Portrait of Masaccio

The 96 Most Famous Masaccio Paintings, Each One of a Kind

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 97 works by Masaccio in our catalogue

In short

The Trinity (1428) is the Masaccio painting that draws the most eyes. After it, the eye goes to The Tribute Money (1425) and The Expulsion from the Garden of Eden (1426). Among the 97 works of Masaccio in our catalog, these 96 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1401 – 1428, San Giovanni Valdarno Early renaissance Most works: Santa Maria del Carmine

Top 10 paintings by Masaccio, through the gallery's eye

1
The Trinity (1428) by Masaccio

The Trinity

1428 · Fresco

Within the quiet, hallowed space of the Dominican church of Santa Maria Novella in Florence, a profound vision unfolds upon the wall. This fresco, titled The Trinity, emerges from the stone as a window into the divine. The artist Masaccio captures a moment of eternal significance, presenting a complex arrangement of religious iconography that centers on the Holy Trinity. It is a scene that demands the viewer's presence, pulling the…

2
The Tribute Money (1425) by Masaccio

The Tribute Money

1425 · Fresco

The scene unfolds within the Brancacci Chapel of the basilica of Santa Maria del Carmine in Florence. Here, the fresco titled The Tribute Money by Masaccio brings a biblical narrative to life upon the chapel walls. Commissioned by Felice Brancacci, this work forms a significant part of a larger cycle dedicated to the life of Saint Peter. The air in the chapel seems to hold the weight of this sacred…

3
The Expulsion from the Garden of Eden (1426) by Masaccio

The Expulsion from the Garden of Eden

1426 · Fresco

The heavy silence of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence, Italy, holds the weight of a profound tragedy. Here, the walls breathe with the story of The Expulsion from the Garden of Eden, a fresco painted by Masaccio around 1425. The air seems to thicken around the figures as they face their sudden, irreversible departure from paradise. This scene marks the beginning of…

4
Rendering of the Tribute Money (detail) by Masaccio

Rendering of the Tribute Money (detail)

Fresco

This captivating detail originates from Masaccio’s groundbreaking fresco, “The Tribute Money,” a pivotal work within the Brancacci Chapel in Florence. Executed around 1426, it represents a turning point in Western art, moving away from the stylized conventions of the Gothic period towards a new era of naturalism and humanistic expression.

5
Predella panel from the Pisa Altar (1426) by Masaccio

Predella panel from the Pisa Altar

1426 · Oil On Panel · Staatliche Museen zu Berlin, Berlin

To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…

6
The Madonna of Humility (1424) by Masaccio

The Madonna of Humility

1424 · Tempera On Panel

In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…

7
Trinity (detail) (1425) by Masaccio

Trinity (detail)

1425 · Fresco · Santa Maria Novella, Florence

The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.

8
Two panels from the Pisa Altarpiece (1426) by Masaccio

Two panels from the Pisa Altarpiece

1426 · Tempera On Panel · Staatliche Museen zu Berlin, Berlin

In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…

9
Trinity (1425) by Masaccio

Trinity

1425 · Fresco · Santa Maria Novella, Florence

To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…

10
Trinity (detail) (1425) by Masaccio

Trinity (detail)

1425 · Acrylic On Canvas · Santa Maria Novella, Florence

Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…

Masaccio's famous paintings, numbers 11 to 96

11View of the Cappella Brancacci (before restoration) (1426) by MasaccioView of the Cappella Brancacci (before restoration)1426 · Santa Maria del Carmine 12Trinity (scheme of the perspective) (1425) by MasaccioTrinity (scheme of the perspective)1425 · Santa Maria Novella 13Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) by MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 14St Peter Healing the Sick with his Shadow (detail) (1426) by MasaccioSt Peter Healing the Sick with his Shadow (detail)1426 15Frescoes in the Cappella Brancacci (right view) (1426) by MasaccioFrescoes in the Cappella Brancacci (right view)1426 · Santa Maria del Carmine 16Madonna Casini (1426) by MasaccioMadonna Casini1426 17Adam and Eve banished from Paradise (1427) by MasaccioAdam and Eve banished from Paradise1427 18The Distribution of Alms and the Death of Ananias (detail) (1426) by MasaccioThe Distribution of Alms and the Death of Ananias (detail)1426 19Frescoes in the Cappella Brancacci (left view) (1426) by MasaccioFrescoes in the Cappella Brancacci (left view)1426 · Santa Maria del Carmine 20Baptism of the Neophytes (1427) by MasaccioBaptism of the Neophytes1427 21Christ in the Garden of Gethsemane (detail) (1424) by MasaccioChrist in the Garden of Gethsemane (detail)1424 · Lindenau-Museum 22Crucifixion (1426) by MasaccioCrucifixion1426 · Museo di Capodimonte 23Tribute Money (detail) (1426) by MasaccioTribute Money (detail)1426 24The Agony in the Garden (1426) by MasaccioThe Agony in the Garden1426 25St Peter Healing the Sick with his Shadow (detail) (1426) by MasaccioSt Peter Healing the Sick with his Shadow (detail)1426 26St. Juvenal Triptych (1422) by MasaccioSt. Juvenal Triptych1422 27Maria and Child (1426) by MasaccioMaria and Child1426 28Tribute Money (detail) (1426) by MasaccioTribute Money (detail)1426 29The Expulsion from the Garden of Eden (detail) (1426) by MasaccioThe Expulsion from the Garden of Eden (detail)1426 30Birth tray (1428) by MasaccioBirth tray1428 31The Baptism of the Neophytes (1426) by MasaccioThe Baptism of the Neophytes1426 32Raising of the Son of Theophilus and St Peter Enthroned (1426) by MasaccioRaising of the Son of Theophilus and St Peter Enthroned1426 33The Distribution of Alms and the Death of Ananias (detail) (1426) by MasaccioThe Distribution of Alms and the Death of Ananias (detail)1426 34Adoration of the Knigs (1428) by MasaccioAdoration of the Knigs1428 35Tribute Money (detail) (1426) by MasaccioTribute Money (detail)1426 36Tribute Money (1426) by MasaccioTribute Money1426 37The Expulsion from the Garden of Eden (1426) by MasaccioThe Expulsion from the Garden of Eden1426 38Tribute Money (detail) (1426) by MasaccioTribute Money (detail)1426 39Raising of the Son of Theophilus and St Peter Enthroned (detail) (9) (1426) by MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail) (9)1426 40San Giovenale Triptych. Right panel. (1422) by MasaccioSan Giovenale Triptych. Right panel.1422 41Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) by MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 42Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) by MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 43The Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) by MasaccioThe Raising of the Son of Theophilus and St Peter Enthroned (detail)1426 44Raising of the Son of Theophilus and St Peter Enthroned (detail) (1426) by MasaccioRaising of the Son of Theophilus and St Peter Enthroned (detail)1426 45Christ in the Garden of Gethsemane (detail) (1424) by MasaccioChrist in the Garden of Gethsemane (detail)1424 · Lindenau-Museum 46San Giovenale Triptych. Central panel (1423) by MasaccioSan Giovenale Triptych. Central panel1423 47Distribution of Alms and Death of Ananias (1425) by MasaccioDistribution of Alms and Death of Ananias1425 48Profile Portrait of a Young Man by MasaccioProfile Portrait of a Young Man 49Profile Portrait of a Young Man (1425) by MasaccioProfile Portrait of a Young Man1425 · National Gallery of Art 50Rendering of the Tribute Money by MasaccioRendering of the Tribute Money 51Distribution of the Goods of the Community and the Death of Ananias (detail) by MasaccioDistribution of the Goods of the Community and the Death of Ananias (detail) 52St. Giovenale Triptych by MasaccioSt. Giovenale Triptych 53The Expulsion from Paradise by MasaccioThe Expulsion from Paradise 54The Adoration of the Magi by MasaccioThe Adoration of the Magi 55St. Peter Baptizing the Neophytes by MasaccioSt. Peter Baptizing the Neophytes 56Birth Salver by MasaccioBirth Salver 57Medallion by MasaccioMedallion 58Madonna and Child by MasaccioMadonna and Child 59Madonna Enthroned by MasaccioMadonna Enthroned 60St Jerome and St John the Baptist by MasaccioSt Jerome and St John the Baptist 61Christ in the Garden of Gethsemane (1424) by MasaccioChrist in the Garden of Gethsemane1424 · Lindenau-Museum 62San Giovenale Triptych. Left panel (1422) by MasaccioSan Giovenale Triptych. Left panel1422 63Portrait of a Young Woman (1425) by MasaccioPortrait of a Young Woman1425 64Distribution of the Goods of the Community and the Death of Ananias by MasaccioDistribution of the Goods of the Community and the Death of Ananias 65The Holy Trinity with the Virgin, St. John and Two Donors by MasaccioThe Holy Trinity with the Virgin, St. John and Two Donors 66The Cricifixion of St. Peter. The Beheading of St. John the Baptist by MasaccioThe Cricifixion of St. Peter. The Beheading of St. John the Baptist 67La Consagración by MasaccioLa Consagración 68Crucifixion by MasaccioCrucifixion 69St Jerome and St John the Baptist 1 by MasaccioSt Jerome and St John the Baptist 1 70The Madonna and Child with Saint Anne by MasaccioThe Madonna and Child with Saint Anne 71Two panels from the Pisa Altarpiece by MasaccioTwo panels from the Pisa Altarpiece 72Portrait of a young man by MasaccioPortrait of a young manIsabella Stewart Gardner Museum 73View of the Cappella Brancacci (after restoration) by MasaccioView of the Cappella Brancacci (after restoration) 74Putto and a Small Dog (back side of the Berlin Tondo) by MasaccioPutto and a Small Dog (back side of the Berlin Tondo) 75The Madonna and Child with st.Anna. (1424) by MasaccioThe Madonna and Child with st.Anna.1424 76Plate of Nativity (Berlin Tondo) (1427) by MasaccioPlate of Nativity (Berlin Tondo)1427 · Staatliche Museen zu Berlin 77Madonna with Child and Angels (1426) by MasaccioMadonna with Child and Angels1426 · National Gallery 78The Distribution of Alms and the Death of Ananias (1426) by MasaccioThe Distribution of Alms and the Death of Ananias1426 · Santa Maria del Carmine 79St Peter Healing the Sick with his Shadow (1426) by MasaccioSt Peter Healing the Sick with his Shadow1426 · Santa Maria del Carmine 80San Giovenale Triptych (1422) by MasaccioSan Giovenale Triptych1422 81Raising of the Son of Teophilus and St.Peter Enthroned (1427) by MasaccioRaising of the Son of Teophilus and St.Peter Enthroned1427 · Santa Maria del Carmine 82St Paul (1426) by MasaccioSt Paul1426 · Museo Nazionale di San Matteo 83Carnesecchi Triptych (1423) by MasaccioCarnesecchi Triptych1423 84Adoration of the Magi (1426) by MasaccioAdoration of the Magi1426 · Staatliche Museen zu Berlin 85Martyrdom of San Giovanni Battista (1426) by MasaccioMartyrdom of San Giovanni Battista1426 · Gemäldegalerie 86Predella panel from the Pisa Altar (1426) by MasaccioPredella panel from the Pisa Altar1426 · Staatliche Museen zu Berlin 87A Bearded Carmelite Saint (1426) by MasaccioA Bearded Carmelite Saint1426 · Gemäldegalerie 88Madonna Casini (1426) by MasaccioMadonna Casini1426 89Madonna of Humility (1420) by MasaccioMadonna of Humility1420 · National Gallery of Art 90Repentance of Saint Peter (1425) by MasaccioRepentance of Saint Peter1425 · Santa Maria del Carmine 91San Agustín by MasaccioSan AgustínGemäldegalerie 92St. Andrew (1426) by MasaccioSt. Andrew1426 · J. Paul Getty Museum 93Carmelita by MasaccioCarmelitaGemäldegalerie 94St. Jerome by MasaccioSt. JeromeGemäldegalerie 95St.Girolamo end Giovanni Battista (1428) by MasaccioSt.Girolamo end Giovanni Battista1428 · National Gallery 96Crucifixion of St Peter (1426) by MasaccioCrucifixion of St Peter1426 · Staatliche Museen zu Berlin

Masaccio's famous paintings, period by period

The subjects that held Masaccio's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Masaccio's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Masaccio Paintings from this list
Santa Maria del Carmine, FlorenceSanta Maria del Carmine Florence 7 View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view), Frescoes in the Cappella Brancacci (left view)
Staatliche Museen zu Berlin, BerlinStaatliche Museen zu Berlin Berlin 6 Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo)
Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín
Santa Maria Novella, FlorenceSanta Maria Novella Florence 4 Trinity (detail), Trinity, Trinity (detail)
Lindenau-Museum, AltengauLindenau-Museum Altengau 3 Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Profile Portrait of a Young Man, Madonna of Humility
National Gallery, LondonNational Gallery London 2 Madonna with Child and Angels, St.Girolamo end Giovanni Battista
Museo di Capodimonte, NaplesMuseo di Capodimonte Naples 1 Crucifixion

Masaccio across the years: the unique originals of each

Masaccio's dated originals shown here fit into about ten years, 1420 to 1428: the eye follows them year by year.

Works per year

Pick a year to see its originals.

Masaccio's paintings: questions for the gallery

What is the single most famous work of Masaccio?Reveal the answer

The Trinity (1428). The Tribute Money (1425) and The Expulsion from the Garden of Eden (1426) come next.

At what age did Masaccio create The Trinity?Reveal the answer

27 years old: The Trinity dates from 1428, and Masaccio was born in 1401.

Which ten paintings by Masaccio are the most famous?Reveal the answer

The Trinity, The Tribute Money, The Expulsion from the Garden of Eden, Rendering of the Tribute Money (detail), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity and Trinity (detail). The ranking above gives each one's year and museum.

How many works by Masaccio are known?Reveal the answer

Our catalog holds 97 works by Masaccio, dated from 1420 to 1428.

Where can the most famous Masaccio originals be seen?Reveal the answer

Mostly in Santa Maria del Carmine (Florence), Staatliche Museen zu Berlin (Berlin) and Gemäldegalerie (Berlin). The museum table above lists them all.

During which period did Masaccio create the best-known paintings?Reveal the answer

In 1426: 40 of the 96 works on this page were made then, The Expulsion from the Garden of Eden among them.

Which famous Masaccio painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Madonna of Humility (1420) and the latest The Trinity (1428).

What subjects did Masaccio favour?Reveal the answer

Saints (28), Religious (22) and Religious art (11), across the 96 works on this page.

What materials did Masaccio paint with most?Reveal the answer

Fresco, for 14 of the 96 works on this page.

Which movement does the work of Masaccio belong to?Reveal the answer

Early renaissance, judging by the originals on this page.

What Masaccio originals can I see at the Santa Maria del Carmine?Reveal the answer

View of the Cappella Brancacci (before restoration), Frescoes in the Cappella Brancacci (right view) and Frescoes in the Cappella Brancacci (left view): the Santa Maria del Carmine, Florence holds 7 of the works on this page.

Masaccio: a portrait of the artist

Masaccio (1401-1428): The Dawn of Renaissance Realism

Tommaso di Ser Giovanni di Simone, better known as Masaccio (meaning "clumsy Tom"), was a pivotal figure in the Early Italian Renaissance. Born on December 21, 1401, in San Giovanni Valdarno, Italy, and dying tragically young in 1428, his brief career revolutionized painting with groundbreaking realism, perspective, and chiaroscuro (the use of strong contrasts between light and dark). Despite his short life, Masaccio’s impact on subsequent generations of artists was profound, establishing a new standard for naturalism and influencing the course of Western art.

Early Life and Training

  • Origins: Born to Giovanni di Simone Cassai, a notary, and Jacopa di Martinozzo. His family name, Cassai, derived from his paternal grandfather's trade as a cabinet maker.
  • Early Years: Orphaned at age five when his father died, he had a brother, Giovanni (Lo Scheggia), who also became a painter.
  • Apprenticeship: The details of Masaccio’s artistic training remain largely unknown, which is unusual for Renaissance artists. It's believed he likely apprenticed around the age of 12, but no definitive master has been identified. This lack of documented training adds to the mystery surrounding his rapid development and innovative techniques.
  • Guild Membership: He joined the painters’ guild (Arte de’ Medici e Speziali) in Florence on January 7, 1422, signifying his emergence as an independent master artist.

Artistic Development and Major Works

  • Early Influences: Initially influenced by Giotto di Bondone, a predecessor known for his naturalism, Masaccio quickly surpassed him in his understanding of perspective and anatomy. He also drew inspiration from the architectural innovations of Filippo Brunelleschi, particularly Brunelleschi’s rediscovery of linear perspective.
  • Key Innovations: Masaccio pioneered several groundbreaking techniques:
    • Linear Perspective: Employed vanishing points and mathematical precision to create a convincing illusion of depth on a two-dimensional surface.
    • Chiaroscuro: Masterfully used light and shadow to model forms, creating a sense of volume and realism previously unseen in painting.
    • Naturalism: Depicted figures with anatomical accuracy and emotional expressiveness, moving away from the stylized representations of earlier periods.
  • Significant Works:

Historical Significance and Legacy

Masaccio’s impact on the course of Western art is immeasurable, despite his tragically short career. His innovations in perspective, chiaroscuro, and naturalism fundamentally altered how artists depicted the world. He effectively bridged the gap between Medieval artistic conventions and the emerging ideals of the Renaissance.

  • Influence on Subsequent Artists: Masaccio’s work profoundly influenced generations of painters, including Donatello, Leonardo da Vinci, Michelangelo, and Raphael. They studied his frescoes intently, adopting and adapting his techniques to their own styles.
  • Foundation for the High Renaissance: His emphasis on realism and human emotion laid the groundwork for the artistic achievements of the High Renaissance.
  • Vasari's Account: The biographer Giorgio Vasari recognized Masaccio’s genius, praising him as "the best painter of his generation" and highlighting his ability to imitate nature with unparalleled skill.
  • A Tragic Loss: His death at the young age of 26 was mourned by contemporaries like Filippo Brunelleschi, who lamented the loss of such a remarkable talent.

Conclusion

Masaccio’s legacy endures as one of the most important and influential artists in history. He stands as a pivotal figure in the transition from Medieval to Renaissance art, forever changing the way we perceive and represent the world through painting. His brief but brilliant career serves as a testament to the power of innovation and the enduring impact of artistic genius.