Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 21 works by Wolf Huber in our catalogue
In short
To the gallery's eye, Wolf Huber's most famous painting is Landscape with Castle (1545), whose original hangs in the Ducal Graphic Collection, Eggenfeld. Christ taking leave of his Mother. (1519) and Saint Sebastian (1525) complete the trio every eye recognises. Of the 21 works by Wolf Huber in our catalog, the gallery presents the 20 most famous below, each original with its year, its museum and what makes it unique.
Landscape with Castle is a drawing by Wolf Huber. Born in Feldkirch, Austria, Huber was a multifaceted artist who worked as a painter, printmaker, and architect. His practice spanned the Northern Renaissance, contributing significantly to the development of the Danube School.
The painting titled Christ taking leave of his Mother. is a religious art piece by the Austrian artist Wolf Huber. Created in 1519, the work captures a moment of profound parting. It focuses on the tender, heavy silence between a mother and her son.
A young man with pale skin is positioned slightly off-center, tied to a dark tree trunk within a wooded setting. His body is pierced by several arrows, and his torso shows defined musculature. He wears a white loincloth that contrasts with the deep, earthy tones of the background. The lighting originates from the upper left, casting soft shadows across his chest and abdomen to create a sense of three-dimensional volume.…
Wolf Huber executed Allegory of Redemption, a work also identified as Allegory of Salvation, about 1543. This oil painting was commissioned by Prince-Bishop Wolfgang I, Count Salm. The patron, Wolfgang Graf von Salm, appears within the composition as the kneeling figure in the foreground.
Wolf Huber’s Epitaph of the Perger Family, executed about 1516, presents a dense assembly of figures within a somber funerary or religious setting. The composition is structured through several layers of subjects that create a sense of depth despite a relatively flat perspective, a hallmark of the early 16th-century Northern Renaissance style. On the left, a cluster of men dressed in period-appropriate Renaissance attire occupies the foreground and middle ground,…
The scene unfolds in Christ on the Mount of Olives, a work by the Austrian-German artist Wolf Huber. Born in Feldkirch, Austria, Huber moves through the history of the Northern Renaissance as a versatile creator, working as a painter, printmaker, and architect. This specific composition captures a moment of profound spiritual tension, rendered with the expressive intensity that defines his hand.
In this 1528 portrait, we encounter a man caught in a moment of quiet contemplation. He is positioned slightly off-center, his gaze directed away from us, as if lost in a thought that we are not permitted to share. The composition is a medium close-up, focusing on the upper body and the heavy textures that define his status. There is a profound sense of stillness here. The monochromatic palette, rendered…
The painting titled Crucifixion of Christ was executed by the artist Wolf Huber. This work dates to 1522. The composition depicts the central figure of Jesus on a cross, surrounded by a dense assembly of onlookers, soldiers, and mourners. The scene is framed within an arched structure, presenting a crowded arrangement of human figures against a dark, turbulent sky.
The painting depicts the biblical story of the flight into Egypt, featuring Mary, Joseph, and baby Jesus traveling on a donkey. The scene is set against an expansive backdrop of mountains, which provides a sense of scale to the landscape. Within the composition, several other figures are present, including one man holding a staff and another individual carrying a bowl. Two cows can be seen in the background, with one…
The painting depicts a religious scene centered on the body of Jesus, who lies horizontally across the middle of the frame. He is surrounded by a group of at least twelve figures, some of whom are kneeling while others stand in various states of mourning. The figures are positioned around the central form, their bodies oriented toward the deceased man. In the background, a landscape of mountains rises, providing a…
Landscape near Feldkirch1527 · Staatliche Graphische Sammlung
12
Christ taking leave of his Mother1520 · National Gallery
13
Portrait of Jacob Ziegler1540 · Kunsthistorisches Museum
14
Portrait of Margaret HundertpfundtPhiladelphia Museum of Art
15
Portrait of a ManBarnes Foundation
16
The Capture of ChristAlte Pinakothek
17
Fracstein zeichnung
18
Saint sebastian.
19
Portrait of Anton HundertpfundtNational Gallery of Ireland
20
Portrait of a Woman of the Reuss FamilyMuseu Nacional d'Art de Catalunya
The four subjects that come back most often in these originals, each with its finest example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Wolf Huber | Paintings from this list |
|---|---|---|---|
 Kunsthistorisches Museum |
Vienna | 4 | Christ taking leave of his Mother., Allegory of Redemption, Crucifixion of Christ |
 Bavarian State Painting Collections |
Munich | 2 | Epitaph of the Perger Family, Christ on the Mount of Olives |
 Ducal Graphic Collection |
Eggenfeld | 1 | Landscape with Castle |
 National Museum in Warsaw |
Warsaw | 1 | Saint Sebastian |
 Staatliche Museen zu Berlin |
Berlin | 1 | The Flight into Egypt |
 The Louvre |
Paris | 1 | The Lamentation of Christ |
 Staatliche Graphische Sammlung |
Munich | 1 | Landscape near Feldkirch |
 National Gallery |
London | 1 | Christ taking leave of his Mother |
Pick a decade to see the original that defines it.
The painting titled Christ taking leave of his Mother. is a religious art piece by the Austrian artist Wolf Huber. Created in 1519, the work captures a moment of profound parting. It focuses on the tender, heavy silence between a mother and her son.
A young man with pale skin is positioned slightly off-center, tied to a dark tree trunk within a wooded setting. His body is pierced by several arrows, and his torso shows defined musculature. He wears a white loincloth that contrasts with the deep, earthy tones of the background. The lighting originates from the upper left, casting soft shadows across his chest and abdomen to create a sense of three-dimensional volume.…
Landscape with Castle is a drawing by Wolf Huber. Born in Feldkirch, Austria, Huber was a multifaceted artist who worked as a painter, printmaker, and architect. His practice spanned the Northern Renaissance, contributing significantly to the development of the Danube School.
Landscape with Castle (1545), Ducal Graphic Collection, Eggenfeld. Christ taking leave of his Mother. (1519) and Saint Sebastian (1525) come next.
60 years old: Landscape with Castle dates from 1545, and Wolf Huber was born in 1485.
Landscape with Castle, Christ taking leave of his Mother., Saint Sebastian, Allegory of Redemption, Epitaph of the Perger Family, Christ on the Mount of Olives, Portrait of a (35-year-old) Man with Black Hat and Fur-Trimmed Coat, Crucifixion of Christ, The Flight into Egypt and The Lamentation of Christ. The ranking above gives each one's year and museum.
Our catalog holds 21 works by Wolf Huber, dated from 1516 to 1545.
Mostly in Kunsthistorisches Museum (Vienna), Bavarian State Painting Collections (Munich) and Ducal Graphic Collection (Eggenfeld). The museum table above lists them all.
In 1520s: 8 of the 20 works on this page were made then, Saint Sebastian among them.
On this page, the earliest is Epitaph of the Perger Family (1516) and the latest Landscape with Castle (1545).
Trees (4), Clouds (4) and People (4), across the 20 works on this page.
Oil On Panel, for 8 of the 20 works on this page.
Renaissance and Northern renaissance, judging by the originals on this page.
Christ taking leave of his Mother., Allegory of Redemption and Crucifixion of Christ: the Kunsthistorisches Museum, Vienna holds 4 of the works on this page.
In the vibrant tapestry of the Northern Renaissance, few threads are as intricately woven as those belonging to Wolf Huber. An Austrian-German painter, printmaker, and architect, Huber emerged as a leading figure of the Danube School, a movement that revolutionized the role of landscape in European art. While much of the Italian Renaissance focused on the perfection of human form and classical idealism, Huber and his contemporaries turned their gaze toward the untamed beauty of the natural world. His work captures the soul of the landscape, transforming dense forests, misty valleys, and dramatic mountain peaks from mere backdrops into profound, living subjects that resonate with spiritual depth.
Born in Feldkirch, Austria, Huber’s early life remains somewhat shrouded in the mists of history, though his presence in the artistic landscape becomes clearly established by the early sixteenth century. By 1515, he was living and working in Passau, Germany, a city that would serve as the primary stage for much of his illustrious career. Though the specifics of his formal training are unknown, it is believed he may have honed his skills within a family workshop. His artistic language suggests a sophisticated understanding of the Italian Renaissance, likely gained through travels to northern Italy, allowing him to blend the meticulous detail of the North with the masterful use of chiaroscuro and atmospheric perspective found in the South.
Huber’s oeuvre is characterized by a remarkable ability to weave human narrative into the very fabric of the earth. In his religious compositions, such as The Flight into Egypt or Christ Taking Leave of His Mother, the landscape does not simply surround the figures; it participates in their emotional journey. He possessed a rare sensitivity to the lyrical qualities of nature, using expansive mountains and verdant trees to act as emotional extensions of his subjects' internal struggles and divine destinies. This technique allowed him to elevate biblical narratives into cosmic events, where the majesty of the terrain mirrors the weight of the spiritual moment.
Beyond his religious works, Huber’s mastery extended to the intimate realm of portraiture. In pieces like the Portrait of Jacob Ziegler, he demonstrates a profound command over light and texture. Through a meticulous layering of pigments, he achieved a velvety depth that brings the sitter to life, capturing the intellectual fervor and introspective thought of his subjects. His portraits often utilize a soft, frontal illumination that lends a sculptural quality to the human face, creating a dialogue between the individual and the atmospheric world unfolding behind them.
The versatility of Wolf Huber extended far beyond the easel and the printing press. He was a man of multifaceted talent, serving not only as a painter but also as an architect. His architectural contributions are evidenced by his work for local nobility, most notably his commission from Count Niklas II von Salm to rebuild the Neuberg Palace on the Inn River. The surviving fragments of this project reveal his ability to integrate the grander, decorative styles of the Italian Renaissance into the regional landscape, complete with rich, ornamental paintings.
As a court painter to the Duke of Bavaria, Ernst, Huber occupied a position of significant prestige, further cementing his role as a pillar of the German-Austrian artistic community. His legacy lies in his ability to bridge the gap between the human and the divine, the intimate and the expansive. Through his contributions to the Danube School, he helped establish a new way of seeing—one where the landscape is not just a setting for man, but a profound reflection of the eternal.
