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Portable, Double Sided Cross (recto)

Discover this stunning 14th-century portable cross by Bernardo Daddi, a masterpiece bridging Gothic and Renaissance styles; bring sacred art history home.

Bernardo Daddi (1290-1348) was a leading Florentine painter of the early Renaissance, bridging Gothic & new realism. Known for portable altarpieces, lyrical elegance, and influence from Giotto & Lorenzetti. Explore his works at OriginalUniqueArt!

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

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Total Price

$ 81

Portable, Double Sided Cross (recto)

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Year: 1340
  • Subject or theme: Christian martyrdom and redemption
  • Dimensions: 33 x 58 cm
  • Artistic style: School of Giotto
  • Artist: Bernardo Daddi

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary function or context for which this double-sided cross was originally intended?
Question 2:
Which artistic period does Bernardo Daddi's work represent, marking a transition in Florentine art?
Question 3:
On the side depicting martyred saints, which saint is shown at the top?
Question 4:
What unusual figure appears on one side of the cross, representing a condemned man?
Question 5:
What is the approximate date of creation for this masterpiece by Bernardo Daddi?

A Testament to Piety: The Portable Double-Sided Cross of Bernardo Daddi

To gaze upon this portable, double-sided cross is to encounter not merely an object of devotion, but a profound narrative tapestry woven from faith, suffering, and enduring hope. Dating to 1340, this masterpiece by Bernardo Daddi captures the very breath of late fourteenth-century Florentine spirituality. It speaks volumes about the deeply ingrained religious life of its time, serving as both a devotional aid for private contemplation and a dramatic focal point during public processions. The sheer artistry required to render such complex iconography on a single, portable structure elevates it from mere artifact to sacred centerpiece.

Mastery in Transition: Style and Technique

Bernardo Daddi stands at the fascinating crossroads between the lingering grace of the Gothic style and the dawning naturalism that would define the Renaissance. His technique here is characterized by a remarkable sensitivity; while retaining the rich emotional storytelling typical of his predecessors, one can detect an emerging commitment to human form and believable space. The paintwork itself suggests a meticulous hand, allowing the sacred figures to emerge with palpable dimensionality. Whether viewed from the side depicting martyred saints or the reverse showing the Virgin alongside the condemned man, Daddi employs color and gesture to guide the viewer's eye through layers of theological meaning.

Symbolism of Suffering and Salvation

The cross itself is a repository of contrasting narratives. On one face, we are confronted with the solemn dignity of martyrdom—Saint Paul, Saint James the Greater, and Saint John the Baptist kneeling in prayer after their earthly suffering. These images were designed to comfort those facing death, transforming personal terror into communal piety. The reverse side deepens this contemplation, presenting the traditional grouping of Mary, St. John the Evangelist, and the Redeemer, juxtaposed with the stark, unsettling presence of the fleshless corpse—a potent symbol for every soul awaiting judgment. This duality ensures that the piece speaks to both the glory of salvation and the reality of human frailty.

An Echo for the Modern Sanctuary

For the contemporary collector or designer seeking an object imbued with historical weight and profound artistic resonance, this reproduction offers an unparalleled connection to the Quattrocento spirit. Imagine this cross adorning a chapel niche or serving as a breathtaking focal point in a richly decorated drawing-room. It does not merely decorate; it elevates the atmosphere, inviting moments of quiet reflection. Owning a piece echoing Daddi’s vision is to possess a tangible link to Florence's artistic awakening—a place where deep spiritual belief met burgeoning humanistic observation.

Questions & Answers

What size and orientation are recommended for a print of "Portable, Double Sided Cross (recto)" by Bernardo Daddi?

medium size, portrait orientation: that is the print setup suggested for "Portable, Double Sided Cross (recto)" by Bernardo Daddi.

Who created "Portable, Double Sided Cross (recto)" and what style is it in?

"Portable, Double Sided Cross (recto)" was created by Bernardo Daddi in the Proto-Renaissance style. Artist and movement identify the work's tradition.

What orientation does "Portable, Double Sided Cross (recto)" by Bernardo Daddi have?

"Portable, Double Sided Cross (recto)" by Bernardo Daddi is a portrait composition. The proportions are worth checking before choosing a print size.


Artist Biography

Bernardo Daddi: Bridging Gothic and Renaissance in Florence

Bernardo Daddi, born in Florence around 1290 and passing away in 1348, stands as a pivotal figure in the transition from the late Gothic to the burgeoning Italian Renaissance. He wasn’t a revolutionary iconoclast shattering established conventions overnight, but rather a master craftsman who subtly yet profoundly shifted the artistic landscape of his time, particularly within the vibrant city of Florence. Often described as the “leading painter” of Florence during his generation, Daddi's legacy lies not in radical departures, but in a measured evolution—a careful refinement of existing techniques and a dedication to realism that marked a crucial step toward the humanist ideals of the Renaissance.

Early Life and Artistic Roots

Daddi’s precise birthdate remains shrouded in some mystery, though records indicate he was first mentioned in 1312. It's widely believed that his artistic journey began under the tutelage of Giotto di Bondone, one of the most influential artists of the era. Giotto’s emphasis on naturalism and emotional expression undoubtedly shaped Daddi’s early style. His initial works demonstrate a clear connection to Giotto’s followers – masters like the “Master of Santa Cecilia” and other Florentine painters of the first quarter of the 14th century—reflecting a direct lineage of artistic influence. These early pieces showcase a stylistic fidelity, utilizing techniques common in the Gothic tradition while hinting at the burgeoning realism that would define his later career. The meticulous detail and vibrant colors characteristic of this period suggest a strong grounding in established practices, yet with an emerging sensitivity to depicting human form and emotion.

A Style Defined by Realism and Portable Altarpieces

Daddi’s artistic style represents a significant departure from the stylized, often highly symbolic, imagery prevalent in Gothic art. He sought to achieve a more accurate and believable representation of reality—a core tenet of the Renaissance. This shift is particularly evident in his smaller-scale works, where he skillfully rendered textures, drapery, and facial expressions with remarkable detail. Crucially, Daddi played a key role in popularizing the portable altarpiece format. These multi-panel compositions, designed to be displayed in churches and chapels, allowed for greater narrative complexity and visual richness than traditional wall paintings. Daddi’s later style, influenced by Maso di Banco, demonstrates an increased refinement—a subtle elegance that belies a certain academic precision. This blend of lyrical beauty and technical skill is what distinguishes his work and cemented his position as a leading Florentine painter.

Notable Works and Museum Collections

Bernardo Daddi’s artistic output has left an indelible mark on the collections of some of the world's most prestigious museums. The Uffizi Gallery in Florence houses a significant triptych from 1328, offering a compelling glimpse into his compositional skills and narrative storytelling. Equally remarkable is the “Martyrdom of Saint Stephen” housed within the Pinacoteca Vaticana—a predella comprised of eight panels painted around 1345. Beyond these iconic pieces, Daddi’s influence can be seen in numerous works scattered across institutions like the National Gallery of Art and the Walters Art Museum. His “Processional Cross,” for example, exemplifies his ability to capture movement and detail within a relatively small format. The Courtauld Institute of Art holds several panels from the "Coronation of the Virgin," showcasing his mastery of depicting religious figures and their surroundings.

Influences and Lasting Legacy

Daddi’s artistic development wasn't solely rooted in Giotto’s teachings; he was also influenced by the Sienese art of Lorenzetti, whose emphasis on civic virtue and naturalistic representation resonated with Daddi’s own aesthetic sensibilities. His last known work dates back to 1347, and sadly, he passed away shortly thereafter. Despite a certain “academic and mechanical hardness” noted by some critics—a characteristic perhaps stemming from his workshop's prolific output—Daddi’s lyrical elegance and technical skill ensured his enduring legacy. He bridged the gap between the Gothic past and the nascent Renaissance, shaping the visual language of Florence and leaving behind a body of work that continues to captivate viewers today. His contributions to the development of portable altarpieces and his commitment to realistic depiction laid the groundwork for future generations of Italian artists.

Useful Resources

Bernardo Daddi

Bernardo Daddi

1290 - 1348 , Italy

Quick Facts

  • Artistic Movement Or Style: Early Renaissance
  • Artists Or Movements Influenced By This Artist: ['Maso di Banco']
  • Artists Who Influenced This Artist: ['Giotto']
  • Date Of Birth: 1290
  • Date Of Death: 1348
  • Full Name: Bernardo Daddi
  • Nationality: Italian
  • Notable Artworks:
    • Madonna and Child
    • Martyrdom of St Stephen
    • Ognissanti Triptych
  • Place Of Birth: Florence, Italy
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