Portrait of Barthel Beham

The 43 Most Famous Barthel Beham Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 44 works by Barthel Beham in our catalogue

In short

Of all the originals Barthel Beham left, the most famous is Count Palatine Philip the Warrior (1533), in the collection of the Bavarian State Painting Collections, Munich. Close behind it come Emperor Charles V (1535) and Portrait of Duke Ludwig X of Bavaria (1531). Our catalog holds 44 works by Barthel Beham; the gallery has kept the 43 the world admires most, each shown with its date, its museum and its story.

1502 – 1540, Nuremberg Northern renaissance Most works: Bavarian State Painting Collections

Barthel Beham's top 10 paintings: the gallery's choice

2
Emperor Charles V (1535) by Barthel Beham

Emperor Charles V

1535 · Engraving · Bavarian State Painting Collections, Munich

The figure before us is Emperor Charles V, captured in a moment of quiet, imperial dignity. This portrait, created by the German artist Barthel Beham in 1531, presents the ruler with a sense of profound presence. The likeness does not emerge from thin air; rather, it finds its origin in specific drawings of Charles V made in Munich in 1530. Through Beham's hand, the essence of the monarch is translated…

3
Portrait of Duke Ludwig X of Bavaria (1531) by Barthel Beham

Portrait of Duke Ludwig X of Bavaria

1531 · Oil On Canvas · Liechtenstein Museum, Vienna

The portrait depicts a man from the Renaissance period in a close-up bust and shoulders view. He is positioned centrally against a dark, undifferentiated background that provides a sharp contrast to his features. The subject's face is illuminated from the upper left, casting shadows that define the contours of his nose, cheekbones, and jawline. His gaze is directed forward, meeting the viewer with a steady, composed expression. He wears a…

4
Portrait of Sabina of Bavaria (1530) by Barthel Beham

Portrait of Sabina of Bavaria

1530 · Oil On Panel · Bavarian State Painting Collections, Munich

A single light source from the upper left carves the face of Sabina of Bavaria out of a heavy, dark void. She sits in a three-quarter view, her presence defined by the sharp contours of her features and the stillness of her gaze. The palette is restrained, a quiet arrangement of deep blacks, creamy whites, and the soft, silvery-blue tones of her headwrap. There is a sculptural quality to her…

5
Count Palatine Ottheinrich (1533) by Barthel Beham

Count Palatine Ottheinrich

1533 · Oil On Panel · Bavarian State Painting Collections, Munich

The portrait depicts a man positioned in a three-quarter length view, facing toward the left of the frame. He wears a heavy, patterned doublet and a voluminous brocade cloak that falls in deep, structured folds. A white feather extends from his dark, soft-textured hat, and a gold chain rests against his chest. His facial features are rendered with precision, showing a well-defined beard and skin tones that transition through subtle…

6
Portrait of Margaret Urmiller, née Schwab, and Her Daughter (1525) by Barthel Beham

Portrait of Margaret Urmiller, née Schwab, and Her Daughter

1525 · Oil On Panel · Philadelphia Museum of Art, Philadelphia

A profound stillness settles over the scene as Margaret Urmiller, née Schwab, gazes out from the darkness. She sits with a quiet dignity, her presence anchored by the heavy, structured folds of her dark green and black attire. Beside her, a young child provides a soft, warm counterpoint, wrapped in a garment of deep red that catches the light. The composition draws the eye upward toward the pale, luminous skin…

9
Portrait of Susanna von Brandenburg, Herzogin in Bayern (1533) by Barthel Beham

Portrait of Susanna von Brandenburg, Herzogin in Bayern

The gaze of the noblewoman in the Portrait of Susanna von Brandenburg, Herzogin in Bayern meets the viewer from a moment frozen in 1533. Painted by the skilled hand of Barthel Beham, this work captures Susanna von Bayern, who lived from 1502 to 1543. She appears here with the dignity of her station, a presence solidified through the meticulous brushwork of Beham. The portrait emerges from a period of significant…

10
Elector Ludwig V. the Peaceful, Count Palatine of the Rhine (1533) by Barthel Beham

Elector Ludwig V. the Peaceful, Count Palatine of the Rhine

1533 · Engraving · Bavarian State Painting Collections, Munich

The portrait titled Elector Ludwig V. the Peaceful, Count Palatine of the Rhine, was executed by Barthel Beham in 1533. This work captures the likeness of Louis V, Elector Palatine, a man of the Wittelsbach dynasty. He held the position of prince elector of the Palatinate, a role of significant weight in the shifting landscape of the sixteenth century.

The Barthel Beham selection continues, 11 to 43

11History Cycle: Finding of the Cross of Saint Helena (1530) by Barthel BehamHistory Cycle: Finding of the Cross of Saint Helena1530 · Bavarian State Painting Collections 12Elector Frederick II the Wise, Count Palatine of the Rhine (1533) by Barthel BehamElector Frederick II the Wise, Count Palatine of the Rhine1533 · Bavarian State Painting Collections 13Portrait of Hans Lissalcz (1528) by Barthel BehamPortrait of Hans Lissalcz1528 · National Museum of Art, Architecture and Design 14Magdalena Pittrichin (1528) by Barthel BehamMagdalena Pittrichin1528 · National Museum of Art, Architecture and Design 15Portrait of Anna Scheit, née Mem(m)inger (1528) by Barthel BehamPortrait of Anna Scheit, née Mem(m)inger1528 · Fitzwilliam Museum 16Portrait of Onophrius Scheit (1528) by Barthel BehamPortrait of Onophrius Scheit1528 · Fitzwilliam Museum 17Duke Wilhelm IV. of Bavaria (1533) by Barthel BehamDuke Wilhelm IV. of Bavaria1533 · Bavarian State Painting Collections 18Portrait of Herzog Johann III, Paltzgraf bei Rhein (1488-1538) (1533) by Barthel BehamPortrait of Herzog Johann III, Paltzgraf bei Rhein (1488-1538)1533 · Bavarian State Painting Collections 19Kunigunde of Austria, wife of Duke Albrecht IV of Bavaria (1531) by Barthel BehamKunigunde of Austria, wife of Duke Albrecht IV of Bavaria1531 · Bavarian State Painting Collections 20Duke Louis X. of Bavaria (1530) by Barthel BehamDuke Louis X. of Bavaria1530 · Bavarian State Painting Collections 21Duke Ernst in Bavaria (1533) by Barthel BehamDuke Ernst in Bavaria1533 · Bavarian State Painting Collections 22Mary with Child (1536) by Barthel BehamMary with Child1536 · Bavarian State Painting Collections 23Count Palatine Philipp, Bishop of Freising (1534) by Barthel BehamCount Palatine Philipp, Bishop of Freising1534 · Bavarian State Painting Collections 24Duke Albrecht IV. the Wise of Bavaria (1535) by Barthel BehamDuke Albrecht IV. the Wise of Bavaria1535 · Bavarian State Painting Collections 25Vanity (1540) by Barthel BehamVanity1540 · Hamburger Kunsthalle 26Portrait of a Man (1529) by Barthel BehamPortrait of a Man1529 · Kunsthistorisches Museum 27Ursula von Weichs (1531) by Barthel BehamUrsula von Weichs1531 · National Gallery of Canada 28Portrait of a woman with parrot (1529) by Barthel BehamPortrait of a woman with parrot1529 · Kunsthistorisches Museum 29Portrait of Ottheinrich, Prince of Pfalz (1535) by Barthel BehamPortrait of Ottheinrich, Prince of Pfalz1535 · Alte Pinakothek 30Portrait of a Goldsmith Jörg Herz. by Barthel BehamPortrait of a Goldsmith Jörg Herz.National Museum in Warsaw 31Portrait of a Man (1525) by Barthel BehamPortrait of a Man1525 · Gemäldegalerie 32Child with Three Skulls (1529) by Barthel BehamChild with Three Skulls1529 33Chancellor Leonhard von Eck (1480–1550) (1527) by Barthel BehamChancellor Leonhard von Eck (1480–1550)1527 · Metropolitan Museum of Art 34Count Palatine Johann III, Administrator of Regensburg by Barthel BehamCount Palatine Johann III, Administrator of RegensburgBavarian State Painting Collections 35Susanna of Brandenburg, Spouse of Ottheinrich (Reversed Copy after Inv.-No. 2450) by Barthel BehamSusanna of Brandenburg, Spouse of Ottheinrich (Reversed Copy after Inv.-No. 2450)Bavarian State Painting Collections 36Duke Albrecht IV the Wise of Bavaria by Barthel BehamDuke Albrecht IV the Wise of BavariaBavarian State Painting Collections 37Emperor Charles V by Barthel BehamEmperor Charles VBavarian State Painting Collections 38Saint Ursula by Barthel BehamSaint UrsulaHarvard Art Museums 39Duke Albrecht IV of Bavaria by Barthel BehamDuke Albrecht IV of Bavaria 40Portrait of the count Ottheinrich, Duke of Pfalz-Neuburg by Barthel BehamPortrait of the count Ottheinrich, Duke of Pfalz-Neuburg 41Hans Urmiller and his son by Barthel BehamHans Urmiller and his sonStädel Museum 42Presentation of Christ in the temple by Barthel BehamPresentation of Christ in the temple 43Portrait of a Woman by Barthel BehamPortrait of a WomanDenver Art Museum

The subjects that held Barthel Beham's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Barthel Beham's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Barthel Beham Paintings from this list
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 21 Count Palatine Philip the Warrior, Emperor Charles V, Portrait of Sabina of Bavaria
National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 2 Portrait of Hans Lissalcz, Magdalena Pittrichin
Fitzwilliam MuseumFitzwilliam Museum 2 Portrait of Anna Scheit, née Mem(m)inger, Portrait of Onophrius Scheit
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 2 Portrait of a Man, Portrait of a woman with parrot
Liechtenstein Museum, ViennaLiechtenstein Museum Vienna 1 Portrait of Duke Ludwig X of Bavaria
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Portrait of Margaret Urmiller, née Schwab, and Her Daughter
Thyssen-Bornemisza Museum, MadridThyssen-Bornemisza Museum Madrid 1 Portrait of Ruprecht Stüpf
Hamburger Kunsthalle, HamburgHamburger Kunsthalle Hamburg 1 Vanity

Barthel Beham decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Barthel Beham's paintings

Which work is Barthel Beham most famous for?Reveal the answer

Count Palatine Philip the Warrior (1533), Bavarian State Painting Collections, Munich. Emperor Charles V (1535) and Portrait of Duke Ludwig X of Bavaria (1531) come next.

What age was Barthel Beham when Count Palatine Philip the Warrior was made?Reveal the answer

31 years old: Count Palatine Philip the Warrior dates from 1533, and Barthel Beham was born in 1502.

What are the ten most famous Barthel Beham paintings?Reveal the answer

Count Palatine Philip the Warrior, Emperor Charles V, Portrait of Duke Ludwig X of Bavaria, Portrait of Sabina of Bavaria, Count Palatine Ottheinrich, Portrait of Margaret Urmiller, née Schwab, and Her Daughter, Portrait of Ruprecht Stüpf, Portrait of Marie of Baden, Portrait of Susanna von Brandenburg, Herzogin in Bayern and Elector Ludwig V. the Peaceful, Count Palatine of the Rhine. The ranking above gives each one's year and museum.

How many paintings did Barthel Beham leave?Reveal the answer

Our catalog holds 44 works by Barthel Beham, dated from 1525 to 1540.

In which museums do Barthel Beham's masterpieces hang?Reveal the answer

Mostly in Bavarian State Painting Collections (Munich), National Museum of Art, Architecture and Design (Oslo) and Fitzwilliam Museum. The museum table above lists them all.

In which years did Barthel Beham paint the most famous works?Reveal the answer

In 1530s: 20 of the 43 works on this page were made then, Count Palatine Philip the Warrior among them.

What are the first and the last famous originals of Barthel Beham?Reveal the answer

On this page, the earliest is Portrait of Margaret Urmiller, née Schwab, and Her Daughter (1525) and the latest Vanity (1540).

Which subjects did Barthel Beham choose most often?Reveal the answer

Man (18), Woman (11) and Fur collar (11), across the 43 works on this page.

Which technique did Barthel Beham use most?Reveal the answer

Oil On Panel, for 19 of the 43 works on this page.

To which art movement does Barthel Beham belong?Reveal the answer

Northern renaissance and Renaissance, judging by the originals on this page.

Which Barthel Beham works hang at the Bavarian State Painting Collections?Reveal the answer

Count Palatine Philip the Warrior, Emperor Charles V and Portrait of Sabina of Bavaria: the Bavarian State Painting Collections, Munich holds 21 of the works on this page.

Barthel Beham: life and work

Barthel Beham (1502–1540): The Little Master of Nuremberg

Barthel Beham (1502–1540) stands as a pivotal figure in the German Renaissance printmaking tradition, earning him the moniker “Little Master” – a testament to his extraordinary skill and meticulous detail. Born in Nuremberg, Germany, he was steeped in artistic heritage from birth, inheriting talent from his elder brother Hans Sebald Beham and absorbing invaluable lessons from Albrecht Dürer himself. This formative influence shaped his distinctive style and propelled him to become one of the most celebrated engravers of his era.
  • Early Life & Training: Barthel’s artistic journey commenced under the tutelage of Hans Sebald, who instilled in him a profound understanding of engraving techniques – a craft that would define Beham's career. Dürer’s workshop served as another crucible for innovation and stylistic refinement, fostering Beham’s fascination with realism and compositional complexity.
  • Engraving Mastery: Beham quickly established himself as a prodigious engraver, producing stunningly precise miniature prints that captivated audiences across Europe. His output during the 1520s exemplifies the “Little Masters” school – characterized by unparalleled accuracy and artistic ambition. Subjects ranged from biblical narratives to portraits of noblemen and humanist scholars, demonstrating his versatility and technical prowess.
  • The Godless Painters & Exile: Beham’s unwavering skepticism regarding Lutheran dogma led to his expulsion from Nuremberg in 1525 alongside Hans Sebald and Georg Pencz – a controversial decision that nonetheless spurred him toward intellectual exploration and artistic experimentation. This exile fostered connections with humanist circles and broadened his horizons beyond the confines of Nuremberg’s religious conservatism.
  • Munich & Patronage: Following papal pardon, Beham relocated to Munich where he found favor with Duke William IV and Ludwig X – securing lucrative commissions that allowed him to hone his artistic skills further. He became renowned for his portraiture, capturing the dignity and grandeur of Bavarian royalty with remarkable sensitivity and detail.
  • Legacy & Influence: Barthel Beham died in Italy during a diplomatic mission under the patronage of William IV, marking the end of an illustrious career. His work continues to inspire admiration for its technical brilliance and humanist vision—a lasting contribution to German art history and a cornerstone of Renaissance printmaking.

Notable Works & Artistic Style

Beham’s artistic style is instantly recognizable by its meticulous realism, achieved through painstaking engraving processes. He prioritized capturing subtle nuances of expression and anatomical accuracy—a hallmark of Dürer's influence. His prints often incorporated complex compositions and dramatic lighting effects, elevating them beyond mere reproductions to become independent works of art. Consider his depiction of Chancellor Leonhard von Eck (1480–1550), a masterpiece showcasing the artist’s ability to convey psychological depth through portraiture. Similarly, “Portrait of a Man” exemplifies Beham's dedication to capturing human form with unparalleled precision and artistic sensitivity.

Connections & Collaborations

Barthel Beham benefited greatly from collaborations with prominent artists of his time, notably Marcantonio Raimondi—with whom he worked in Bologna and Rome during the early 1530s. These partnerships exposed him to innovative techniques and broadened his artistic repertoire. Furthermore, his brother Hans Sebald’s involvement ensured a shared artistic vision and fostered a dynamic creative environment within Nuremberg's artistic community.