1549) by Paris BordoneMars and Venus, surprised by Vulcan1549 · Gemäldegalerie 30Christ Disputing in the Temple (1545) by Paris BordoneChrist Disputing in the Temple1545 · Isabella Stewart Gardner Museum 31Portrait of Violante (1550) by Paris BordonePortrait of Violante1550 · Bavarian State Painting Collections 32Dead Christ mourned by angels (1550) by Paris BordoneDead Christ mourned by angels1550 · Moravian Gallery in Brno 33Portrait of Alvise Contarini (?) (1550) by Paris BordonePortrait of Alvise Contarini (?)1550 · Museu de Arte de São Paulo Assis Chateaubriand 34Holy Family in a Landscape with John the Baptist (1560) by Paris BordoneHoly Family in a Landscape with John the Baptist1560 · Brukenthal Museum 35Venus and Adonis (1560) by Paris BordoneVenus and Adonis1560 · Kunsthistorisches Museum 36The Adoration of the Magi (1550) by Paris BordoneThe Adoration of the Magi1550 · Harvard Art Museums 37Madonna with Sleeping Child, Paris Bordone, 1540 - 1560 (1560) by Paris BordoneMadonna with Sleeping Child, Paris Bordone, 1540 - 15601560 · Rijksmuseum 38Madonna and Child with Saints Jerome and Francis (1525) by Paris BordoneMadonna and Child with Saints Jerome and Francis1525 · Los Angeles County Museum of Art 39Holy Family with St Catherine (1520) by Paris BordoneHoly Family with St Catherine1520 · Hermitage Museum 40Madonna and Child with Saints (1535) by Paris BordoneMadonna and Child with Saints1535 · Staatliche Museen zu Berlin 41Sacra conversazione (1530) by Paris BordoneSacra conversazione1530 · National Museum in Warsaw 42Portrait of a woman with a green cloak (1550) by Paris BordonePortrait of a woman with a green cloak1550 · Kunsthistorisches Museum 43Allegory (Venus, Flora, Mars and Cupid) (1558) by Paris BordoneAllegory (Venus, Flora, Mars and Cupid)1558 · Hermitage Museum 44Portrait of Thomas Stachel (1540) by Paris BordonePortrait of Thomas Stachel1540 · The Louvre 45Bathsheba Bathing (1549) by Paris BordoneBathsheba Bathing1549 · Wallraf-Richartz-Museum 46Saint Jerome in the Wilderness by Paris BordoneSaint Jerome in the WildernessPhiladelphia Museum of Art 47Portrait of Nikolaus Körbler (1532) by Paris BordonePortrait of Nikolaus Körbler1532 · Liechtenstein Museum 48Enthroned Madonna with Child and Saints (1530) by Paris BordoneEnthroned Madonna with Child and Saints1530 · Gemäldegalerie 49Sleeping Venus with Cupid (1540) by Paris BordoneSleeping Venus with Cupid1540 · Ca' d'Oro 50Portrait of a Woman (1550) by Paris BordonePortrait of a Woman1550 · Galleria Palatina 51Young Woman at Her Toilet (1550) by Paris BordoneYoung Woman at Her Toilet1550 · Kunsthistorisches Museum 52Portrait of a Gentleman by Paris BordonePortrait of a Gentleman 53Gladiator fight by Paris BordoneGladiator fightKunsthistorisches Museum 54The Mystic Marriage of Saint Catherine by Paris BordoneThe Mystic Marriage of Saint CatherineMuseum of Fine Arts 55Rest on the flight into Egypt with Saint Catherine and angels by Paris BordoneRest on the flight into Egypt with Saint Catherine and angelsNational Gallery of Victoria 56Christ baptising Saint John Martyr by Paris BordoneChrist baptising Saint John MartyrNational Gallery 57Christ as 'The Light of the World' by Paris BordoneChrist as 'The Light of the World'National Gallery 58A Pair of Lovers by Paris BordoneA Pair of LoversNational Gallery 59Nude by Paris BordoneNudeGalleria degli Uffizi 60Double Portrait of a Venetian Woman and her Cavalier (1560) by Paris BordoneDouble Portrait of a Venetian Woman and her Cavalier1560 · Nivaagaards Malerisamling 61The Baptism of Christ (1540) by Paris BordoneThe Baptism of Christ1540 · National Gallery of Art 62Portrait of a Man in Armor with Two Pages by Paris BordonePortrait of a Man in Armor with Two PagesMetropolitan Museum of Art 63Perseus Armed by Mercury and Minerva by Paris BordonePerseus Armed by Mercury and MinervaBirmingham Museum of Art 64Portrait of a man by Paris BordonePortrait of a man 65Venus and Amor by Paris BordoneVenus and Amor 66Allegory with the love of Mars and Venus by Paris BordoneAllegory with the love of Mars and VenusKunsthistorisches Museum 67Portrait of a Young Woman by Paris BordonePortrait of a Young Woman 68The Presentation of the Ring (1534) by Paris BordoneThe Presentation of the Ring1534 · Gallerie dell'Accademia di Venezia 69Allegory with Lovers (1550) by Paris BordoneAllegory with Lovers1550 · Kunsthistorisches Museum 70Rest on the Flight into Egypt (1530) by Paris BordoneRest on the Flight into Egypt1530 · Musée Des Beaux 71Two Chess Players (1542) by Paris BordoneTwo Chess Players1542 · Gemäldegalerie 72Athena Scorning the Advances of Hephaestus (1555) by Paris BordoneAthena Scorning the Advances of Hephaestus1555 73The Venetian Lovers (1525) by Paris BordoneThe Venetian Lovers1525 · Pinacoteca di Brera

Paris Bordone's famous paintings, period by period

The subjects that held Paris Bordone's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Paris Bordone's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Paris Bordone Paintings from this list
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 6 Venus and Adonis, Portrait of a woman with a green cloak, Young Woman at Her Toilet
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 4 Mars, Venus and Cupid, Portrait of a Lady with a Boy, Holy Family with St Catherine
National Gallery, LondonNational Gallery London 4 Portrait of a Young Woman, Christ baptising Saint John Martyr, Christ as 'The Light of the World'
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 3 A Jeweler with a Lady, Lady with Red Velvet, Portrait of Violante
Gemäldegalerie, BerlinGemäldegalerie Berlin 3 Mars and Venus, surprised by Vulcan, Enthroned Madonna with Child and Saints, Two Chess Players
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 2 The Rest on the Return from Egypt, Venetian Women at their Toilet
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 2 Christ Taking Leave of His Mother, Saint Jerome in the Wilderness
Royal Collection, LondonRoyal Collection London 2 Portrait of a Man with a Laurel-Wreath, The Virgin and Child with Donors

Paris Bordone, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Paris Bordone's paintings: the gallery answers

Which Paris Bordone painting is the most famous of all?Reveal the answer

Venus and Mars with Cupid (1559), Galleria Doria Pamphilj, Rome. Venus and Cupid (1540) and Christ Blessing (1540) come next.

How old was Paris Bordone on completing Venus and Mars with Cupid?Reveal the answer

59 years old: Venus and Mars with Cupid dates from 1559, and Paris Bordone was born in 1500.

Which are Paris Bordone's top 10 paintings?Reveal the answer

Venus and Mars with Cupid, Venus and Cupid, Christ Blessing, A Jeweler with a Lady, Mars, Venus and Cupid, Portrait of a Young Woman, Portrait of a young Woman, Portrait of a Lady with a Boy, Lady with Red Velvet and Annunciation. The ranking above gives each one's year and museum.

How many works did Paris Bordone create?Reveal the answer

Our catalog holds 74 works by Paris Bordone, dated from 1518 to 1560.

Where do Paris Bordone's most famous originals hang?Reveal the answer

Mostly in Kunsthistorisches Museum (Vienna), Hermitage Museum (Saint Petersburg) and National Gallery (London). The museum table above lists them all.

When did Paris Bordone create the most famous paintings?Reveal the answer

In 1540s: 18 of the 73 works on this page were made then, Venus and Cupid among them.

Which are Paris Bordone's earliest and latest famous works?Reveal the answer

On this page, the earliest is Madonna and Child with Saint Sebastian (1518) and the latest Holy Family in a Landscape with John the Baptist (1560).

Which subjects did Paris Bordone return to most?Reveal the answer

Woman (31), Man (22) and Child (17), across the 73 works on this page.

Which medium did Paris Bordone work in most?Reveal the answer

Oil On Canvas, for 36 of the 73 works on this page.

Which movement is Paris Bordone associated with?Reveal the answer

Renaissance, judging by the originals on this page.

Which Paris Bordone originals does the Kunsthistorisches Museum hold?Reveal the answer

Venus and Adonis, Portrait of a woman with a green cloak and Young Woman at Her Toilet: the Kunsthistorisches Museum, Vienna holds 6 of the works on this page.

Paris Bordone: the artist

The Venetian Maverick: The Life and Legacy of Paris Bordone

In the vibrant, sun-drenched landscape of the sixteenth-century Venetian Renaissance, few figures possess a spirit as fiercely independent as Paris Bordone. Born in Treviso around 1500, Bordone emerged from the shadow of the great masters to carve out a reputation defined by a unique tension between classical grace and a restless, Mannerist energy. While his contemporaries often sought the polished perfection of the High Renaissance, Bordone embraced a more complex, sometimes provocative aesthetic that blended the monumental scale of his era with a distinctively provincial vitality. His journey was one of constant negotiation between the established traditions of Venice and an unyielding desire to forge a personal visual language.

The foundation of Bordone’s technical prowess was laid during his formative years in Venice, most notably through his apprenticeship under the legendary Titian. This period was undoubtedly the crucible of his talent, exposing him to the rich textures, dramatic lighting, and atmospheric depth that define the Venetian school. However, the relationship between master and pupil was famously fraught with creative friction. Historical accounts, including those by Vasari, suggest a certain discordance between Bordone’s experimental impulses and Titian’s more refined aesthetic. Rather than being stifled by this tension, Bordone utilized it as a catalyst for growth, developing a style that moved away from pure imitation toward a more intricate and sometimes agitated compositional approach.

A Tapestry of Myth, Devotion, and Portraiture

Bordone’s prolific career is characterized by an extraordinary breadth of subject matter, ranging from the sacred to the profane. His ability to navigate religious iconography with the same vigor as mythological narratives allowed him to capture the diverse interests of the Venetian elite. In his religious works, such as the Pentecost housed in the Hermitage Museum, one observes a masterful command of sfumato and warm, emotive tones that invite deep spiritual contemplation. Yet, even within these devotional settings, a sense of Mannerist complexity often emerges through swirling drapery and crowded, dynamic arrangements.

When turning his gaze toward the secular, Bordone achieved a level of narrative drama that remains captivating to modern viewers. His mythological paintings, such as Allegory with Lovers, showcase his talent for using vibrant colors and symbolic depth to weave complex tales of passion and fate. This mastery extended into the realm of portraiture, where he captured the dignity and social standing of his subjects with remarkable precision. A notable example is his 1540 Portrait of Thomas Stachel, currently residing in the Louvre; here, the artist utilizes an intricate composition to highlight the sitter's status, using the fine details of robes and heraldic letters to ground the subject in a tangible historical reality.

Historical Significance and Artistic Endurance

The enduring significance of Paris Bordone lies in his refusal to conform. He stands as a vital bridge between the balanced harmony of the early Renaissance and the more stylized, expressive complexities of the Mannerist period. While he may not have reached the universal heights of Titian, his work offers a necessary counterpoint—a more textured, experimental, and often more humanistic perspective on the Venetian world. His paintings serve as windows into a time of profound transition, where the stability of tradition was being challenged by a new, more restless artistic consciousness.

Today, Bordone’s legacy is preserved in some of the world's most prestigious institutions, inviting scholars and art lovers alike to rediscover his unique vision. His contributions can be summarized through several key artistic pillars:

  • Stylistic Innovation: The successful integration of Titian-inspired grandeur with a more complex, Mannerist compositional structure.
  • Versatility of Theme: An unparalleled ability to move seamlessly between the serene beauty of the Madonna with Sleeping Child and the dramatic intensity of historical allegories.
  • Technical Mastery: A sophisticated use of light, color, and texture that brought a palpable sense of life and movement to the canvas.
  • Cultural Impact: Representing the vibrant, often turbulent spirit of Treviso and Venice during one of the most transformative eras in Western art history.