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Angel in the Making

Explore 'Angel in the Making' by Paul Klee, a captivating Expressionist piece featuring symbolic imagery and vibrant color. Discover its depth & artistry.

Paul Klee blended Expressionism and Cubism in works like Ships in the Dark. Discover his vibrant world of color and form today.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8

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Total Price

$ 81

Angel in the Making

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Title: Angel in the Making
  • Medium: Oil on canvas/plywood?
  • Artist: Paul Klee
  • Movement: Expressionism

Art Quiz

There is only one correct answer for each question.

Question 1:
Paul Klee’s ‘Angel in the Making’ prominently features what symbolic element?
Question 2:
Which artistic movements significantly influenced Paul Klee’s style?
Question 3:
What impact did Klee’s trip to Tunisia in 1914 have on his art?
Question 4:
Besides being an artist, what was Paul Klee’s father's profession?
Question 5:
‘Angel in the Making’ is characterized by its use of…

A Glimmer of Becoming: Unveiling Paul Klee’s ‘Angel in the Making’

Paul Klee's ‘Angel in the Making’, painted around an unspecified date, is not merely a visual composition; it’s a whispered meditation on potentiality, a glimpse into the nascent stages of spiritual emergence. The artwork pulses with a quiet energy, anchored by a radiant sun dominating the upper portion of the canvas. This isn’t a blazing, triumphant sun, but one rising gently over the horizon, casting a warm, hopeful glow that suggests beginnings rather than culmination. A subtle cross embedded within the solar form introduces a layer of spiritual resonance, hinting at themes of faith and transcendence without being overtly didactic. The painting's power lies in its ambiguity – it doesn’t *show* an angel, but captures the very *process* of becoming one.

The Language of Form and Color

Klee’s distinctive style, a captivating blend of Expressionism, Cubism, and Surrealism, is fully present in ‘Angel in the Making’. He eschews strict representation, instead employing a vocabulary of geometric shapes and evocative colors to convey emotion and inner states. The striking red triangle that cuts across the composition adds a dynamic tension, a visual counterpoint to the circularity of the sun. This isn’t simply an arbitrary shape; it can be interpreted as a symbol of aspiration, a directional force propelling the unseen angel upwards. Klee's technique is masterful in its subtlety. He builds up layers of color and form, creating depth and complexity that rewards close observation. The painting feels less like a depiction *of* something and more like a visual poem, inviting viewers to participate in its creation through their own interpretations.

Klee’s Spiritual Journey & the Angel Motif

To understand ‘Angel in the Making’, it's crucial to consider Paul Klee’s broader artistic trajectory. Born in Switzerland to a musical family, Klee was deeply attuned to rhythm and harmony – qualities that permeate his art. His 1914 journey to Tunisia proved pivotal, awakening within him a profound appreciation for color and light. This experience liberated him from the constraints of realistic representation, allowing him to explore more abstract and expressive forms. The motif of angels appears repeatedly throughout Klee’s oeuvre, often presented not as ethereal beings with wings, but as fragmented figures or symbolic representations of spiritual longing. Related works like ‘Angel Applicant’ and ‘Angel Still Feminine’ demonstrate this fascination with the angelic realm, exploring themes of loneliness, mystery, and the search for meaning. 'Angel in the Making' feels like a precursor to these later explorations, capturing the initial spark of that yearning.

A Timeless Resonance

‘Angel in the Making’ transcends its historical context, speaking to universal human experiences – hope, faith, and the ongoing process of self-discovery. The painting’s enduring appeal lies in its ability to evoke a sense of wonder and contemplation. It's a work that invites us to look beyond the surface, to embrace ambiguity, and to recognize the beauty inherent in imperfection. For those seeking an artwork that embodies both intellectual depth and emotional resonance, ‘Angel in the Making’ offers a compelling choice. A high-quality reproduction allows one to bring this quiet masterpiece into their home, offering a daily invitation to reflect on the possibilities within themselves and the world around them.

Questions & Answers

Is there a guide for "Angel in the Making" by Paul Klee?

A Guide page is available for "Angel in the Making" by Paul Klee: a printable factsheet about the artwork, designed for students and classroom use.

Which color stands out most in "Angel in the Making"?

red (#da0511) is the leading color of "Angel in the Making" by Paul Klee.

Where should a reproduction of "Angel in the Making" by Paul Klee be hung?

Format (square) and recommended space (living room) are the two placement facts recorded for "Angel in the Making" by Paul Klee.


Artist Biography

A Life of Line and Lyricism

Born in Münchenbuchsee, Switzerland, on December 18, 1879, Paul Klee entered a world shaped by the rhythms of music. His father, Hans Wilhelm Klee, was a German music teacher, and his mother, Ida Marie, was a Swiss singer. This early immersion in sound provided a foundation for a visual language that often mirrored musical arrangement. While he initially pursued the violin with great talent, eventually deciding that modern music lacked the creative pull he craved, he turned his focus toward the Academy of Fine Arts in Munich. His studies there between 1898 and 1901 were marked by an early mastery of drawing, though he famously struggled with color during those first cold winters.

The transition from a draftsman to an abstract thinker was not immediate. Klee’s early years involved exploring the boundaries of Symbolism and Art Nouveau, often working in black and white or through experimental techniques like needle drawing on blackened glass. A significant shift occurred in 1914 during a visit to Tunisia. The intense light of North Africa allowed him to detach color from physical description, using it instead as an independent force. This period provided the necessary push toward abstraction, moving his work away from mere representation and toward a more personal, symbolic vocabulary.

The Bauhaus Years and Political Shadows

Klee’s career reached a period of intense theoretical and creative activity during his time at the Bauhaus. From 1920 to 1930, he joined the faculty of this influential school of design and architecture, working alongside figures like Wassily Kandinsky. It was here that much of his prolific output occurred, particularly small-scale watercolors and drawings on paper. His teaching allowed him to explore the relationship between color and form with scientific precision, a subject he documented extensively in his notebooks. These writings, which examined the mechanics of design, are now regarded as essential texts for understanding modern composition.

The stability of this era was abruptly interrupted by the rise of National Socialism. In 1933, Klee was dismissed from his position at the Academy of Fine Arts in Düsseldorf because the Nazi regime classified his work as “degenerate.” Forced to return to his native Bern, his later years were marked by a shift in tone. As political turmoil grew and his own health declined, his lines became heavier, turning into black bars, and his forms grew more generalized. The whimsicality of his earlier years gave way to a more somber, melancholic perspective, reflecting the gravity of the era.

A Lasting Visual Language

The breadth of Klee’s output is immense, totaling some 10,000 works that range from delicate sketches to larger, more structured compositions. His ability to blend influences from Cubism, Expressionism, and Surrealism resulted in a style that felt both childlike and deeply intellectual. He utilized a variety of media, including:

  • Zinc-plate etchings
  • Watercolor on gauze and paper
  • Lithographs
  • Charcoal and pencil drawings

His work remains a study in balance, where titles often provided the necessary context for his often cryptic imagery. Whether through the use of simple stick figures or complex, colorful grids, he sought to express the inner world of ideas rather than the surface of reality. He died on June 29, 1940, in Muralto, Switzerland, leaving behind a body of work that bridged the gap between the figurative and the abstract.

Paul Klee

Paul Klee

1879 - 1940 , Switzerland

Quick Facts

  • Artistic Movement Or Style:
    • Expressionism
    • Cubism
    • Surrealism
  • Artists Who Influenced This Artist:
    • Pablo Picasso
    • Georges Braque
    • Robert Delaunay
    • Vincent van Gogh
    • Paul Cézanne
  • Full Name: Paul Klee
  • Nationality: German and Swiss
  • Notable Artworks:
    • Hammamet with Its Mosque
    • Ships in the Dark
    • Walpurgis Night
    • The Protector
  • Place Of Birth: Münchenbuchsee, Switzerland
  • Date Of Birth: 1879
  • Date Of Death: 1940
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