Vorticism · 1932
Storm Clouds (David Bomberg, 1932)
David Bomberg (1890–1957) made Storm Clouds. It dates from 1932. It belongs to the Vorticism movement. It is kept at Salford Museum - Art Gallery in Greater Manchester, United Kingdom. It measures 65 × 75 cm.
- 1932
- 65 × 75 cm
- Salford Museum - Art Gallery, Greater Manchester
Storm Clouds, in brief
- Title
- Storm Clouds
- Artist
- David Bomberg (1890–1957)
- Artist born in
- Birmingham, United Kingdom
- Date
- 1932
- Dimensions
- 65 × 75 cm
- Where to see it
- Salford Museum - Art Gallery, Greater Manchester, United Kingdom
- Movement
- Vorticism
- Period
- Modern
- Subject
- mountains, clouds, trees, greenery, sky, landscape
What does Storm Clouds depict?
A Symphony of Nature: The Majesty of Storm Clouds
In the evocative landscape of David Bomberg, nature is never merely a backdrop; it is a living, breathing protagonist. His 1932 masterpiece, Storm Clouds, invites the viewer into a realm where the terrestrial and the celestial collide in a breathtaking display of raw power and quietude. The painting captures a majestic mountain range, draped in lush greenery, rising with silent strength against an expansive sky. Scattered clouds drift across the firmament, acting as brushstrokes of light and shadow that lend a profound sense of depth and dimension to the composition. This is not just a depiction of scenery, but a window into the very soul of the earth, where every peak and valley tells a story of endurance and timeless beauty.
The technique employed in this work reflects Bomberg’s sophisticated command over form and atmosphere. Through a masterful application of color and texture, the artist achieves a remarkable balance between movement and stillness. The palette is carefully curated to evoke a sense of tranquility; soft greens and earthy tones ground the viewer in the physical reality of the mountains, while the shifting grays and whites of the clouds introduce a dynamic, ethereal quality. For the discerning collector or interior designer, this piece offers a unique opportunity to introduce a focal point that possesses both weight and lightness—a work that commands attention through its subtle complexities rather than through overt spectacle.
Historical Resonance and Emotional Depth
To understand Storm Clouds, one must consider the artistic lineage of David Bomberg. As a prominent figure among the 'Whitechapel Boys,' Bomberg’s journey was shaped by the radical energies of early 20th-century modernism, including the influences of Cubism and the structural lessons of Cézanne. Yet, in this particular work, we see a departure from the purely geometric toward a more organic, emotive expressionism. The painting serves as a testament to his ability to synthesize the structured lessons of his training with a deep, spiritual connection to the natural world. It captures a moment of atmospheric tension—the breath held before a storm—creating an emotional resonance that is both unsettling and deeply peaceful.
For those seeking to curate a space of reflection and inspiration, this reproduction offers more than mere decoration; it provides an atmosphere. The interplay of light through the clouds and the solid permanence of the mountains create a sanctuary of serenity within any room. Whether placed in a contemporary gallery-style living area or a classic study, Storm Clouds acts as a meditative anchor, reminding us of the sublime beauty that exists in the fleeting moments of our natural world. It is an investment in artistry that brings the enduring spirit of the landscape into the intimacy of the home.
Which museum holds Storm Clouds?
Salford Museum - Art Gallery
Greater Manchester, United Kingdom
A Victorian Legacy Preserved: Exploring Salford Museum & Art Gallery Salford Museum & Art Gallery stands as a testament to both artistic heritage and local identity, nestled in the heart of Greater Manchester. Founded in 1850 as Britain’s first free public library—a bold vision for its time—the museum resides within Lark Hill House, a magnificent mansion constructed in 1790 that now serves as an evocative backdrop to its remarkable collections. More than just bricks and mortar, Lark Hill embodies the spirit of Victorian ambition and philanthropy, mirroring the values underpinning the institution’s enduring mission.
High-resolution images of Storm Clouds
Protected by copyright: these files are for personal reference, not a licence to republish.
David Bomberg, Storm Clouds (1932), Salford Museum - Art Gallery.
Questions on Storm Clouds, answered
Where can I see the original "Storm Clouds" by David Bomberg?
The original "Storm Clouds" by David Bomberg is held at the Salford Museum - Art Gallery, Greater Manchester, United Kingdom. A reproduction allows the work to be displayed at home.
What is the creation date of "Storm Clouds" by David Bomberg?
The creation of "Storm Clouds" by David Bomberg is dated 1932.
What size is "Storm Clouds" by David Bomberg in real life?
The recorded dimensions of "Storm Clouds" by David Bomberg are 65 x 75 cm. Reproductions can be ordered in other sizes while keeping the same proportions.
What is "Storm Clouds" about?
The subjects of "Storm Clouds" are mountains, clouds, trees, greenery, sky, landscape.
Is "Storm Clouds" free of copyright?
"Storm Clouds" by David Bomberg is still protected by copyright. This status governs how the image of the work may be reproduced.
Who is the artist behind "Storm Clouds"?
"Storm Clouds" is attributed to David Bomberg.
What style does "Storm Clouds" belong to?
"Storm Clouds" by David Bomberg belongs to the Vorticism movement. This movement provides the stylistic context of the work.
Which period of David Bomberg's career does "Storm Clouds" belong to?
"Storm Clouds" represents the Avant-Garde Period of David Bomberg.
At what age did David Bomberg make "Storm Clouds"?
When "Storm Clouds" was created in 1932, David Bomberg - born in 1890 - was 42 years old.
About the artist, David Bomberg
1890–1957, United Kingdom
David Bomberg
Early Life and Artistic Training Born: Birmingham, United Kingdom (December 5, 1890) Died: London, United Kingdom (August 19, 1957) One of the 'Whitechapel Boys' – a group of East End artists who emerged in the early 20th century. Born to Polish-Jewish immigrant parents, Abraham and Rebecca Bomberg, initially studied at the City and Guilds Technical Art School before training as a lithographer in Birmingham. Studied under Walter Sickert at Westminster School of Art (1908-1910), influenced by Sickert's focus on form and urban life. Significant exposure to Paul Cézanne through the 1910 Roger Fry exhibition "Manet and the Post-Impressionists." Attended the Slade School of Art (1911), winning the Tonks Prize for his drawing of fellow student Isaac Rosenberg.