Portrait of Filippo Lippi

The 100 Most Famous Filippo Lippi Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 277 works by Filippo Lippi in our catalogue

In short

Madonna with Child and Angels (1460) is the Filippo Lippi painting that draws the most eyes. After it, the eye goes to Adoration of the Magi (1445) and The Annunciation (1435). Among the 277 works of Filippo Lippi in our catalog, these 100 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1406 – 1469, Florence Early renaissance Most works: Duomo

Top 10 paintings by Filippo Lippi, through the gallery's eye

1
Madonna with Child and Angels (1460) by Filippo Lippi

Madonna with Child and Angels

1460 · Oil

The Madonna with Child and Angels is a stunning painting created by the renowned Italian artist Fra Filippo Lippi in 1460. This beautiful artwork is a testament to the artist's skill and mastery of the early Renaissance style. The painting depicts the Virgin Mary holding her child, surrounded by two angels, creating a serene and peaceful atmosphere. The Artist and His Style Fra Filippo Lippi was a Carmelite priest and…

2
Adoration of the Magi (1445) by Filippo Lippi

Adoration of the Magi

1445 · Tempera On Panel · National Gallery of Art, Washington

In the heart of the Florentine Renaissance, a masterpiece emerged that would bridge the gap between the ethereal spirituality of the Middle Ages and the burgeoning humanism of a new era. The Adoration of the Magi is not merely a painting; it is a breathtaking visual symphony, a circular tondo that captures the very moment the divine intersects with the earthly. As your eyes wander through this complex composition, you…

3
The Annunciation (1435) by Filippo Lippi

The Annunciation

1435 · Oil · National Gallery of Art, Washington

Fra Filippo Lippi's 1435 tempera painting, “The Annunciation,” is more than just a depiction of a pivotal biblical moment; it’s a profound exploration of faith, humility, and the burgeoning humanism of the early Renaissance. Housed within the National Gallery of Art in Washington D.C., this work transcends its historical context to resonate with viewers centuries later, offering a glimpse into the artist's exceptional skill and deeply considered vision.

4
The Annunciation - tempera on wood - (1440) by Filippo Lippi

The Annunciation - tempera on wood -

1440 · Tempera

The Divine Encounter: An Exploration of Lippi's Annunciation To stand before The Annunciation by Fra Filippo Lippi is to step across the threshold of time and into a moment suspended between the earthly and the divine. This exquisite work, executed in 1440 using the delicate medium of tempera on wood, captures the pivotal instant when the Archangel Gabriel announces to Mary that she shall conceive the Son of God. It…

5
Madonna and Child Enthroned with Saints (detail) (1430) by Filippo Lippi

Madonna and Child Enthroned with Saints (detail)

1430 · Oil On Canvas · Museo della Collegiata, Empoli

To gaze upon this detail from Filippo di Tommaso Lippi’s Madonna and Child Enthroned with Saints is to step directly into the luminous heart of the early Renaissance. The scene unfolds with an almost palpable sense of reverence, drawing the viewer into a sacred moment captured in oil paint. At the core, the Virgin Mary presides with serene majesty, her presence anchoring the entire composition. Before her kneels a figure,…

6
Madonna della Cintola (detail) (1455) by Filippo Lippi

Madonna della Cintola (detail)

1455 · Oil On Panel · Museo Civico, Prato

To stand before a detail from Filippo di Tommaso Lippi’s Madonna della Cintola is to step directly into the luminous, deeply spiritual atmosphere of the early Italian Renaissance. This painting, executed around 1455, is not merely a depiction of sacred figures; it is a profound meditation on faith, lineage, and divine grace. The composition immediately draws the eye to the central grouping—the venerable male figure holding his staff, flanked by…

7
Coronation of the Virgin (detail) (18) (1467) by Filippo Lippi

Coronation of the Virgin (detail) (18)

1467 · Acrylic On Canvas · Duomo, Spoleto

Filippo di Tommaso Lippi's “Coronation of the Virgin,” painted in 1467, isn’t merely a depiction of a religious scene; it’s an immersive experience, a window into the heart of Renaissance Florence and the fervent spirituality of its artists. This exquisite fresco, currently housed within the Uffizi Gallery in Florence, captures a pivotal moment – Mary's divine coronation – with a breathtaking blend of realism, symbolic richness, and masterful technique. Lippi,…

8
Coronation of the Virgin (detail) (1441) by Filippo Lippi

Coronation of the Virgin (detail)

1441 · Tempera On Panel · Galleria degli Uffizi, Florence

The Coronation of the Virgin is a renowned painting by the Italian artist Fra Filippo Lippi, created in 1441. This tempera on panel artwork is housed at the Galleria degli Uffizi in Florence, Italy, and is considered one of the most significant works of the Early Renaissance. The Painting's Composition and Style The painting depicts a religious scene with a group of figures dressed in medieval clothing, including angels, saints,…

9
Funeral of St Jerome (1460) by Filippo Lippi

Funeral of St Jerome

1460 · Tempera · Duomo, Prato

To stand before Fra Filippo Lippi’s Funeral of St. Jerome is to step across the threshold of time and into a moment suspended by profound reverence. This monumental canvas, executed in 1460, does more than merely depict a funeral; it captures the very essence of spiritual transition—the solemn passage from earthly life to eternal rest. The scene unfolds with an almost palpable weight, drawing the viewer into the hushed gathering…

10
Madonna Enthroned with Saints (detail) (1445) by Filippo Lippi

Madonna Enthroned with Saints (detail)

1445 · Tempera On Panel · Galleria degli Uffizi, Florence

In this detail from the 1445 panel, the Virgin Mary occupies the central space, seated upon a monumental throne. Her face is rendered with a soft, rounded form, and she holds the infant Jesus against her chest. Behind her, two men are positioned in a vertical arrangement. One figure stands closely behind the throne, while another man appears further back, creating a sense of layered depth within the religious scene.…

Filippo Lippi's famous paintings, numbers 11 to 100

11Madonna Enthroned with Saints (detail) (1445) by Filippo LippiMadonna Enthroned with Saints (detail)1445 · Galleria degli Uffizi 12Annunciation (detail) (1443) by Filippo LippiAnnunciation (detail)1443 · Alte Pinakothek 13The Beheading of John the Baptist (1452) by Filippo LippiThe Beheading of John the Baptist1452 · Duomo 14Adoration of the Magi (detail) (1445) by Filippo LippiAdoration of the Magi (detail)1445 · National Gallery of Art 15Madonna with Child and Two Angels (1465) by Filippo LippiMadonna with Child and Two Angels1465 · Galleria degli Uffizi 16Coronation of the Virgin (detail) (13) (1441) by Filippo LippiCoronation of the Virgin (detail) (13)1441 · Galleria degli Uffizi 17Madonna Enthroned (1437) by Filippo LippiMadonna Enthroned1437 · Galleria Nazional d Art Antica 18St Michael (detail) (1456) by Filippo LippiSt Michael (detail)1456 · Cleveland Museum of Art 19Coronation of the Virgin (detail) (15) (1441) by Filippo LippiCoronation of the Virgin (detail) (15)1441 · Galleria degli Uffizi 20Annunciation (1445) by Filippo LippiAnnunciation1445 · San Lorenzo 21Madonna and Child (detail) (1440) by Filippo LippiMadonna and Child (detail)1440 · National Gallery of Art 22Madonna and Child Enthroned with Two Angels (detail) (1437) by Filippo LippiMadonna and Child Enthroned with Two Angels (detail)1437 · Metropolitan Museum of Art 23Coronation of the Virgin (detail) (11) (1441) by Filippo LippiCoronation of the Virgin (detail) (11)1441 · Galleria degli Uffizi 24Coronation of the Virgin (1467) by Filippo LippiCoronation of the Virgin1467 · Duomo 25Madonna Enthroned with Saints (detail) (1445) by Filippo LippiMadonna Enthroned with Saints (detail)1445 · Galleria degli Uffizi 26Virgin and Child Surrounded by Angels with St. Frediano and St. Augustine (The Barbadori Altarpiece) (1437) by Filippo LippiVirgin and Child Surrounded by Angels with St. Frediano and St. Augustine (The Barbadori Altarpiece)1437 · The Louvre 27Madonna and Child Enthroned with Two Angels (1437) by Filippo LippiMadonna and Child Enthroned with Two Angels1437 · Metropolitan Museum of Art 28Coronation of the Virgin (detail) (17) (1467) by Filippo LippiCoronation of the Virgin (detail) (17)1467 · Duomo 29Annunciation (detail) (14) (1443) by Filippo LippiAnnunciation (detail) (14)1443 · Alte Pinakothek 30Annunciation (detail) (18) (1445) by Filippo LippiAnnunciation (detail) (18)1445 · San Lorenzo 31Annunciation (1445) by Filippo LippiAnnunciation1445 · San Lorenzo 32Death of the Virgin (1467) by Filippo LippiDeath of the Virgin1467 · Duomo 33Coronation of the Virgin (detail) (1441) by Filippo LippiCoronation of the Virgin (detail)1441 · Galleria degli Uffizi 34Spoleto-Coronation of the Virgin (1469) by Filippo LippiSpoleto-Coronation of the Virgin1469 35Vision of St Augustine in his Cell (1438) by Filippo LippiVision of St Augustine in his Cell1438 · Galleria degli Uffizi 36Herod's Banquet (1452) by Filippo LippiHerod's Banquet1452 · Duomo 37Coronation of the Virgin (detail) (16) (1441) by Filippo LippiCoronation of the Virgin (detail) (16)1441 · Galleria degli Uffizi 38of a Man and a Woman (1450) by Filippo Lippiof a Man and a Woman1450 39Madonna with Child, saints and angels, known as (Madonna Trivulzio) (1432) by Filippo LippiMadonna with Child, saints and angels, known as (Madonna Trivulzio)1432 · Sforza Castle 40Madonna and Child Enthroned with Saints (detail) (1430) by Filippo LippiMadonna and Child Enthroned with Saints (detail)1430 · Museo della Collegiata 41Female Figure (Prophetess.) (1430) by Filippo LippiFemale Figure (Prophetess.)1430 · Harvard University Art Museum 42Sts Augustine and Ambrose (detail) (1437) by Filippo LippiSts Augustine and Ambrose (detail)1437 · Albertina Academy of Fine Arts 43Female Saint with a Flail (Saint Walburga?) (1450) by Filippo LippiFemale Saint with a Flail (Saint Walburga?)1450 · Courtauld Gallery 44Death of the Virgin (detail) (1467) by Filippo LippiDeath of the Virgin (detail)1467 · Duomo 45Virgin and Child with Angels (1460) by Filippo LippiVirgin and Child with Angels1460 · Cleveland Museum of Art 46Panel from a Triptych: St. Anthony Abbot (1458) by Filippo LippiPanel from a Triptych: St. Anthony Abbot1458 · Cleveland Museum of Art 47Saint Dominic (1460) by Filippo LippiSaint Dominic1460 · Courtauld Gallery 48Saint James the Less (1460) by Filippo LippiSaint James the Less1460 · Courtauld Gallery 49Saint Peter (1460) by Filippo LippiSaint Peter1460 · Courtauld Gallery 50The enthroned St. Francis presents the rule of the order to St. Clare (1467) by Filippo LippiThe enthroned St. Francis presents the rule of the order to St. Clare1467 · Gemäldegalerie 51Mary as the Mother of Mercy / Protective Mantle Madonna (1460) by Filippo LippiMary as the Mother of Mercy / Protective Mantle Madonna1460 · Gemäldegalerie 52Saint Jerome in the Desert with Saints John the Baptist and Ansanus (1455) by Filippo LippiSaint Jerome in the Desert with Saints John the Baptist and Ansanus1455 · Harvard Art Museums 53St Alberto of Trapani (1452) by Filippo LippiSt Alberto of Trapani1452 · Duomo 54Disputation in the Synagogue (detail) (1452) by Filippo LippiDisputation in the Synagogue (detail)1452 · Duomo 55The Funeral of St Stephen (1460) by Filippo LippiThe Funeral of St Stephen1460 · Duomo 56Funeral of St Jerome (detail) (1460) by Filippo LippiFuneral of St Jerome (detail)1460 · Duomo 57St Stephen is Born and Replaced by Another Child (detail) (1452) by Filippo LippiSt Stephen is Born and Replaced by Another Child (detail)1452 · Duomo 58The Funeral of St Stephen (detail) (1460) by Filippo LippiThe Funeral of St Stephen (detail)1460 · Duomo 59Madonna della Cintola (detail) (1455) by Filippo LippiMadonna della Cintola (detail)1455 · Museo Civico 60Madonna and Child with St Fredianus and St Augustine (1437) by Filippo LippiMadonna and Child with St Fredianus and St Augustine1437 · The Louvre 61Adoration of the Magi (detail) (1445) by Filippo LippiAdoration of the Magi (detail)1445 · National Gallery of Art 62Tester bed (601) by Filippo LippiTester bed601 63Annunciation (detail) (17) (1445) by Filippo LippiAnnunciation (detail) (17)1445 · San Lorenzo 64Funeral of St Jerome (detail) (1460) by Filippo LippiFuneral of St Jerome (detail)1460 · Duomo 65Madonna with the Child and Scenes from the Life of St Anne (1452) by Filippo LippiMadonna with the Child and Scenes from the Life of St Anne1452 66Madonna and Child Enthroned with Saints (1430) by Filippo LippiMadonna and Child Enthroned with Saints1430 · Museo della Collegiata 67Sts Gregory and Jerome (detail) (1437) by Filippo LippiSts Gregory and Jerome (detail)1437 · Albertina Academy of Fine Arts 68Disputation in the Synagogue (detail) (8) (1452) by Filippo LippiDisputation in the Synagogue (detail) (8)1452 · Duomo 69Madonna della Cintola (detail) (1455) by Filippo LippiMadonna della Cintola (detail)1455 · Museo Civico 70Head of a Woman (1452) by Filippo LippiHead of a Woman1452 · Galleria degli Uffizi 71Herod's Banquet (detail) (1452) by Filippo LippiHerod's Banquet (detail)1452 · Duomo 72Figure study (1452) by Filippo LippiFigure study1452 · Galleria degli Uffizi 73Confirmation of the Carmelite Rule (detail) (1432) by Filippo LippiConfirmation of the Carmelite Rule (detail)1432 · Museo di Santa Maria del Carmine 74The Nativity (1445) by Filippo LippiThe Nativity1445 75of the Virgin (detail) (1440) by Filippo Lippiof the Virgin (detail)1440 76Saints (1440) by Filippo LippiSaints1440 77The Adoration of the Magi (1445) by Filippo LippiThe Adoration of the Magi1445 78Virgin and Child (1445) by Filippo LippiVirgin and Child1445 79the annunciation - - (1440) by Filippo Lippithe annunciation - -1440 80The Funeral of St Stephen (detail) (9) (1460) by Filippo LippiThe Funeral of St Stephen (detail) (9)1460 · Duomo 81Prato-The Saint's Funeral (1466) by Filippo LippiPrato-The Saint's Funeral1466 82Prato-Birth and Naming St John (1466) by Filippo LippiPrato-Birth and Naming St John1466 83Prato-St Stephen is Born and Replaced by Another Child (1466) by Filippo LippiPrato-St Stephen is Born and Replaced by Another Child1466 84St Alberto of Trapani (1452) by Filippo LippiSt Alberto of Trapani1452 · Duomo 85Prato-Disputation in the Synagogue (detail) (1466) by Filippo LippiPrato-Disputation in the Synagogue (detail)1466 86Prato-Herod's Banquet (1466) by Filippo LippiPrato-Herod's Banquet1466 87Madonna and Child with Angels - - (1465) by Filippo LippiMadonna and Child with Angels - -1465 88Herod's Banquet (detail) (1452) by Filippo LippiHerod's Banquet (detail)1452 · Duomo 89Prato-View of the fresco cycle (1466) by Filippo LippiPrato-View of the fresco cycle1466 90Prato-Herod's Banquet (detail)3 (1466) by Filippo LippiPrato-Herod's Banquet (detail)31466 91The Funeral of St Stephen (detail) (1460) by Filippo LippiThe Funeral of St Stephen (detail)1460 · Duomo 92Prato-Herod's Banquet (detail) (1466) by Filippo LippiPrato-Herod's Banquet (detail)1466 93St John Taking Leave of His Parents (1452) by Filippo LippiSt John Taking Leave of His Parents1452 · Duomo 94View of the Apse of the Cathedral (1467) by Filippo LippiView of the Apse of the Cathedral1467 · Cathedral 95Birth and Naming St John (detail) (1452) by Filippo LippiBirth and Naming St John (detail)1452 · Duomo 96View of the left (north) wall of the main chapel (1452) by Filippo LippiView of the left (north) wall of the main chapel1452 · Duomo 97The Martyrdom of St Stephen (1460) by Filippo LippiThe Martyrdom of St Stephen1460 · Duomo 98Prato-Disputation in the Synagogue (detail)2 (1466) by Filippo LippiPrato-Disputation in the Synagogue (detail)21466 99St John Taking Leave of his Parents (detail) (1452) by Filippo LippiSt John Taking Leave of his Parents (detail)1452 · Duomo 100Madonna with the Child and Scenes from the Life of St Anne (detail) (1452) by Filippo LippiMadonna with the Child and Scenes from the Life of St Anne (detail)1452

Filippo Lippi's famous paintings, period by period

The subjects that held Filippo Lippi's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Filippo Lippi's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Filippo Lippi Paintings from this list
Duomo, PratoDuomo Prato 34 Funeral of St Jerome, The Beheading of John the Baptist, Herod's Banquet
Galleria degli Uffizi, FlorenceGalleria degli Uffizi Florence 17 Coronation of the Virgin (detail), Madonna Enthroned with Saints (detail), Madonna Enthroned with Saints (detail)
National Gallery of Art, WashingtonNational Gallery of Art Washington 8 Adoration of the Magi, The Annunciation, Adoration of the Magi (detail)
Duomo, SpoletoDuomo Spoleto 8 Coronation of the Virgin (detail) (18), Coronation of the Virgin, Coronation of the Virgin (detail) (17)
San Lorenzo, FlorenceSan Lorenzo Florence 5 Annunciation, Annunciation (detail) (18), Annunciation
Courtauld Gallery, LondonCourtauld Gallery London 4 Female Saint with a Flail (Saint Walburga?), Saint Dominic, Saint James the Less
Museo Civico, PratoMuseo Civico Prato 7 Madonna della Cintola (detail), Madonna della Cintola (detail), Madonna della Cintola (detail)
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 5 St Michael (detail), Virgin and Child with Angels, Panel from a Triptych: St. Anthony Abbot

Filippo Lippi across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Filippo Lippi's paintings: questions for the gallery

What is the single most famous work of Filippo Lippi?Reveal the answer

Madonna with Child and Angels (1460). Adoration of the Magi (1445) and The Annunciation (1435) come next.

At what age did Filippo Lippi create Madonna with Child and Angels?Reveal the answer

54 years old: Madonna with Child and Angels dates from 1460, and Filippo Lippi was born in 1406.

Which ten paintings by Filippo Lippi are the most famous?Reveal the answer

Madonna with Child and Angels, Adoration of the Magi, The Annunciation, The Annunciation - tempera on wood -, Madonna and Child Enthroned with Saints (detail), Madonna della Cintola (detail), Coronation of the Virgin (detail) (18), Coronation of the Virgin (detail), Funeral of St Jerome and Madonna Enthroned with Saints (detail). The ranking above gives each one's year and museum.

How many works by Filippo Lippi are known?Reveal the answer

Our catalog holds 277 works by Filippo Lippi, dated from 1430 to 1469.

Where can the most famous Filippo Lippi originals be seen?Reveal the answer

Mostly in Duomo (Prato), Galleria degli Uffizi (Florence) and National Gallery of Art (Washington). The museum table above lists them all.

During which period did Filippo Lippi create the best-known paintings?Reveal the answer

In 1460s: 33 of the 100 works on this page were made then, Madonna with Child and Angels among them.

Which famous Filippo Lippi painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Madonna and Child Enthroned with Saints (detail) (1430) and the latest Spoleto-Coronation of the Virgin (1469).

What subjects did Filippo Lippi favour?Reveal the answer

Virgin mary (21), People (20) and Angels (15), across the 100 works on this page.

What materials did Filippo Lippi paint with most?Reveal the answer

Fresco, for 35 of the 100 works on this page.

Which movement does the work of Filippo Lippi belong to?Reveal the answer

Early renaissance and Renaissance, judging by the originals on this page.

What Filippo Lippi originals can I see at the Duomo?Reveal the answer

Funeral of St Jerome, The Beheading of John the Baptist and Herod's Banquet: the Duomo, Prato holds 21 of the works on this page.

Filippo Lippi: a portrait of the artist

A Florentine Rebel: The Life and Art of Filippo Lippi

Filippo di Tommaso Lippi, known as Fra Filippo Lippi, was a figure both blessed by artistic genius and shadowed by a life brimming with scandal and unconventional choices. Born in Florence in 1406 to a butcher family, his early years were marked by loss; orphaned at the tender age of two, he found himself entrusted to the care of his aunt, Mona Lapaccia. This arrangement ultimately led him, at eight years old, to the Carmelites’ convent – a path that would shape not only his artistic development but also define the complexities of his character. It was within those cloistered walls that young Filippo began his formal education and, crucially, discovered his passion for painting. The influence of this environment is palpable in much of his work; a delicate balance between spiritual devotion and an increasingly humanistic sensibility.

From Religious Vows to Artistic Innovation

Lippi’s entry into the Carmelite order in 1420 wasn't merely a matter of circumstance, but seemingly ignited within him a fervent artistic drive. He took his vows at sixteen and was ordained as a priest around 1425, remaining at the priory until 1432. It’s during this period that art historian Giorgio Vasari recounts how Lippi became captivated by Masaccio's groundbreaking frescoes in the Brancacci Chapel – an encounter that proved pivotal. The impact of Masaccio’s naturalism and innovative use of light is clearly visible in Lippi’s early works, such as the *Tarquinia Madonna*, where a newfound realism begins to emerge. However, Lippi wasn’t simply an imitator; he quickly developed his own distinctive style, characterized by lyrical grace, delicate coloring, and a subtle emotional depth that set him apart from his contemporaries. He began to infuse religious scenes with a sense of intimacy and human connection, moving away from the more rigid formality of earlier devotional art.

A Master of Composition and Controversy

Lippi’s artistic career flourished in Florence, attracting commissions from prominent families like the Medici. Works such as *The Annunciation and the Seven Saints* demonstrate his ability to create complex compositions filled with symbolic meaning and elegant detail. The *Coronation of the Virgin*, completed in 1441 for the nuns of Sant'Ambrogio, is particularly noteworthy; it features a half-length figure that many believe to be a self-portrait of Lippi himself – a bold assertion of artistic identity within a religious context. But his life was far from serene. He frequently found himself embroiled in financial difficulties, legal disputes, and accusations of forgery. Perhaps the most sensational episode involved his abduction of Lucrezia Buti, a nun from Prato, with whom he eventually married after years of scandal and controversy. This act, while shocking for its time, speaks to Lippi’s rebellious spirit and his willingness to defy societal norms in pursuit of personal happiness.

Legacy and Influence

Despite the turbulence of his life, Filippo Lippi left an indelible mark on Renaissance art. He was a highly sought-after painter, and his workshop became a breeding ground for future masters. Among his most distinguished pupils were Sandro Botticelli and Francesco di Pesello (Pesellino), both of whom would go on to achieve significant acclaim in their own right. Lippi’s influence can be seen in the lyrical beauty and emotional expressiveness that characterize much of Florentine painting during the late Quattrocento. He bridged the gap between the early Renaissance naturalism of Masaccio and the more refined aesthetic of the High Renaissance, paving the way for a new generation of artists to explore the possibilities of human form and emotion. His ability to blend religious piety with worldly realism, coupled with his innovative compositions and exquisite technique, cemented his place as one of the most important and captivating figures of the Italian Renaissance. He died in Spoleto in 1469, leaving behind a legacy that continues to inspire awe and admiration centuries later. His art remains a testament to the power of human creativity and the enduring allure of beauty.