Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 37 works by Jacques Blanchard in our catalogue
In short
Of all the originals Jacques Blanchard left, the most famous is St Cecilia, in the collection of the Hermitage Museum, Saint Petersburg. Close behind it come Venus and the Three Graces Surprised by a Mortal (1631) and Portrait of a Sculptor (1632). Our catalog holds 37 works by Jacques Blanchard; the gallery has kept the 36 the world admires most, each shown with its date, its museum and its story.
To stand before Jacques Blanchard's depiction of St Cecilia is to step into an atmosphere steeped in musical reverence and Baroque splendor. This magnificent oil on canvas, originating from the 17th century, does more than merely hang upon a wall; it invites the viewer into a moment of divine artistic inspiration. The scene unfolds with breathtaking grace, centering on St Cecilia, the patron saint of music, whose gentle touch upon…
Jacques Blanchard's "Venus and the Three Graces Surprised by a Mortal," painted in 1631, is more than just a depiction of mythological figures; it’s a vibrant tableau capturing a fleeting moment of surprise and sensual delight. This exquisite work, measuring 170 x 218 cm, transports us to a luxurious interior—a red-draped canopy acting as a stage for the drama unfolding within. Blanchard, a painter who emerged from a distinguished artistic…
In "Portrait of a Sculptor" by Jacques Blanchard, a man emerges from a void of deep blacks and heavy shadows. This formal Baroque portrait captures the subject in a three-quarter length view, positioned slightly off-center to create a sense of dynamic presence. He is a figure of dignity, likely the very sculptor named in the title, anchored against an atmospheric, dark background that offers no distraction from his form. The…
The composition centers on a tender meeting between the Holy Family and Saint Elizabeth. On the left, an elderly woman and a young child lean inward, their forms creating a rhythmic curve that directs the eye toward the Virgin Mary. She holds the Christ Child, establishing a focal point of maternal connection. The arrangement is intimate, pulling the viewer into a shallow, close-up space where the subjects' emotional expressions and…
Zeus and Semele is an oil on canvas painting by the French Baroque artist Jacques Blanchard. Created about 1632, the work depicts the mythological subject of Zeus' seduction of Semele. This specific narrative focuses on the theme of divine descent, capturing the moment of encounter between the celestial deity and the mortal woman.
In this Baroque-style oil painting, Jacques Blanchard presents the Holy Family as a quiet, domestic occurrence. Painted about 1630, the work centers on a tight, triangular arrangement of three figures. The Virgin Mary, draped in a deep blue mantle over a red tunic, leans forward to support the infant Jesus. The child is the focal point of light, his skin rendered in soft, luminous highlights as he rests partially draped…
In this oil painting, Christ and the Adulteress, the French baroque painter Jacques Blanchard captures a moment of profound tension. Created about 1625, the work centers on the biblical encounter where a woman, accused of transgression, stands before the judgment and mercy of Christ. The scene is a study in human vulnerability set against the weight of divine presence.
In the portrait Young Cavalier by Jacques Blanchard, the subject is presented in a bust-length composition. The young man is positioned in a three-quarter view, turned slightly away from the viewer's direct line of sight. He is set against a dark, indeterminate background that lacks specific architectural or landscape details. This void-like setting ensures the focus remains entirely on the figure. The color palette is dominated by deep, dark tones,…
The divine presence descends in The Descent of the Holy Spirit, a large-scale oil painting by the French artist Jacques Blanchard. Created about 1633, the work captures a profound moment of spiritual intervention. Within a grand, vaulted interior, the apostles react to the sudden arrival of the divine, their faces turned upward in a shared moment of awe and expressive gesture. The scene unfolds amidst classical arches and columns, grounding…
The oil on canvas known as Danaë by the French artist Jacques Blanchard captures a moment of divine intersection. Within this scene, the mythological figure Danaë receives Jupiter, who descends upon her in the form of a shimmering shower of gold. This celestial visitation is not merely a passing light but the catalyst for a profound union, one that ultimately leads to the birth of the hero Perseus.
Virgin and Child1638 · Musée Bossuet
12
Charity1637 · Courtauld Gallery
13
LA CHARITEThe Louvre
14
St Jerome1632 · Szépművészeti Múzeum
15
Bacchanal1636 · Музей витончених мистецтв Нансі
16
Flagellation of ChristMinneapolis Institute of Art
17
Charity (fragment)1637 · Courtauld Gallery
18
Allegory of Charity1636 · Toledo Museum of Art
19
Saint JeromeMusée Barrois
20
Portrait de jeune femme au grand chapeau
21
LE BAPTEME
22
Saint Jérôme écrivant Saint Jérôme en méditation (Ancien titre)Musée de Grenoble
23
La Flagellation
24
La mort de Lucrèce
25
La Vierge avec l'Enfant Jésus à qui sainte Anne offre une pommeMusée des Beaux-Arts de Caen
26
St Sebastian Nursed by Irene and her Helpers, Jacques Blanchard, 1630 - 16381638
27
LA SAINTE FAMILLE AVEC SAINTE ELISABETH ET LE PETIT SAINT JEAN BAPTISTE A QUI L'ENFANT DONNE UNE CROIX DE ROSEAUThe Louvre
28
VENUS ET LES GRACES SURPRISES PAR UN MORTEL DIT AUTREFOIS CIMON ET EPHIGENEThe Louvre
29
Angelica and MedoroMetropolitan Museum of Art
30
The penitent magdalene.Musée Fabre
31
The holy family
32
Armida
33
Tobias Healing the Blindness of His Father
34
Mars and the vestal virginArt Gallery of New South Wales
35
Danaë1631 · Museum of Fine Arts of Lyon
36
Madonna and child with Saint John the Baptist1640
The four subjects that come back most often in these originals, each with its finest example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Jacques Blanchard | Paintings from this list |
|---|---|---|---|
 The Louvre |
Paris | 4 | Venus and the Three Graces Surprised by a Mortal, LA CHARITE, LA SAINTE FAMILLE AVEC SAINTE ELISABETH ET LE PETIT SAINT JEAN BAPTISTE A QUI L'ENFANT DONNE UNE CROIX DE ROSEAU |
 Toledo Museum of Art |
Toledo | 2 | Portrait of a Sculptor, Allegory of Charity |
 Courtauld Gallery |
London | 2 | Charity, Charity (fragment) |
 Hermitage Museum |
Saint Petersburg | 1 | St Cecilia |
 Art Institute of Chicago |
Chicago | 1 | Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist |
 Dallas Museum of Art |
Dallas | 1 | Zeus and Semele |
 Staatliche Kunsthalle Karlsruhe |
Carlsruhe | 1 | Holy Family |
 Detroit Institute of Arts |
Detroit | 1 | Young Cavalier |
The selection follows Jacques Blanchard over 14 years, from 1625 to 1638, keeping the finest originals of each year.
Pick a year to see its originals.
In this oil painting, Christ and the Adulteress, the French baroque painter Jacques Blanchard captures a moment of profound tension. Created about 1625, the work centers on the biblical encounter where a woman, accused of transgression, stands before the judgment and mercy of Christ. The scene is a study in human vulnerability set against the weight of divine presence.
More from 1625
The composition centers on a tender meeting between the Holy Family and Saint Elizabeth. On the left, an elderly woman and a young child lean inward, their forms creating a rhythmic curve that directs the eye toward the Virgin Mary. She holds the Christ Child, establishing a focal point of maternal connection. The arrangement is intimate, pulling the viewer into a shallow, close-up space where the subjects' emotional expressions and…
In this Baroque-style oil painting, Jacques Blanchard presents the Holy Family as a quiet, domestic occurrence. Painted about 1630, the work centers on a tight, triangular arrangement of three figures. The Virgin Mary, draped in a deep blue mantle over a red tunic, leans forward to support the infant Jesus. The child is the focal point of light, his skin rendered in soft, luminous highlights as he rests partially draped…
Jacques Blanchard's "Venus and the Three Graces Surprised by a Mortal," painted in 1631, is more than just a depiction of mythological figures; it’s a vibrant tableau capturing a fleeting moment of surprise and sensual delight. This exquisite work, measuring 170 x 218 cm, transports us to a luxurious interior—a red-draped canopy acting as a stage for the drama unfolding within. Blanchard, a painter who emerged from a distinguished artistic…
More from 1631
In "Portrait of a Sculptor" by Jacques Blanchard, a man emerges from a void of deep blacks and heavy shadows. This formal Baroque portrait captures the subject in a three-quarter length view, positioned slightly off-center to create a sense of dynamic presence. He is a figure of dignity, likely the very sculptor named in the title, anchored against an atmospheric, dark background that offers no distraction from his form. The…
More from 1632
The divine presence descends in The Descent of the Holy Spirit, a large-scale oil painting by the French artist Jacques Blanchard. Created about 1633, the work captures a profound moment of spiritual intervention. Within a grand, vaulted interior, the apostles react to the sudden arrival of the divine, their faces turned upward in a shared moment of awe and expressive gesture. The scene unfolds amidst classical arches and columns, grounding…
Jacques Blanchard executed Bacchanal about 1636. This allegorical and mythological work reflects the artist's engagement with the complex and sensual subject-matter characteristic of the mid-seventeenth century. The composition belongs to the period of the artist's flourishing in France, following his formative years in Italy.
More from 1636
In this 1637 oil on canvas, Jacques Blanchard presents a quiet moment of profound intimacy. The scene centers on a woman and her infant, a depiction of Charity that moves beyond a simple portrait to capture the essence of maternal devotion. She cradles the child with a tenderness that feels immediate, as if the viewer has just stepped into her private sanctuary. The figures exist within a grand, architectural setting,…
More from 1637
In Virgin and Child, Jacques Blanchard captures a moment of quiet maternal devotion. The painting, dating to about 1638, centers on the intimate connection between the Virgin Mary and the infant Christ. She holds the child close, her form draped in a deep red tunic and a cool blue mantle. This color palette anchors the figures against a dark, indistinct background. The shadows fall softly across their faces, highlighting the…
More from 1638
St Cecilia, Hermitage Museum, Saint Petersburg. Venus and the Three Graces Surprised by a Mortal (1631) and Portrait of a Sculptor (1632) come next.
St Cecilia, Venus and the Three Graces Surprised by a Mortal, Portrait of a Sculptor, Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist, Zeus and Semele, Holy Family, Christ and the Adulteress, Young Cavalier, The Descent of the Holy Spirit and Danaë. The ranking above gives each one's year and museum.
Our catalog holds 37 works by Jacques Blanchard, dated from 1625 to 1638.
Mostly in The Louvre (Paris), Toledo Museum of Art (Toledo) and Courtauld Gallery (London). The museum table above lists them all.
In 1631: 3 of the 36 works on this page were made then, Venus and the Three Graces Surprised by a Mortal among them.
On this page, the earliest is Christ and the Adulteress (1625) and the latest Virgin and Child (1638).
Woman (9), Man (8) and Drapery (4), across the 36 works on this page.
Oil On Canvas, for 14 of the 36 works on this page.
Baroque, judging by the originals on this page.
Venus and the Three Graces Surprised by a Mortal, LA CHARITE and LA SAINTE FAMILLE AVEC SAINTE ELISABETH ET LE PETIT SAINT JEAN BAPTISTE A QUI L'ENFANT DONNE UNE CROIX DE ROSEAU: the The Louvre, Paris holds 4 of the works on this page.
