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A painting made for you, by hand

Entombment

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

Collectible Description

Michelangelo's 'The Entombment,' c.1501, showcases masterful composition and emotional depth depicting Jesus Christ’s burial—a cornerstone of Renaissance art.

Artist Biography

High Renaissance master of the Sistine Chapel. Discover his legendary sculptures and frescoes today.

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
White $1
Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
Blurside $1
Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
Extended $1
Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8
Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-GOLD $30
Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-SILVER $30
Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-GOLD $45
Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-SILVER $45
Frame preview
Framed

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (30 October). No compromise on quality.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Entombment

Reproduction Medium

Reproduction Size

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Elite Senior Artist

More detail, finesse, and extra production time

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Reproduction Frame

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For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

Nameplate

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Protective Varnish

Glossy Varnish (enhances colors, protects against light/moisture)

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Customize My Artwork

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

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Urgent

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (30 October). No compromise on quality.

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Express Shipping

Worldwide Delivery () in 5 weeks. (6 November).

Included

Total Price

$ 300

Total Price $ 300

Glass option is only available in size under 110 CM

Included with every order

  • Free Worldwide Express Shipping
  • High-Quality Linen Canvas
  • Full Shipping Insurance
  • Customs Tax Refund Guarantee
  • True Color Matching Guarantee
  • 100-Day Return Policy (Defects Only)
  • 100% Money-Back Guarantee
  • Bulk Discount Offer

The Entombment by Michelangelo Buonarroti

Michelangelo Buonarroti’s *The Entombment*, completed around 1500-1501 in Florence, stands as one of the most poignant and influential depictions of Christ's burial within the High Renaissance artistic canon. More than just a visual representation of biblical scripture, it embodies Michelangelo’s profound understanding of human emotion and masterful command of sculptural form—qualities that continue to resonate powerfully with audiences today. ### History and Attribution The painting’s provenance is somewhat enigmatic. Initial scholarship suggested it was executed by one of Michelangelo's pupils, perhaps Raffaello Sanzio da Urbino, but subsequent research bolstered the widely accepted belief that Michelangelo himself undertook this ambitious project. Commissioned for a funerary chapel dedicated to Giovanni da Viterbo in Rome’s Sant’Agostino church, the Entombment reflects the prevailing spiritual fervor of the era—a desire to honor Christ's sacrifice and contemplate mortality—yet it was left unfinished when Michelangelo returned to Florence to sculpt David. The decision to abandon the altarpiece underscores the artist’s prioritization of his monumental sculptural endeavors, cementing his legacy as a titan of artistic innovation. ### Depiction and Composition The scene unfolds with breathtaking clarity and emotional depth. At its core lies Christ's lifeless body, positioned centrally on a stone slab—a deliberate reference to the Roman tomb where Jesus was laid after crucifixion. Michelangelo’s anatomical precision is evident in every muscle and bone, conveying an astonishing level of realism that surpasses contemporary artistic standards. Surrounding him are nine figures, each imbued with symbolic significance. Mary Magdalene kneels beside Christ's body, her sorrowful gaze capturing the universal grief associated with loss—a gesture mirrored by John the Apostle who supports Christ’s torso. The careful arrangement of these figures creates a sense of spatial depth and perspective, drawing the viewer into the heart of this solemn event. Notably, Michelangelo employed a pyramidal composition, anchoring the central figure and distributing visual weight across the canvas. ### Artistic Significance and Technique Michelangelo's masterful technique—primarily tempera on panel—allowed for a rich, luminous color palette that enhances the drama of the Entombment. The artist skillfully utilized chiaroscuro—the interplay between light and shadow—to sculpt form from darkness, emphasizing Christ’s vulnerability and conveying an overwhelming sense of pathos. Furthermore, Michelangelo's meticulous attention to detail extends beyond anatomical accuracy; he painstakingly rendered textures—such as the linen shroud covering Christ’s body—creating a tactile experience that engages the viewer’s senses. The Entombment serves as a cornerstone of Renaissance art, influencing subsequent generations of artists and establishing Michelangelo as an unrivaled visionary whose work continues to inspire awe and contemplation. ### Context within Renaissance Art The Entombment aligns seamlessly with other seminal works from the High Renaissance—including Andrea Mantegna's *Christ’s Descent into Limbo* and Diego Velázquez’s *Christ in the House of Mary and Martha (detail)*—all of which grapple with themes of faith, mortality, and divine grace. These paintings demonstrate a shared commitment to humanist ideals—celebrating human beauty and intellect while simultaneously acknowledging the limitations of earthly existence—a characteristic that distinguishes Renaissance art from its Gothic predecessors. ### Relevance in Modern Art Appreciation Today, Michelangelo’s *The Entombment* retains its enduring power as a masterpiece of artistic achievement. Its profound emotional resonance transcends temporal boundaries, prompting viewers to confront fundamental questions about human experience and spiritual belief. For those seeking inspiration or exploring similar themes—such as Albert Pinkham Ryder's *Resurrection*, which reimagines the biblical narrative with visionary imagination—the Entombment offers a timeless testament to Michelangelo’s genius and the transformative potential of art. ### Conclusion Michelangelo Buonarroti’s *The Entombment* remains an unparalleled exemplar of Renaissance artistry—a testament to his unwavering dedication to anatomical precision, sculptural virtuosity, and emotional depth. As part of the broader artistic tradition that championed humanist ideals and explored profound spiritual inquiries, it stands as a beacon of creative excellence—inspiring artists and captivating audiences alike for centuries to come. Explore reproductions of this iconic artwork at OriginalUniqueArt.com: - Michelangelo Buonarroti: Entombment - Andrea Mantegna: Christ’s Descent into Limbo - Albert Pinkham Ryder: Resurrection - Diego Velázquez: Christ in the House of Mary and Martha (detail) Visit OriginalUniqueArt.com to discover more about these paintings and to explore our extensive collection of handmade oil painting reproductions.

Questions & Answers

What style does "Entombment" belong to?

"Entombment" is a work of High Renaissance. The movement indicates the artistic tradition the work is part of.

What national origin stands behind the High Renaissance of "Entombment"?

"Entombment" was created by Michelangelo Buonarroti, born in Italy, within the High Renaissance movement. The artist's origin links the work to High Renaissance as practiced by artists from Italy.

Which museum holds the original "Entombment"?

The original "Entombment" by Michelangelo Buonarroti is held at the National Gallery, London, United Kingdom. A reproduction allows the work to be displayed at home.

More about this painting

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In numbers

  • 1510the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it
Michelangelo Buonarroti

Michelangelo Buonarroti

1475 - 1564, Italy

Quick facts about Michelangelo Buonarroti

  • Artistic Movement Or Style:
    • High Renaissance
    • Mannerism
  • Artists Or Movements Influenced By This Artist: ['Mannerism']
  • Artists Who Influenced This Artist:
    • Domenico Ghirlandaio
    • Donatello
    • Masaccio
  • Full Name: Michelangelo di Lodovico Buonarroti Simoni
  • Nationality: Italian
  • Notable Artworks:
    • Pietà
    • David
    • The Creation of Adam
    • The Last Judgment
    • Moses
  • Place Of Birth: Caprese Michelangelo, Italy
  • Date Of Birth: 1475
  • Date Of Death: 1564

Artist Biography

The Hands of Caprese

In the hills of Caprese, a boy learned the weight of stone and the grit of marble dust. Born in 1475, Michelangelo di Lodovico Buonarroti Simoni spent his early years near Settignano, where his father owned a quarry. The smell of damp earth and the sound of hammers against rock were part of his childhood. He did not start with brushes but with the chisel. His apprenticeship under Domenico Ghirlandaio in Florence brought him into contact with the city's growing interest in the human form, yet it was the Medici gardens that truly shaped his eyes. There, among the ancient Greek and Roman fragments, he studied how light falls across muscle and bone.

His work began to take shape through a deep study of anatomy. He looked at the way a limb carries weight and how skin stretches over a joint. This focus on the physical reality of the body became his primary language. By the time he reached Rome in 1496, he was already carving figures that possessed a heavy, palpable presence. The Pietà, completed in 1499, shows this early ability to make marble appear as soft as flesh, even as it carries the weight of a dead man.

The Weight of the Sistine Ceiling

The task of the Sistine Chapel ceiling was not something he sought. He saw himself as a sculptor, someone who pulls life out of stone rather than spreading pigment on plaster. Yet, for four years, he worked in the high reaches of the chapel, painting over 300 figures from the Book of Genesis. The physical toll was visible in his daily life. He spent hours in difficult positions, his body strained by the reach and the heavy application of fresco technique. In panels like The Creation of Adam, the tension is found in the small gap between two fingers, a moment of near-contact that holds the viewer's attention through pure composition.

As time passed, his style moved away from the balanced ideals of the High Renaissance toward something more restless. His later works, such as The Last Judgment on the altar wall, show a shift toward Mannerism. The figures became more elongated and the compositions more crowded and dramatic. This change reflected a shifting spiritual climate in Rome. He continued to work with an intensity that many found overwhelming, often leaving projects unfinished as his mind moved toward new architectural or sculptural problems.

Architecture and Final Years

In his later decades, Michelangelo turned much of his attention to the structure of buildings. At age 71, he took over the work on St. Peter's Basilica, altering the plans to create a more massive, imposing design. He also designed the Laurentian Library, where his use of architectural elements broke from tradition, creating a sense of movement within the stone itself. His work on the Piazza del Campidoglio in Rome showed how he could organize a public space using symmetry and classical motifs to guide the eye through the square.

He died in Rome in 1564, leaving behind a legacy written in marble, fresco, and stone. His life was defined by several key roles:

  • Sculptor: Carving works like David from single blocks of Carrara marble.
  • Painter: Executing the vast narrative cycles of the Sistine Chapel.
  • Architect: Redesigning the foundations of St. Peter's Basilica and the Laurentian Library.
  • Poet: Expressing his inner thoughts through verse.

Quick Facts

  • Notable elements or techniques: Complex composition; Anatomical precision; Dramatic lighting.
  • Title: The Entombment
  • Location: National Gallery, London
  • Artistic style: Realistic; Emotional Depth
  • Artist: Michelangelo Buonarroti
  • Medium: Tempera on Panel

Art Quiz

There is only one correct answer for each question.

Question 1:
What artistic movement is Michelangelo’s Entombment primarily associated with?
Question 2:
In what city is the Entombment currently housed?
Question 3:
What technique was Michelangelo primarily known for using in his sculptures and paintings?
Question 4:
Who commissioned the Entombment?
Question 5:
What is a key symbolic element depicted in the painting?