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StatsMountains in Provence
Oil On Canvas- WallArt
- Post-Impressionism
1890- 19th Century
65.0 x 81.0 cm
National Gallery
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Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. (
Buy Hand Made Painting Switch to Digital Image)
P118B $10
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W500HY $15
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W692G $12
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W940BG $15
W953PJ $8
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Mountains in Provence
Giclée / Art Print
Reproduction Size
-
Total Price
$ 81
Mountains in Provence: A Study in Form and Light
Paul Cézanne's "Mountains in Provence," painted in 1890, is more than just a landscape; it’s a pivotal work demonstrating his transition from Impressionism towards the revolutionary style that would heavily influence Cubism. This oil on canvas, residing within the esteemed National Gallery in London (measuring 65 x 81 cm), encapsulates Cézanne's unique approach to representing nature – one rooted in observation and structured analysis.
Composition and Subject Matter
The painting depicts a serene hillside scene characteristic of Provence. The foreground features trees, rendered with Cézanne’s signature brushstrokes, while a prominent rock wall adds texture and depth. A small village nestled in the distance provides context and a sense of scale. Rather than striving for photographic realism, Cézanne organizes these elements into geometric planes, creating a composition that feels both naturalistic and deliberately constructed. The horizontal lines defining the landforms contribute to a feeling of expansive tranquility.
Cézanne's Technique: Building Form with Color
Cézanne’s artistic style in "Mountains in Provence" is defined by his meticulous study of form and his innovative use of color. He employed repetitive, exploratory brushstrokes – not to capture fleeting impressions like the Impressionists, but to build up complex fields of color that define volume and structure. Notice how he uses planes of color—varying shades of green, brown, yellow, and touches of blue—to represent the rocks and trees. These aren't blended smoothly; instead, they are applied in small, distinct strokes, creating a textured surface and contributing to the painting’s overall sense of solidity. This technique foreshadows his later explorations into geometric abstraction.
Historical Context and Influence
“Mountains in Provence” emerged during a period of significant artistic change. Cézanne was moving away from the fleeting effects of light championed by Impressionism, seeking instead to understand the underlying structure of nature. His work served as a crucial bridge between late 19th-century Impressionism and early 20th-century Cubism. Artists like Camille Pissarro recognized his genius early on, and Ambroise Vollard became a key supporter, showcasing Cézanne’s work in his Paris gallery. While initially met with incomprehension, Cézanne's innovative approach profoundly influenced subsequent generations of artists who sought to deconstruct and reassemble the visual world.
Emotional Impact and Legacy
While seemingly tranquil, "Mountains in Provence" evokes a sense of quiet contemplation and enduring strength. The painting isn’t about capturing a specific moment; it's about conveying Cézanne’s deep understanding of the landscape and his ability to translate that understanding into a visual language that transcends mere representation. The work stands as a testament to Cézanne’s pioneering spirit and his lasting impact on modern art, solidifying his place as one of history’s most influential artists.
Questions & Answers
Is "Mountains in Provence" by Paul Cézanne a painting, a drawing or a print?
"Mountains in Provence" by Paul Cézanne is classified as wall art. The category describes the kind of artwork the original is.
Can I examine "Mountains in Provence" in more detail?
"Mountains in Provence" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.
In what period was "Mountains in Provence" by Paul Cézanne made?
"Mountains in Provence" by Paul Cézanne dates from the 19th-Century period. The period gives the historical context of the work.
Artist Biography
The Architect of Form
Paul Cézanne was born in Aix-en-Provence, France, into a family with deep roots in the local banking industry. His father, Louis-Auguste Cézanne, helped found the Banque Cézanne et Cabassol, providing a level of financial stability that many of his contemporaries lacked. This security allowed Paul to move away from the legal studies his father had planned for him. Though he initially studied law at the University of Aix-en-Provence, he abandoned those studies in 1860 to focus entirely on painting. His early years were spent in the company of friends like Émile Zola, and together they shared a childhood of swimming and fishing along the banks of the Arc River.
The early works of Cézanne often carried the weight of Romanticism, utilizing dark palettes and heavy, expressive brushwork. He was influenced by the dramatic tonal contrasts found in the tradition of Eugène Delacroix. However, his approach began to shift as he moved toward Paris. He sought a way to move beyond the fleeting light captured by the Impressionists. Instead of merely recording a passing moment, he wanted to find the permanent structure within nature. He looked at a mountain or a piece of fruit and saw the underlying geometry—the cones, spheres, and cylinders that form the bones of the world.
A New Way of Seeing
Cézanne developed a technique characterized by small, repetitive, and constructive brushstrokes. He layered these patches of color to build up volume and texture, creating a sense of solidity. This method allowed him to explore spatial relationships without relying on traditional single-point perspective. In many of his compositions, objects appear independent within the space, often presented from multiple viewpoints at once. This rejection of classical perspective rules helped create a new pictorial language.
His subject matter was deeply tied to his surroundings in Provence. The Mont Sainte-Victoire became a recurring presence in his work, appearing in approximately eighty different paintings and watercolors over many years. He also found profound meaning in the simplest objects. His still lifes, featuring items like apples, jars, and cups, were not mere decorations but intense studies of light, shadow, and mass. Through these works, he demonstrated how color modulation could define shape without the need for traditional shading.
- The Bathers (Les Grandes Baigneuses)
- Mont Sainte-Victoire series
- Still Life with Apples and a Pot of Primroses
- Portrait of Émile Zola
- The Card Players
A Lasting Influence
By the time of his death in 1906, Cézanne had fundamentally altered the direction of modern painting. His emphasis on geometric form and multiple perspectives provided a foundation for the Cubist movement. Artists such as Pablo Picasso and Georges Braque drew heavily from his analytical approach to nature. His use of bold, non-naturalistic color also left an impression on the Fauvists, including Henri Matisse. He moved art away from the imitation of reality toward a construction of visual experience based on perception and structure.
Paul Cézanne
1839 - 1906 , France
Quick Facts
- Artistic Movement Or Style: Post-Impressionism
- Artists Or Movements Influenced By This Artist:
- Cubism
- Fauvism
- Pablo Picasso
- Henri Matisse
- Artists Who Influenced This Artist:
- Paul Gauguin
- Georges Seurat
- Full Name: Paul Cézanne
- Nationality: French
- Notable Artworks:
- The Pond at Jas de Bouffan
- Portrait of Émile Zola
- Mont Sainte-Victoire series
- Bathers
- Place Of Birth: Aix-en-Provence, France
- Date Of Birth: 1839
- Date Of Death: 1906
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