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Stone coin

Dimensions
97.0 x 100.0 cm

A whimsical 1979 painting by Milton Viola Fernandes featuring a man with a giant donut and a woman sporting a number 10 on her head – a playful Brazilian artwork perfect for adding a touch of surreal humor to your space. Discover this unique piece.

Discover Millôr Fernandes, Brazil's iconic satirist & humorist. Explore his ironic cartoons, aphorisms, plays & translations. A legend in Brazilian art.

The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

Giclée / Art Print

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Total Price

$ 81

Stone coin

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Title: Stone coin
  • Artistic style: Whimsical, playful
  • Medium: Painting
  • Artist: Milton Viola Fernandes

Milton Viola Fernandes’s “Stone Coin” – A Whimsical Echo of Brazilian Satire

“Stone Coin,” painted in 1979 by Milton Viola Fernandes (Millôr), is more than just a colorful depiction of two figures; it's a vibrant encapsulation of the artist’s signature ironic humor and his profound engagement with Brazilian society. Measuring 97 x 100 cm, this piece immediately draws the eye with its playful composition – a man brandishing a colossal donut alongside a boat, juxtaposed against a woman adorned with a prominent numeral ten on her head. This seemingly random pairing speaks volumes about Millôr’s satirical approach, inviting viewers to question conventional notions of value and identity within the context of Brazilian culture.

The Artist's Context: Millôr Fernandes and the Spirit of O Pasquim

Understanding “Stone Coin” requires acknowledging the pivotal role Milton Viola Fernandes played in Brazil’s cultural landscape. Born in Rio de Janeiro in 1923, Millôr rose to prominence as a journalist, cartoonist, and playwright, most notably through his involvement with the groundbreaking satirical newspaper, O Pasquim. Founded in 1969, O Pasquim became a powerful voice of dissent against the military dictatorship that ruled Brazil at the time, utilizing humor and subversive imagery to challenge authority. The painting’s eccentric characters – the donut-wielding man and the numeral-headed woman – can be interpreted as echoes of this spirit of resistance, subtly questioning established norms through absurdity.

Technique and Style: A Blend of Realism and Surrealism

Fernandes' technique in “Stone Coin” is characterized by a confident application of color and a skillful blending of realism with elements of surrealism. The figures themselves are rendered with a degree of anatomical accuracy, yet their surroundings – the oversized donut, the numerical headpiece – introduce an element of fantastical distortion. This stylistic choice isn’t merely decorative; it amplifies the painting's satirical intent, creating a visual paradox that demands attention and encourages interpretation. The use of bright, saturated colors contributes to the overall feeling of lightheartedness and playfulness, while also hinting at a deeper underlying critique.

Symbolism and Emotional Impact

The symbolism within “Stone Coin” is layered and open to interpretation. The giant donut can be seen as a commentary on consumer culture and excess, while the number ten on the woman’s head might represent conformity or perhaps an exaggerated sense of self-importance. The umbrella in the top left corner adds another layer of intrigue, potentially symbolizing protection from societal pressures or simply contributing to the painting's overall whimsical atmosphere. Ultimately, “Stone Coin” evokes a strong emotional response – one of amusement, curiosity, and perhaps even a touch of social commentary. It’s a testament to Millôr Fernandes’s ability to capture the essence of Brazilian humor and his enduring legacy as a champion of artistic freedom.

Questions & Answers

Is "Stone coin" more bright or more dark overall?

The recorded values for "Stone coin" by Milton Viola Fernandes are: brilliant brightness, luminous luminance.

Why is the copyright status of "Stone coin" what it is?

"Stone coin" by Milton Viola Fernandes is still protected by copyright. Copyright terms are measured from the artist's death, and Milton Viola Fernandes died in 2012.

What kind of piece is "Stone coin"?

"Stone coin" by Milton Viola Fernandes is classified as wall art. The category describes the kind of artwork the original is.


Artist Biography

early life and career

milton viola fernandes, known by his adopted name millôr, was a renowned brazilian writer, journalist, cartoonist, humorist, and playwright. born on august 16, 1923, in rio de janeiro, brazil, his birth certificate rendered the name 'millôr', which he later adopted as his official name.

artistic contributions

  • millôr fernandes began his journalistic career in 1938, publishing in several prominent brazilian magazines, such as o cruzeiro and a cigarra.
  • he was celebrated for his ironic humor and authored thousands of satirical aphorisms.
  • in 1956, millôr shared the first prize at the buenos aires international caricature exhibition with saul steinberg.
  • in 1957, he had a one-man exhibition in rio de janeiro's museum of modern art.
  • he co-founded the satirical newspaper o pasquim in 1969 alongside jaguar, ziraldo, and others.

notable works and legacy

  • successful plays: millôr wrote several successful plays, showcasing his versatility as a playwright.
  • translations: he translated classics, including the works of shakespeare, further cementing his legacy in brazilian literature.
  • exhibition at museu antonio parreiras: though not exclusively an artist featured at the museu antonio parreiris, his work is reflective of the satirical and humorous essence found in some of the museum's collections, such as those by antônio diogo da silva parreiras. /en/art/show/art-d3arwx-en/ antonio parreiras (niterói, brazil))
  • international recognition: his participation in the buenos aires international caricature exhibition is a testament to his global recognition. [https://OriginalUniqueArt.com/@/milton-viola-fernandes](millôr fernandes | 5 artworks)

later life and passing

millôr fernandes passed away on march 27, 2012, in rio de janeiro, at the age of 88, due to complications after a stroke. key links: - [https://OriginalUniqueArt.com/@/milton-viola-fernandes](millôr fernandes | 5 artworks) - [https://en.wikipedia.org/wiki/millôr_fernandes](wikipedia: millôr fernandes)
Milton Viola Fernandes

Milton Viola Fernandes

1923 - 2012 , Brazil

Quick Facts

  • Full Name: Milton Viola Fernandes
  • Nationality: Brazilian
  • Date Of Birth: 1923
  • Date Of Death: 2012
  • Place Of Birth: Rio de Janeiro, Brazil
  • Notable Artworks:
    • Commodity money
    • That
    • The advent of metal
  • Artistic Movement Or Style: Satirical Illustration
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