Portrait of Cornelis Saftleven

The 58 Most Famous Cornelis Saftleven Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 66 works by Cornelis Saftleven in our catalogue

In short

Portrait of Johan van Oldenbarnevelt (1547-1619) (1663) is the Cornelis Saftleven painting that draws the most eyes; the original belongs to the Rijksmuseum, Amsterdam. After it, the eye goes to "Who sues for a cow" (1629) and Job plagued by evil spirits (1631). Among the 66 works of Cornelis Saftleven in our catalog, these 58 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1607 – 1681, Gorinchem Dutch golden age Most works: Bavarian State Painting Collections

Top 10 paintings by Cornelis Saftleven, through the gallery's eye

1
Portrait of Johan van Oldenbarnevelt (1547-1619) (1663) by Cornelis Saftleven

Portrait of Johan van Oldenbarnevelt (1547-1619)

1663 · Oil · Rijksmuseum, Amsterdam

In this intimate oil portrait, we encounter the weathered face of Johan van Oldenbarnevelt. The work is characterized by a heavy impasto, where the paint is applied with a tactile, almost sculptural quality. Rather than relying on sharp, clinical lines, the artist builds the form through thick, visible brushstrokes that map the rugged topography of the skin. The color palette remains grounded in earthy tones—ochre, sienna, and umber—interrupted only by…

2
"Who sues for a cow" (1629) by Cornelis Saftleven

"Who sues for a cow"

1629 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

The artwork titled "Who sues for a cow" is a painting by Cornelis Saftleven. This piece belongs to a genre of satirical works that utilize anthropomorphic figures to depict legal or administrative disputes. The composition focuses on a scene set within a hall of justice or a courtroom, where the subjects are engaged in a litigation process.

3
Job plagued by evil spirits (1631) by Cornelis Saftleven

Job plagued by evil spirits

1631 · Oil · Staatliche Kunsthalle Karlsruhe, Carlsruhe

A dramatic and somber Baroque oil painting captures a scene of intense suffering and supernatural torment. The composition is asymmetrical, clustering the primary subject matter on the left side of the frame, while a vast, dark, and desolate landscape stretches toward the right. Earthy tones of ochre, deep browns, muted greens, and shadowy blacks dominate the palette, interrupted only by the stark white of the central figure's loincloth and small…

5
Begging Peasants (1644) by Cornelis Saftleven

Begging Peasants

1644 · Oil On Canvas · Bavarian State Painting Collections, Munich

The scene unfolds in Begging Peasants, a work painted by Cornelis Saftleven. This oil on canvas captures a moment of social interaction within a rustic setting, dating to about 1644. The figures gathered in the dim light exist in a space defined by the heavy textures of a timber-framed room, pulling the viewer into their crowded, boisterous world.

6
Annunciation to the Shepherds (1642) by Cornelis Saftleven

Annunciation to the Shepherds

1642 · Oil On Panel · Bavarian State Painting Collections, Munich

The work before us is titled Annunciation to the Shepherds, a significant oil on panel composition by the Dutch artist Cornelis Saftleven. This particular piece captures a profound biblical moment through a lens of pastoral realism, a hallmark of the artist's approach to the landscape and its inhabitants. Saftleven, who was born in 1607 in Gorinchem, possessed a unique ability to find weight and presence in the most humble settings.

7
Adoration of the Shepherds (1642) by Cornelis Saftleven

Adoration of the Shepherds

1642 · Oil On Panel · Bavarian State Painting Collections, Munich

The air inside the rustic stable feels heavy with the scent of damp straw and the warmth of breathing animals. A sudden, supernatural light pierces the gloom, emanating from a central, radiant figure that draws every eye toward the center of the scene. This light does not merely illuminate; it carves the space, casting deep, dramatic shadows that swallow the corners of the wooden structure. On the right, the textures…

8
Interior with a man perfoming surgery on a shoulder (1636) by Cornelis Saftleven

Interior with a man perfoming surgery on a shoulder

1636 · Oil On Canvas · Staatliche Kunsthalle Karlsruhe, Carlsruhe

Interior with a man perfoming surgery on a shoulder by Cornelis Saftleven presents a chaotic medical scene within a dimly lit, rustic interior. The composition centers on the intense interaction between a surgeon and a patient undergoing shoulder surgery. Surrounding these central figures, various onlookers gather in a cluttered, barn-like setting, their leaning postures creating a sense of movement and tension. This arrangement draws the eye toward the visceral subject…

9
Farmhouse interior with a family (1637) by Cornelis Saftleven

Farmhouse interior with a family

1637 · Oil On Canvas · Bavarian State Painting Collections, Munich

A somber, detailed genre scene captures a quiet moment within a rustic, dimly lit farmhouse. The composition is anchored by a group of figures on the left, set against the heavy, structural framework of a timber-beamed ceiling and walls that create a sense of enclosure and depth. A man sits near a basket of laundry, perhaps resting or reading, while a woman tends to a pot over a low fire…

10
A young man with two goats (1645) by Cornelis Saftleven

A young man with two goats

1645 · Oil On Panel · Museum Boijmans Van Beuningen, Rotterdam

In this quiet composition titled A young man with two goats, we encounter the hand of Cornelis Saftleven. Created around 1645, the work offers a glimpse into the pastoral rhythms of the Dutch Golden Age. Saftleven, a painter who found his purpose in the textures of the countryside, focuses here on a scene of simple companionship. The subject matter centers on a goat, rendered with a specific attention to the…

Cornelis Saftleven's famous paintings, numbers 11 to 58

11Scene in a tavern (1637) by Cornelis SaftlevenScene in a tavern1637 · National Museum in Warsaw 12Landscape with Herdsmen and Cattle (1660) by Cornelis SaftlevenLandscape with Herdsmen and Cattle1660 · Mauritshuis 13Two Pigs (1657) by Cornelis SaftlevenTwo Pigs1657 · Royal Collection 14Job seated on a dunghill between his wife and his three friends (Job 1-42) (1650) by Cornelis SaftlevenJob seated on a dunghill between his wife and his three friends (Job 1-42)1650 · Museum Mayer van den Bergh 15Drinking Company outside a Tavern (1651) by Cornelis SaftlevenDrinking Company outside a Tavern1651 · Nationalmuseum 16A kitchen interior with a figure seated in the adjoining room (1680) by Cornelis SaftlevenA kitchen interior with a figure seated in the adjoining room1680 17Self-Portrait with Easel (1629) by Cornelis SaftlevenSelf-Portrait with Easel1629 · The Louvre 18The Duet (1635) by Cornelis SaftlevenThe Duet1635 · Academy of Fine Arts Vienna 19Rider with White Horse and Dog in a Cave (1632) by Cornelis SaftlevenRider with White Horse and Dog in a Cave1632 20Funeral of a rich man (1631) by Cornelis SaftlevenFuneral of a rich man1631 · National Museum in Warsaw 21Landscape with Figures, Cattle and Household Utensils (1630) by Cornelis SaftlevenLandscape with Figures, Cattle and Household Utensils1630 · Nationalmuseum 22Rich man descending into hell (1631) by Cornelis SaftlevenRich man descending into hell1631 · National Museum in Warsaw 23The Temptation of St Anthony (1629) by Cornelis SaftlevenThe Temptation of St Anthony1629 24Heads of Sheep (1644) by Cornelis SaftlevenHeads of Sheep1644 · National Museum of Art, Architecture and Design 25Boy with Goats (1640) by Cornelis SaftlevenBoy with Goats1640 · Fitzwilliam College 26Huntsman Feeding His Dogs (1652) by Cornelis SaftlevenHuntsman Feeding His Dogs1652 27Cattle Market before a Church (1670) by Cornelis SaftlevenCattle Market before a Church1670 28AUTOPORTRAIT AU CHEVALET by Cornelis SaftlevenAUTOPORTRAIT AU CHEVALETThe Louvre 29A cat peeping through a fence by Cornelis SaftlevenA cat peeping through a fence 30Marché aux bestiaux by Cornelis SaftlevenMarché aux bestiaux 31LE DEJEUNER AU JAMBON by Cornelis SaftlevenLE DEJEUNER AU JAMBON 32The kitchen by Cornelis SaftlevenThe kitchenStatens Museum For Kunst 33Cows by Cornelis SaftlevenCowsKunsthistorisches Museum 34The Return of Tobias with the Angel by Cornelis SaftlevenThe Return of Tobias with the AngelNational Gallery of Ireland 35Cattle market in the hamlet Backersdorp near Vlissingen by Cornelis SaftlevenCattle market in the hamlet Backersdorp near VlissingenBavarian State Painting Collections 36Two dogs in a landscape by Cornelis SaftlevenTwo dogs in a landscape 37Paradise by Cornelis SaftlevenParadise 38A witches' sabbath by Cornelis SaftlevenA witches' sabbathArt Institute of Chicago 39Boerengezelschap by Cornelis SaftlevenBoerengezelschapRijksmuseum 40College of Animals by Cornelis SaftlevenCollege of AnimalsDallas Museum of Art 41Roaring lion by Cornelis SaftlevenRoaring lion 42Jacob and Rachel with the flocks of Laban by Cornelis SaftlevenJacob and Rachel with the flocks of Laban 43A Cattle Market by a Canal on the Edge of a Dutch Town by Cornelis SaftlevenA Cattle Market by a Canal on the Edge of a Dutch Town 44Landscape with animals by Cornelis SaftlevenLandscape with animalsRijksmuseum 45Peasants Smoking and Drinking in a Barn with Devils Dancing Beyond by Cornelis SaftlevenPeasants Smoking and Drinking in a Barn with Devils Dancing Beyond 46A kitchen interior with a maid cleaning by Cornelis SaftlevenA kitchen interior with a maid cleaning 47A Proclamation to the shepherds by Cornelis SaftlevenA Proclamation to the shepherdsRijksmuseum 48The card players by Cornelis SaftlevenThe card players 49The Vision of the Sunday Child by Cornelis SaftlevenThe Vision of the Sunday ChildStatens Museum For Kunst 50Scheune mit Geschirr reinigender Magd und Ziegen by Cornelis SaftlevenScheune mit Geschirr reinigender Magd und ZiegenKunsthistorisches Museum 51Witch's tavern by Cornelis SaftlevenWitch's tavern 52A diablerie by Cornelis SaftlevenA diablerie 53The egg dance by Cornelis SaftlevenThe egg danceNational Museum in Warsaw 54Tip animals by Cornelis SaftlevenTip animalsNational Gallery Prague 55A Farmstead Near a Stream by Cornelis SaftlevenA Farmstead Near a Stream 56Interior of a Stable by Cornelis SaftlevenInterior of a StableFitzwilliam College 57The Ages of Man by Cornelis SaftlevenThe Ages of ManUniversity of Birmingham 58Satire on the Trial of Johan van Oldenbarnevelt, Cornelis Saftleven, 1663 (1663) by Cornelis SaftlevenSatire on the Trial of Johan van Oldenbarnevelt, Cornelis Saftleven, 16631663 · Rijksmuseum

Cornelis Saftleven's famous paintings, period by period

The subjects that held Cornelis Saftleven's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Cornelis Saftleven's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Cornelis Saftleven Paintings from this list
Bavarian State Painting Collections, MunichBavarian State Painting Collections Munich 6 The Angel Leaves the Family of Tobias, Begging Peasants, Annunciation to the Shepherds
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 5 Portrait of Johan van Oldenbarnevelt (1547-1619), Boerengezelschap, Landscape with animals
National Museum in Warsaw, WarsawNational Museum in Warsaw Warsaw 4 Scene in a tavern, Funeral of a rich man, Rich man descending into hell
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 "Who sues for a cow", A young man with two goats
Staatliche Kunsthalle Karlsruhe, CarlsruheStaatliche Kunsthalle Karlsruhe Carlsruhe 2 Job plagued by evil spirits, Interior with a man perfoming surgery on a shoulder
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Drinking Company outside a Tavern, Landscape with Figures, Cattle and Household Utensils
The Louvre, ParisThe Louvre Paris 2 Self-Portrait with Easel, AUTOPORTRAIT AU CHEVALET
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 2 Boy with Goats, Interior of a Stable

Cornelis Saftleven across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Cornelis Saftleven's paintings: questions for the gallery

What is the single most famous work of Cornelis Saftleven?Reveal the answer

Portrait of Johan van Oldenbarnevelt (1547-1619) (1663), Rijksmuseum, Amsterdam. "Who sues for a cow" (1629) and Job plagued by evil spirits (1631) come next.

At what age did Cornelis Saftleven create Portrait of Johan van Oldenbarnevelt (1547-1619)?Reveal the answer

56 years old: Portrait of Johan van Oldenbarnevelt (1547-1619) dates from 1663, and Cornelis Saftleven was born in 1607.

Which ten paintings by Cornelis Saftleven are the most famous?Reveal the answer

Portrait of Johan van Oldenbarnevelt (1547-1619), "Who sues for a cow", Job plagued by evil spirits, The Angel Leaves the Family of Tobias, Begging Peasants, Annunciation to the Shepherds, Adoration of the Shepherds, Interior with a man perfoming surgery on a shoulder, Farmhouse interior with a family and A young man with two goats. The ranking above gives each one's year and museum.

How many works by Cornelis Saftleven are known?Reveal the answer

Our catalog holds 66 works by Cornelis Saftleven, dated from 1629 to 1680.

Where can the most famous Cornelis Saftleven originals be seen?Reveal the answer

Mostly in Bavarian State Painting Collections (Munich), Rijksmuseum (Amsterdam) and National Museum in Warsaw (Warsaw). The museum table above lists them all.

During which period did Cornelis Saftleven create the best-known paintings?Reveal the answer

In 1630s: 9 of the 58 works on this page were made then, Job plagued by evil spirits among them.

Which famous Cornelis Saftleven painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is "Who sues for a cow" (1629) and the latest A kitchen interior with a figure seated in the adjoining room (1680).

What subjects did Cornelis Saftleven favour?Reveal the answer

Man (9), Animals (9) and Figures (6), across the 58 works on this page.

What materials did Cornelis Saftleven paint with most?Reveal the answer

Oil On Panel, for 14 of the 58 works on this page.

Which movement does the work of Cornelis Saftleven belong to?Reveal the answer

Dutch golden age, judging by the originals on this page.

What Cornelis Saftleven originals can I see at the Bavarian State Painting Collections?Reveal the answer

The Angel Leaves the Family of Tobias, Begging Peasants and Annunciation to the Shepherds: the Bavarian State Painting Collections, Munich holds 6 of the works on this page.

Cornelis Saftleven: a portrait of the artist

The Soul of the Dutch Countryside: The Life and Legacy of Cornelis Saftleven

In the heart of the Dutch Golden Age, a period defined by unprecedented prosperity and a profound fascination with the tangible world, Cornelis Saftleven emerged as a master of the intimate and the everyday. Born in Gorinchem in 1607, Saftleven did not seek the lofty heights of mythological grandeur or the heavy weight of biblical epic. Instead, he turned his gaze toward the humble, the rustic, and the rhythmic pulse of rural Holland. His prolific career, which yielded over 350 known paintings, serves as a vibrant, breathing archive of a vanished era, capturing the textures of farm life, the quiet dignity of livestock, and the bustling energy of village markets with an unparalleled sense of devotion.

Saftleven’s artistic journey began under the tutelage of Hendrick Jacobsz. Bogaert in Haarlem, an apprenticeship that would prove foundational to his mature style. From Bogaert, Saftleven inherited a sophisticated command of chiaroscuro—the dramatic manipulation of light and shadow to create volume and atmosphere. This technique allowed him to breathe life into the dim interiors of farmhouses, where shafts of sunlight might pierce through dusty windows to illuminate a sleeping calf or the weathered hands of a laborer. As he established his own workshop in Haarlem around 1630, Saftleven cultivated a collaborative environment that allowed for both technical refinement and a vast expansion of his thematic repertoire.

A Mastery of Detail and Humanist Vision

What distinguishes Saftleven from many of his contemporaries is the profound empathy embedded within his brushwork. While his works are often categorized as genre paintings, they transcend mere documentation. He possessed a rare ability to imbue ordinary subjects with psychological depth and emotional resonance. To look upon a Saftleven canvas is to experience a humanist celebration of existence; he saw the divine in the mundane. His meticulous attention to detail—the coarse grain of a wooden trough, the soft sheen of an animal's coat, or the subtle tension in a peasant's expression—creates a sensory experience that invites the viewer into the very fabric of 17th-century life.

His development as an artist was marked by an increasing complexity in composition and a sophisticated use of symbolism. Within his pastoral scenes, elements often carried deeper meanings reflecting the social and moral values of the Dutch Republic:

  • Animal Studies: Beyond mere anatomical accuracy, his livestock often served as symbols of fertility, industriousness, or the cyclical nature of life.
  • Domestic Interiors: The carefully rendered farmstead interiors acted as stages for exploring themes of domestic stability and the sanctity of labor.

  • Light and Shadow: The interplay of light was used not just for realism, but to guide the viewer's eye toward moments of quiet contemplation or sudden movement.

Historical Significance and Artistic Endurance

The historical significance of Cornelis Saftleven lies in his role as a chronicler of the Dutch identity. During a time when the Netherlands was asserting its independence and economic dominance, Saftleven’s work provided a visual anchor to the land itself. He captured the essence of the landscape and the people who worked it, creating a sense of national pride through the depiction of local customs and rural prosperity. His ability to blend the realism of the Haarlem school with a more poetic, atmospheric sensibility helped shape the trajectory of Dutch genre painting for generations.

Today, Saftleven’s oeuvre remains a vital touchstone for art historians and enthusiasts alike. His paintings are much more than historical artifacts; they are windows into the soul of the Golden Age. Through his mastery of light, his devotion to detail, and his profound respect for his subjects, Saftleven ensured that the quiet, powerful moments of rural Dutch life would endure long after the era of the great windmills and merchant fleets had passed into legend.