Portrait of Nicolas Régnier

Nicolas Régnier Paintings: The 48 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 49 works by Nicolas Régnier in our catalogue

In short

To the gallery's eye, Nicolas Régnier's most famous painting is Judith with the Head of Holophernes (1601), whose original hangs in the Museo del Prado, Madrid. The Penitent Magdalene (1660) and Saint Mary Magdalene (1657) complete the trio every eye recognises. Of the 49 works by Nicolas Régnier in our catalog, the gallery presents the 48 most famous below, each original with its year, its museum and what makes it unique.

1588 – 1667, Maubeuge Baroque Most works: Kunsthistorisches Museum

The gallery's top 10 Nicolas Régnier paintings

1
Judith with the Head of Holophernes (1601) by Nicolas Régnier

Judith with the Head of Holophernes

1601 · Oil On Canvas · Museo del Prado, Madrid

The composition focuses on two figures emerging from an impenetrable darkness. A young woman with wavy, reddish-blonde hair gazes directly at the viewer, her expression detached and calm despite the grisly task at hand. She holds a severed head by its hair, the pale skin of the neck contrasting sharply against the deep shadows. Behind her, an older woman’s face is partially visible, peering from the gloom to watch the…

2
The Penitent Magdalene (1660) by Nicolas Régnier

The Penitent Magdalene

1660 · Oil On Canvas · Birmingham Museum and Art Gallery, Birmingham

A solitary female figure sits in a moment of profound religious introspection. Arranged in a pyramidal composition, her form draws the eye from the soft contours of her face down through the heavy, sculptural folds of her crimson and cerulean drapery to a single bare foot. The scene is defined by a dramatic chiaroscuro, where intense light carves her pale skin and the tactile textures of her garments out of…

3
Saint Mary Magdalene (1657) by Nicolas Régnier

Saint Mary Magdalene

1657 · Oil On Canvas · Kunsthistorisches Museum, Vienna

The air in the room feels heavy, thick with the scent of old wood and the weight of silent prayer. A single woman sits in the center of a deep, shadowy space, her presence illuminated by a sharp, directional light that cuts through the darkness from the upper left. This light catches the pale curve of her skin and the heavy, dramatic folds of her crimson and cerulean drapery, making…

4
Male Portrait (1625) by Nicolas Régnier

Male Portrait

1625 · Oil On Canvas · Kunsthistorisches Museum, Vienna

A young man is captured from the waist up, his presence defined by a sharp, directional light originating from the upper left. This illumination carves his features out of an indeterminate dark background, creating a profound sense of three-dimensional volume. The subject wears a large black hat, its brim and a small golden ornament providing the few structured edges against the soft, blended textures of his skin. A crisp white…

5
Hero and Leander (1625) by Nicolas Régnier

Hero and Leander

1625 · Oil On Canvas · National Gallery of Victoria, Melbourne

This mythological painting, titled Hero and Leander, was executed by the artist Nicolas Régnier. Rendered in oil on canvas, the work captures a moment of profound tragedy through a dramatic composition. The scale of the piece is substantial, measuring 155.3 x 209.5 cm, which lends a physical presence to the figures and their surroundings.

6
Portrait of a Young Man with a Sword (1618) by Nicolas Régnier

Portrait of a Young Man with a Sword

1618 · Oil · Detroit Institute of Arts, Detroit

In the portrait titled "Portrait of a Young Man with a Sword" by Nicolas Régnier, the subject is presented in a classic bust-length composition. The young man is depicted from the chest up, positioned slightly off-center within the frame. He maintains a direct gaze toward the viewer. His attire consists of a dark garment paired with a prominent, stiff white collar that provides a sharp tonal contrast against the darker…

7
Portrait of Domenico Contarini in a red mantle (1615) by Nicolas Régnier

Portrait of Domenico Contarini in a red mantle

1615 · Oil

An elderly man is captured in a three-quarter length pose, his body turned slightly away while his gaze returns toward the viewer. He is draped in a voluminous red mantle, the heavy folds of which suggest a thick, tactile fabric like velvet or wool. The lighting is stark, employing a dramatic chiaroscuro that pulls the subject's weathered face and prominent forehead out of a deep, indistinct background. This intense illumination…

8
Allegory of Winter (1617) by Nicolas Régnier

Allegory of Winter

1617 · Oil

In Allegory of Winter by Nicolas Régnier, a group of figures gathers within a tightly composed, dark scene. The horizontal arrangement feels crowded, pressing the subjects toward the viewer through a shallow depth of field. This proximity creates a sense of immediate, heavy interaction. A single figure on the far left breaks the tension, looking toward the viewer with a slight smile. The rest of the group remains caught in…

9
Allegory of Autumn (1617) by Nicolas Régnier

Allegory of Autumn

1617 · Oil

The oil on canvas titled Allegory of Autumn was executed by the artist Nicolas Régnier. This work is dated to 1617. The painting presents a horizontal arrangement of figures that occupies the immediate foreground of the composition.

10
Portrait of a Man with a Guitar (1626) by Nicolas Régnier

Portrait of a Man with a Guitar

1626 · Oil On Canvas · Musée de Grenoble, Grenoble

The scene unfolds through Portrait of a Man with a Guitar, a work by the artist Nicolas Régnier. This oil on canvas portrait captures a singular moment of musical devotion, frozen in time. The subject sits immersed in his performance, his presence defined by the quiet intensity of his posture. It is a piece that invites a close gaze into the private world of the musician.

Nicolas Régnier paintings, ranked 11 to 48

11Saint Matthew and the Angel (1623) by Nicolas RégnierSaint Matthew and the Angel1623 · John and Mable Ringling Museum of Art 12The Repentant Magdalene (1625) by Nicolas RégnierThe Repentant Magdalene1625 · Detroit Institute of Arts 13Scene with sleeping man and robber (1630) by Nicolas RégnierScene with sleeping man and robber1630 · National Museum in Warsaw 14Joseph and Potiphar's Wife (1628) by Nicolas RégnierJoseph and Potiphar's Wife1628 · Schorr Collection 15Saint Sebastian tended by Saint Irene (1626) by Nicolas RégnierSaint Sebastian tended by Saint Irene1626 · Musée des Beaux-Arts de Rouen 16David with the head of Goliath (1625) by Nicolas RégnierDavid with the head of Goliath1625 · Musée des Beaux-Arts de Dijon 17Head of a Warrior (1645) by Nicolas RégnierHead of a Warrior1645 · Royal Collection 18Divine Inspiration of Music (1640) by Nicolas RégnierDivine Inspiration of Music1640 · Los Angeles County Museum of Art 19Soldier Playing Dice with the Tunic of Christ (1650) by Nicolas RégnierSoldier Playing Dice with the Tunic of Christ1650 · Palais des Beaux-Arts de Lille 20Death of Sophonisba (1655) by Nicolas RégnierDeath of Sophonisba1655 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 21The punishment of Midas (1650) by Nicolas RégnierThe punishment of Midas1650 22Death of Sophonisba (1666) by Nicolas RégnierDeath of Sophonisba1666 · New Walk Museum - Art Gallery 23St Sebastian Tended by St Irene (1650) by Nicolas RégnierSt Sebastian Tended by St Irene1650 · Mauritshuis 24The Fortune Teller (1625) by Nicolas RégnierThe Fortune Teller1625 · The Louvre 25Cardsharps and Fortune Teller (1620) by Nicolas RégnierCardsharps and Fortune Teller1620 · Szépművészeti Múzeum 26St John the Baptist (1615) by Nicolas RégnierSt John the Baptist1615 · Hermitage Museum 27Guessing Game (1620) by Nicolas RégnierGuessing Game1620 · Galleria degli Uffizi 28A Musician Playing a Lute to a Singing Girl (1621) by Nicolas RégnierA Musician Playing a Lute to a Singing Girl1621 29Self-Portrait with a Portrait on an Easel (1623) by Nicolas RégnierSelf-Portrait with a Portrait on an Easel1623 · Fogg Museum 30Self-Portrait with a Portrait on an Easel (detail) (1623) by Nicolas RégnierSelf-Portrait with a Portrait on an Easel (detail)1623 31San giovanni battista by Nicolas RégnierSan giovanni battistaJ. Paul Getty Museum 32Musical Society by Nicolas RégnierMusical SocietyThe Art Museum RIGA BOURSE 33St Sebastian (1620) by Nicolas RégnierSt Sebastian1620 · Hermitage Museum 34Saint Jerome by Nicolas RégnierSaint Jerome 35David with the head of Goliath by Nicolas RégnierDavid with the head of GoliathNational Museum of Serbia 36Saint Christina by Nicolas RégnierSaint Christina 37Circe by Nicolas RégnierCirceHaigh Hall 38Das Gastmahl in Emmaus (1617) by Nicolas RégnierDas Gastmahl in Emmaus1617 · Picture Gallery Sanssouci 39The annunciation by Nicolas RégnierThe annunciationGallerie dell'Accademia di Venezia 40Allegory of Vanity - Pandora by Nicolas RégnierAllegory of Vanity - Pandora 41David with the Head of Goliath by Nicolas RégnierDavid with the Head of Goliath 42Pandora by Nicolas RégnierPandora 43Sleeper waked up with a candlestick by Nicolas RégnierSleeper waked up with a candlestickMusée des Beaux-Arts de Rouen 44Sleeper Awakened by a Young Woman with a Lit Wick by Nicolas RégnierSleeper Awakened by a Young Woman with a Lit WickNationalmuseum 45Mourners hl. Mary Magdalene with the ointment jar by Nicolas RégnierMourners hl. Mary Magdalene with the ointment jar 46Writing st. hieronymus by Nicolas RégnierWriting st. hieronymusGemäldegalerie 47Saint Sebastian by Nicolas RégnierSaint SebastianChrysler Museum of Art 48Vanity by Nicolas RégnierVanityMuseum of Fine Arts of Lyon

Nicolas Régnier's famous paintings, period by period

The subjects that held Nicolas Régnier's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Nicolas Régnier's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Nicolas Régnier Paintings from this list
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 2 Saint Mary Magdalene, Male Portrait
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 Portrait of a Young Man with a Sword, The Repentant Magdalene
Musée des Beaux-Arts de Rouen, RouenMusée des Beaux-Arts de Rouen Rouen 2 Saint Sebastian tended by Saint Irene, Sleeper waked up with a candlestick
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 2 St John the Baptist, St Sebastian
Museo del Prado, MadridMuseo del Prado Madrid 1 Judith with the Head of Holophernes
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 The Penitent Magdalene
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Hero and Leander
Musée de Grenoble, GrenobleMusée de Grenoble Grenoble 1 Portrait of a Man with a Guitar

Nicolas Régnier, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Nicolas Régnier's paintings: the gallery answers

Which Nicolas Régnier painting is the most famous of all?Reveal the answer

Judith with the Head of Holophernes (1601), Museo del Prado, Madrid. The Penitent Magdalene (1660) and Saint Mary Magdalene (1657) come next.

How old was Nicolas Régnier on completing Judith with the Head of Holophernes?Reveal the answer

13 years old: Judith with the Head of Holophernes dates from 1601, and Nicolas Régnier was born in 1588.

Which are Nicolas Régnier's top 10 paintings?Reveal the answer

Judith with the Head of Holophernes, The Penitent Magdalene, Saint Mary Magdalene, Male Portrait, Hero and Leander, Portrait of a Young Man with a Sword, Portrait of Domenico Contarini in a red mantle, Allegory of Winter, Allegory of Autumn and Portrait of a Man with a Guitar. The ranking above gives each one's year and museum.

How many works did Nicolas Régnier create?Reveal the answer

Our catalog holds 49 works by Nicolas Régnier, dated from 1601 to 1666.

Where do Nicolas Régnier's most famous originals hang?Reveal the answer

Mostly in Kunsthistorisches Museum (Vienna), Detroit Institute of Arts (Detroit) and Musée des Beaux-Arts de Rouen (Rouen). The museum table above lists them all.

When did Nicolas Régnier create the most famous paintings?Reveal the answer

In 1620s: 15 of the 48 works on this page were made then, Male Portrait among them.

Which are Nicolas Régnier's earliest and latest famous works?Reveal the answer

On this page, the earliest is Judith with the Head of Holophernes (1601) and the latest Death of Sophonisba (1666).

Which subjects did Nicolas Régnier return to most?Reveal the answer

Man (17), Woman (13) and Skin (13), across the 48 works on this page.

Which medium did Nicolas Régnier work in most?Reveal the answer

Oil On Canvas, for 22 of the 48 works on this page.

Which movement is Nicolas Régnier associated with?Reveal the answer

Baroque, judging by the originals on this page.

Which Nicolas Régnier originals does the Kunsthistorisches Museum hold?Reveal the answer

Saint Mary Magdalene and Male Portrait: the Kunsthistorisches Museum, Vienna holds 2 of the works on this page.

Nicolas Régnier: the artist

Nicolas Régnier: A Flemish Painter Embraced by Baroque Italy

Nicolas Régnier (1591–1667), born in Maubeuge, France, stands as a pivotal figure within the burgeoning Flemish Baroque movement and its reverberations across Italy. Though initially trained in Antwerp under Abraham Janssens—a student of Caravaggio himself—Régnier’s artistic trajectory swiftly propelled him into the heart of Venetian artistic innovation, establishing him as a respected dealer and collector alongside his prolific painting output. His legacy resides not merely in stylistic imitation but in a profound engagement with the intellectual currents shaping European art during this transformative period.
  • Early Influences & Antwerp Training:
  • Rome: Caravaggio’s Shadow & Venetian Connections
  • Genre Scenes & Mythological Visions
  • A Patron's Embrace & Artistic Legacy

Early Influences & Antwerp Training

Régnier’s formative years were spent in Antwerp, a vibrant hub of artistic production and Caravaggio’s fervent discipleship. Under the tutelage of Abraham Janssens—who had travelled to Rome during Caravaggio's time—Régnier absorbed the stylistic principles championed by Caravaggio: dramatic chiaroscuro, intense emotion conveyed through gesture and expression, and an uncompromising realism that sought to capture the immediacy of human experience. This Antwerp apprenticeship instilled in Régnier a foundational understanding of Caravaggio’s revolutionary approach to painting, shaping his subsequent artistic endeavors. Janssens's influence extended beyond mere technique; he fostered a belief in portraying subjects with psychological depth—a characteristic that would become central to Régnier’s oeuvre.

Rome: Caravaggio’s Shadow & Venetian Connections

Régnier’s arrival in Rome around 1620 marked a decisive turning point, placing him squarely within the orbit of Bartolomeo Manfredi and Simon Vouet—artists who championed Caravaggio's aesthetic vision. Manfredi, particularly, served as Régnier’s mentor, guiding him toward a more classical interpretation of Caravaggio’s style, emphasizing harmonious composition and balanced color palettes. This exposure to Vouet’s influence solidified Régnier’s commitment to capturing the grandeur and elegance of Baroque art while retaining Caravaggio's expressive power. Furthermore, his association with Vincenzo Giustiniani—a wealthy banker and influential patron—provided him with invaluable access to artistic resources and fostered collaborations that enriched Venetian artistic discourse.

Genre Scenes & Mythological Visions

Régnier’s artistic output spanned a remarkable breadth of subjects, reflecting the multifaceted tastes of his era. He excelled in genre scenes depicting everyday life – card players engrossed in their games, musicians performing with fervor, and soldiers engaged in battle—capturing fleeting moments of human interaction with meticulous detail. Simultaneously, Régnier tackled monumental mythological and allegorical narratives, drawing inspiration from classical sources to explore themes of virtue, honor, and divine justice. His canvases pulsated with dynamism and theatricality, mirroring the Baroque preoccupation with conveying emotion and grandeur. The artist’s masterful technique—characterized by smooth brushstrokes and luminous color—rendered these scenes both emotionally resonant and visually captivating.

A Patron's Embrace & Artistic Legacy

Giustiniani’s patronage afforded Régnier unparalleled opportunities to hone his craft and disseminate his artistic vision. He undertook commissions for prominent Venetian patrons, contributing significantly to the embellishment of churches and palaces—most notably the Cappella Gavotti in San Nicola da Tolentino—where he collaborated with Pietro da Cortona on a monumental fresco cycle. Beyond his commissioned works, Régnier established himself as an astute art dealer and collector, fostering connections between artists and collectors across Europe. His legacy extends beyond individual paintings; he embodies the spirit of the Flemish Baroque’s embrace of Venetian artistic ideals, demonstrating how stylistic influences could converge to produce enduring masterpieces. Nicolas Régnier's contribution to the artistic landscape cemented his place as a significant figure in 17th-century European art history.