Portrait of Marcantonio Franceschini

The 25 Most Famous Marcantonio Franceschini Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 25 works by Marcantonio Franceschini in our catalogue

In short

Of all the originals Marcantonio Franceschini left, the most famous is Penitent Mary Magdalene (1702), in the collection of the Kunsthistorisches Museum, Vienna. Close behind it come La Samaritaine (1700) and The Last Communion of Saint Mary of Egypt (1680). Our catalog holds 25 works by Marcantonio Franceschini; the gallery has kept the 25 the world admires most, each shown with its date, its museum and its story.

1648 – 1729, Bologna Baroque Most works: Bavarian State Painting Collections

Marcantonio Franceschini's top 10 paintings: the gallery's choice

1
Penitent Mary Magdalene (1702) by Marcantonio Franceschini

Penitent Mary Magdalene

1702 · Oil On Canvas · Kunsthistorisches Museum, Vienna

The composition follows a diagonal movement, guiding the eye from the reclining figure in the lower left toward a descending cherub in the upper right. Draped in ochre, gold, and sienna, the woman’s form is defined by fluid, organic lines that suggest both movement and texture. A strong light source illuminates her face and torso, casting soft shadows across the rocky terrain to create a sense of three-dimensionality. This use…

2
La Samaritaine (1700) by Marcantonio Franceschini

La Samaritaine

1700 · Oil On Canvas · Musée Fabre, Montpellier

The stone well sits as a heavy, silent anchor between two souls. On the left, a man draped in blue and orange robes meets the gaze of a woman in white and gold. They exist in a pocket of natural seclusion, framed by the deep greens and browns of a dense forest. Sunlight filters through a leafy canopy, casting soft highlights upon their skin and the folds of their heavy…

3
The Last Communion of Saint Mary of Egypt (1680) by Marcantonio Franceschini

The Last Communion of Saint Mary of Egypt

1680 · Metropolitan Museum of Art, New York

A fifth-century ascetic, Mary of Egypt is shown receiving her Last Communion from the hands of the priest Zosimus, following forty-seven years of isolation in the wilderness of Palestine. The picture has a pendant showing the ecstasy of Saint Mary Magdalen (Molinari Pradelli collection, Bologna). It was given in 1709 to Pope Clement XI as a gift of the Senate of Bologna in anticipation of his support for the founding…

The Marcantonio Franceschini selection continues, 11 to 25

The subjects that held Marcantonio Franceschini's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Marcantonio Franceschini's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Marcantonio Franceschini Paintings from this list
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 2 Holy Family, Adornment of Venus
Museum of Fine Arts, HoustonMuseum of Fine Arts Houston 2 Christ and the Woman of Samaria, Noli me tangere
Dulwich Picture Gallery, LondonDulwich Picture Gallery London 2 The guardian angel, Lot and his Daughters
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 1 Penitent Mary Magdalene
Musée Fabre, MontpellierMusée Fabre Montpellier 1 La Samaritaine
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 The Last Communion of Saint Mary of Egypt
Royal Collection, LondonRoyal Collection London 1 The Virgin and Child with Saint Elizabeth and Saint John the Baptist
Accademia di Belle Arti di Bologna, BolognaAccademia di Belle Arti di Bologna Bologna 1 Fame

Marcantonio Franceschini decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Marcantonio Franceschini's paintings

Which work is Marcantonio Franceschini most famous for?Reveal the answer

Penitent Mary Magdalene (1702), Kunsthistorisches Museum, Vienna. La Samaritaine (1700) and The Last Communion of Saint Mary of Egypt (1680) come next.

What age was Marcantonio Franceschini when Penitent Mary Magdalene was made?Reveal the answer

54 years old: Penitent Mary Magdalene dates from 1702, and Marcantonio Franceschini was born in 1648.

What are the ten most famous Marcantonio Franceschini paintings?Reveal the answer

Penitent Mary Magdalene, La Samaritaine, The Last Communion of Saint Mary of Egypt, Holy Family, Adornment of Venus, The Virgin and Child with Saint Elizabeth and Saint John the Baptist, Christ and the Woman of Samaria, Mercury reminds Aeneas of his destiny, The guardian angel and Noli me tangere. The ranking above gives each one's year and museum.

How many paintings did Marcantonio Franceschini leave?Reveal the answer

Our catalog holds 25 works by Marcantonio Franceschini, dated from 1680 to 1714.

In which museums do Marcantonio Franceschini's masterpieces hang?Reveal the answer

Mostly in Bavarian State Painting Collections (Munich), Museum of Fine Arts (Houston) and Dulwich Picture Gallery (London). The museum table above lists them all.

In which years did Marcantonio Franceschini paint the most famous works?Reveal the answer

In 1680s: 3 of the 25 works on this page were made then, The Last Communion of Saint Mary of Egypt among them.

What are the first and the last famous originals of Marcantonio Franceschini?Reveal the answer

On this page, the earliest is The Last Communion of Saint Mary of Egypt (1680) and the latest Mercury reminds Aeneas of his destiny (1714).

Which subjects did Marcantonio Franceschini choose most often?Reveal the answer

Woman (2), Myths (2) and Virgin mary (2), across the 25 works on this page.

Which technique did Marcantonio Franceschini use most?Reveal the answer

Oil On Canvas, for 2 of the 25 works on this page.

To which art movement does Marcantonio Franceschini belong?Reveal the answer

Baroque, judging by the originals on this page.

Which Marcantonio Franceschini works hang at the Bavarian State Painting Collections?Reveal the answer

Holy Family and Adornment of Venus: the Bavarian State Painting Collections, Munich holds 2 of the works on this page.

Marcantonio Franceschini: life and work

Marcantonio Franceschini: Bridging Baroque Splendor and Bolognese Tradition

Marcantonio Franceschini (1648-1729) stands as a pivotal figure in the artistic landscape of Bologna and wider Italy during the Baroque period. Born in Bologna, he inherited a legacy of artistic excellence from his father, Giovanni Francesco Franceschini, who himself was a respected painter. This familial connection instilled within Marcantonio a profound understanding of Bolognese artistic conventions—a style characterized by dramatic chiaroscuro, opulent ornamentation, and an unwavering devotion to religious themes. His formative years were spent under the tutelage of Carlo Cignani, arguably Bologna’s most celebrated Baroque artist, fostering a collaborative spirit that would define much of his subsequent career. Together they embarked on ambitious fresco commissions for Parma's Palazzo del Giardino (1678–1681), showcasing Cignani’s masterful handling of color and Franceschini’s meticulous attention to detail—a partnership that cemented their reputations as innovators within the Bolognese school.
  • Early Influences & Training: Franceschini's artistic journey began with a rigorous grounding in classical principles, mirroring the broader humanist revival shaping European thought at the time. However, it was Cignani’s influence—particularly his embrace of Caravaggio’s tenebrism—that profoundly impacted Franceschini’s stylistic approach.
  • Collaborative Projects & Patronage: Recognizing the importance of artistic alliances, Franceschini forged enduring relationships with fellow artists like Luigi Quaini (Cignani's cousin) and collaborated extensively on prestigious commissions throughout Europe. These projects included elaborate ceiling decorations in Palazzo Ranuzzi and Palazzo Marescotti Brazzetti in Bologna, demonstrating his versatility and ability to adapt to diverse aesthetic sensibilities.

A Flourishing Career: Frescoes, Paintings & Venetian Connections Franceschini’s prolific output spanned a remarkable range of subjects—primarily religious iconography and mythological narratives—appealing to wealthy patrons eager to adorn their residences with symbols of piety and grandeur. His frescoes in San Bartolomeo Porta Ravegnana (1690) exemplify his mastery of illusionistic painting techniques, creating immersive environments that captivated viewers. Notably, he undertook the monumental task of decorating the Sala d'onore ("Hall of Honor") in Modena’s Ducal Palace (1696), collaborating with Tommaso Aldrovandini and Antonio Meloni to depict scenes from Roman history—a testament to his ambition and artistic prowess. Furthermore, Franceschini secured commissions for churches across Liguria, culminating in the altarpiece at Catedral de Finale Ligure and the canvas of San Carlo in Modena.
  • Venetian Patronage & Artistic Innovation: His association with Prince Johann Adam I of Liechtenstein brought him into contact with Venetian artistic circles, influencing his style and expanding his creative horizons. The celebrated “Seduzioni e Amori di Diana e Venere” cycle (1692-1700) commissioned by Liechtenstein—a monumental undertaking featuring 26 canvases—represents a pinnacle of Baroque painting, characterized by dramatic compositions and luminous color palettes.

Legacy & Historical Significance Despite the tragic destruction of his Genoa murals in 1777 during a devastating fire—resulting from ambitious projects undertaken with Quaini and Meloni—Franceschini’s artistic legacy endured. His contributions to Bolognese art solidified his place as one of the foremost painters of his era, bridging the stylistic gap between Baroque exuberance and Neoclassical restraint. The canvases depicting the four seasons housed in Pinacoteca di Bologna stand as enduring reminders of his artistic vision and technical skill. Moreover, Franceschini’s involvement in decorating the Piazza Ducale of Genoa—particularly the pendentives and lunettes of the Catedral—demonstrates his commitment to shaping cultural landmarks. His influence extended beyond Bologna, impacting artists across Europe and securing his reputation as a master craftsman who elevated Baroque art to new heights.