In short
To the gallery's eye, Copley Fielding's most famous painting is Richmond hill, (1830). Ambelside, (1829) and Lake Nemi with Pontine Marshes in the Background (1837) complete the trio every eye recognises. Of the 105 works by Copley Fielding in our catalog, the gallery presents the 89 most famous below, each original with its year, its museum and what makes it unique.
The gallery's top 10 Copley Fielding paintings
Copley Fielding paintings, ranked 11 to 89
The subjects that held Copley Fielding's eye
The four subjects that come back most often in these originals, each with its finest example.
Beach 11 works
Landscape 9 works
Animals 8 works
The museums that keep Copley Fielding's originals
The 4 museums that hold the most of the paintings on this page.
| Museum | City | Works by Copley Fielding | Paintings from this list |
|---|---|---|---|
| Birmingham | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Sydney | 1 | Dunster Castle, sunset | |
| New Haven | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, one signature painting per decade
Copley Fielding's paintings: the gallery answers
Which Copley Fielding painting is the most famous of all?Reveal the answer
Richmond hill, (1830). Ambelside, (1829) and Lake Nemi with Pontine Marshes in the Background (1837) come next.
How old was Copley Fielding on completing Richmond hill,?Reveal the answer
43 years old: Richmond hill, dates from 1830, and Copley Fielding was born in 1787.
Which are Copley Fielding's top 10 paintings?Reveal the answer
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide and Unloading the catch, whitby. The ranking above gives each one's year and museum.
How many works did Copley Fielding create?Reveal the answer
Our catalog holds 105 works by Copley Fielding, dated from 1829 to 1851.
Where do Copley Fielding's most famous originals hang?Reveal the answer
Mostly in Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) and Yale Center for British Art (New Haven). The museum table above lists them all.
When did Copley Fielding create the most famous paintings?Reveal the answer
In 1830s: 4 of the 89 works on this page were made then, Richmond hill, among them.
Which are Copley Fielding's earliest and latest famous works?Reveal the answer
On this page, the earliest is Ambelside, (1829) and the latest Byland Abbey, (1851).
Which subjects did Copley Fielding return to most?Reveal the answer
Beach (11), Landscape (9) and Animals (8), across the 89 works on this page.
Which movement is Copley Fielding associated with?Reveal the answer
Romanticism, judging by the originals on this page.
Which Copley Fielding originals does the Birmingham Museum and Art Gallery hold?Reveal the answer
Lake Nemi with Pontine Marshes in the Background and Scottish Loch With Mountains: the Birmingham Museum and Art Gallery, Birmingham holds 2 of the works on this page.
Copley Fielding: the artist
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








