Portrait of Bartholomeus Spranger

The 73 Most Famous Bartholomeus Spranger Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 76 works by Bartholomeus Spranger in our catalogue

In short

Adoration of the Magi (1606) is the Bartholomeus Spranger painting that draws the most eyes. After it, the eye goes to Ulysses and Circe (1586) and Allegory of Emperor Rudolf II (1592). Among the 76 works of Bartholomeus Spranger in our catalog, these 73 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1546 – 1611, Antwerp Northern mannerism Most works: Kunsthistorisches Museum

Top 10 paintings by Bartholomeus Spranger, through the gallery's eye

1
Adoration of the Magi (1606) by Bartholomeus Spranger

Adoration of the Magi

1606 · Engraving

The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in 1546, Spranger brought a specific Northern sensibility to the religious scene. He remained active in his craft until his death in 1611. This specific piece emerged from his hand during a period of intense creative output, dated around 1590 or around 1595-6.

2
Ulysses and Circe (1586) by Bartholomeus Spranger

Ulysses and Circe

1586 · Oil On Canvas · Kunsthistorisches Museum, Vienna

The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they twist. Circe, seen from behind, turns her torso in a serpentine arc, her pale skin catching a sharp, luminous light that cuts through the gloom. Her form is a curve of white against the deep, dark shadows of the background. Opposite her,…

3
Allegory of Emperor Rudolf II (1592) by Bartholomeus Spranger

Allegory of Emperor Rudolf II

1592 · Oil · Kunsthistorisches Museum, Vienna

The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work presents a complex arrangement of figures that seem to dance through a bright, open sky. The composition draws the eye upward toward a winged figure, while below, a pyramidal structure of deities and warriors creates a sense of layered depth. Every line…

4
Hercules, Deianira, and Nessus (1580) by Bartholomeus Spranger

Hercules, Deianira, and Nessus

1580 · Oil · Kunsthistorisches Museum, Vienna

The air in this scene feels heavy, thick with the sudden, violent shift of fate. In a swirling composition of interlocking limbs and muscular torsos, the figures of Hercules, Deianira, and Nessus collide in a moment of profound struggle. The movement is restless, a serpentine energy that pulls the eye through a tangle of bodies. Hercules dominates the center, his form rendered with a powerful anatomical precision that catches the…

5
Minerva Victorious over Ignorance (1591) by Bartholomeus Spranger

Minerva Victorious over Ignorance

1591 · Oil On Canvas · Kunsthistorisches Museum, Vienna

In this dynamic Mannerist oil painting, the goddess Minerva Victorious over Ignorance emerges as a central force of triumph. Created by Bartholomeus Spranger around 1591, the scene captures a moment of intense movement and theatrical energy. Minerva dominates the vertical space, her body held in an elegant, elongated contrapposto pose that suggests both grace and power. She wears a gleaming silver breastplate with a golden relief, paired with a light…

6
Self-portrait (1585) by Bartholomeus Spranger

Self-portrait

1585 · Oil On Canvas · Kunsthistorisches Museum, Vienna

This oil portrait, titled Self-portrait, was executed by the artist Bartholomeus Spranger in 1585. It offers a direct encounter with the painter himself, captured during a period of significant professional development. The work measures 45 x 63 cm, providing an intimate scale for such a personal study of identity and presence.

7
Fall of Man (1595) by Bartholomeus Spranger

Fall of Man

1595 · Oil On Panel · Kunsthistorisches Museum, Vienna

The religious art piece "Fall of Man" by Bartholomeus Spranger presents a scene centered on the biblical narrative of the expulsion from Paradise. The composition focuses on the figures of Adam and Eve in the immediate aftermath of their transgression. These two figures occupy the central space of the work, positioned within a landscape that reflects the consequences of their actions. The subject matter specifically addresses the moment of humanity's…

8
God the Father with the Holy Ghost and angels (1582) by Bartholomeus Spranger

God the Father with the Holy Ghost and angels

1582 · Oil On Panel · Kunsthistorisches Museum, Vienna

A celestial hierarchy unfolds within an oval composition, capturing a moment of profound spiritual descent. At the apex, God the Father gazes downward with a solemn expression, one hand raised in blessing while the other rests upon a luminous orb that represents the universe. Beneath him, the Holy Ghost descends as a white dove, enveloped in radiant golden light. The scene is populated by cherubic angel faces emerging from soft,…

9
Apollo and the Muses (1590) by Bartholomeus Spranger

Apollo and the Muses

1590 · Oil · Kunsthistorisches Museum, Vienna

In this Mannerist oil painting, we find ourselves drawn into a crowded, dynamic scene where mythology meets a lush, hilly landscape. Apollo sits at the center of this movement, a radiant figure distinguished by a halo, his fingers engaged with a stringed instrument. He is not alone; he is surrounded by several female Muses, each caught in a moment of music or quiet conversation. The composition feels intentional yet restless,…

10
Mercury and Venus (1578) by Bartholomeus Spranger

Mercury and Venus

1578 · Oil On Canvas · Bavarian State Painting Collections, Munich

The oil on canvas work titled Mercury and Venus was executed by the artist Bartholomeus Spranger. This painting is dated to about 1585. It captures a moment of mythic intimacy through the presence of two central nude figures. These figures, likely Mercury and Venus, are caught in the middle of an embrace.

Bartholomeus Spranger's famous paintings, numbers 11 to 73

11The Fragrance (1578) by Bartholomeus SprangerThe Fragrance1578 · Bavarian State Painting Collections 12Saint Mary Magdalene (1578) by Bartholomeus SprangerSaint Mary Magdalene1578 · Bavarian State Painting Collections 13Holy Family (1578) by Bartholomeus SprangerHoly Family1578 · Bavarian State Painting Collections 14Lamentation of Christ (1576) by Bartholomeus SprangerLamentation of Christ1576 · Bavarian State Painting Collections 15Sine Cerere et Baccho friget Venus (1590) by Bartholomeus SprangerSine Cerere et Baccho friget Venus1590 · Kunsthistorisches Museum 16Mountain landscape with a scene of the early history of man (1569) by Bartholomeus SprangerMountain landscape with a scene of the early history of man1569 · Staatliche Kunsthalle Karlsruhe 17The contest between Apollo and Pan (1587) by Bartholomeus SprangerThe contest between Apollo and Pan1587 · Bavarian State Painting Collections 18Saint Luke painting the Virgin (1582) by Bartholomeus SprangerSaint Luke painting the Virgin1582 · Bavarian State Painting Collections 19The Flagellation of Christ (1586) by Bartholomeus SprangerThe Flagellation of Christ1586 · Statens Museum For Kunst 20Jael Kills Sisera (1586) by Bartholomeus SprangerJael Kills Sisera1586 · Statens Museum For Kunst 21Ecce Homo (1580) by Bartholomeus SprangerEcce Homo1580 22God the father with the holy spirit and angels (1582) by Bartholomeus SprangerGod the father with the holy spirit and angels1582 23Diana Resting after Hunt (1597) by Bartholomeus SprangerDiana Resting after Hunt1597 · Szépművészeti Múzeum 24Diana - Luna (1600) by Bartholomeus SprangerDiana - Luna1600 · Szépművészeti Múzeum 25Venus and Mercury put a blindfold over Cupid's eyes (1597) by Bartholomeus SprangerVenus and Mercury put a blindfold over Cupid's eyes1597 · Germanisches Nationalmuseum 26Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628) (1600) by Bartholomeus SprangerPortrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628)1600 · National Gallery Prague 27The Suicide of Sophonisba (1605) by Bartholomeus SprangerThe Suicide of Sophonisba1605 · National Gallery Prague 28Amor fleeing Psyche (1599) by Bartholomeus SprangerAmor fleeing Psyche1599 29Standing Nude Man (Bacchus) (1600) by Bartholomeus SprangerStanding Nude Man (Bacchus)1600 30Diana and Actaeon (1600) by Bartholomeus SprangerDiana and Actaeon1600 31Saint Barbara (1611) by Bartholomeus SprangerSaint Barbara1611 · Szépművészeti Múzeum 32Venus and Mercury (1585) by Bartholomeus SprangerVenus and Mercury1585 · Kunsthistorisches Museum 33Jupiter and Antiope (1596) by Bartholomeus SprangerJupiter and Antiope1596 · Kunsthistorisches Museum 34Allegory of Justice and Prudence (1599) by Bartholomeus SprangerAllegory of Justice and Prudence1599 · The Louvre 35Venus and Adonis (1587) by Bartholomeus SprangerVenus and Adonis1587 · Rijksmuseum 36Venus and Mars warned by Mercury (1587) by Bartholomeus SprangerVenus and Mars warned by Mercury1587 · Kunsthistorisches Museum 37Hermes and Athena (1585) by Bartholomeus SprangerHermes and Athena1585 · Castle 38Venus and Vulcan (1610) by Bartholomeus SprangerVenus and Vulcan1610 · Kunsthistorisches Museum 39Mountain landscape with a hermit (1567) by Bartholomeus SprangerMountain landscape with a hermit1567 · Staatliche Kunsthalle Karlsruhe 40Figure Studies (1575) by Bartholomeus SprangerFigure Studies1575 41Glaucus and Scylla (1582) by Bartholomeus SprangerGlaucus and Scylla1582 · Kunsthistorisches Museum 42Diana and Actaeon (1585) by Bartholomeus SprangerDiana and Actaeon1585 43Saint Margaret (1583) by Bartholomeus SprangerSaint Margaret1583 44Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 1587 (1587) by Bartholomeus SprangerEngelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 15871587 · Rijksmuseum 45The Baptism of Christ (1603) by Bartholomeus SprangerThe Baptism of Christ1603 · National Museum in Wrocław 46The Triumph of Venus (1600) by Bartholomeus SprangerThe Triumph of Venus1600 47Study of a Female Nude (Venus in a Drapery) (1605) by Bartholomeus SprangerStudy of a Female Nude (Venus in a Drapery)1605 · National Museum in Warsaw 48Achelous and Deianeira (1600) by Bartholomeus SprangerAchelous and Deianeira1600 49The Adoration of the Kings (1595) by Bartholomeus SprangerThe Adoration of the Kings1595 · National Gallery 50Adoration of the Kings (1595) by Bartholomeus SprangerAdoration of the Kings1595 · National Gallery 51Mercury Carrying Psyche to Mount Olympus (1611) by Bartholomeus SprangerMercury Carrying Psyche to Mount Olympus1611 52Odysseus and Circe (1585) by Bartholomeus SprangerOdysseus and Circe1585 · Kunsthistorisches Museum 53St Wenceslas and St Vitus by Bartholomeus SprangerSt Wenceslas and St VitusNational Gallery Prague 54St Sigismund and St Adalbert by Bartholomeus SprangerSt Sigismund and St AdalbertNational Gallery Prague 55Vulcan and Maia (1575) by Bartholomeus SprangerVulcan and Maia1575 · Kunsthistorisches Museum 56Ceres and Bacchus by Bartholomeus SprangerCeres and Bacchus 57Allegory by Bartholomeus SprangerAllegoryMusee des Beaux-Arts 58Apotheosis of the Arts (Fame leading the Arts to Olympus) by Bartholomeus SprangerApotheosis of the Arts (Fame leading the Arts to Olympus)National Gallery Prague 59Faun with Wounded Foot by Bartholomeus SprangerFaun with Wounded Foot 60La Peinture, la Sculpture et l'Architecture by Bartholomeus SprangerLa Peinture, la Sculpture et l'Architecture 61Le Christ sauveur du monde by Bartholomeus SprangerLe Christ sauveur du monde 62ALLEGORIE DE LA JUSTICE by Bartholomeus SprangerALLEGORIE DE LA JUSTICEThe Louvre 63Peter and John Heal a Cripple at the Gate of the Temple by Bartholomeus SprangerPeter and John Heal a Cripple at the Gate of the Temple 64Salvator Mundi by Bartholomeus SprangerSalvator Mundi 65Faith, Hope and Charity by Bartholomeus SprangerFaith, Hope and Charity 66Sarah Presenting Hagar to Abraham by Bartholomeus SprangerSarah Presenting Hagar to Abraham 67Christ blessing little children by Bartholomeus SprangerChrist blessing little children 68Female Warrior Crushing a Satyr by Bartholomeus SprangerFemale Warrior Crushing a Satyr 69Venus and Adonis (1597) by Bartholomeus SprangerVenus and Adonis1597 · Kunsthistorisches Museum 70Epitaph of Goldsmith Nicolas Müller of Prague (1592) by Bartholomeus SprangerEpitaph of Goldsmith Nicolas Müller of Prague1592 · National Gallery Prague 71Angelica and Medoro (1600) by Bartholomeus SprangerAngelica and Medoro1600 · Alte Pinakothek 72Hermaphrodite and the nymph Salmacis (1582) by Bartholomeus SprangerHermaphrodite and the nymph Salmacis1582 · Kunsthistorisches Museum 73Herakles and Omphale (1585) by Bartholomeus SprangerHerakles and Omphale1585 · Kunsthistorisches Museum

Bartholomeus Spranger's famous paintings, period by period

The subjects that held Bartholomeus Spranger's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Bartholomeus Spranger's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Bartholomeus Spranger Paintings from this list
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 19 Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 7 Mercury and Venus, The Fragrance, Saint Mary Magdalene
National Gallery Prague, PragueNational Gallery Prague Prague 6 Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628), The Suicide of Sophonisba, St Wenceslas and St Vitus
Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 3 Diana Resting after Hunt, Diana - Luna, Saint Barbara
Staatliche Kunsthalle Karlsruhe, CarlsruheStaatliche Kunsthalle Karlsruhe Carlsruhe 2 Mountain landscape with a scene of the early history of man, Mountain landscape with a hermit
Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 2 The Flagellation of Christ, Jael Kills Sisera
The Louvre, ParisThe Louvre Paris 2 Allegory of Justice and Prudence, ALLEGORIE DE LA JUSTICE
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Venus and Adonis, Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 1587

Bartholomeus Spranger across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Bartholomeus Spranger's paintings: questions for the gallery

What is the single most famous work of Bartholomeus Spranger?Reveal the answer

Adoration of the Magi (1606). Ulysses and Circe (1586) and Allegory of Emperor Rudolf II (1592) come next.

At what age did Bartholomeus Spranger create Adoration of the Magi?Reveal the answer

60 years old: Adoration of the Magi dates from 1606, and Bartholomeus Spranger was born in 1546.

Which ten paintings by Bartholomeus Spranger are the most famous?Reveal the answer

Adoration of the Magi, Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus, Minerva Victorious over Ignorance, Self-portrait, Fall of Man, God the Father with the Holy Ghost and angels, Apollo and the Muses and Mercury and Venus. The ranking above gives each one's year and museum.

How many works by Bartholomeus Spranger are known?Reveal the answer

Our catalog holds 76 works by Bartholomeus Spranger, dated from 1567 to 1611.

Where can the most famous Bartholomeus Spranger originals be seen?Reveal the answer

Mostly in Kunsthistorisches Museum (Vienna), Bavarian State Painting Collections (Munich) and National Gallery Prague (Prague). The museum table above lists them all.

During which period did Bartholomeus Spranger create the best-known paintings?Reveal the answer

In 1580s: 21 of the 73 works on this page were made then, Ulysses and Circe among them.

Which famous Bartholomeus Spranger painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Mountain landscape with a hermit (1567) and the latest Saint Barbara (1611).

What subjects did Bartholomeus Spranger favour?Reveal the answer

Woman (35), Man (33) and Skin (13), across the 73 works on this page.

What materials did Bartholomeus Spranger paint with most?Reveal the answer

Oil, for 26 of the 73 works on this page.

Which movement does the work of Bartholomeus Spranger belong to?Reveal the answer

Northern mannerism, judging by the originals on this page.

What Bartholomeus Spranger originals can I see at the Kunsthistorisches Museum?Reveal the answer

Ulysses and Circe, Allegory of Emperor Rudolf II and Hercules, Deianira, and Nessus: the Kunsthistorisches Museum, Vienna holds 19 of the works on this page.

Bartholomeus Spranger: a portrait of the artist

Bartholomeus Spranger: The Court Painter of Eroticism and Majesty

Bartholomäus Spranger (1546-1611), a name that resonates through the halls of Northern Mannerism, was more than just a painter; he was a pivotal figure in shaping artistic sensibilities during his time. Born in Antwerp, the son of a merchant with extensive travels, Spranger’s early life hinted at a future steeped in art and foreign influences. His initial training under Jan Mandijn, Frans Mostaert, and Cornelis van Dalem provided him with a solid foundation in landscape painting – a surprising starting point for an artist who would later become renowned for his intensely sensual depictions of the nude. However, it was his sojourn to Paris in 1565, working within the studio of Marc Duval, that truly ignited his artistic trajectory, exposing him to new techniques and perspectives.

Early Influences and Italian Journeys

Spranger’s artistic development wasn't confined to the Netherlands. He diligently copied prints by Frans Floris and Parmigianino, absorbing their elegant lines and sophisticated compositions. Crucially, his travels extended into Italy, where he spent eight months in Milan and three months in Parma, assisting Bernardino Gatti on the ambitious fresco project for the dome of Santa Maria della Steccata. This experience offered invaluable insight into large-scale painting techniques and exposed him to the vibrant artistic scene of Renaissance Italy. His time in Rome proved particularly formative, establishing a connection with Giulio Clovio, a renowned mannerist painter and designer, who became his protégé. It was here that he encountered Karel van Mander, whose *Schilder-boeck* would later provide a detailed account of Spranger’s life and work – a testament to the artist's significance within the artistic community.

The Imperial Court of Prague

Spranger’s career truly ascended when he was appointed court painter to Pope Pius V in 1570. However, his most enduring legacy lies in his service to the Holy Roman Emperor Rudolf II, a passionate collector of art and esoteric knowledge. Rudolf's relocation of the imperial court to Prague in 1581 marked a turning point for Spranger. The emperor’s fascination with classical antiquity, mythology, and alchemy profoundly influenced the artist’s work. Spranger responded directly to these preferences, creating a body of paintings dominated by exquisitely rendered nude figures – often seen from behind, conveying an aura of mystery and sensuality. These weren't merely decorative studies; they were carefully constructed allegories reflecting Rudolf II’s philosophical leanings and his desire to project an image of power and sophistication.

Style and Technique: Northern Mannerism at its Peak

Spranger’s style is a quintessential example of Northern Mannerism, characterized by elongated figures, complex poses, and a deliberate emphasis on elegance and refinement. His paintings are distinguished by their smooth modeling, meticulous detail, and a subtle use of color. He skillfully blended Netherlandish realism with Italian mannerist influences, particularly the Roman tradition of depicting classical mythology. His drawings, in particular, possess remarkable energy and freedom – a testament to his masterful draftsmanship. Spranger’s work is notable for its dynamism, achieved through carefully orchestrated diagonals and a sense of movement within each composition. The influence of his earlier training in landscape painting can be seen in the atmospheric backgrounds he often employed, adding depth and context to his figures.

Legacy and Influence

Bartholomeus Spranger’s impact on European art is considerable. His paintings, particularly those housed in Vienna's Kunsthistorisches Museum, represent a pinnacle of Northern Mannerism. His work served as an inspiration for subsequent generations of artists, including the Dutch Republic, where his style was widely disseminated through prints and by artists who had worked with him. The meticulous detail and sensual appeal of his nudes continue to captivate viewers today, solidifying Spranger’s place as a master of his craft and a significant figure in the history of Western art. His story is one of artistic evolution, shaped by diverse influences and ultimately defined by his unique vision—a vision that seamlessly blended eroticism, allegory, and imperial grandeur.