Portrait of William Penhallow Henderson

William Penhallow Henderson Paintings: The 26 Most Famous, Through a Gallery's Eye

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 31 works by William Penhallow Henderson in our catalogue

In short

To the gallery's eye, William Penhallow Henderson's most famous painting is Ready for the Fiesta (1920), whose original hangs in the Art Institute of Chicago, Chicago. Portrait of William E. Norton (1901) and Hollyhocks and Figures (1921) complete the trio every eye recognises. Of the 31 works by William Penhallow Henderson in our catalog, the gallery presents the 26 most famous below, each original with its year, its museum and what makes it unique.

1877 – 1943, Medford Post-impressionism Most works: Smithsonian American Art Museum

The gallery's top 10 William Penhallow Henderson paintings

1
Ready for the Fiesta (1920) by William Penhallow Henderson

Ready for the Fiesta

1920 · Oil · Art Institute of Chicago, Chicago

Ready for the Fiesta is an oil painting on cardboard created by the artist William Penhallow Henderson. The work was executed in 1920. This piece utilizes Southwestern imagery as its primary subject matter, focusing on the specific visual traditions and landscapes of the American Southwest.

5
Garden of Flowers (set design for Alice-in-Wonderland, 1915) (1915) by William Penhallow Henderson

Garden of Flowers (set design for Alice-in-Wonderland, 1915)

1915 · Smithsonian American Art Museum, Washington, D.C.

In the delicate interplay of light and shadow, Garden of Flowers emerges as a hauntingly beautiful window into a bygone era of theatrical imagination. Created in 1915 by the versatile American master William Penhallow Henderson, this piece serves as a profound set design for the production of Alice-in-Wonderland. Though rendered in a monochromatic palette, the work vibrates with a silent, rhythmic energy that transcends its lack of color. The composition…

William Penhallow Henderson paintings, ranked 11 to 26

The subjects that held William Penhallow Henderson's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep William Penhallow Henderson's originals

The 3 museums that hold the most of the paintings on this page.

Museum City Works by William Penhallow Henderson Paintings from this list
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 11 Portrait of William E. Norton, Garden of Flowers (set design for Alice-in-Wonderland, 1915), Feast Day San Juan Pueblo
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Ready for the Fiesta
New Mexico Museum of Art, Santa FeNew Mexico Museum of Art Santa Fe 1 Noon

William Penhallow Henderson, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

William Penhallow Henderson's paintings: the gallery answers

Which William Penhallow Henderson painting is the most famous of all?Reveal the answer

Ready for the Fiesta (1920), Art Institute of Chicago, Chicago. Portrait of William E. Norton (1901) and Hollyhocks and Figures (1921) come next.

How old was William Penhallow Henderson on completing Ready for the Fiesta?Reveal the answer

43 years old: Ready for the Fiesta dates from 1920, and William Penhallow Henderson was born in 1877.

Which are William Penhallow Henderson's top 10 paintings?Reveal the answer

Ready for the Fiesta, Portrait of William E. Norton, Hollyhocks and Figures, Noon, Garden of Flowers (set design for Alice-in-Wonderland, 1915), Two of Spades (costume design for Alice in Wonderland, 1915), Feast Day San Juan Pueblo, The Gossip, Cheshire Cat (costume design for Alice-in-Wonderland, 1915) and Alice (costume design for Alice in Wonderland, 1915). The ranking above gives each one's year and museum.

How many works did William Penhallow Henderson create?Reveal the answer

Our catalog holds 31 works by William Penhallow Henderson, dated from 1901 to 1922.

Where do William Penhallow Henderson's most famous originals hang?Reveal the answer

Mostly in Smithsonian American Art Museum (Washington, D.C.), Art Institute of Chicago (Chicago) and New Mexico Museum of Art (Santa Fe). The museum table above lists them all.

When did William Penhallow Henderson create the most famous paintings?Reveal the answer

In 1920s: 5 of the 26 works on this page were made then, Ready for the Fiesta among them.

Which are William Penhallow Henderson's earliest and latest famous works?Reveal the answer

On this page, the earliest is Portrait of William E. Norton (1901) and the latest The Gossip (1922).

Which movement is William Penhallow Henderson associated with?Reveal the answer

Post-impressionism, judging by the originals on this page.

Which William Penhallow Henderson originals does the Smithsonian American Art Museum hold?Reveal the answer

Portrait of William E. Norton, Garden of Flowers (set design for Alice-in-Wonderland, 1915) and Feast Day San Juan Pueblo: the Smithsonian American Art Museum, Washington, D.C. holds 11 of the works on this page.

William Penhallow Henderson: the artist

William Penhallow Henderson: Weaver of the Southwest

William Penhallow Henderson (1877-1943) wasn’t merely a painter; he was an architect, furniture designer, and a pivotal figure in shaping the artistic landscape of Santa Fe and the broader Southwestern United States. Born in Medford, Massachusetts, into a family deeply rooted in art – his father, William Oliver Henderson, was an amateur painter with connections to William Edward Norton – Henderson’s early life fostered a profound appreciation for visual expression. His journey took him across America, culminating in a permanent settlement in Santa Fe, New Mexico, a place that would irrevocably inform and define his artistic vision.

Henderson's formative years were marked by a restless spirit of exploration and learning. He began his formal training at the Massachusetts Normal Art School and later honed his skills at the Boston Museum of Fine Arts under Edmund Charles Tarbell. This early education provided him with a solid foundation in traditional techniques, but it was his subsequent travels – particularly to Europe – that truly ignited his artistic sensibilities. During this period, he immersed himself in the works of Old Masters like Velázquez, absorbing their mastery of light, color, and composition. Returning to America, he embraced a distinctly Impressionistic approach, characterized by loose brushwork, vibrant hues, and an emphasis on capturing fleeting moments of light and atmosphere.

However, Henderson’s artistic trajectory took a dramatic turn when he moved to Santa Fe in 1914. The stark beauty of the New Mexican landscape – its vast deserts, towering mesas, and fiery sunsets – immediately captivated him. He quickly established himself as a central figure in the burgeoning Southwestern art scene, forming the New Mexico Painters Society alongside other prominent artists like Joseph Henry Sharp and Ernest Lien. His work during this period is characterized by an almost hallucinatory intensity, reflecting the dramatic light and otherworldly quality of the region. He wasn’t simply depicting landscapes; he was attempting to capture the *feeling* of the Southwest – its heat, its silence, its sense of timelessness.

Theatrical Designs and a New Vision

Beyond his landscape paintings, Henderson made an indelible mark on the world of stage design. His imaginative and often surreal designs for productions like “Alice in Wonderland” (1915) showcased a remarkable versatility and a willingness to experiment with unconventional materials and techniques. The costumes he created – particularly ‘Two of Spades,’ a striking clown ensemble—were bold, expressive, and deeply rooted in the spirit of the story. These weren’t merely functional garments; they were visual metaphors, imbued with symbolism and emotion. His work for Alice in Wonderland demonstrated an ability to translate fantastical narratives into tangible forms, blending theatricality with artistic innovation.

This theatrical sensibility extended to his furniture designs, which often incorporated similar elements of whimsy and surrealism. He created pieces that were both functional and visually arresting, reflecting a unique aesthetic sensibility. His furniture was not just meant to be used; it was intended to be experienced – to evoke a sense of wonder and delight.

Influences and Artistic Style

Henderson’s artistic style can be described as Post-Impressionistic with strong elements of Symbolism and Expressionism. He drew inspiration from a diverse range of sources, including the works of J.M.W. Turner, Paul Gauguin, and Vincent van Gogh. His use of color was particularly striking – he employed intense, saturated hues to create dramatic effects and evoke powerful emotions. His brushwork was often loose and gestural, conveying a sense of movement and energy. He frequently used thick impasto—applying paint in heavy layers—to build up texture and depth.

Furthermore, Henderson’s work was profoundly influenced by Native American art and culture. He spent considerable time studying the traditions and symbolism of the Pueblo peoples, incorporating elements of their iconography into his paintings and designs. This engagement with indigenous cultures demonstrated a genuine respect for the artistic heritage of the Southwest and contributed to his unique visual language.

Legacy and Recognition

Despite facing challenges in securing consistent sales during his lifetime, William Penhallow Henderson’s legacy as one of the most important artists of the Southwestern art movement is now firmly established. His paintings are held in numerous museums and private collections across the United States and abroad, including the Denver Art Museum and the Smithsonian American Art Museum. His work continues to inspire artists and viewers alike, offering a glimpse into the beauty and mystery of the Southwest.

Beyond his artistic achievements, Henderson’s contributions as an architect and furniture designer further cemented his place in the cultural history of Santa Fe. His designs helped shape the aesthetic character of the city, reflecting its unique blend of artistic innovation and Southwestern traditions. William Penhallow Henderson remains a vital figure in understanding the evolution of American art and the enduring power of the Southwest’s visual landscape.