Portrait of Karel Appel

The 40 Most Famous Karel Appel Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 41 works by Karel Appel in our catalogue

In short

Square Man, Karel Appel, 1951 (1951) is the Karel Appel painting that draws the most eyes. After it, the eye goes to Untitled (1960) and Three Figures (1952). Among the 41 works of Karel Appel in our catalog, these 40 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1921 – 2006, Amsterdam Cobra Most works: Israel Museum

Top 10 paintings by Karel Appel, through the gallery's eye

1
Square Man, Karel Appel, 1951 (1951) by Karel Appel

Square Man, Karel Appel, 1951

1951 · Oil On Canvas

Square Man, Karel Appel, 1951 is an oil on canvas painting created by the artist Karel Appel. This work was executed in Paris in 1951. The physical presence of the piece is defined by its nearly square proportions, measuring 120,5 cm in height and 118 cm in width, with a depth of 4 cm.

2
Untitled (1960) by Karel Appel

Untitled

1960 · Screenprint · Tate Britain, London

In the landscape of post-war European modernism, few voices resonate with as much raw, unbridled vitality as that of Karel Appel. His 1960 work, Untitled, serves as a breathtaking manifesto of the COBRA movement, an avant-garde collective that sought to strip away the suffocating layers of academic tradition in favor of something far more primal. To encounter this piece is to witness a deliberate rebellion; it is not merely a…

Karel Appel's famous paintings, numbers 11 to 40

The subjects that held Karel Appel's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Karel Appel's originals

The 6 museums that hold the most of the paintings on this page.

Museum City Works by Karel Appel Paintings from this list
Israel Museum, JerusalemIsrael Museum Jerusalem 3 Three Figures, Man and Woman (Homme et femme), Head Burst on Red
Tate Britain, LondonTate Britain London 2 Untitled, Untitled (from For Jorn)
Royal Museum of Fine Arts Antwerp, AntwerpRoyal Museum of Fine Arts Antwerp Antwerp 2 Flying Man, Animal and Child on Blue Background
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Untitled
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 1 Figure and Suns
Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 1 Uden titel

Karel Appel across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Karel Appel's paintings: questions for the gallery

What is the single most famous work of Karel Appel?Reveal the answer

Square Man, Karel Appel, 1951 (1951). Untitled (1960) and Three Figures (1952) come next.

At what age did Karel Appel create Square Man, Karel Appel, 1951?Reveal the answer

30 years old: Square Man, Karel Appel, 1951 dates from 1951, and Karel Appel was born in 1921.

Which ten paintings by Karel Appel are the most famous?Reveal the answer

Square Man, Karel Appel, 1951, Untitled, Three Figures, Hip, Hip, Hoorah, Questioning Children, Hip, Hip, Hoorah (Hiep, hiep, hoera ), Blauw naakt, Étienne Martin, The Big Ear and Beast. The ranking above gives each one's year and museum.

How many works by Karel Appel are known?Reveal the answer

Our catalog holds 41 works by Karel Appel, dated from 1949 to 1976.

Where can the most famous Karel Appel originals be seen?Reveal the answer

Mostly in Israel Museum (Jerusalem), Tate Britain (London) and Royal Museum of Fine Arts Antwerp (Antwerp). The museum table above lists them all.

During which period did Karel Appel create the best-known paintings?Reveal the answer

In 1950s: 17 of the 40 works on this page were made then, Square Man, Karel Appel, 1951 among them.

Which famous Karel Appel painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Hip, Hip, Hoorah (1949) and the latest Untitled (from For Jorn) (1976).

What subjects did Karel Appel favour?Reveal the answer

Organic forms (2), Abstract (2) and Color field (2), across the 40 works on this page.

What materials did Karel Appel paint with most?Reveal the answer

Oil On Canvas, for 4 of the 40 works on this page.

Which movement does the work of Karel Appel belong to?Reveal the answer

Cobra, judging by the originals on this page.

What Karel Appel originals can I see at the Israel Museum?Reveal the answer

Three Figures, Man and Woman (Homme et femme) and Head Burst on Red: the Israel Museum, Jerusalem holds 3 of the works on this page.

Karel Appel: a portrait of the artist

A Life Painted in Bold Strokes: The World of Karel Appel

Christiaan Karel Appel, known affectionately as ‘Kik’ from childhood, burst onto the post-war art scene like a vibrant explosion of color and energy. Born in Amsterdam in 1921, his early life was steeped in the everyday rhythms of working-class Holland – his father a barber, his lineage tracing back to French Huguenots through his mother. This grounding, however, would soon be superseded by an irrepressible artistic drive that defied convention and ultimately reshaped the landscape of European art. A pivotal moment arrived at age fourteen with his first painting, a still life of fruit, followed shortly after by a paint set and easel gifted by his uncle Karel Chevalier, who also provided early instruction. These gifts weren’t merely tools; they were keys unlocking a world where imagination reigned supreme. The shadow of the Second World War loomed large over Appel's formative years. Studying at the Rijksakademie van Beeldende Kunsten in Amsterdam during the German occupation proved challenging, yet it was there he forged lifelong bonds with fellow artists Corneille and Constant, friendships that would prove crucial to his artistic evolution. Facing opposition from his parents regarding his chosen path and fearing forced labor under Nazi rule, Appel bravely left home, choosing a life dedicated to art over conformity.

The CoBrA Revolution: Spontaneity and the Childlike Vision

Appel’s artistic journey truly ignited with the formation of the CoBrA group in 1948 – an acronym derived from Copenhagen, Brussels, and Amsterdam, representing the movement's core cities. Alongside Corneille, Constant, Jan Nieuwenhuys, and Christian Dotremont, Appel spearheaded a radical departure from established artistic norms. CoBrA wasn’t merely a style; it was a philosophy rooted in spontaneity, experimentation, and a profound embrace of the untamed creativity found in children's art and primitive cultures. Influenced by masters like Pablo Picasso and Henri Matisse, as well as the raw energy of Jean Dubuffet, Appel rejected rigid formalism in favor of intuitive expression. He began sculpting in 1947, utilizing assemblage techniques – constructing works from found materials painted in a bold palette of white, red, yellow, blue, and black. This period saw him involved with the Experimentele Groep, further solidifying his commitment to artistic innovation. The controversial fresco "Questioning Children" (1949), commissioned for Amsterdam City Hall, exemplified CoBrA’s provocative spirit but also sparked public outcry, ultimately leading to its being covered up – a testament to the movement's challenging nature. Appel drew inspiration from Danish and Nordic mythology, weaving these ancient narratives into his increasingly abstract compositions.

International Horizons: From Paris to New York and Beyond

Facing resistance to CoBrA’s radical vision in the Netherlands, Appel relocated to Paris in 1950, a city that offered greater artistic freedom and recognition. This marked the beginning of an expansive period of international travel and exposure. He journeyed to Mexico, the USA, Yugoslavia, and Brazil, absorbing diverse cultural influences that enriched his artistic vocabulary. His time in New York City and Florence further broadened his horizons, allowing him to connect with a wider network of artists and collectors. A breakthrough moment arrived in 1954 with his first American gallery exhibition at the Martha Jackson Gallery, followed by the inclusion of "Child and Beast II" (1951) in the influential Museum of Modern Art exhibition “The New Decade” in 1955. Appel’s murals became increasingly prominent during this period, showcasing his ability to translate his dynamic style onto a larger scale. Despite initial challenges, his work experienced a resurgence in popularity in the Netherlands after 1990, with major exhibitions organized by Rudy Fuchs in Amsterdam and Brussels, solidifying his legacy within his homeland.

A Lasting Legacy: The Karel Appel Foundation and Enduring Influence

Karel Appel’s impact on post-war European art is undeniable. He established the Karel Appel Foundation to safeguard his artworks and promote public awareness of his oeuvre, ensuring that future generations could experience the power of his vision. A temporary loss of artwork in 2002 underscored the importance of this foundation, with the pieces thankfully recovered in 2012. The foundation now serves as his official estate and image archive, represented in the U.S. by The Artists Rights Society. Appel’s work continues to be exhibited internationally, a testament to its enduring appeal and relevance. He wasn't simply a painter or sculptor; he was a poet of form and color, a champion of spontaneity, and a fearless innovator who dared to challenge artistic conventions. His legacy lies not only in the vibrant canvases and sculptures he created but also in his unwavering belief in the power of art to express the raw, untamed spirit of human experience. His work remains a significant contribution to post-war European art, particularly within the CoBrA movement. Appel’s influence can be seen in contemporary artists who embrace experimentation and reject traditional boundaries, ensuring that his bold vision continues to inspire for years to come.