Portrait of Justus Sustermans

The 59 Most Famous Justus Sustermans Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 59 works by Justus Sustermans in our catalogue

In short

Of all the originals Justus Sustermans left, the most famous is Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II (1621), in the collection of the Kunsthistorisches Museum, Vienna. Close behind it come Portrait of Ferdinand III, King of Hungary (1626) and Portrait of Cosimo II de' Medici, Grand Duke of Tuscany (1625). Our catalog holds 59 works by Justus Sustermans; the gallery has kept the 59 the world admires most, each shown with its date, its museum and its story.

1597 – 1681, Antwerp Baroque Most works: Kunsthistorisches Museum

Justus Sustermans's top 10 paintings: the gallery's choice

1
Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II (1621) by Justus Sustermans

Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II

1621 · Oil On Canvas · Kunsthistorisches Museum, Vienna

The light catches the heavy folds of a gown that seems to shimmer with its own internal glow. Eleonore von Gonzaga sits before us, her presence commanding the space through a careful arrangement of silver and gold threads. The fabric of her dress reflects the flickering light, revealing intricate patterns of embroidery that speak of immense wealth and high station. A deep crimson drapery falls behind her, providing a sharp,…

2
Portrait of Ferdinand III, King of Hungary (1626) by Justus Sustermans

Portrait of Ferdinand III, King of Hungary

1626 · Oil On Canvas · Hungarian National Gallery, Budapest

A single light source strikes the figure from the upper left, carving the monarch out of a deep, indeterminate shadow. Ferdinand III stands with a rigid, vertical grace, his silhouette defined by the heavy architecture of his attire. The crimson of his cloak carries the weight of velvet, absorbing the light while the gold embroidery catches it in sharp, metallic glints. He holds the crown in his right hand, a…

3
Portrait of Cosimo II de' Medici, Grand Duke of Tuscany (1625) by Justus Sustermans

Portrait of Cosimo II de' Medici, Grand Duke of Tuscany

1625 · Oil On Canvas · Kunsthistorisches Museum, Vienna

Step closer to observe the quiet authority held within this three-quarter length view. We find Cosimo II de' Medici, Grand Duke of Tuscany, positioned with a dignified posture that commands the space without needing to shout. The composition is vertical and structured, placing the subject slightly off-center to create a sense of natural, unforced presence. There is a profound weight to the way he stands, anchored by the heavy red…

4
Field Marshall Ottavio Piccolomini (1652) by Justus Sustermans

Field Marshall Ottavio Piccolomini

1652 · Oil On Canvas · Nationalmuseum, Stockholm

This portrait, titled Field Marshall Ottavio Piccolomini, is attributed to the Flemish Baroque painter Justus Sustermans. The subject of the work is Ottavio Piccolomini, the Duke of Amalfi, a man whose presence in the historical record is defined by his military command. He was a significant general and one of the more eminent commanders during the Thirty Years War, a period of profound upheaval in Europe.

5
Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany (1673) by Justus Sustermans

Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany

1673 · Oil On Canvas · Städel Museum, Frankfurt

Ferdinand II de' Medici is presented in a three-quarter length composition, his figure commanding the space with the weight of absolute authority. He is clad in polished gilt armor that catches the light, a sharp contrast to the dark blue cloak draped over his shoulder. A red star badge rests upon his chest, marking his high station. His gaze is direct, meeting the viewer from behind a meticulously rendered lace…

6
Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress (1623) by Justus Sustermans

Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress

1623 · Oil On Canvas · Kunsthistorisches Museum, Vienna

A heavy weight of black velvet defines the silhouette of Eleonore von Gonzaga. She stands centered against a backdrop of deep red drapery that falls in thick, sweeping curves. The light enters from the upper left, catching the crisp white of her ruff and the sharp edges of her lace cuffs. At her feet, a small white dog rests, a quiet presence amidst the grandeur. To one side, a floral…

7
Portrait of Maria Maddalena of Austria as a widow (1627) by Justus Sustermans

Portrait of Maria Maddalena of Austria as a widow

1627 · Oil On Canvas · Museo del Prado, Madrid

In this 1627 portrait, titled Portrait of Maria Maddalena of Austria as a widow, we encounter a quiet moment of formal mourning. The work is by Joost Susterman, a Flemish Baroque painter who achieved significant standing in Italy. Through his brush, we see the subject, Maria Maddalena of Austria, presented with a profound sense of dignity.

8
Portrait of Mattias de' Medici (1627) by Justus Sustermans

Portrait of Mattias de' Medici

1627 · Oil On Canvas · Kunsthistorisches Museum, Vienna

A young man stares through the shadows of the seventeenth century. He sits in a quiet, dark space, his gaze steady and direct. The light falls from the upper left, carving the shape of his face out of the gloom. This is Mattias de' Medici, captured in oil on canvas. His skin possesses a porcelain quality, smooth and luminous against the heavy, dark fabric of his doublet. A collar of…

9
Portrait of Ferdinand II of Tuscany (1627) by Justus Sustermans

Portrait of Ferdinand II of Tuscany

1627 · Oil On Canvas · Museo del Prado, Madrid

Portrait of Ferdinand II of Tuscany is a formal oil on canvas work by the Flemish Baroque painter Joost Susterman. Executed circa 1627, the portrait captures the likeness of Ferdinando II de' Medici. Susterman, born in Antwerp, established himself as a prominent figure in Italy, eventually serving as a court painter to the Medici family.

10
Portrait of Archduchess Maria Magdalena of Austria (1624) by Justus Sustermans

Portrait of Archduchess Maria Magdalena of Austria

1624 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

In this three-quarter length portrait, we encounter the Archduchess Maria Magdalena of Austria, captured with a stillness that commands the room. The composition is balanced, placing her slightly off-center to create a sense of natural elegance rather than rigid formality. She is draped in heavy, dark garments that suggest both the weight of her station and a certain solemnity. A large, intricate lace ruff encircles her neck, its delicate translucency…

The Justus Sustermans selection continues, 11 to 59

11Equestrian portrait of Ferdinando de' Medici (1622) by Justus SustermansEquestrian portrait of Ferdinando de' Medici1622 12Leopoldo de' Medici in Polish costume (1622) by Justus SustermansLeopoldo de' Medici in Polish costume1622 13Portrait of Anna de' Medici (1616-1676), Archduchess with her Lapdog (1630) by Justus SustermansPortrait of Anna de' Medici (1616-1676), Archduchess with her Lapdog1630 · Kunsthistorisches Museum 14Portrait of Eleonora Gonzaga (1598-1655). (1620) by Justus SustermansPortrait of Eleonora Gonzaga (1598-1655).1620 · Royal Castle 15Portrait of a Prince (1630) by Justus SustermansPortrait of a Prince1630 · Accademia di San Luca 16Portrait of young Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany, in armour (1625) by Justus SustermansPortrait of young Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany, in armour1625 17Portrait of a Woman (1630) by Justus SustermansPortrait of a Woman1630 · Carnegie Museum of Art 18Portrait of a man in armor. (1625) by Justus SustermansPortrait of a man in armor.1625 · National Museum in Warsaw 19Portrait of Emperor Ferdinand II (1623) by Justus SustermansPortrait of Emperor Ferdinand II1623 · Galleria Palatina 20Portrait of Ferdinand II, Holy Roman Emperor (1578-1637) (1624) by Justus SustermansPortrait of Ferdinand II, Holy Roman Emperor (1578-1637)1624 21Group portrait of Domenica delle Cascine, Cecca di Pratolino and Pietro Moro (1634) by Justus SustermansGroup portrait of Domenica delle Cascine, Cecca di Pratolino and Pietro Moro1634 22Portrait of a Princess (1639) by Justus SustermansPortrait of a Princess1639 · Bavarian State Painting Collections 23Portrait of Galileo Galilei (1640) by Justus SustermansPortrait of Galileo Galilei1640 · National Maritime Museum 24Ferdinand II de Médicis, Grand-duke of Tuscany (1637) by Justus SustermansFerdinand II de Médicis, Grand-duke of Tuscany1637 25Portrait of Cardinal Luigi Capponi (1645) by Justus SustermansPortrait of Cardinal Luigi Capponi1645 · Museum of Fine Arts 26Portrait of Vittoria della Rovere and Cosimo III as a Child (1645) by Justus SustermansPortrait of Vittoria della Rovere and Cosimo III as a Child1645 · Museo Nazionale di Palazzo Mansi 27Cosimo II de’ Medici with his wife, Maria Maddalena of Austria and their son, Ferdinando II (1650) by Justus SustermansCosimo II de’ Medici with his wife, Maria Maddalena of Austria and their son, Ferdinando II1650 28Saint Cecilia playing the Organ (1649) by Justus SustermansSaint Cecilia playing the Organ1649 29Portrait of a Woman and Her Son (1650) by Justus SustermansPortrait of a Woman and Her Son1650 · Museum of Fine Arts 30Portrait of Countess Teresa Dudley di Carpegna (1654) by Justus SustermansPortrait of Countess Teresa Dudley di Carpegna1654 · Walters Art Museum 31Claudia de’Medici? (1604–1648), Princess of Tuscany (1650) by Justus SustermansClaudia de’Medici? (1604–1648), Princess of Tuscany1650 · National Portrait Gallery of Sweden 32Self-portrait of Justus Sustermans (1655) by Justus SustermansSelf-portrait of Justus Sustermans1655 33Portrait of Cardinal Carlo de' Medici (1595-1666) (1650) by Justus SustermansPortrait of Cardinal Carlo de' Medici (1595-1666)1650 · Museo Poldi Pezzoli 34Ferdinando de' Medici (1663-1713) and his sister, Anna Maria Luisa, (1691-1716) with their governess, jaren 1660 (1660) by Justus SustermansFerdinando de' Medici (1663-1713) and his sister, Anna Maria Luisa, (1691-1716) with their governess, jaren 16601660 35Portrait of Vittoria della Rovere, Grand Duchess of Tuscany (1655) by Justus SustermansPortrait of Vittoria della Rovere, Grand Duchess of Tuscany1655 · Villa Medici 36Alfonso IV d'Este (1649) by Justus SustermansAlfonso IV d'Este1649 · Isabella Stewart Gardner Museum 37Portrait of Francesco de' Medici (1614-1634) (1634) by Justus SustermansPortrait of Francesco de' Medici (1614-1634)1634 · National Museum in Kraków 38Cosimo III de' Medici (1665) by Justus SustermansCosimo III de' Medici1665 · Villa Medici 39Grand-duke Ferdinand II of Tuscany (1610-1670) in Armour by Justus SustermansGrand-duke Ferdinand II of Tuscany (1610-1670) in ArmourKunsthistorisches Museum 40Portrait of Ferdinando II de' Medici (1627) by Justus SustermansPortrait of Ferdinando II de' Medici1627 41Portrait of Ferdinando II de' Medici (1626) by Justus SustermansPortrait of Ferdinando II de' Medici1626 42Portrait of Vittoria della Rovere (1628) by Justus SustermansPortrait of Vittoria della Rovere1628 · Museo di Palazzo Martelli 43Portrait of Ferdinando II de' Medici Dressed in Oriental Costume (1640) by Justus SustermansPortrait of Ferdinando II de' Medici Dressed in Oriental Costume1640 44Portrait of Mattias de' Medici (1660) by Justus SustermansPortrait of Mattias de' Medici1660 45Cosimo II de' Medici (1590–1621), Grand Duke of Tuscany (1681) by Justus SustermansCosimo II de' Medici (1590–1621), Grand Duke of Tuscany1681 46Leonor of Mantua (1681) by Justus SustermansLeonor of Mantua1681 · Biblioteca Museu Víctor Balaguer 47Portrait of a Widow by Justus SustermansPortrait of a Widow 48Okänd ung man, tidigare kallad hertigen av Urbino by Justus SustermansOkänd ung man, tidigare kallad hertigen av UrbinoNationalmuseum 49Portrait of Alfonso IV d'Este (1634-1662) by Justus SustermansPortrait of Alfonso IV d'Este (1634-1662)Galleria Estense 50Portrait of a Woman by Justus SustermansPortrait of a WomanHarvard Art Museums 51Portrait of princess Anna de Medici by Justus SustermansPortrait of princess Anna de MediciNational Museum in Warsaw 52Portrait of a Woman by Justus SustermansPortrait of a WomanRoyal Museum of Fine Arts Antwerp 53Portrait of a Man by Justus SustermansPortrait of a ManNational Gallery 54Portrait of Margherita de' Medici (1628) by Justus SustermansPortrait of Margherita de' Medici1628 55Portrait of Vincenzo II Gonzaga by Justus SustermansPortrait of Vincenzo II GonzagaPalazzo Ducale 56Portrait of a lady by Justus SustermansPortrait of a ladyMusei Civici di Palazzo Farnese 57The Grand Duke Ferdinand II of Tuscany and his Wife by Justus SustermansThe Grand Duke Ferdinand II of Tuscany and his WifeNational Gallery 58Portrait of Maria Maddalena of Austria and her son Ferdinando in Polish costume (1623) by Justus SustermansPortrait of Maria Maddalena of Austria and her son Ferdinando in Polish costume1623 · Flint Institute of Arts 59Portrait of Galileo Galilei (1636) by Justus SustermansPortrait of Galileo Galilei1636 · Galleria degli Uffizi

Justus Sustermans's famous paintings, period by period

The subjects that held Justus Sustermans's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Justus Sustermans's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Justus Sustermans Paintings from this list
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 6 Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II, Portrait of Cosimo II de' Medici, Grand Duke of Tuscany, Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Field Marshall Ottavio Piccolomini, Okänd ung man, tidigare kallad hertigen av Urbino
Museo del Prado, MadridMuseo del Prado Madrid 2 Portrait of Maria Maddalena of Austria as a widow, Portrait of Ferdinand II of Tuscany
National Museum in Warsaw, WarsawNational Museum in Warsaw Warsaw 2 Portrait of a man in armor., Portrait of princess Anna de Medici
Villa Medici, CastelrottoVilla Medici Castelrotto 2 Portrait of Vittoria della Rovere, Grand Duchess of Tuscany, Cosimo III de' Medici
National Gallery, LondonNational Gallery London 2 Portrait of a Man, The Grand Duke Ferdinand II of Tuscany and his Wife
Hungarian National Gallery, BudapestHungarian National Gallery Budapest 1 Portrait of Ferdinand III, King of Hungary
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany

Justus Sustermans decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Justus Sustermans's paintings

Which work is Justus Sustermans most famous for?Reveal the answer

Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II (1621), Kunsthistorisches Museum, Vienna. Portrait of Ferdinand III, King of Hungary (1626) and Portrait of Cosimo II de' Medici, Grand Duke of Tuscany (1625) come next.

What age was Justus Sustermans when Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II was made?Reveal the answer

24 years old: Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II dates from 1621, and Justus Sustermans was born in 1597.

What are the ten most famous Justus Sustermans paintings?Reveal the answer

Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II, Portrait of Ferdinand III, King of Hungary, Portrait of Cosimo II de' Medici, Grand Duke of Tuscany, Field Marshall Ottavio Piccolomini, Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany, Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress, Portrait of Maria Maddalena of Austria as a widow, Portrait of Mattias de' Medici, Portrait of Ferdinand II of Tuscany and Portrait of Archduchess Maria Magdalena of Austria. The ranking above gives each one's year and museum.

How many paintings did Justus Sustermans leave?Reveal the answer

Our catalog holds 59 works by Justus Sustermans, dated from 1620 to 1681.

In which museums do Justus Sustermans's masterpieces hang?Reveal the answer

Mostly in Kunsthistorisches Museum (Vienna), Nationalmuseum (Stockholm) and Museo del Prado (Madrid). The museum table above lists them all.

In which years did Justus Sustermans paint the most famous works?Reveal the answer

In 1620s: 20 of the 59 works on this page were made then, Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II among them.

What are the first and the last famous originals of Justus Sustermans?Reveal the answer

On this page, the earliest is Portrait of Eleonora Gonzaga (1598-1655). (1620) and the latest Cosimo II de' Medici (1590–1621), Grand Duke of Tuscany (1681).

Which subjects did Justus Sustermans choose most often?Reveal the answer

Man (24), Woman (19) and Lace collar (15), across the 59 works on this page.

Which technique did Justus Sustermans use most?Reveal the answer

Oil On Canvas, for 44 of the 59 works on this page.

To which art movement does Justus Sustermans belong?Reveal the answer

Baroque, judging by the originals on this page.

Which Justus Sustermans works hang at the Kunsthistorisches Museum?Reveal the answer

Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II, Portrait of Cosimo II de' Medici, Grand Duke of Tuscany and Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress: the Kunsthistorisches Museum, Vienna holds 6 of the works on this page.

Justus Sustermans: life and work

Early Life and Training

Justus Sustermans, Joost Suttermans or Suttermans (born Antwerp, Belgium 1597 – died 1681 Florence) was a Flemish Baroque painter and draughtsman whose career spanned over six decades and cemented his reputation as the foremost portrait painter in Italy during his time. Born into an artistic family—his father, Frans Sutermans, was also a painter—Justus’s upbringing instilled within him a profound appreciation for visual art from a young age. He began his artistic journey in Antwerp, where he was profoundly influenced by the monumental canvases of Peter Paul Rubens and Anthony van Dyck, artists who epitomized the grandeur and dynamism of the Baroque aesthetic. This formative period equipped him with foundational skills and exposed him to stylistic innovations that would shape his distinctive oeuvre.

Style and Technique

Sustermans’ artistic style is characterized by a bold embrace of color palettes and dramatic chiaroscuro—the interplay between light and shadow—techniques that were hallmarks of the Baroque era. Unlike some contemporaries who favored meticulous detail, Sustermans prioritized capturing the essence of his subjects through expressive brushstrokes and masterful use of tonal gradation. His canvases pulsated with vitality, conveying not merely likeness but also psychological depth and emotional resonance. He skillfully employed glazing techniques to achieve luminous surfaces and create a sense of atmospheric perspective, mirroring the artistic conventions prevalent in Antwerp and Florence during his lifetime. The meticulous observation of anatomy combined with an intuitive understanding of human emotion distinguished Sustermans’ work from many others of his time.

Notable Works

Justus Sustermans achieved international acclaim primarily through his portraits of members of the Medici family, securing him a prestigious position as their court painter. His depictions of Cosimo III de' Medici and Margherita de' Medici stand as masterpieces of Baroque portraiture, showcasing remarkable realism and conveying an unparalleled sense of dignity and composure. These paintings exemplify Sustermans’ ability to distill complex character traits into visually arresting compositions—a testament to his artistic prowess. Beyond portraits, Sustermans produced a diverse range of artworks encompassing history paintings, genre scenes depicting everyday life, still lifes brimming with meticulous detail, and animal studies imbued with scientific observation. His monumental *The Florentine Senate's Pledge of Allegiance to Ferdinando II de’ Medici*, commissioned by the Grand Duke himself, exemplifies his ambition and technical mastery—a sprawling canvas that captures a pivotal moment in Florentine history. Furthermore, Sustermans’ portraits of Galileo Galilei are considered among the most psychologically astute representations of scientific genius of their era.

Influence and Legacy

Justus Sustermans exerted considerable influence on subsequent generations of artists, particularly Anthony van Dyck, who admired Sustermans' bold style and expressive technique. His meticulous attention to detail and his masterful use of chiaroscuro served as inspiration for many painters working in the Dutch Golden Age. Sustermans’ legacy extends beyond individual artworks; he established a workshop that produced numerous copies of celebrated paintings—a practice common during the Baroque period—contributing to the dissemination of artistic ideas across Europe. His portraits of the Medici family continue to captivate audiences today, offering invaluable insights into the cultural and political landscape of 17th-century Italy. Sustermans’ contribution to art history is recognized as a cornerstone of Baroque portraiture, securing his place among the most revered artists of his time.