Post-Impressionism · 1909

Caspar (Augustus Edwin John, 1909)

Augustus Edwin John (1878–1961) made Caspar. It dates from 1909. It belongs to the Post-Impressionism movement. It is made in oil on canvas. It is kept at Fitzwilliam College in Cambridge, United Kingdom. It measures 41 × 33 cm.

Caspar by Augustus Edwin John, 1909, oil on canvas, Fitzwilliam College
Caspar by Augustus Edwin John, 1909, oil on canvas, Fitzwilliam College.

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Caspar, in brief

Title
Caspar
Artist
Augustus Edwin John (1878–1961)
Artist born in
Tenby, United States of America
Date
1909
Medium
Oil On Canvas
Dimensions
41 × 33 cm
Where to see it
Fitzwilliam College, Cambridge, United Kingdom
Period
Modern
Subject
portrait, youth, innocence, reflection, texture, observation

What does Caspar depict?

A Glimpse into Youthful Innocence

In the tenderly rendered portrait Caspar, created in 1909 by the celebrated Welsh artist Augustus Edwin John, we are invited into a moment of profound quietude. This intimate work captures the essence of a young boy, whose face serves as the emotional anchor of the composition. Through a masterful use of realistic brushstrokes and a soft, diffused light, John breathes life into the subject, presenting a study of youthful innocence that feels both timeless and deeply personal. The close-up framing pulls the viewer into the boy's immediate orbit, creating a sense of gentle observation that borders on the voyeuristic, yet remains entirely respectful of the subject's quiet contemplation.

The painting is a triumph of texture and light, where the organic forms of the boy’s features are balanced against a rich, layered background. The artist employs a technique reminiscent of Post-Impressionism, where visible brushwork does not merely define shape but adds a rhythmic, tactile quality to the canvas. This textured approach allows the background to pulse with a life of its own, providing a sense of depth and atmosphere without ever distracting from the central figure. The interplay of light and shadow across the boy's face emphasizes the soft contours of his skin and the structural elements of his clothing, lending a sculptural weight to an otherwise ethereal moment.

Symbolism and Artistic Legacy

Beyond its surface beauty, Caspar carries subtle symbolic weight. The inclusion of the boy's hat serves as more than just a compositional element; it hints at identity and perhaps a burgeoning sense of social standing or persona. Within the broader context of Augustus Edwin John’s career, this piece reflects his ability to blend exceptional draughtsmanship—honed during his years at the Slade School of Fine Art—with a bohemian, expressive spirit. The painting captures a pivotal era in British art, where the boundaries between realism and impressionistic emotion were being beautifully redrawn.

For the discerning collector or interior designer, this reproduction offers more than just a decorative element; it provides a focal point of emotional depth. The muted palette and soft textures make it an ideal addition to spaces that require a sense of calm, sophistication, and historical resonance. Whether placed in a sunlit study or a contemporary living space, Caspar acts as a window into the early 20th century, evoking a nostalgic longing for simplicity and the quiet beauty found in the most fleeting of human expressions.

Which museum holds Caspar?

Fitzwilliam College

Cambridge, United Kingdom

The Origins and History of Fitzwilliam College Fitzwilliam College is a constituent college of the University of Cambridge, England. Its origins date back to 1869, when it was established as the Non-Collegiate Students Board. This venture was created to provide academically excellent students from all backgrounds the opportunity to study at the university.

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Caspar by Augustus Edwin John, 1909, oil on canvas, Fitzwilliam College
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Augustus Edwin John, Caspar (1909), Fitzwilliam College.

Questions on Caspar, answered

Which museum holds the original "Caspar"?

"Caspar" by Augustus Edwin John is on display at the Fitzwilliam College, Cambridge, United Kingdom. The museum listing refers to the original work, not to reproductions.

What is the creation date of "Caspar" by Augustus Edwin John?

"Caspar" dates from 1909. The date places the work within Augustus Edwin John's career and its era.

What is "Caspar" made with?

The medium of "Caspar" by Augustus Edwin John is oil on canvas. Reproductions aim to render the appearance of this technique.

What are the dimensions of the original "Caspar" by Augustus Edwin John?

The recorded dimensions of "Caspar" by Augustus Edwin John are 41 x 33 cm. Reproductions can be ordered in other sizes while keeping the same proportions.

What is "Caspar" about?

"Caspar" by Augustus Edwin John depicts: portrait, youth, innocence, reflection, texture, observation, victorian, welshart.

Can the image of "Caspar" by Augustus Edwin John be freely reproduced?

"Caspar" by Augustus Edwin John is still protected by copyright. This status governs how the image of the work may be reproduced.

Which artist is "Caspar" attributed to?

"Caspar" is attributed to Augustus Edwin John.

What style does "Caspar" belong to?

The movement associated with "Caspar" by Augustus Edwin John is Post-Impressionism. This classification situates the work among related artists and artworks.

Where does "Caspar" fall in Augustus Edwin John's career?

"Caspar" represents the Mature Period of Augustus Edwin John.

About the artist, Augustus Edwin John

Augustus Edwin John

1878–1961, United States of America

Augustus Edwin John

A Welsh Bohemian: The Life and Art of Augustus Edwin John Augustus Edwin John emerged as a pivotal figure in early 20th-century British art, a painter whose life was as vibrant and unconventional as the canvases he produced. Born in Tenby, Wales, on January 4, 1878, his artistic journey began under the nurturing influence of his mother, who instilled in him a love for drawing from a young age. This early encouragement led him to the Tenby School of Art at seventeen, where his natural aptitude quickly became apparent. However, it was his subsequent enrollment at the Slade School of Fine Art, University College London (1894-1898), that truly ignited his artistic development.

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