Portrait of Giuseppe Cesari

The 48 Most Famous Giuseppe Cesari Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 50 works by Giuseppe Cesari in our catalogue

In short

Perseus Rescuing Andromeda (1593) is the Giuseppe Cesari painting that draws the most eyes; the original belongs to the Saint Louis Art Museum, Saint Louis. After it, the eye goes to The Flight into Egypt (1595) and Christ Taken Prisoner (1597). Among the 50 works of Giuseppe Cesari in our catalog, these 48 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1568 – 1640, Arpino Mannerism Most works: Szépművészeti Múzeum

Top 10 paintings by Giuseppe Cesari, through the gallery's eye

1
Perseus Rescuing Andromeda (1593) by Giuseppe Cesari

Perseus Rescuing Andromeda

1593 · Oil · Saint Louis Art Museum, Saint Louis

In this tiny rendering of a classical tale, Giuseppe Cesari presents the mythological scene of Perseus Rescuing Andromeda. Created about 1593–1594, the work captures the moment of intervention as the hero descends to save the princess from her fate. It is a quiet, intimate object of art that invites a closer look to fully grasp its scale and narrative tension.

2
The Flight into Egypt (1595) by Giuseppe Cesari

The Flight into Egypt

1595 · Oil On Panel · Galleria Borghese, Rome

Giuseppe Cesari’s “The Flight into Egypt,” completed in 1595, is more than just a biblical scene; it's a meticulously crafted tableau brimming with symbolic depth and the palpable drama characteristic of the late Mannerist and early Baroque periods. Housed within the Galleria Borghese in Rome, this oil-on-panel work offers a rare glimpse into the artistic sensibilities of a master often overshadowed by his more celebrated contemporaries, yet undeniably possessing a…

3
Christ Taken Prisoner (1597) by Giuseppe Cesari

Christ Taken Prisoner

1597 · Acrylic · Staatliche Museen, Kassel

Giuseppe Cesari’s Dramatic Capture – A Mannerist Masterpiece Subject Matter: The painting portrays a pivotal moment in Christian history: the arrest of Jesus Christ by Roman soldiers. It captures the tension and drama surrounding this event, depicting a confrontation between faith and imperial authority. Style: Cesari’s work firmly establishes itself within the Mannerist style—a reaction against the idealized beauty of the High Renaissance. Characterized by elongated figures, exaggerated poses, and…

4
Storm of the Giants against Olympus (1620) by Giuseppe Cesari

Storm of the Giants against Olympus

1620 · Oil On Canvas · Kunsthistorisches Museum, Vienna

Step closer to observe the tension held within this composition. The scene presents a profound division between two realms: the serene heavens and the violent earth. In the upper register, we find Zeus and Hera seated amidst soft, luminous clouds. Their presence is marked by a quiet authority, bathed in a light that feels almost weightless. Pale blues, golds, and whites define this celestial plane, offering a sense of stillness…

5
The Fall of the Rebel Angels (1610) by Giuseppe Cesari

The Fall of the Rebel Angels

1610 · Oil · Kunsthistorisches Museum, Vienna

A single, powerful figure descends from a source of divine light, cutting through the heavy air. This archangel wears a teal cuirass and a crimson drapery that flows like spilled wine against the dark. He moves with a sharp, defined grace, his shield marked with a red cross, his sword catching a glint of celestial fire. Below him, the sky is not empty; it is a churning vortex of limbs…

6
The Expulsion from Paradise (1610) by Giuseppe Cesari

The Expulsion from Paradise

1610 · Oil On Copper

The Expulsion from Paradise is a work by the Italian painter Giuseppe Cesari. Born in 1568 and passing away in 1640, the artist captured this biblical scene about 1610. The composition centers on the heavy moment of separation, featuring the figures of Adam and Eve alongside an angel. Their presence is set against a landscape that marks the boundary of their loss.

7
Portrait of Prospero Farinaccio (1607) by Giuseppe Cesari

Portrait of Prospero Farinaccio

1607 · Oil On Canvas · Castel Sant'Angelo, Rome

The painting is a portrait of a man in a red robe sitting at a desk with books. The man appears to be reading one of the books while holding another book in his hand. There are several other books scattered around the room, some on the table and others placed elsewhere. A chair can also be seen near the table where the man is seated.

8
Perseus and Andromeda (1592) by Giuseppe Cesari

Perseus and Andromeda

1592 · Oil On Canvas · Rhode Island School of Design Museum of Art, Providence

Perseus and Andromeda, executed by Giuseppe Cesari about 1592, captures a moment of high-stakes mythological intervention. The narrative centers on the hero Perseus, who arrives to rescue the princess Andromeda from a perilous fate. She remains bound to a rocky outcrop, vulnerable to the threat emerging from the sea.

9
Portrait of an architect (1591) by Giuseppe Cesari

Portrait of an architect

1591 · Oil On Canvas · Musée de Grenoble, Grenoble

Portrait of an architect by Giuseppe Cesari, executed in 1591, presents a formal study of a man whose profession is signaled by his attributes. The subject is depicted from the waist up, positioned slightly off-center against a dark, neutral background. He holds a compass in one hand and rests another hand near an ornate, classical architectural element or vessel, symbols of his technical vocation.

10
Madonna with Child, Angels and Saints (1604) by Giuseppe Cesari

Madonna with Child, Angels and Saints

Madonna with Child, Angels and Saints, painted by Giuseppe Cesari around 1604, presents a deeply devotional scene centered on the Virgin Mary. She is depicted holding the infant Jesus, forming the spiritual nucleus of the composition. The work captures a sacred gathering, bringing together the divine and the earthly through a crowded, intimate arrangement of figures.

Giuseppe Cesari's famous paintings, numbers 11 to 48

11The Freeing of Andromeda (1604) by Giuseppe CesariThe Freeing of Andromeda1604 · Bavarian State Painting Collections 12Adam and Eve Expelled from Paradise (1597) by Giuseppe CesariAdam and Eve Expelled from Paradise1597 13Presentation of the Virgin at the Temple (1597) by Giuseppe CesariPresentation of the Virgin at the Temple1597 14Portrait of Pope Clement VIII Aldobrandini (1598) by Giuseppe CesariPortrait of Pope Clement VIII Aldobrandini1598 15Perseus Freeing Andromeda (1596) by Giuseppe CesariPerseus Freeing Andromeda1596 · Gemäldegalerie 16Judith with the Head of Holofernes (1605) by Giuseppe CesariJudith with the Head of Holofernes1605 · Berkeley Art Museum 17Combat of the Horatii and the Curiatii (1612) by Giuseppe CesariCombat of the Horatii and the Curiatii1612 · Capitoline Museums 18Perseus and Andromeda (1602) by Giuseppe CesariPerseus and Andromeda1602 · Kunsthistorisches Museum 19Diana and Actaeon (1603) by Giuseppe CesariDiana and Actaeon1603 · Szépművészeti Múzeum 20Madonna and Child with Sts John the Baptist, Mary Magdalen and Anne (1592) by Giuseppe CesariMadonna and Child with Sts John the Baptist, Mary Magdalen and Anne1592 21St Francis Consoled by an Angel (1593) by Giuseppe CesariSt Francis Consoled by an Angel1593 · Musee de la Chartreuse 22Raising of Lazarus (1592) by Giuseppe CesariRaising of Lazarus1592 23Susanna and the Elders (detail) (1606) by Giuseppe CesariSusanna and the Elders (detail)1606 24Diana and Actaeon (detail) (1603) by Giuseppe CesariDiana and Actaeon (detail)1603 · Szépművészeti Múzeum 25Susanna and the Elders (1606) by Giuseppe CesariSusanna and the Elders1606 26Passion scenes (1596) by Giuseppe CesariPassion scenes1596 · Sacristy 27Battle of Tullius Hostilius against the Veii (1601) by Giuseppe CesariBattle of Tullius Hostilius against the Veii1601 · Capitoline Museums 28Venus and Cupid (1602) by Giuseppe CesariVenus and Cupid1602 29The Mocking of Christ (1598) by Giuseppe CesariThe Mocking of Christ1598 · Chiesa dei Santi Biagio e Carlo ai Catinari 30The Dome of the Pauline Chapel (1600) by Giuseppe CesariThe Dome of the Pauline Chapel1600 · Santa Maria Maggiore 31The Rest on the Flight into Egypt (detail) (1597) by Giuseppe CesariThe Rest on the Flight into Egypt (detail)1597 · Museum of Fine Arts 32The Martyrdom of Saint Elizabeth (1611) by Giuseppe CesariThe Martyrdom of Saint Elizabeth1611 · National Gallery of Art 33The Rest on the Flight into Egypt (1597) by Giuseppe CesariThe Rest on the Flight into Egypt1597 · Museum of Fine Arts 34The Archangel Michael by Giuseppe CesariThe Archangel MichaelMinneapolis Institute of Art 35The Betrayal of Christ (1596) by Giuseppe CesariThe Betrayal of Christ1596 · Galleria Borghese 36St Clare with the Scene of the Siege of Assisi by Giuseppe CesariSt Clare with the Scene of the Siege of AssisiHermitage Museum 37Madonna and Child with Sts. Peter and Paul (1608) by Giuseppe CesariMadonna and Child with Sts. Peter and Paul1608 · Nelson-Atkins Museum of Art 38Perseus and Andromeda by Giuseppe CesariPerseus and AndromedaMusée Bonnat-Helleu 39Saint Ursula by Giuseppe CesariSaint UrsulaAuckland Art Gallery Toi o Tāmaki 40Noli Me Tangere by Giuseppe CesariNoli Me Tangere 41Perseus Rescuing Andromeda by Giuseppe CesariPerseus Rescuing Andromeda 42Diana and Actaeon (detail) (1603) by Giuseppe CesariDiana and Actaeon (detail)1603 · Szépművészeti Múzeum 43Portrait of a Pope (1630) by Giuseppe CesariPortrait of a Pope1630 44Suzanne et les vieillards by Giuseppe CesariSuzanne et les vieillards 45Rest on the Flight into Egypt (detail) by Giuseppe CesariRest on the Flight into Egypt (detail) 46The annuciation by Giuseppe CesariThe annuciation 47Lamentation by Giuseppe CesariLamentation 48Diana and Actaeon (1603) by Giuseppe CesariDiana and Actaeon1603 · Szépművészeti Múzeum

Giuseppe Cesari's famous paintings, period by period

The subjects that held Giuseppe Cesari's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Giuseppe Cesari's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Giuseppe Cesari Paintings from this list
Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 4 Diana and Actaeon, Diana and Actaeon (detail), Diana and Actaeon (detail)
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 3 Storm of the Giants against Olympus, The Fall of the Rebel Angels, Perseus and Andromeda
Galleria Borghese, RomeGalleria Borghese Rome 2 The Flight into Egypt, The Betrayal of Christ
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 2 Madonna with Child, Angels and Saints, The Freeing of Andromeda
Capitoline Museums, RomeCapitoline Museums Rome 2 Combat of the Horatii and the Curiatii, Battle of Tullius Hostilius against the Veii
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 The Rest on the Flight into Egypt (detail), The Rest on the Flight into Egypt
Saint Louis Art Museum, Saint LouisSaint Louis Art Museum Saint Louis 1 Perseus Rescuing Andromeda
Staatliche Museen, KasselStaatliche Museen Kassel 1 Christ Taken Prisoner

Giuseppe Cesari across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Giuseppe Cesari's paintings: questions for the gallery

What is the single most famous work of Giuseppe Cesari?Reveal the answer

Perseus Rescuing Andromeda (1593), Saint Louis Art Museum, Saint Louis. The Flight into Egypt (1595) and Christ Taken Prisoner (1597) come next.

At what age did Giuseppe Cesari create Perseus Rescuing Andromeda?Reveal the answer

25 years old: Perseus Rescuing Andromeda dates from 1593, and Giuseppe Cesari was born in 1568.

Which ten paintings by Giuseppe Cesari are the most famous?Reveal the answer

Perseus Rescuing Andromeda, The Flight into Egypt, Christ Taken Prisoner, Storm of the Giants against Olympus, The Fall of the Rebel Angels, The Expulsion from Paradise, Portrait of Prospero Farinaccio, Perseus and Andromeda, Portrait of an architect and Madonna with Child, Angels and Saints. The ranking above gives each one's year and museum.

How many works by Giuseppe Cesari are known?Reveal the answer

Our catalog holds 50 works by Giuseppe Cesari, dated from 1591 to 1630.

Where can the most famous Giuseppe Cesari originals be seen?Reveal the answer

Mostly in Szépművészeti Múzeum (Budapest), Kunsthistorisches Museum (Vienna) and Galleria Borghese (Rome). The museum table above lists them all.

During which period did Giuseppe Cesari create the best-known paintings?Reveal the answer

In 1590s: 17 of the 48 works on this page were made then, Perseus Rescuing Andromeda among them.

Which famous Giuseppe Cesari painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Portrait of an architect (1591) and the latest Portrait of a Pope (1630).

What subjects did Giuseppe Cesari favour?Reveal the answer

Woman (17), Man (14) and Angel (8), across the 48 works on this page.

What materials did Giuseppe Cesari paint with most?Reveal the answer

Oil, for 14 of the 48 works on this page.

Which movement does the work of Giuseppe Cesari belong to?Reveal the answer

Mannerism, judging by the originals on this page.

What Giuseppe Cesari originals can I see at the Szépművészeti Múzeum?Reveal the answer

Diana and Actaeon, Diana and Actaeon (detail) and Diana and Actaeon (detail): the Szépművészeti Múzeum, Budapest holds 4 of the works on this page.

Giuseppe Cesari: a portrait of the artist

Giuseppe Cesari: A Master of Mannerist Grandeur

Giuseppe Cesari, born in Arpino around 1568 and tragically passing away in Rome in 1640, remains a fascinating yet somewhat enigmatic figure within the rich tapestry of Italian art history. While not always celebrated with the fervent acclaim afforded to his contemporaries – particularly those associated with the High Renaissance or the Baroque – Cesari’s career spanned an extraordinary period, witnessing and actively participating in pivotal shifts within artistic style and patronage. His story is one interwoven with ambition, technical skill, and a persistent struggle to establish a lasting legacy amidst the brilliance of Rome's artistic scene. He was a key figure during the Mannerist period, a stylistic bridge between the classical ideals of the Renaissance and the dramatic innovations that would define the Baroque era. Cesari’s early life remains somewhat shrouded in mystery, though it is generally accepted he was born in Arpino, a small town nestled between Rome and Naples. His father, also named Giuseppe, was a painter, providing young Giuseppe with an initial grounding in artistic techniques. However, it was his relocation to Rome that truly shaped his career trajectory. The city, at the heart of papal patronage and a magnet for artists from across Italy and beyond, offered unparalleled opportunities – and fierce competition. He initially apprenticed under Benedetto Cesani, a painter known for his frescoes in the Vatican, before eventually finding himself associated with the renowned architect Carlo Maderno. This connection proved crucial, opening doors to significant commissions and introducing him to influential figures within the Roman art world.

The Rise of a Court Painter

Cesari’s career truly ascended during the reign of Pope Clement VIII (1592-1605). He quickly established himself as a highly sought-after painter, securing prestigious commissions that cemented his reputation and brought him considerable wealth. His most celebrated achievement undoubtedly lies in his involvement with the decoration of St. Peter’s Basilica. Between 1603 and 1612, he was entrusted with designing the magnificent mosaics adorning the dome – a monumental undertaking that showcased his technical prowess and artistic ambition. These mosaics, depicting scenes from the life of Christ and the Virgin Mary, are considered among the finest examples of Mannerist mosaic art. Beyond St. Peter’s, Cesari received numerous other commissions, including frescoes for palaces, churches, and private residences throughout Rome. He was a prolific artist, producing a vast body of work that reflects his diverse range of skills and stylistic preferences.

Style and Technique

Cesari's artistic style is often described as Mannerist, characterized by its elegance, refinement, and intricate detail. His compositions are typically balanced and symmetrical, reflecting the influence of artists like Giulio Romano and Pontormo. He employed a rich palette of colors, often utilizing gold leaf to create a sense of opulence and grandeur. While he demonstrated considerable skill in fresco painting – particularly evident in his work at St. Peter’s – he was equally adept at producing cabinet pictures (small-scale paintings intended for private display). These works frequently depicted religious or mythological subjects, executed with meticulous attention to detail and a distinctly Flemish influence. His style is often described as polished and somewhat mannered, lacking the raw emotional intensity of later Baroque artists like Caravaggio.

Influences and Legacy

Cesari’s artistic development was undoubtedly shaped by his exposure to the diverse styles prevalent in Rome during his time. He absorbed influences from the High Renaissance masters – Raphael and Michelangelo – while also engaging with the more eccentric tendencies of Mannerism. His association with Carlo Maderno, a leading architect of the period, further broadened his artistic horizons, exposing him to innovative architectural concepts and design principles. Despite his considerable success, Cesari’s legacy remains somewhat ambiguous. While he enjoyed widespread popularity during his lifetime, his work is often viewed as technically proficient but lacking in originality or profound emotional depth. However, his contributions to the decoration of St. Peter's Basilica ensure that his name will forever be associated with one of the most iconic landmarks in Christendom.

A Forgotten Master?

Giuseppe Cesari’s story serves as a poignant reminder of the challenges faced by artists navigating the complex and competitive world of Renaissance patronage. His career, marked by both triumph and obscurity, offers valuable insights into the dynamics of artistic production and reception during a pivotal period in European art history. Despite being overshadowed by more celebrated contemporaries, Cesari’s work continues to be studied and appreciated for its technical skill, elegant style, and significant contribution to the visual landscape of Rome. Further research and critical reassessment may yet reveal a deeper understanding of this often-overlooked master of Mannerist grandeur.