Portrait of Auguste Clésinger

Auguste Clésinger Paintings: The 10 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 10 works by Auguste Clésinger in our catalogue

In short

To the gallery's eye, Auguste Clésinger's most famous painting is Woman Bitten by a Snake (Femme piquée par un serpent) (1847), whose original hangs in the Musée d'Orsay, Paris. Woman Bitten by a Snake (Femme piquée par un serpent) (1847) and Woman Bitten by a Snake (1847) complete the trio every eye recognises. Of the 10 works by Auguste Clésinger in our catalog, the gallery presents the 10 most famous below, each original with its year, its museum and what makes it unique.

1814 – 1883, Besançon Most works: Musée d'Orsay

The gallery's top 10 Auguste Clésinger paintings

1
Woman Bitten by a Snake (Femme piquée par un serpent) (1847) by Auguste Clésinger

Woman Bitten by a Snake (Femme piquée par un serpent)

1847 · Marble · Musée d'Orsay, Paris

In the grand, gilded halls of the 1847 Paris Salon, few works ignited as much fervent debate and whispered scandal as Auguste Clésinger’s Woman Bitten by a Snake (*Femme piquée par un serpent*). This breathtaking marble masterpiece does not merely sit in stillness; it writhes with a visceral, almost cinematic energy that captures the viewer in a moment of sudden, sharp agony and profound ecstasy. The sculpture depicts a nude…

2
Woman Bitten by a Snake (Femme piquée par un serpent) (1847) by Auguste Clésinger

Woman Bitten by a Snake (Femme piquée par un serpent)

1847 · Marble · Musée d'Orsay, Paris

In the grand, gilded halls of the 1847 Paris Salon, few works ignited as much fervent debate and whispered scandal as Auguste Clésinger’s Woman Bitten by a Snake. This breathtaking marble masterpiece does not merely sit in stillness; it writhes with a visceral, almost cinematic energy that captures the viewer in a moment of sudden, sharp agony and profound ecstasy. The sculpture depicts a nude woman, her body contorted in…

3
Woman Bitten by a Snake (1847) by Auguste Clésinger

Woman Bitten by a Snake

1847 · Musée d'Orsay, Paris

Auguste Clésinger’s 1847 marble sculpture, *Woman Bitten by a Snake*, is far more than a depiction of a dramatic, even unsettling, scene. It’s a potent distillation of Neoclassical ideals colliding with the burgeoning currents of Realism and Romanticism, a work that ignited controversy upon its debut at the Paris Salon and continues to hold an undeniable allure. The sculpture captures a moment of exquisite torment – a reclining nude female…

4
Madame Sabatier (1847) by Auguste Clésinger

Madame Sabatier

1847 · Marble · Musée d'Orsay, Paris

To stand before the likeness of Madame Sabatier is to encounter a moment suspended in time—a breath held between classical grace and quiet introspection. This marble bust, executed by Auguste Clésinger, transcends mere portraiture; it is an embodiment of refined elegance. The subject’s countenance, captured with such meticulous attention, invites the viewer into a world of serene contemplation. One cannot help but feel the weight of history settling upon those…

5
Angel of Grief (1850) by Auguste Clésinger

Angel of Grief

1850 · Sculpture Bronze · Saint-Sulpice, Paris

Auguste Clésinger’s Angel of Grief: A Baroque Echo in Marble The sculpture “Angel of Grief,” created by Auguste Clésinger in 1850, stands as a poignant testament to the artist's mastery of Baroque aesthetics translated into Neo-classical form. Commissioned for the tomb of Euterpe, the muse of music, Frédéric Chopin’s beloved wife, this monumental marble piece embodies profound sorrow and spiritual contemplation—themes deeply rooted in the artistic sensibilities of its time.…

8
Sitzender Pan (1878) by Auguste Clésinger

Sitzender Pan

1878 · Germanisches Nationalmuseum, Nuremberg

Pan ist in der griechischen Mythologie der Gott der Hirten. Er ist ein Mischwesen, mit dem Oberkörper eines Menschen und dem Unterkörper eines Widders oder eines Ziegenbocks. Immer wieder findet man Darstellungen Pans in der Kunst. Im christlichen Mittelalter wurde er aufgrund seiner Attribute der Bocksfüße und Kopfhörner dämonisiert und somit häufig als Teufel dargestellt. Die hier abgebildete Figur eines Pans mit brauner Patina ist aus Bronze gegossen und stammt…

The subjects that held Auguste Clésinger's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Auguste Clésinger's originals

The 7 museums that hold the most of the paintings on this page.

Museum City Works by Auguste Clésinger Paintings from this list
Musée d'Orsay, ParisMusée d'Orsay Paris 4 Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake
Saint-Sulpice, ParisSaint-Sulpice Paris 1 Angel of Grief
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 1 Mounted Herdsmen and Bulls in the Roman Countryside
Musée de Picardie, АмиенсMusée de Picardie Амиенс 1 Leda and the Swan
Germanisches Nationalmuseum, NurembergGermanisches Nationalmuseum Nuremberg 1 Sitzender Pan
Église de la Madeleine, BésonçonÉglise de la Madeleine Bésonçon 1 Entombment
Museum Celda de Frédéric Chopin y George Sand, ValldemossaMuseum Celda de Frédéric Chopin y George Sand Valldemossa 1 Chopin

Auguste Clésinger, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Auguste Clésinger's paintings: the gallery answers

Which Auguste Clésinger painting is the most famous of all?Reveal the answer

Woman Bitten by a Snake (Femme piquée par un serpent) (1847), Musée d'Orsay, Paris. Woman Bitten by a Snake (Femme piquée par un serpent) (1847) and Woman Bitten by a Snake (1847) come next.

How old was Auguste Clésinger on completing Woman Bitten by a Snake (Femme piquée par un serpent)?Reveal the answer

33 years old: Woman Bitten by a Snake (Femme piquée par un serpent) dates from 1847, and Auguste Clésinger was born in 1814.

Which are Auguste Clésinger's top 10 paintings?Reveal the answer

Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake, Madame Sabatier, Angel of Grief, Mounted Herdsmen and Bulls in the Roman Countryside, Leda and the Swan, Sitzender Pan, Entombment and Chopin. The ranking above gives each one's year and museum.

How many works did Auguste Clésinger create?Reveal the answer

Our catalog holds 10 works by Auguste Clésinger, dated from 1847 to 1878.

Where do Auguste Clésinger's most famous originals hang?Reveal the answer

Mostly in Musée d'Orsay (Paris), Saint-Sulpice (Paris) and Los Angeles County Museum of Art (Los Angeles). The museum table above lists them all.

When did Auguste Clésinger create the most famous paintings?Reveal the answer

In 1840s: 4 of the 10 works on this page were made then, Woman Bitten by a Snake (Femme piquée par un serpent) among them.

Which are Auguste Clésinger's earliest and latest famous works?Reveal the answer

On this page, the earliest is Woman Bitten by a Snake (Femme piquée par un serpent) (1847) and the latest Sitzender Pan (1878).

Which subjects did Auguste Clésinger return to most?Reveal the answer

Sculpture (3) and Classical art (2), across the 10 works on this page.

Which medium did Auguste Clésinger work in most?Reveal the answer

Marble, for 3 of the 10 works on this page.

Which Auguste Clésinger originals does the Musée d'Orsay hold?Reveal the answer

Woman Bitten by a Snake (Femme piquée par un serpent), Woman Bitten by a Snake (Femme piquée par un serpent) and Woman Bitten by a Snake: the Musée d'Orsay, Paris holds 4 of the works on this page.

Auguste Clésinger: the artist

Auguste Clésinger: Life and Legacy

Early Life and Training

  • Born: October 22, 1814, in Besançon, France.
  • Auguste Clésinger came from an artistic family; his father, Georges-Philippe Clésinger, was a sculptor who provided Auguste with his initial training.
  • This early exposure instilled in him a foundational understanding of sculptural techniques and aesthetics.

Artistic Development and Style

  • Clésinger’s artistic style evolved through the 19th century, initially embracing Neoclassical principles but gradually incorporating elements of Realism and Romanticism.
  • He skillfully blended technical precision with emotional intensity in his works.
  • His sculptures often depict dramatic narratives and sensuous figures, showcasing a mastery of anatomy and form.

Major Works and Achievements

  • Woman Bitten by a Serpent (1847): This sculpture caused a sensation at the Paris Salon due to its dramatic realism and erotic undertones. It was modeled from life casts of Apollonie Sabatier.
  • Madame Sabatier (1847): A marble portrait of his model, Apollonie Sabatier, further establishing Clésinger’s reputation for capturing beauty and sensuality.
  • Chopin's Funerary Monument (1850): Commissioned after the composer Frédéric Chopin’s death, this white marble monument at Père Lachaise Cemetery is a poignant tribute to the musician.
  • Angel of Grief: A deeply moving sculpture embodying Baroque drama and pathos.
  • He also created busts of prominent figures like Rachel Félix and Théophile Gautier, and a statue of Louise of Savoy.

Influences and Relationships

  • Influenced by: His father, Georges-Philippe Clésinger, provided his initial artistic foundation.
  • Clésinger’s association with Apollonie Sabatier, a salonnière and mistress of several prominent artists including Charles Baudelaire, exposed him to intellectual and artistic circles.
  • His marriage in 1847 to Solange Dudevant, daughter of George Sand, further connected him to literary society.

Historical Significance and Legacy

  • Clésinger’s work reflects the artistic currents of 19th-century France, bridging Neoclassicism with emerging Realist tendencies.
  • Recognition: He received the Knight's Cross of the Légion d'honneur in 1849 and was promoted to Officer in 1864.
  • His sculptures continue to be admired for their technical skill, emotional depth, and dramatic impact. His works are displayed at prominent museums such as the Musée d’Orsay.
  • Death: He died on January 5, 1883, in Paris, and is buried in Père Lachaise Cemetery.