Cubist Surrealism · 1932
Reading (Pablo Picasso, 1932)
Pablo Picasso (1881–1973) made Reading. It dates from 1932. It belongs to the Cubist Surrealism movement. It is made in oil on canvas. It measures 130 × 97 cm.
- 1932
- Oil On Canvas
- 130 × 97 cm
Reading, in brief
- Title
- Reading
- Artist
- Pablo Picasso (1881–1973)
- Artist born in
- Málaga, Spain
- Date
- 1932
- Medium
- Oil On Canvas
- Dimensions
- 130 × 97 cm
- Movement
- Cubist Surrealism
- Period
- Modern
- Subject
- picasso, women, conversation, surrealism, chairs, breasts
What does Reading depict?
A Dance of Shadows and Secrets: Unpacking Pablo Picasso’s “Reading”
Pablo Picasso's "Reading," painted in 1932 during a period of intense creative exploration, isn’t merely a depiction of two women; it’s an invitation into a realm where reality bends to the will of the subconscious. This surrealist oil on canvas, measuring a substantial 130 x 97 cm, pulsates with a quiet intensity—a testament to Picasso's masterful ability to distill complex emotions and ideas onto a single plane. The painting immediately draws the eye, not through overt drama, but through an unsettling harmony of fragmented forms and subtly charged interactions. It’s a work that rewards prolonged contemplation, revealing layers of meaning with each return visit.
The Cubist Foundation and Surrealist Drift
“Reading” firmly establishes Picasso's ongoing dialogue with the revolutionary ideas of Cubism, yet it ventures beyond its purely analytical roots. The influence is palpable in the fractured perspectives and overlapping planes that define the figures and their surroundings. Picasso, alongside Georges Braque, had dismantled traditional representation, presenting objects from multiple viewpoints simultaneously – a technique designed to challenge our perception of reality. However, here, this fragmentation isn’t simply an exercise in geometric deconstruction; it serves to create a dreamlike atmosphere, mirroring the subjective experience of memory and emotion. The painting subtly drifts into Surrealism, embracing the illogical juxtapositions and symbolic imagery that characterize the movement, suggesting a world unbound by rational constraints.
Figures of Intimacy: Symbolism in Form and Gesture
The two women seated within the chairs are undeniably the focal point. Their large breasts, rendered with Picasso’s characteristic boldness, immediately invite interpretation. While often subject to misinterpretation, they can be understood as symbols of nurturing, fertility, or perhaps simply a celebration of female physicality – elements that resonate deeply within the context of 1930s Europe. Their open mouths, poised between speech and song, create an aura of shared intimacy, suggesting a conversation brimming with unspoken thoughts and desires. The positioning of the chairs—one closer to the viewer, the other receding into the background—further emphasizes this dynamic, creating a sense of spatial tension and inviting us to become active participants in their imagined exchange. The necklaces they wear, simple yet elegant, could represent adornment, cultural identity, or even a shared secret.
A Window into Picasso’s World: Context and Legacy
Painted during a period of personal upheaval for Picasso – marked by the loss of his beloved companion Dora Maar – “Reading” offers a poignant glimpse into the artist's emotional landscape. The painting reflects a broader shift in artistic sensibilities occurring at the time, moving away from purely representational art towards explorations of psychology and subjective experience. Picasso’s exploration of female figures during this period is particularly noteworthy, often imbued with both sensuality and melancholy. “Reading” stands as a powerful example of his ability to capture not just physical likeness but also the intangible essence of human connection. It's a work that continues to resonate today, inviting viewers to contemplate the complexities of communication, intimacy, and the enduring power of art to reveal hidden truths about ourselves and the world around us. A reproduction of this captivating piece offers a unique opportunity to bring Picasso’s evocative vision into any space, sparking conversation and contemplation for years to come.
High-resolution images of Reading
Protected by copyright: the image is shown for reference only.
Other sizes, crops and citation →Pablo Picasso, Reading (1932).
Questions on Reading, answered
What is the creation date of "Reading" by Pablo Picasso?
"Reading" dates from 1932. The date places the work within Pablo Picasso's career and its era.
What medium is "Reading" by Pablo Picasso executed in?
Pablo Picasso used the oil on canvas technique for "Reading". The technique defines the material nature of the original work.
What are the dimensions of the original "Reading" by Pablo Picasso?
The original "Reading" by Pablo Picasso measures 130 x 97 cm.
What is "Reading" about?
The themes present in "Reading" by Pablo Picasso include picasso, women, conversation, surrealism, chairs, breasts, interaction, 1932. Together they summarize the artwork's subject matter.
Is "Reading" free of copyright?
Regarding copyright, "Reading" is still protected by copyright.
Who created "Reading"?
"Reading" is attributed to Pablo Picasso.
What style does "Reading" belong to?
"Reading" by Pablo Picasso belongs to the Cubist Surrealism movement. This movement provides the stylistic context of the work.
Which period of Pablo Picasso's career does "Reading" belong to?
Within Pablo Picasso's career, "Reading" falls in the Mid Career. The phase helps compare it with the artist's other works.
What was Pablo Picasso's age when "Reading" was created?
Pablo Picasso was 51 years old when creating "Reading" in 1932. The age is computed from the artist's birth year, 1881.
About the artist, Pablo Picasso
1881–1973, Spain
Pablo Picasso
Early Life, Family and Training In the city of Málaga, Spain, a boy named Pablo Picasso entered the world on October 25, 1881. He was born to María Picasso y López and José Ruiz Blasco, a man who understood the weight of a brush and the discipline of the canvas. From his earliest years, the child displayed a restless pull toward drawing, a talent that seemed to manifest in his very first attempts at speech. His father, a painter himself, recognized the spark in his son and took it upon himself to nurture that budding skill.