Portrait of Jean Béraud

The 100 Most Famous Jean Béraud Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 168 works by Jean Béraud in our catalogue

In short

Of all the originals Jean Béraud left, the most famous is An Evening (1878), in the collection of the Musée d'Orsay, Paris. Close behind it come Outside the Vaudeville Theatre, Paris and La brasserie (1883). Our catalog holds 168 works by Jean Béraud; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1849 – 1935, Saint Petersburg Impressionism Most works: Carnavalet Museum

Jean Béraud's top 10 paintings: the gallery's choice

1
An Evening (1878) by Jean Béraud

An Evening

1878 · Oil On Canvas · Musée d'Orsay, Paris

To stand before Jean Georges Béraud's "An Evening" is to be instantly transported across the threshold of time, directly into the glittering heart of late 19th-century Parisian high society. This masterful oil on canvas does more than merely depict a ballroom; it captures an atmosphere—a palpable sense of sophisticated gaiety and restrained elegance that defined the Belle Époque. The scene unfolds with breathtaking detail, presenting a tableau vivant where every…

2
Outside the Vaudeville Theatre, Paris by Jean Béraud

Outside the Vaudeville Theatre, Paris

Oil On Panel

Outside the Vaudeville Theatre, Paris, by Jean Béraud captures a specific intersection of urban movement. Painted in 1889, the work fixes a moment at the corner of rue de la Chaussée-d’Antin and boulevard des Capucines. Here, the city breathes through the stone facade of a theatre and the rhythmic passing of its inhabitants. The scene is a slice of Paris, France, caught in the steady pulse of the late nineteenth…

3
La brasserie (1883) by Jean Béraud

La brasserie

1883 · Oil On Canvas

Step into the atmosphere of 1883, where the air in this Parisian brasserie feels thick with the scent of cigar smoke and the low hum of conversation. This oil on canvas captures a specific, restless energy of the Belle Époque, moving beyond the mere depiction of a room to record the very movement of urban life. There is a sense of immediacy here, as if we have just turned a…

4
The Letter (La Lettre) - Jean Béraud (2026) by Jean Béraud

The Letter (La Lettre) - Jean Béraud

2026 · Acrylic

Jean-Georges Béraud (1849-1936) stands as a quintessential chronicler of Parisian life during the Belle Époque, capturing its elegance and dynamism with an Impressionistic sensibility. His artwork "The Letter," executed in vibrant acrylic on canvas, exemplifies this artistic style—a deliberate rejection of academic conventions favoring instead fleeting impressions of light and color.

5
La sortie du bourgeois (1889) by Jean Béraud

La sortie du bourgeois

1889 · Oil On Canvas

is an oil on canvas painting by the artist Jean Béraud. Created about 1889, the work depicts a snowy street scene. The composition focuses on a group of people standing on a sidewalk during a cold winter day in a European city. The figures are bundled in clothing suitable for the chilly weather.

6
The Club (1911) by Jean Béraud

The Club

1911 · Oil On Canvas

Inside this private sanctuary, the air feels heavy with the scent of polished wood and the warmth of a crackling fireplace. Two men sit anchored in their chairs, enveloped by the deep, saturated crimson of the walls. One man wears a top hat, a silent marker of his social standing, while the other is composed in a tie, their presence suggesting a conversation that has either just paused or is…

7
La Marseillaise (1880) by Jean Béraud

La Marseillaise

1880 · Oil On Canvas

A dense crowd surges through the streets of Paris, a collective movement captured in oil on canvas. The scene is defined by a sense of shared purpose as individuals march together, their bodies angled toward a common direction. Flags and banners cut through the air, held aloft by the many figures that populate the urban space. Near the center, a horse adds a sense of weight and animal vitality to…

8
Meditation (1894) by Jean Béraud

Meditation

1894 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

The oil on canvas painting titled Meditation was executed by the artist Jean Béraud in 1894. This work functions as an allegory of Meditation, represented through the figure of a young Parisian woman. The subject is captured in a pensive and reflective attitude, a state of mind suggested by her posture and gaze.

9
A Game Of Billiards by Jean Béraud

A Game Of Billiards

Oil On Canvas

In A Game Of Billiards, Jean Béraud captures a singular moment of stillness within a bustling billiards hall. The oil painting presents an interior scene where the air feels heavy with the quiet weight of competition. Several men are gathered around the tables, their bodies leaned forward in a shared state of intense concentration. This is a study of leisure and the social rituals that defined a specific era, likely…

10
Le Billard by Jean Béraud

Le Billard

Oil On Panel

Shadows stretch long across the polished floor as the heavy atmosphere of a private club settles over the room. The air feels thick with the scent of woodsmoke and the quiet murmur of men in conversation. At the center of this dimly lit sanctuary, a group of men gathers around a billiard table, their figures caught in a moment of focused stillness. Gas lamps hanging overhead cast a warm, amber…

The Jean Béraud selection continues, 11 to 100

11Elegant Soiree by Jean BéraudElegant Soiree 12Scene from the Place de la Concorde (1875) by Jean BéraudScene from the Place de la Concorde1875 · Haggin Museum 13The Bathtub, at the Théâtre des Variétés (1883) by Jean BéraudThe Bathtub, at the Théâtre des Variétés1883 · Carnavalet Museum 14Woman in Prayer (1885) by Jean BéraudWoman in Prayer1885 · Carnavalet Museum 15Dinner at the Ambassadors (1880) by Jean BéraudDinner at the Ambassadors1880 · Carnavalet Museum 16Boulevard Montmartre, at Night, in Front of the Théâtre des Variétés (1885) by Jean BéraudBoulevard Montmartre, at Night, in Front of the Théâtre des Variétés1885 · Carnavalet Museum 17The Banks of the Seine (1880) by Jean BéraudThe Banks of the Seine1880 · Carnavalet Museum 18Les Halles (1879) by Jean BéraudLes Halles1879 · Haggin Museum 19The Monologue (1882) by Jean BéraudThe Monologue1882 20A Windy Day on the Pont des Arts (1880) by Jean BéraudA Windy Day on the Pont des Arts1880 · Metropolitan Museum of Art 21Seaside Café (1884) by Jean BéraudSeaside Café1884 22Outside the Opera, Paris (1879) by Jean BéraudOutside the Opera, Paris1879 23Parisian on a Rainy Day, Place de la Concorde (1890) by Jean BéraudParisian on a Rainy Day, Place de la Concorde1890 24Parisienne in the Bois (1890) by Jean BéraudParisienne in the Bois1890 · Carnavalet Museum 25Portrait of John Lemoine (1815-1892), publicist, editor-in-chief of the "Journal des débats" (1889) by Jean BéraudPortrait of John Lemoine (1815-1892), publicist, editor-in-chief of the "Journal des débats"1889 · Carnavalet Museum 26Three Figures in a Café (1890) by Jean BéraudThree Figures in a Café1890 · Carnavalet Museum 27Races at Longchamp; the arrival at the post (1886) by Jean BéraudRaces at Longchamp; the arrival at the post1886 · Carnavalet Museum 28Portrait of Jean-Jacques Weiss (1827-1891), editor at the "Journal des débats" (1889) by Jean BéraudPortrait of Jean-Jacques Weiss (1827-1891), editor at the "Journal des débats"1889 · Carnavalet Museum 29Portrait of Ernest Renan (1823-1892), philosopher (1889) by Jean BéraudPortrait of Ernest Renan (1823-1892), philosopher1889 · Carnavalet Museum 30On the Boulevard (1888) by Jean BéraudOn the Boulevard1888 · Haggin Museum 31Harlequine (1890) by Jean BéraudHarlequine1890 · Haggin Museum 32Sir Campbell Clarke (1889) by Jean BéraudSir Campbell Clarke1889 33An Argument in the Corridors of the Opera (1889) by Jean BéraudAn Argument in the Corridors of the Opera1889 · Carnavalet Museum 34Hailing a Cab outside the Cafe Americain (1890) by Jean BéraudHailing a Cab outside the Cafe Americain1890 35The Milliner on the Champs Elysées by Jean BéraudThe Milliner on the Champs Elysées 36Mathilde de Rothschild, née Weisweiller (1895) by Jean BéraudMathilde de Rothschild, née Weisweiller1895 37Portrait of the Poet Armand Sylvestre (1894) by Jean BéraudPortrait of the Poet Armand Sylvestre1894 · Musée des Augustins 38The Victoria (1895) by Jean BéraudThe Victoria1895 · Carnavalet Museum 39Leaving the Music School (1899) by Jean BéraudLeaving the Music School1899 · Carnavalet Museum 40Après l'Office à l'Eglise de la Ste-Trinité (1900) by Jean BéraudAprès l'Office à l'Eglise de la Ste-Trinité1900 · Musée d'Orsay 41At the Club (1904) by Jean BéraudAt the Club1904 · Szépművészeti Múzeum 42Parisienne in a Red Dress (1900) by Jean BéraudParisienne in a Red Dress1900 43Le defile (1905) by Jean BéraudLe defile1905 44At the Circle (1908) by Jean BéraudAt the Circle1908 · Petit Palais 45At the Café, Says the Absinthe (1909) by Jean BéraudAt the Café, Says the Absinthe1909 · Carnavalet Museum 46Backgammon at the Café (1908) by Jean BéraudBackgammon at the Café1908 47An elegant couple entering a box at the Paris Opera. (1907) by Jean BéraudAn elegant couple entering a box at the Paris Opera.1907 48At the Café (1935) by Jean BéraudAt the Café1935 49The actor Coquelin senior leaning (1935) by Jean BéraudThe actor Coquelin senior leaning1935 · Collection Bemberg 50The Conversation (1935) by Jean BéraudThe Conversation1935 51Chestnut vendor (1935) by Jean BéraudChestnut vendor1935 52Symphony in Red and Gold (1895) by Jean BéraudSymphony in Red and Gold1895 53Les Escrimeuses by Jean BéraudLes Escrimeuses 54La Pierette by Jean BéraudLa Pierette 55The Casino at Monte Carlo (also known as Rien ne va plus!) (1890) by Jean BéraudThe Casino at Monte Carlo (also known as Rien ne va plus!)1890 56Femme en Priere (1877) by Jean BéraudFemme en Priere1877 57La Partie de Billard by Jean BéraudLa Partie de Billard 58The Billiard Parlor by Jean BéraudThe Billiard Parlor 59Le Pont Neuf by Jean BéraudLe Pont Neuf 60Avenue In Paris by Jean BéraudAvenue In Paris 61Jour de Vent by Jean BéraudJour de Vent 62On the boulevard (1890) by Jean BéraudOn the boulevard1890 · Carnavalet Museum 63The Place and Pont de l'Europe (1878) by Jean BéraudThe Place and Pont de l'Europe1878 · Musée d'Orsay 64La Boule de Verre (1875) by Jean BéraudLa Boule de Verre1875 65On the Way Back from the Funeral (1876) by Jean BéraudOn the Way Back from the Funeral1876 66Portrait of Alfred Auguste Frédéric Victor Labatt de Lambert (1873) by Jean BéraudPortrait of Alfred Auguste Frédéric Victor Labatt de Lambert1873 67M. et Mme Galin devant le Jockey Club (1877) by Jean BéraudM. et Mme Galin devant le Jockey Club1877 68Boulevard Poissonnière in the Rain (1880) by Jean BéraudBoulevard Poissonnière in the Rain1880 · Carnavalet Museum 69Boulevard Montmartre, in front of the Théâtre des Variétés, in the afternoon (1885) by Jean BéraudBoulevard Montmartre, in front of the Théâtre des Variétés, in the afternoon1885 · Carnavalet Museum 70Boulevard des Capucines, Paris, in front of Café Napolitain (1880) by Jean BéraudBoulevard des Capucines, Paris, in front of Café Napolitain1880 · Carnavalet Museum 71La colonne Morris (1885) by Jean BéraudLa colonne Morris1885 · Carnavalet Museum 72Rue du Havre à Paris (1881) by Jean BéraudRue du Havre à Paris1881 · National Gallery of Art 73The Soirée (1880) by Jean BéraudThe Soirée1880 · Carnavalet Museum 74Scène de Bal (1880) by Jean BéraudScène de Bal1880 75Pont des Arts (also known as Windy day) (1880) by Jean BéraudPont des Arts (also known as Windy day)1880 76The Funeral of Victor Hugo (1885) by Jean BéraudThe Funeral of Victor Hugo1885 · Carnavalet Museum 77In Café-Chantant 'Les Ambassadeurs' (1882) by Jean BéraudIn Café-Chantant 'Les Ambassadeurs'1882 78Le Boulevard St. Denis, Paris (1879) by Jean BéraudLe Boulevard St. Denis, Paris1879 79Parisian Street Scene (1885) by Jean BéraudParisian Street Scene1885 · Metropolitan Museum of Art 80The Editorial Room of the Journal des débats (1889) by Jean BéraudThe Editorial Room of the Journal des débats1889 · Carnavalet Museum 81Leaving the Salon, at Palais de l'Industrie (1890) by Jean BéraudLeaving the Salon, at Palais de l'Industrie1890 · Carnavalet Museum 82Parisienne, Place de la Concorde (1890) by Jean BéraudParisienne, Place de la Concorde1890 · Carnavalet Museum 83The Gaming Room at the Casino (1889) by Jean BéraudThe Gaming Room at the Casino1889 · Carnavalet Museum 84Entrance to the Exposition Universelle (1889) by Jean BéraudEntrance to the Exposition Universelle1889 · Carnavalet Museum 85Woman Eating Roasted Nuts Walking Down a City Street, France (1892) by Jean BéraudWoman Eating Roasted Nuts Walking Down a City Street, France1892 86Voitures sur le Boulevard des Italiens (1890) by Jean BéraudVoitures sur le Boulevard des Italiens1890 87Le boulevard des Capucines devant le Théâtre du Vaudeville. (1889) by Jean BéraudLe boulevard des Capucines devant le Théâtre du Vaudeville.1889 · Carnavalet Museum 88Déposition du Christ (1892) by Jean BéraudDéposition du Christ1892 89La rédaction du Journal des Débats (1889) by Jean BéraudLa rédaction du Journal des Débats1889 · Musée d'Orsay 90Representation at the Theatre des Varietes (1888) by Jean BéraudRepresentation at the Theatre des Varietes1888 91In the Wings at the Opera House (1889) by Jean BéraudIn the Wings at the Opera House1889 · Carnavalet Museum 92Mary Magdalene in the House of the Pharisees (1891) by Jean BéraudMary Magdalene in the House of the Pharisees1891 · Musée d'Orsay 93The Salon of the Countess Potocka (1887) by Jean BéraudThe Salon of the Countess Potocka1887 · Carnavalet Museum 94L'accident, Port Saint-Denis (1899) by Jean BéraudL'accident, Port Saint-Denis1899 95Leaving the Lycee Condorcet (1903) by Jean BéraudLeaving the Lycee Condorcet1903 · Carnavalet Museum 96Rue Royale Devant Chez Maxims (1900) by Jean BéraudRue Royale Devant Chez Maxims1900 97The Wedding Reception (1900) by Jean BéraudThe Wedding Reception1900 98Le Chalet du Cycle au Bois de Boulogne (1900) by Jean BéraudLe Chalet du Cycle au Bois de Boulogne1900 · Carnavalet Museum 99A la salle Graffard (1884) by Jean BéraudA la salle Graffard1884 100The Gardens of Paris (also known as The Beauties of the Night) (1905) by Jean BéraudThe Gardens of Paris (also known as The Beauties of the Night)1905 · Carnavalet Museum

The subjects that held Jean Béraud's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Jean Béraud's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Jean Béraud Paintings from this list
Carnavalet Museum, ParisCarnavalet Museum Paris 38 The Bathtub, at the Théâtre des Variétés, Woman in Prayer, Dinner at the Ambassadors
Musée d'Orsay, ParisMusée d'Orsay Paris 7 An Evening, Après l'Office à l'Eglise de la Ste-Trinité, The Place and Pont de l'Europe
Haggin Museum, StocktonHaggin Museum Stockton 4 Scene from the Place de la Concorde, Les Halles, On the Boulevard
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 A Windy Day on the Pont des Arts, Parisian Street Scene
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Meditation
Musée des Augustins, ToulouseMusée des Augustins Toulouse 1 Portrait of the Poet Armand Sylvestre
Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 1 At the Club
Petit Palais, ParisPetit Palais Paris 1 At the Circle

Jean Béraud decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Jean Béraud's paintings

Which work is Jean Béraud most famous for?Reveal the answer

An Evening (1878), Musée d'Orsay, Paris. Outside the Vaudeville Theatre, Paris and La brasserie (1883) come next.

What age was Jean Béraud when An Evening was made?Reveal the answer

29 years old: An Evening dates from 1878, and Jean Béraud was born in 1849.

What are the ten most famous Jean Béraud paintings?Reveal the answer

An Evening, Outside the Vaudeville Theatre, Paris, La brasserie, The Letter (La Lettre) - Jean Béraud, La sortie du bourgeois, The Club, La Marseillaise, Meditation, A Game Of Billiards and Le Billard. The ranking above gives each one's year and museum.

How many paintings did Jean Béraud leave?Reveal the answer

Our catalog holds 168 works by Jean Béraud, dated from 1873 to 1935.

In which museums do Jean Béraud's masterpieces hang?Reveal the answer

Mostly in Carnavalet Museum (Paris), Musée d'Orsay (Paris) and Haggin Museum (Stockton). The museum table above lists them all.

In which years did Jean Béraud paint the most famous works?Reveal the answer

In 1880s: 38 of the 100 works on this page were made then, La brasserie among them.

What are the first and the last famous originals of Jean Béraud?Reveal the answer

On this page, the earliest is Portrait of Alfred Auguste Frédéric Victor Labatt de Lambert (1873) and the latest At the Café (1935).

Which subjects did Jean Béraud choose most often?Reveal the answer

People (10), Woman (8) and Parisian life (6), across the 100 works on this page.

Which technique did Jean Béraud use most?Reveal the answer

Oil On Canvas, for 16 of the 100 works on this page.

To which art movement does Jean Béraud belong?Reveal the answer

Impressionism, judging by the originals on this page.

Which Jean Béraud works hang at the Carnavalet Museum?Reveal the answer

The Bathtub, at the Théâtre des Variétés, Woman in Prayer and Dinner at the Ambassadors: the Carnavalet Museum, Paris holds 33 of the works on this page.

Jean Béraud: life and work

The Gilded Lens of the Belle Époque

To step into a canvas by Jean-Georges Béraud is to be transported to the heart of a Paris that breathed with an incomparable elegance and restless energy. Born in 1849, the artist—originally known as Séverin Louis Stein—was a child of transition, coming of age during a period when the city was being physically and culturally reimagined. While some historical accounts trace his earliest beginnings to Saint Petersburg, where his father worked as a sculptor, it was the vibrant, cobblestone streets of Paris that ultimately shaped his soul and his brush. His early life was marked by the profound shifts of the late 19th century, including the interruption of his legal studies by the Franco-Prussian War, an event that likely sharpened his eye for the fleeting, precious moments of stability found within urban splendor.

Béraud’s artistic lineage is a fascinating study in duality. Under the mentorship of masters like Gustave Courbet and Léon Bonnat, he mastered the rigorous discipline of academic precision, yet he could not resist the luminous, atmospheric pull of the Impressionist movement. This tension between meticulous detail and the ephemeral play of light became his signature. He did not merely paint scenes; he captured the very pulse of the Belle Époque. Whether it was the shimmering reflections on the banks of the Seine or the sophisticated bustle of the Champs-Élysées, Béraud possessed a rare ability to render the textures of modern life—the silk of a gown, the steam from a café, and the golden glow of gaslight—with an almost cinematic clarity.

A Chronicler of Parisian Splendor

The true genius of Béraud lies in his role as a visual historian of the Parisian night and day. His oeuvre serves as a window into the social hierarchies and leisure activities of a bygone era. He found profound inspiration in the city's most iconic landmarks, turning the Champs-Élysées, the Montmartre district, and the opulent Paris Opera into stages for his dramatic compositions. In works such as An Elegant Couple Entering a Box at the Paris Opera, one can sense the hushed anticipation and the weight of social ritual, rendered with an exquisite attention to the opulence of the setting.

Beyond the grand boulevards, Béraud possessed a deep affection for the intimate corners of urban existence. He was a master of the "genre" scene, finding beauty in the mundane yet elevated:

  • The Café Culture: In masterpieces like La brasserie, he captures the convivial spirit and the sensory richness of Parisian social hubs.
  • Urban Motion: His paintings such as On the boulevard evoke the rhythmic movement of crowds and carriages, bathed in the soft, transformative light of the afternoon sun.
  • Theatrical Grandeur: Through depictions like Outside the Vaudeville Theatre, he highlights the intersection of public life and the allure of performance.
His ability to blend these diverse subjects—from the high-society ballroom to the bustling street corner—allowed him to create a cohesive narrative of a city that was simultaneously sophisticated and raw, much like the era itself.

Legacy and Artistic Significance

As the 19th century gave way to the 20th, Béraud’s work remained a steadfast anchor for the aesthetic values of his time. While newer, more radical movements began to deconstruct form entirely, Béraud continued to refine his ability to convey psychological depth through gesture and gaze. His portraits were never mere likenesses; they were studies in character, capturing the subtle nuances of the intellectuals, artists, and socialites who defined the French cultural landscape. He sought to capture not just what Paris looked like, but how it felt—the dynamism, the sophistication, and the underlying complexities of a society at its zenith.

Today, the works of Jean-Georges Béraud stand as essential artifacts of art history. They offer more than just aesthetic pleasure; they provide a nostalgic, yet technically masterful, window into the soul of France. His legacy is found in every brushstroke that celebrates the light of the Belle Époque, reminding us of a time when art and urban life were inextricably linked in a dance of elegance and light. Through his eyes, we continue to witness the eternal, shimmering magic of Paris.