Portrait of Clara Peeters

Clara Peeters Paintings: The 45 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 49 works by Clara Peeters in our catalogue

In short

To the gallery's eye, Clara Peeters's most famous painting is Table with Orange, Olives and Pie (1611), whose original hangs in the Museo del Prado, Madrid. Still Life with Cheeses, Artichoke, and Cherries (1625) and Madonna And Child Within A Floral Wreath (1621) complete the trio every eye recognises. Of the 49 works by Clara Peeters in our catalog, the gallery presents the 45 most famous below, each original with its year, its museum and what makes it unique.

1587 – 1657, Antwerp Baroque Most works: Museo del Prado

The gallery's top 10 Clara Peeters paintings

1
Table with Orange, Olives and Pie (1611) by Clara Peeters

Table with Orange, Olives and Pie

1611 · Oil On Panel · Museo del Prado, Madrid

A Feast for the Senses: The Luminous World of Clara Peeters In the quiet intimacy of a seventeenth-century morning, Clara Peeters invites us to a table laden with the simple yet profound luxuries of life. Her 1611 masterpiece, Table with Orange, Olives and Pie, is far more than a mere collection of foodstuffs; it is a sensory journey captured in oil. As we gaze upon the glistening crust of the…

2
Still Life with Cheeses, Artichoke, and Cherries (1625) by Clara Peeters

Still Life with Cheeses, Artichoke, and Cherries

1625 · Oil · Los Angeles County Museum of Art, Los Angeles

In the quiet, contemplative realm of seventeenth-century Flemish painting, few works capture the sensory richness of life quite like Clara Peeters' "Still Life with Cheeses, Artichoke, and Cherries." Created in 1625, this masterpiece serves as a breathtaking window into the Dutch Golden Age, an era defined by burgeoning prosperity and an obsession with the tangible beauty of the natural world. As one of the pioneering female voices of her time,…

3
Madonna And Child Within A Floral Wreath (1621) by Clara Peeters

Madonna And Child Within A Floral Wreath

1621 · Oil On Panel

The artwork titled Madonna And Child Within A Floral Wreath is a painting by the artist Clara Peeters. Created about 1621, this work presents a central oval portrait of the Madonna and Child. The figures are positioned within this oval frame, which is set against a dark, near-black background. This placement focuses the viewer's attention on the faces of the Madonna and the child, which are illuminated by a gentle,…

6
Floral Still Life (1610) by Clara Peeters

Floral Still Life

1610 · Oil On Panel · Kröller-Müller Museum, Otterlo

This 1610 work, titled Floral Still Life, is a significant example of the skill of Clara Peeters. A Flemish still-life painter from Antwerp, Peeters was a pioneer of the Dutch Golden Age, establishing herself during a period of profound artistic development in the Low Countries. Her presence in the art historical record is notable, as she navigated the professional landscape of the seventeenth century with a distinct and specialized focus…

7
Flowers in a glass beaker, with a mouse and an ear of corn , on a stone ledge (1600) by Clara Peeters

Flowers in a glass beaker, with a mouse and an ear of corn , on a stone ledge

1600 · Oil On Panel · Museum Mayer van den Bergh, Antwerp

A glass beaker, filled with an assortment of blossoms, rests upon a stone ledge against a deep, dark background. The composition centers on the interplay between the translucent quality of the glass and the organic forms of the flowers. Light enters from the upper left, casting soft highlights across the petals and creating deep shadows that give the objects a sculptural presence. A fallen rose lies near the base, its…

8
Still life with oyster, shrimps, a salt cellar, a bread roll, and a lemon (1608) by Clara Peeters

Still life with oyster, shrimps, a salt cellar, a bread roll, and a lemon

1608 · Oil

In "Still life with oyster, shrimps, a salt cellar, a bread roll, and a lemon" by Clara Peeters, an asymmetrical arrangement of food items emerges from a dark, indeterminate background. The scene unfolds around a large, ornate salt cellar topped with a mound of coarse salt, which acts as a vertical anchor in the upper left quadrant. To its right, a dark plate holds a substantial piece of bread or…

9
Still Life with a Peregrine Falcon on its Prey (1617) by Clara Peeters

Still Life with a Peregrine Falcon on its Prey

1617 · Oil

In Still Life with a Peregrine Falcon on its Prey, Clara Peeters constructs an asymmetrical arrangement of mortality. On the left, a large, upright peregrine falcon perches atop a pile of other fowl. To the right, a shallow wicker basket holds a collection of dead game birds in the midground. The scene is captured from a close-up, eye-level view, bringing the viewer into an intimate proximity with the stillness of…

10
Still life with an artichoke, a Siegburg jug, a Wan Li dish with butter, cherries and a herring (1612) by Clara Peeters

Still life with an artichoke, a Siegburg jug, a Wan Li dish with butter, cherries and a herring

1612 · Oil On Panel · Richard Green Fine Paintings, London

In "Still life with an artichoke, a Siegburg jug, a Wan Li dish with butter, cherries and a herring" by Clara Peeters, a dense arrangement of food items occupies a dark, neutral surface. A large, ornate ceramic Siegburg jug provides a central vertical anchor for the composition. To its left sits a textured artichoke, while the right side features a stack of bread rolls and a shallow dish containing a…

Clara Peeters paintings, ranked 11 to 45

11Cheesestack with knife, shrimps, crawfish, glass of wine and bread (1615) by Clara PeetersCheesestack with knife, shrimps, crawfish, glass of wine and bread1615 · Richard Green Fine Paintings 12Still-life with cheesestack, bread napkin and pretzels (1615) by Clara PeetersStill-life with cheesestack, bread napkin and pretzels1615 13Still life of fruit and flowers (1613) by Clara PeetersStill life of fruit and flowers1613 · Ashmolean Museum 14Still life of flowers in a stoneware vase, with a pot with carnations (1612) by Clara PeetersStill life of flowers in a stoneware vase, with a pot with carnations1612 15Still life of fruit in a wicker basket, with nuts and a glass goblet (1615) by Clara PeetersStill life of fruit in a wicker basket, with nuts and a glass goblet1615 16Still life of pie and sweets with stoneware jug (1612) by Clara PeetersStill life of pie and sweets with stoneware jug1612 17Still life of flowers in a stoneware jug, goblet and pie, circa 1615 (1615) by Clara PeetersStill life of flowers in a stoneware jug, goblet and pie, circa 16151615 18Still life with cheesestack, a bun and pretzels (1615) by Clara PeetersStill life with cheesestack, a bun and pretzels1615 19A Still Life of Lilies, Roses, Iris, Pansies, Columbine, Love-in-a-Mist, Larkspur and Other Flowers in a Glass Vase on a Table Top, Flanked by a Rose and a Carnation (1610) by Clara PeetersA Still Life of Lilies, Roses, Iris, Pansies, Columbine, Love-in-a-Mist, Larkspur and Other Flowers in a Glass Vase on a Table Top, Flanked by a Rose and a Carnation1610 · National Museum of Women in the Arts 20Still life with Shellfish and Eggs (1630) by Clara PeetersStill life with Shellfish and Eggs1630 · Shipley Art Gallery 21Basket of red and green grapes with fruits of the hunt, including a goldfinch (1640) by Clara PeetersBasket of red and green grapes with fruits of the hunt, including a goldfinch1640 22Still Life with Crab, Shrimps and Lobster (1640) by Clara PeetersStill Life with Crab, Shrimps and Lobster1640 · Museum of Fine Arts 23A Bouquet of Flowers (1612) by Clara PeetersA Bouquet of Flowers1612 · Metropolitan Museum of Art 24Still-life (1611) by Clara PeetersStill-life1611 · Museo del Prado 25Still Life Of Fish And Cat by Clara PeetersStill Life Of Fish And CatNational Museum of Women in the Arts 26Flowers in a roemer, with a frog and a grashopper, on a stone ledge by Clara PeetersFlowers in a roemer, with a frog and a grashopper, on a stone ledgeMuseum Mayer van den Bergh 27Stillife with a fish by Clara PeetersStillife with a fish 28Bodegon Con Alcachofa by Clara PeetersBodegon Con Alcachofa 29Stilleben Mit Blumen Und Vergoldeten Pokalen by Clara PeetersStilleben Mit Blumen Und Vergoldeten Pokalen 30Still Life by Clara PeetersStill Life 31A Vanitas Portrait Of A Lady by Clara PeetersA Vanitas Portrait Of A LadyKunsthandel P. de Boer 32A Still Life With Carp In A Ceramic Colander, Oysters, Crayfish, Roach And A Cat On The Ledge Beneath by Clara PeetersA Still Life With Carp In A Ceramic Colander, Oysters, Crayfish, Roach And A Cat On The Ledge Beneath 33Bildnis Eines Wirtes by Clara PeetersBildnis Eines WirtesBavarian State Painting Collections 34Stilleben Mit Facon-de-venise-glas by Clara PeetersStilleben Mit Facon-de-venise-glas 35Still Life With Silver-gilt Tazza by Clara PeetersStill Life With Silver-gilt Tazza 36Still Life Of Fish And Lemons by Clara PeetersStill Life Of Fish And Lemons 37Still Life with Fish, Sea Food and Flowers, Clara Peeters, c. 1612 - c. 1615 (1615) by Clara PeetersStill Life with Fish, Sea Food and Flowers, Clara Peeters, c. 1612 - c. 16151615 · Rijksmuseum 38Still Life of Fish and Cat by Clara PeetersStill Life of Fish and CatNational Museum of Women in the Arts 39Still Life With Cheeses, Almonds And Pretzels From Circa by Clara PeetersStill Life With Cheeses, Almonds And Pretzels From CircaMauritshuis 40Still life of fruit, dead birds and a monkey, by Clara Peeters (1616) by Clara PeetersStill life of fruit, dead birds and a monkey, by Clara Peeters1616 · Rockox House 41Stilleven Met Vis, Collectie Van Het Kmsk Antwerpen by Clara PeetersStilleven Met Vis, Collectie Van Het Kmsk AntwerpenRoyal Museum of Fine Arts Antwerp 42Still Life with Nuts, Candy and Flowers (1611) by Clara PeetersStill Life with Nuts, Candy and Flowers1611 · Museo del Prado 43Still Life With Cheeses, Artichoke, And Cherries by Clara PeetersStill Life With Cheeses, Artichoke, And CherriesLos Angeles County Museum of Art 44Bodegón by Clara PeetersBodegónMuseo del Prado 45Bodegón by Clara PeetersBodegónMuseo del Prado

Clara Peeters's famous paintings, period by period

The subjects that held Clara Peeters's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Clara Peeters's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Clara Peeters Paintings from this list
Museo del Prado, MadridMuseo del Prado Madrid 5 Table with Orange, Olives and Pie, Still-life, Still Life with Nuts, Candy and Flowers
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 3 A Still Life of Lilies, Roses, Iris, Pansies, Columbine, Love-in-a-Mist, Larkspur and Other Flowers in a Glass Vase on a Table Top, Flanked by a Rose and a Carnation, Still Life Of Fish And Cat, Still Life of Fish and Cat
Los Angeles County Museum of Art, Los AngelesLos Angeles County Museum of Art Los Angeles 2 Still Life with Cheeses, Artichoke, and Cherries, Still Life With Cheeses, Artichoke, And Cherries
Museum Mayer van den Bergh, AntwerpMuseum Mayer van den Bergh Antwerp 2 Flowers in a glass beaker, with a mouse and an ear of corn , on a stone ledge, Flowers in a roemer, with a frog and a grashopper, on a stone ledge
Richard Green Fine Paintings London 2 Still life with an artichoke, a Siegburg jug, a Wan Li dish with butter, cherries and a herring, Cheesestack with knife, shrimps, crawfish, glass of wine and bread
Staatliche Kunsthalle, CarlsruheStaatliche Kunsthalle Carlsruhe 1 Still-Life with Flowers and Goblets
National Gallery of Art, WashingtonNational Gallery of Art Washington 1 Still Life with Flowers Surrounded by Insects and a Snail
Kröller-Müller Museum, OtterloKröller-Müller Museum Otterlo 1 Floral Still Life

Clara Peeters, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Clara Peeters's paintings: the gallery answers

Which Clara Peeters painting is the most famous of all?Reveal the answer

Table with Orange, Olives and Pie (1611), Museo del Prado, Madrid. Still Life with Cheeses, Artichoke, and Cherries (1625) and Madonna And Child Within A Floral Wreath (1621) come next.

How old was Clara Peeters on completing Table with Orange, Olives and Pie?Reveal the answer

24 years old: Table with Orange, Olives and Pie dates from 1611, and Clara Peeters was born in 1587.

Which are Clara Peeters's top 10 paintings?Reveal the answer

Table with Orange, Olives and Pie, Still Life with Cheeses, Artichoke, and Cherries, Madonna And Child Within A Floral Wreath, Still-Life with Flowers and Goblets, Still Life with Flowers Surrounded by Insects and a Snail, Floral Still Life, Flowers in a glass beaker, with a mouse and an ear of corn , on a stone ledge, Still life with oyster, shrimps, a salt cellar, a bread roll, and a lemon, Still Life with a Peregrine Falcon on its Prey and Still life with an artichoke, a Siegburg jug, a Wan Li dish with butter, cherries and a herring. The ranking above gives each one's year and museum.

How many works did Clara Peeters create?Reveal the answer

Our catalog holds 49 works by Clara Peeters, dated from 1600 to 1640.

Where do Clara Peeters's most famous originals hang?Reveal the answer

Mostly in Museo del Prado (Madrid), National Museum of Women in the Arts (Washington, D.C.) and Los Angeles County Museum of Art (Los Angeles). The museum table above lists them all.

When did Clara Peeters create the most famous paintings?Reveal the answer

In 1610s: 20 of the 45 works on this page were made then, Table with Orange, Olives and Pie among them.

Which are Clara Peeters's earliest and latest famous works?Reveal the answer

On this page, the earliest is Flowers in a glass beaker, with a mouse and an ear of corn , on a stone ledge (1600) and the latest Basket of red and green grapes with fruits of the hunt, including a goldfinch (1640).

Which subjects did Clara Peeters return to most?Reveal the answer

Flowers (11), Bread (7) and Life (6), across the 45 works on this page.

Which medium did Clara Peeters work in most?Reveal the answer

Oil On Panel, for 16 of the 45 works on this page.

Which movement is Clara Peeters associated with?Reveal the answer

Baroque and Dutch golden age, judging by the originals on this page.

Which Clara Peeters originals does the Museo del Prado hold?Reveal the answer

Table with Orange, Olives and Pie, Still-life and Still Life with Nuts, Candy and Flowers: the Museo del Prado, Madrid holds 5 of the works on this page.

Clara Peeters: the artist

Clara Peeters: Pioneer of Dutch Still Life

Clara Peeters (1594-after 1657) stands as a singular figure in seventeenth-century Flemish art—one of the earliest recognized female painters operating within the burgeoning Dutch Golden Age. Despite societal constraints that severely limited women’s access to artistic training and guild membership, Peeters carved out a remarkable career, leaving behind an oeuvre characterized by meticulous detail, innovative compositional strategies, and a fascination with capturing the textures and nuances of everyday life—particularly food. Her legacy continues to inspire scholars and artists alike as they grapple with questions surrounding her identity, training, and the elusive nature of her artistic output.
  • Early Life & Family
  • Training & Artistic Style
  • Notable Works & Oeuvre Size
  • Influence & Legacy
  • Ongoing Debate: Attribution & Authenticity

Early Life & Family

Born in Antwerp around 1587—the exact date remains debated by historians—Clara Peeters descended from a family steeped in artistic tradition. Records indicate that her father, Jean Peeters, was himself a painter, suggesting an environment conducive to fostering creative pursuits. The baptismal records confirm her birth within the Church of St. Walburga, Antwerp, cementing her place within the city’s vibrant artistic community. Further documentation reveals her marriage to Henricus Joosen in 1639—also at St. Walburga—establishing a domestic life alongside her husband and contributing to the growing family lineage of Peeters.

Training & Artistic Style

The precise circumstances surrounding Peeters’s artistic education remain shrouded in mystery, largely due to the limitations imposed upon women during this period. Unlike many male artists who benefited from formal guild apprenticeships—a cornerstone of Flemish artistic development—Peeters’s name does not appear in guild records, fueling speculation that she may have been educated privately or by a familial mentor. However, her distinctive style—characterized by exceptional technical polish and compositional sophistication—strongly suggests training within the Antwerp tradition, where artists prioritized meticulous detail and careful finish. Scholars believe Peeters was likely influenced by Osias Beert, a fellow Antwerp painter who pioneered still life techniques during his apprenticeship.

Notable Works & Oeuvre Size

Peeters’s artistic output is remarkably concentrated within the period between 1607 and 1621—a span during which she produced eighteen paintings before her eighteenth birthday. These early works exemplify her mastery of technique and demonstrate a profound understanding of visual representation, capturing scenes of food—particularly cheeses—with unparalleled realism. Beyond these seminal pieces, estimates suggest that Peeters’s oeuvre encompasses approximately seventy-six additional canvases—though definitive attribution remains challenging due to the prevalence of copies bearing her signature by various hands. Her penchant for depicting opulent banquet settings and meticulously rendered objects—including decorative knives adorned with nude figures—established her as a pivotal figure in shaping the traditions of Dutch “breakfast pieces” (“ontbijtjes”) and “banquet pieces” (“banketje”).

Influence & Legacy

Clara Peeters’s contribution to art history extends beyond her individual paintings. She represents a crucial milestone in recognizing women's artistic capabilities during the Dutch Golden Age—the earliest significant female painter of this era. Her work challenged prevailing societal norms and paved the way for future generations of female artists. Moreover, Peeters’s stylistic innovations—particularly her focus on capturing textures and subtleties—influenced subsequent painters and solidified her position as a pioneer in still life genre.

Ongoing Debate: Attribution & Authenticity

Despite the undeniable quality of Peeters' surviving works—primarily dated between 1607 and 1621—scholarly debate persists regarding their authorship. Two paintings bearing the signature “CP”—considered anonymous by the RKD—have been subjected to intense scrutiny, prompting questions about whether they truly represent Peeters’s hand. Furthermore, the loss of a painting purportedly attributed to Peeters in 1657 adds another layer of complexity to the discussion surrounding her artistic output. The pervasive presence of copies created by unidentified artists underscores the difficulty in definitively establishing Peeters' oeuvre size and cementing her place within art history.