In short
Of all the originals Werner Peiner left, the most famous is Throned Jesus over Congregation at the Altar (1930). Close behind it come Lionhunt (1947) and Nubian. Our catalog holds 9 works by Werner Peiner; the gallery has kept the 9 the world admires most, each shown with its date, its museum and its story.
Werner Peiner's top 10 paintings: the gallery's choice
The museums that keep Werner Peiner's originals
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Werner Peiner | Paintings from this list |
|---|---|---|---|
| Munich | 1 | Europa and the Bull |
Werner Peiner decade by decade: the original that defines each
Works per decade
Pick a decade to see the original that defines it.
Collectors' questions about Werner Peiner's paintings
Which work is Werner Peiner most famous for?Reveal the answer
Throned Jesus over Congregation at the Altar (1930). Lionhunt (1947) and Nubian come next.
What age was Werner Peiner when Throned Jesus over Congregation at the Altar was made?Reveal the answer
33 years old: Throned Jesus over Congregation at the Altar dates from 1930, and Werner Peiner was born in 1897.
How many paintings did Werner Peiner leave?Reveal the answer
Our catalog holds 9 works by Werner Peiner, dated from 1929 to 1947.
In which museums do Werner Peiner's masterpieces hang?Reveal the answer
Mostly in Bavarian State Painting Collections (Munich). The museum table above lists them all.
In which years did Werner Peiner paint the most famous works?Reveal the answer
In 1930s: 4 of the 9 works on this page were made then, Throned Jesus over Congregation at the Altar among them.
What are the first and the last famous originals of Werner Peiner?Reveal the answer
On this page, the earliest is Portrait of Frau K. (Frau Krupsig) (1929) and the latest Lionhunt (1947).
To which art movement does Werner Peiner belong?Reveal the answer
Expressionism and New medievialism, judging by the originals on this page.
Werner Peiner: life and work
Werner Peiner: A Painter Caught Between Realism and Nazi Ideology
Werner Peiner (20 July 1897 – 19 August 1984) was a German painter whose artistic journey spanned from the expressive currents of early Expressionism to the increasingly formalized aesthetic dictated by the Third Reich, ultimately cementing his position as one of its most prominent official artists. Born in Düsseldorf, Peiner’s formative years were steeped in the intellectual ferment of Weimar Germany, where he absorbed influences from figures like Wilhelm Döringer and embraced a style characterized by nuanced observation and emotional depth—a departure from purely representational art that would foreshadow his later allegiance to Nazi ideology.- Early Influences & Artistic Formation:
- The Expressionist Spirit: Peiner’s initial artistic explorations found resonance in the expressive fervor of Expressionism, particularly evident in landscapes imbued with melancholic beauty and portraits capturing psychological complexity. His early works demonstrated a sensitivity to tonal modulation and textural variation—techniques honed during his studies at Düsseldorf Art Academy under Döringer.
- New Objectivity & The Bauhaus Connection:
- As the decade progressed, Peiner’s artistic sensibilities shifted toward New Objectivity, mirroring the broader intellectual currents of the time. This movement championed a detached yet precise depiction of reality, prioritizing clarity and geometric forms—a stylistic choice that reflected Peiner's engagement with the principles espoused by Bauhaus.
The Rise of Official Art & Patronage Under Göring
Peiner’s career took a decisive turn in 1933 with his appointment as professor at Düsseldorf Art Academy, coinciding with Hitler's ascent to power. This position afforded him access to influential figures like Hermann Göring, who recognized Peiner’s talent and championed his artistic vision. Göring actively supported Peiner’s endeavors, notably commissioning monumental tapestries for the New Reich Chancellery—a project that served as a powerful visual embodiment of Nazi propaganda's narrative of Germanic grandeur and spiritual renewal. The patronage extended beyond mere financial backing; it represented an endorsement of Peiner’s artistic sensibilities within the framework of the regime’s ideological ambitions.- Kronenburg Master Classes & Artistic Experimentation:
- Peiner established Kronenburg Master School for Painting in 1936, attracting a cohort of aspiring artists who embraced his distinctive approach to landscape painting and portraiture. The school’s ethos—characterized by meticulous observation and stylistic innovation—reflected Peiner's commitment to upholding artistic standards while simultaneously aligning with the aesthetic imperatives of Nazi Germany.
- The Gottbegnadeten List & Artistic Recognition:
- In 1944, Peiner was included on Hitler’s “Gottbegnadeten Liste”—the list of twelve most important visual artists deemed worthy of protection by the Führer—a testament to his artistic reputation and Göring's unwavering support. This inclusion underscored the regime’s conviction that Peiner’s work represented the pinnacle of German artistic achievement.







