Portrait of Thomas de Keyser

The 77 Most Famous Thomas de Keyser Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 82 works by Thomas de Keyser in our catalogue

In short

Of all the originals Thomas de Keyser left, the most famous is Portrait of a Young Woman (1631), in the collection of the Statens Museum For Kunst, Copenhagen. Close behind it come Frederick van Velthuysen and his wife, Josina (1636) and Portrait of a Gentleman (1631). Our catalog holds 82 works by Thomas de Keyser; the gallery has kept the 77 the world admires most, each shown with its date, its museum and its story.

1596 – 1667, Amsterdam Dutch golden age Most works: Rijksmuseum

Thomas de Keyser's top 10 paintings: the gallery's choice

1
Portrait of a Young Woman (1631) by Thomas de Keyser

Portrait of a Young Woman

1631 · Oil On Canvas · Statens Museum For Kunst, Copenhagen

A single light source from the upper left carves the subject out of the darkness. She sits in a quiet, three-quarter pose, her presence anchored by the heavy folds of a black silk dress. The fabric catches the light in sharp, white highlights, revealing the meticulous texture of the weave. Above her, a deep red drapery hangs in thick, sculptural curves, providing a heavy contrast to the pale, luminous skin…

2
Frederick van Velthuysen and his wife, Josina (1636) by Thomas de Keyser

Frederick van Velthuysen and his wife, Josina

1636 · Oil On Panel · National Gallery of Victoria, Melbourne

Thomas de Keyser rendered Frederick van Velthuysen and his wife, Josina, in 1636. The portrait captures a wealthy merchant family, presenting a visual record of the social standing and prosperity of Utrecht’s elite. Through this depiction, the subjects are presented not merely as individuals, but as representatives of a specific mercantile class during the Dutch Golden Age.

3
Portrait of a Gentleman (1631) by Thomas de Keyser

Portrait of a Gentleman

1631 · Oil On Panel · Virginia Museum of Fine Arts, Richmond

In this 1632 portrait, we encounter a man who commands the space through a quiet, steady composure. He is positioned in a three-quarter length view, his body angled slightly away while his gaze meets the viewer with an intelligence that suggests a life of significant social standing. The lighting, arriving from the upper left, carves his features out of the surrounding shadows, a technique that lends a palpable sense of…

4
Portrait of a Gentleman Wearing a Fancy Ruff (1627) by Thomas de Keyser

Portrait of a Gentleman Wearing a Fancy Ruff

1627 · Oil On Copper · National Gallery of Art, Washington

The man turns his head, his light brown eyes catching the light as they lock onto ours. He sits in a quiet, shadowed space, his presence filling the frame with a heavy, dignified stillness. A thick, cream-white ruff, pleated with meticulous precision, encircles his neck, its lace edges brushing against his jawline. This starched collar frames a face marked by the passage of time; wrinkles trace the corners of his…

5
Portrait of an elderly Man (1631) by Thomas de Keyser

Portrait of an elderly Man

1631 · Oil · Städel Museum, Frankfurt

The gaze of the subject meets us in Portrait of an elderly Man, a work that captures a specific moment of quiet dignity. Painted by Thomas de Keyser, this bust-length portrait presents an elderly man who seems to exist in a space of stillness. The subject sits before us, his presence defined by the weight of his years and the steady manner in which he holds his position. It is…

6
Portrait of Loef Vredericx (1590-1668) as an Ensign (1626) by Thomas de Keyser

Portrait of Loef Vredericx (1590-1668) as an Ensign

1626 · Oil On Canvas · Mauritshuis, The Hague

Loef Vredericx is presented not as the silversmith and dean of the Amsterdam guild he was in daily life, but as an officer of the civic militia. He is captured in the role of an Ensign, a position of honor within the Amsterdam militia. He wears the costume of a marksman, characterized by a green sash cinched at the waist and a rapier hanging at his side. His posture is…

7
Group Portrait of Three Brothers (1629) by Thomas de Keyser

Group Portrait of Three Brothers

1629 · Oil On Panel · Rijksmuseum, Amsterdam

In this vertical oil on canvas, three young brothers are arranged in a tiered composition against a dark, receding background. Two older boys flank a seated infant, creating a triangular structure that directs the eye through the group. The eldest boy, Henricus, is twelve years old, positioned to one side with a steady gaze. Beside him, five-year-old Johannes is depicted in structured clothing. The youngest, Simon, sits at the base…

8
Male Portrait in Oval Stone Cartouche (1622) by Thomas de Keyser

Male Portrait in Oval Stone Cartouche

1622 · Oil On Canvas · Kunsthistorisches Museum, Vienna

A man emerges from a shadow, framed by an illusion of carved rock. This 1622 portrait presents a figure from the waist up, his body turned at a slight angle while his gaze meets the viewer with steady sobriety. He wears a dark doublet, the heavy fabric absorbing the light, contrasted sharply by the crisp, white geometry of a pleated lace ruff. The collar sits like a bright ring of…

9
Portrait of a Young Man (1648) by Thomas de Keyser

Portrait of a Young Man

1648 · Oil On Canvas · Groninger Museum, Groningen

A vertical composition centers a young man against a landscape of classical ruins and a muted sky. The subject is positioned in the middle ground, wearing a heavy black cloak that absorbs much of the light. This dark attire contrasts with the pale skin of the face and the lighter tones of the background. To the left and right, architectural elements such as pedestals and draped statues frame the figure,…

10
Portrait of an Horseman with two Dogs (1665) by Thomas de Keyser

Portrait of an Horseman with two Dogs

1665 · Oil On Canvas · Städel Museum, Frankfurt

The artwork titled Portrait of an Horseman with two Dogs is a painting after Thomas de Keyser. It captures a moment of stillness within the Dutch Golden Age, rendered in oil. The brushwork traces the heavy textures of a rider and his companions. This specific piece is dated ca. 1660 – 1670.

The Thomas de Keyser selection continues, 11 to 77

11Huych Jansz. van Crayesteyn (1572-1638) (1631) by Thomas de KeyserHuych Jansz. van Crayesteyn (1572-1638)1631 · Amsterdam Museum 12Portrait of a Scholar (1631) by Thomas de KeyserPortrait of a Scholar1631 · Mauritshuis 13Portrait of a seated woman and two children (1635) by Thomas de KeyserPortrait of a seated woman and two children1635 · Rijksmuseum 14Portrait of three children and a man (1622) by Thomas de KeyserPortrait of three children and a man1622 · Rijksmuseum 15Portrait of a Gentleman [possibly Jacob van Campen] (1659) by Thomas de KeyserPortrait of a Gentleman [possibly Jacob van Campen]1659 · Philadelphia Museum of Art 16Portrait of a Man (1621) by Thomas de KeyserPortrait of a Man1621 · Museum Gouda 17Portrait of a Man (1631) by Thomas de KeyserPortrait of a Man1631 · Statens Museum For Kunst 18Lady with Account Book (1631) by Thomas de KeyserLady with Account Book1631 · Bavarian State Painting Collections 19Interior with Figures (1632) by Thomas de KeyserInterior with Figures1632 · National Gallery of Ireland 20Portrait of a Gentleman (1626) by Thomas de KeyserPortrait of a Gentleman1626 · North Carolina Museum of Art 21Portrait of Carolus Niëllius (1576-1652) (1634) by Thomas de KeyserPortrait of Carolus Niëllius (1576-1652)1634 · Museum Catharijneconvent 22Portrait of van Aertgen Steck (1585-....) (1634) by Thomas de KeyserPortrait of van Aertgen Steck (1585-....)1634 · Museum Catharijneconvent 23Portrait of an unknown woman (1630) by Thomas de KeyserPortrait of an unknown woman1630 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 24Portrait of an unknown man (1630) by Thomas de KeyserPortrait of an unknown man1630 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 25Family Scene (1631) by Thomas de KeyserFamily Scene1631 · National Museum of Art, Architecture and Design 26Portrait d'un homme âgé (1631) by Thomas de KeyserPortrait d'un homme âgé1631 27Portrait historié of Moses and Aaron beholding the promised land, 1633 (1633) by Thomas de KeyserPortrait historié of Moses and Aaron beholding the promised land, 16331633 28Portrait of a man, possibly Hendrick de Keyser (1565-1621) (1625) by Thomas de KeyserPortrait of a man, possibly Hendrick de Keyser (1565-1621)1625 · Amsterdam Museum 29Civic guardsmen from the company of captain Jacob Symonszn de Vries and lieutenant Dirck Jacobszn de Graeff (1633) by Thomas de KeyserCivic guardsmen from the company of captain Jacob Symonszn de Vries and lieutenant Dirck Jacobszn de Graeff1633 · Amsterdam Museum 30Portrait of a Man (1631) by Thomas de KeyserPortrait of a Man1631 · Amsterdam Museum 31Christ Before the Scourging (1637) by Thomas de KeyserChrist Before the Scourging1637 · Museum Catharijneconvent 32Crucifixion with Multiple Figures (1639) by Thomas de KeyserCrucifixion with Multiple Figures1639 · Museum Catharijneconvent 33Portrait of a Man (1639) by Thomas de KeyserPortrait of a Man1639 · Rijksmuseum Twenthe 34Portrait of Anna Hunthums (1595-1639), wife of Wemberich van Berchem (1637) by Thomas de KeyserPortrait of Anna Hunthums (1595-1639), wife of Wemberich van Berchem1637 35Portrait of a seated woman (1640) by Thomas de KeyserPortrait of a seated woman1640 36Portrait of a seated man (1640) by Thomas de KeyserPortrait of a seated man1640 37Family portrait (1643) by Thomas de KeyserFamily portrait1643 · Gemäldegalerie 38Portrait of two unknown man on horseback (1661) by Thomas de KeyserPortrait of two unknown man on horseback1661 · Staatliche Kunstsammlungen Dresden 39Odysseus and Nausicaa (1657) by Thomas de KeyserOdysseus and Nausicaa1657 · Royal Palace Amsterdam 40Portrait of a Man with a Greyhound (1650) by Thomas de KeyserPortrait of a Man with a Greyhound1650 41A Lady and Gentleman Riding through a Wood (1660) by Thomas de KeyserA Lady and Gentleman Riding through a Wood1660 · Royal Collection 42Portrait of a man by a ruin, pointing at a skull and a vase with flowers (1656) by Thomas de KeyserPortrait of a man by a ruin, pointing at a skull and a vase with flowers1656 43Portrait of a Woman, 1631 (1650) by Thomas de KeyserPortrait of a Woman, 16311650 · Musée Massey 44Cyrus restores the treasures of the temple (1660) by Thomas de KeyserCyrus restores the treasures of the temple1660 · Fondation Custodia 45King Cyrus returns the treasures of the temple (1660) by Thomas de KeyserKing Cyrus returns the treasures of the temple1660 · Fondation Custodia 46The Four Burgomasters of Amsterdam Learning of the Arrival of Maria de’ Medici on 1 September 1638 (1638) by Thomas de KeyserThe Four Burgomasters of Amsterdam Learning of the Arrival of Maria de’ Medici on 1 September 16381638 · Mauritshuis 47Portrait of a Man (1632) by Thomas de KeyserPortrait of a Man1632 · Hermitage Museum 48Constantijn Huygens and his Clerk (1627) by Thomas de KeyserConstantijn Huygens and his Clerk1627 · National Gallery 49Equestrian Portrait of Pieter Schout (1660) by Thomas de KeyserEquestrian Portrait of Pieter Schout1660 · Rijksmuseum 50Portrait of a Woman with a Balance (1625) by Thomas de KeyserPortrait of a Woman with a Balance1625 · Metropolitan Museum of Art 51The Syndics of the Amsterdam Goldsmiths Guild (1627) by Thomas de KeyserThe Syndics of the Amsterdam Goldsmiths Guild1627 · Toledo Museum of Art 52Group Portrait of an Unidentified Board of Governors, Thomas de Keyser, c. 1625 - c. 1630 (1630) by Thomas de KeyserGroup Portrait of an Unidentified Board of Governors, Thomas de Keyser, c. 1625 - c. 16301630 · Rijksmuseum 53Portrait of a Man with a Shell (1625) by Thomas de KeyserPortrait of a Man with a Shell1625 · Metropolitan Museum of Art 54Portrait of a Young Boy (1620) by Thomas de KeyserPortrait of a Young Boy1620 55Portrait of a man, 1631 (1631) by Thomas de KeyserPortrait of a man, 16311631 56Portrait of a Gentleman (1629) by Thomas de KeyserPortrait of a Gentleman1629 57Portrait of a Silversmith (1630) by Thomas de KeyserPortrait of a Silversmith1630 · Richard Green Fine Paintings 58Portrait of a Lady (1632) by Thomas de KeyserPortrait of a Lady1632 · Gemäldegalerie 59Portrait of Constantijn Huygens and his ( ) Clerk (1627) by Thomas de KeyserPortrait of Constantijn Huygens and his ( ) Clerk1627 · National Gallery 60The Militia Company of Captain Allaert Cloeck (1632) by Thomas de KeyserThe Militia Company of Captain Allaert Cloeck1632 · Rijksmuseum 61Virgin Mary (1630) by Thomas de KeyserVirgin Mary1630 · Amstelkring Museum 62Apostle St John (1630) by Thomas de KeyserApostle St John1630 · Amstelkring Museum 63Portrait of an Older Lady (Foundress) and Her Daughter (1643) by Thomas de KeyserPortrait of an Older Lady (Foundress) and Her Daughter1643 · Gemäldegalerie 64Portrait of a Man, probably Hans van Hogendorp (1636) by Thomas de KeyserPortrait of a Man, probably Hans van Hogendorp1636 · Mauritshuis 65Portrait of a Gentleman (1632) by Thomas de KeyserPortrait of a Gentleman1632 · The Louvre 66A Lady (1632) by Thomas de KeyserA Lady1632 · Staatliche Museen zu Berlin 67Portrait of a man by Thomas de KeyserPortrait of a manMuseum of Fine Arts Ghent (MSK) 68Portrait d'Elizabeth van der Aa by Thomas de KeyserPortrait d'Elizabeth van der Aa 69Portrait d'Henrick Verburg by Thomas de KeyserPortrait d'Henrick Verburg 70PORTRAIT D'UN JEUNE BOTANISTE by Thomas de KeyserPORTRAIT D'UN JEUNE BOTANISTE 71La leçon de musique by Thomas de KeyserLa leçon de musiqueMusée des Beaux-Arts de Rouen 72Lady sitting before a column by Thomas de KeyserLady sitting before a column 73Portrait of Constantijn Huygens and his by Thomas de KeyserPortrait of Constantijn Huygens and his 74Les argentiers d'Amsterdam Die regenten der goldschmiedegilde in Amsterdam by Thomas de KeyserLes argentiers d'Amsterdam Die regenten der goldschmiedegilde in AmsterdamMusée Des Beaux 75Man on Horseback with a Page by Thomas de KeyserMan on Horseback with a PageFerens Art Gallery 76A Musician and His Daughter (1629) by Thomas de KeyserA Musician and His Daughter1629 · Metropolitan Museum of Art 77Officers and Other Civic Guardsmen of the IIIrd District of Amsterdam, under the Command of Captain Allaert Cloeck and Lieutenant Lucas Jacobsz Rotgans, Thomas de Keyser, 1632 (1632) by Thomas de KeyserOfficers and Other Civic Guardsmen of the IIIrd District of Amsterdam, under the Command of Captain Allaert Cloeck and Lieutenant Lucas Jacobsz Rotgans, Thomas de Keyser, 16321632 · Rijksmuseum

Thomas de Keyser's famous paintings, period by period

The subjects that held Thomas de Keyser's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Thomas de Keyser's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Thomas de Keyser Paintings from this list
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 7 Group Portrait of Three Brothers, Portrait of a seated woman and two children, Portrait of three children and a man
Mauritshuis, The HagueMauritshuis The Hague 4 Portrait of Loef Vredericx (1590-1668) as an Ensign, Portrait of a Scholar, The Four Burgomasters of Amsterdam Learning of the Arrival of Maria de’ Medici on 1 September 1638
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 4 Huych Jansz. van Crayesteyn (1572-1638), Portrait of a man, possibly Hendrick de Keyser (1565-1621), Civic guardsmen from the company of captain Jacob Symonszn de Vries and lieutenant Dirck Jacobszn de Graeff
Museum Catharijneconvent, UtrechtMuseum Catharijneconvent Utrecht 4 Portrait of Carolus Niëllius (1576-1652), Portrait of van Aertgen Steck (1585-....), Christ Before the Scourging
Gemäldegalerie, BerlinGemäldegalerie Berlin 3 Family portrait, Portrait of a Lady, Portrait of an Older Lady (Foundress) and Her Daughter
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 Portrait of a Woman with a Balance, Portrait of a Man with a Shell, A Musician and His Daughter
Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 2 Portrait of a Young Woman, Portrait of a Man
Städel Museum, FrankfurtStädel Museum Frankfurt 2 Portrait of an elderly Man, Portrait of an Horseman with two Dogs

Thomas de Keyser decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Thomas de Keyser's paintings

Which work is Thomas de Keyser most famous for?Reveal the answer

Portrait of a Young Woman (1631), Statens Museum For Kunst, Copenhagen. Frederick van Velthuysen and his wife, Josina (1636) and Portrait of a Gentleman (1631) come next.

What age was Thomas de Keyser when Portrait of a Young Woman was made?Reveal the answer

35 years old: Portrait of a Young Woman dates from 1631, and Thomas de Keyser was born in 1596.

What are the ten most famous Thomas de Keyser paintings?Reveal the answer

Portrait of a Young Woman, Frederick van Velthuysen and his wife, Josina, Portrait of a Gentleman, Portrait of a Gentleman Wearing a Fancy Ruff, Portrait of an elderly Man, Portrait of Loef Vredericx (1590-1668) as an Ensign, Group Portrait of Three Brothers, Male Portrait in Oval Stone Cartouche, Portrait of a Young Man and Portrait of an Horseman with two Dogs. The ranking above gives each one's year and museum.

How many paintings did Thomas de Keyser leave?Reveal the answer

Our catalog holds 82 works by Thomas de Keyser, dated from 1620 to 1665.

In which museums do Thomas de Keyser's masterpieces hang?Reveal the answer

Mostly in Rijksmuseum (Amsterdam), Mauritshuis (The Hague) and Amsterdam Museum (Amsterdam). The museum table above lists them all.

In which years did Thomas de Keyser paint the most famous works?Reveal the answer

In 1630s: 36 of the 77 works on this page were made then, Portrait of a Young Woman among them.

What are the first and the last famous originals of Thomas de Keyser?Reveal the answer

On this page, the earliest is Portrait of a Young Boy (1620) and the latest Portrait of an Horseman with two Dogs (1665).

Which subjects did Thomas de Keyser choose most often?Reveal the answer

Man (39), Woman (19) and Ruff collar (15), across the 77 works on this page.

Which technique did Thomas de Keyser use most?Reveal the answer

Oil On Canvas, for 32 of the 77 works on this page.

To which art movement does Thomas de Keyser belong?Reveal the answer

Dutch golden age and Baroque, judging by the originals on this page.

Which Thomas de Keyser works hang at the Rijksmuseum?Reveal the answer

Group Portrait of Three Brothers, Portrait of a seated woman and two children and Portrait of three children and a man: the Rijksmuseum, Amsterdam holds 7 of the works on this page.

Thomas de Keyser: life and work

The Legacy of Thomas de Keyser: A Master of the Dutch Golden Age

In the vibrant, bustling heart of seventeenth-century Amsterdam, a period defined by unprecedented prosperity and cultural flowering, Thomas de Keyser emerged as a formidable force in the realm of portraiture. Born in 1596 into an environment steeped in architectural grandeur, De Keyser was the son of the legendary Hendrick de Keyser, the architect whose hand shaped the very skyline of Amsterdam. This lineage of craftsmanship provided more than just a name; it offered a foundational understanding of structure, space, and the physical presence of objects that would later define his approach to the human form. Growing up amidst the stone yards along the Amstel River, De Keyser was immersed in a world where art and architecture were inextricably linked, fostering a technical precision that would become his hallmark.

His artistic journey was further refined through formal training under Cornelis van der Voort, an education that introduced him to the humanist ideals and sophisticated compositional techniques of the era. As he matured, De Keyser’s style began to coalesce into something truly distinctive—a bridge between the meticulous detail of the late Renaissance and the dramatic, psychological intensity of the burgeoning Baroque movement. While his early works displayed a keen interest in the formal elegance of his predecessors, he soon developed a capacity for capturing the lived reality of his subjects, moving beyond mere likeness to touch upon the very essence of their character.

The Rembrandtian Shadow and the Art of Realism

To understand the brilliance of De Keyser, one must navigate the complex relationship between his work and that of Rembrandt van Rijn. Often described as a contemporary who shared the revolutionary spirit of the era, De Keys_ser’s approach to light and shadow—the celebrated chiaroscuro—echoed the dramatic innovations championed by Rembrandt. However, De Keyser possessed a unique clarity; where Rembrandt might dissolve a form into deep, mysterious shadows, De Keyser often maintained a crispness of line and a luminous quality in his textures. He was a master of the tactile, rendering the heavy sheen of silk, the intricate patterns of lace, and the subtle weathered skin of an aging merchant with an almost scientific accuracy.

This commitment to realism made him the preferred portraitist for the rising merchant class of the Dutch Republic. His ability to balance the prestige of his sitters with a profound sense of psychological truth allowed him to create works that served both as status symbols and intimate character studies. In his group portraits, he demonstrated an extraordinary ability to organize complex arrangements of figures, ensuring that each individual maintained their distinct identity while contributing to a cohesive narrative of collective civic pride. His brushwork, though precise, never felt static; there is a rhythmic vitality in his compositions that breathes life into the frozen moments of the seventeenth century.

Historical Significance and Artistic Triumph

The achievements of Thomas de Keyser extend far beyond the canvas, representing a vital chapter in the history of Northern European art. His career coincided with the peak of the Dutch Golden Age, a time when the Netherlands was asserting its identity through commerce, science, and the arts. By documenting the faces of this era—from the wealthy burghers to the influential civic leaders—he provided a visual record of a society in transition. His work serves as a window into the social hierarchies, fashion, and values of an age defined by maritime power and Protestant industriousness.

Throughout his life and legacy, several key elements define his contribution to the art world:

  • Technical Mastery: An unparalleled ability to render diverse textures and materials with lifelike precision.
  • Architectural Influence: A unique sense of composition and structural integrity derived from his familial connection to Dutch architecture.
  • Psychological Depth: The capacity to imbue formal portraits with a sense of individual humanity and emotional resonance.
  • Cultural Documentation: His role in capturing the burgeoning identity of the Amsterdam merchant class during a period of immense wealth.

Though history sometimes places him in the shadow of Rembrandt, De Keyser’s importance remains undiminished. He was not merely an imitator of greatness but a pioneer in his own right, contributing a specific brand of clarity and structural elegance to the Dutch tradition. Today, his works continue to captivate scholars and art lovers alike, standing as enduring testaments to a master who could capture both the outward splendor and the inward soul of his age.