In short
To the gallery's eye, Pieter Post's most famous painting is Dune Landscape with Haystack (1633), whose original hangs in the Mauritshuis, The Hague. Ambushing an Army Convoy (1631) and Cavalry Engagement (1631) complete the trio every eye recognises. Of the 16 works by Pieter Post in our catalog, the gallery presents the 14 most famous below, each original with its year, its museum and what makes it unique.
The gallery's top 10 Pieter Post paintings
Pieter Post paintings, ranked 11 to 14
The subjects that held Pieter Post's eye
The four subjects that come back most often in these originals, each with its finest example.
The museums that keep Pieter Post's originals
The 5 museums that hold the most of the paintings on this page.
| Museum | City | Works by Pieter Post | Paintings from this list |
|---|---|---|---|
| The Hague | 3 | Dune Landscape with Haystack, Ambushing an Army Convoy, Cavalry Engagement | |
| Amsterdam | 2 | Landscape By The River Senhor De Engenho, Brazilian Landscape | |
| Paris | 1 | View of the bleaching fields near Haarlem | |
| Copenhagen | 1 | Landscape with Riders on a Sandy Road | |
| Haren | 1 | Italianate Landscape With The Parting Of Jacob And Laban |
Pieter Post, one signature painting per decade
Pieter Post's paintings: the gallery answers
Which Pieter Post painting is the most famous of all?Reveal the answer
Dune Landscape with Haystack (1633), Mauritshuis, The Hague. Ambushing an Army Convoy (1631) and Cavalry Engagement (1631) come next.
How old was Pieter Post on completing Dune Landscape with Haystack?Reveal the answer
25 years old: Dune Landscape with Haystack dates from 1633, and Pieter Post was born in 1608.
Which are Pieter Post's top 10 paintings?Reveal the answer
Dune Landscape with Haystack, Ambushing an Army Convoy, Cavalry Engagement, View of the bleaching fields near Haarlem, Landscape with Riders on a Sandy Road, Italianate Landscape, Assembly Room In The Binnenhof, The Hague, Landscape, Landscape, A Village In Middle Distance And Hills In The Background and Landscape By The River Senhor De Engenho. The ranking above gives each one's year and museum.
How many works did Pieter Post create?Reveal the answer
Our catalog holds 16 works by Pieter Post, dated from 1631 to 1669.
Where do Pieter Post's most famous originals hang?Reveal the answer
Mostly in Mauritshuis (The Hague), Rijksmuseum (Amsterdam) and Fondation Custodia (Paris). The museum table above lists them all.
When did Pieter Post create the most famous paintings?Reveal the answer
In 1630s: 4 of the 14 works on this page were made then, Dune Landscape with Haystack among them.
Which are Pieter Post's earliest and latest famous works?Reveal the answer
On this page, the earliest is Ambushing an Army Convoy (1631) and the latest Italianate Landscape (1669).
Which Pieter Post originals does the Mauritshuis hold?Reveal the answer
Dune Landscape with Haystack, Ambushing an Army Convoy and Cavalry Engagement: the Mauritshuis, The Hague holds 3 of the works on this page.
Pieter Post: the artist
The Architect of Dutch Baroque Harmony
Pieter Jansz Post stands as a pivotal figure in the Dutch Golden Age, a master whose creative spirit bridged the gap between the structural precision of architecture and the evocative beauty of landscape painting. Born in Haarlem in 1608, Post was immersed in an artistic lineage from his earliest days; he was the son of a skilled stained-glass painter and the elder brother to the renowned landscape artist Frans Post. This familial foundation provided him with more than just technical training; it offered a deep connection to the vibrant guild systems of the Netherlands, where the boundaries between different artistic disciplines were often fluid and interconnected.
His early career was marked by a dual mastery that would define his legacy. While he began his journey in Haarlem as a painter—producing notable battle scenes and landscapes during the 1630s—it was his architectural vision that would eventually reshape the physical landscape of the Netherlands. Post’s talent for capturing the atmospheric nuances of nature was matched by an innate understanding of symmetry, grandeur, and classical order. This rare combination allowed him to approach both canvas and stone with a singular, cohesive aesthetic sense, making him a true polymath of the seventeenth century.
A Legacy in Stone and Symmetry
The most enduring chapter of Post’s life was written through his profound architectural collaborations, most notably with Jacob van Campen. Together, this duo became the architects of Dutch Classicism, a style that sought to bring the refined elegance of the Renaissance to the burgeoning Dutch Republic. Their partnership was instrumental in designing some of the most iconic structures in the Netherlands, including the legendary Mauritshuis in The Hague. This palace, designed to reflect maritime prowess and cultural sophistication, remains a testament to their shared ability to blend monumental scale with delicate ornamentation.
Post’s architectural influence extended far beyond a single building. His hand can be seen in the very fabric of Dutch civic and royal life, serving as an overseer for significant additions to Paleis Noordeinde and acting as the architect for Huis ten Bosch under the patronage of Stadhouder Frederik Hendrik. His portfolio of work is a sprawling map of Dutch history, encompassing:
- The Mauritshuis: A masterpiece of Dutch Baroque design and a symbol of national identity.
- Huis ten Bosch: A project showcasing his ability to execute royal commissions with grandeur.
- Civic Landmarks: Including the Gebouw van de Staten van Holland and various weigh houses like the De Waag in Leiden.
- Ecclesiastical Works: Such as the Oostkerk in Middelburg, where his sense of space and light found expression in sacred architecture.
The Painter’s Eye and Historical Significance
While history often remembers him for the permanence of his buildings, Post’s contributions to painting offered a more intimate window into the Dutch soul. His early works, such as View of the bleaching fields near Haarlem (1631), demonstrate a keen interest in the topographical realities and the shifting light of the Low Countries. Unlike his brother Frans, who would go on to document the exotic landscapes of Brazil, Pieter’s focus remained deeply rooted in the familiar, yet transformed, landscapes of his homeland through a lens of classical refinement.
The significance of Pieter Jansz Post lies in his ability to harmonize the disparate elements of his era. He did not merely build walls or paint trees; he constructed an aesthetic language that communicated authority, stability, and beauty. Through his work, the Dutch Golden Age found a visual rhythm—a balance between the rugged reality of the terrain and the idealized order of classical architecture. Even as the centuries passed, his influence persisted through his descendants, including his son Maurits, who followed in his architectural footsteps, ensuring that the Post name remained synonymous with the structural and artistic elegance of the Netherlands.








