Portrait of Copley Fielding

Copley Fielding Paintings: The 89 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 105 works by Copley Fielding in our catalogue

In short

To the gallery's eye, Copley Fielding's most famous painting is Richmond hill, (1830). Ambelside, (1829) and Lake Nemi with Pontine Marshes in the Background (1837) complete the trio every eye recognises. Of the 105 works by Copley Fielding in our catalog, the gallery presents the 89 most famous below, each original with its year, its museum and what makes it unique.

1787 – 1855, Sowerby Bridge Romanticism Most works: Birmingham Museum and Art Gallery

The gallery's top 10 Copley Fielding paintings

Copley Fielding paintings, ranked 11 to 89

11Rotha Quillinan by Copley FieldingRotha Quillinan 12Figures Conversing In A Highland Landscape by Copley FieldingFigures Conversing In A Highland Landscape 13Thomas Lombe Taylor by Copley FieldingThomas Lombe Taylor 14Coniston Beck, Lake District by Copley FieldingConiston Beck, Lake District 15William Cubitt, Lord Mayor Of London by Copley FieldingWilliam Cubitt, Lord Mayor Of London 16View From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods by Copley FieldingView From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods 17Loch Katrine by Copley FieldingLoch Katrine 18Dunster Castle, sunset by Copley FieldingDunster Castle, sunsetArt Gallery of New South Wales 19Loch Lomond at Dawn by Copley FieldingLoch Lomond at Dawn 20Sea Piece by Copley FieldingSea Piece 21On The Wye by Copley FieldingOn The Wye 22A shipwreck on the yorkshire coast. by Copley FieldingA shipwreck on the yorkshire coast. 23A fishing vessel heading out to sea in a squall by Copley FieldingA fishing vessel heading out to sea in a squall 24Nanette Rocks by Copley FieldingNanette Rocks 25North View Of Tintern Abbey by Copley FieldingNorth View Of Tintern Abbey 26The Vale Of Neath by Copley FieldingThe Vale Of Neath 27Shipping In Rough Seas by Copley FieldingShipping In Rough Seas 28Henry Graves by Copley FieldingHenry Graves 29A Sea Piece by Copley FieldingA Sea Piece 30John Gibson by Copley FieldingJohn Gibson 31Hauling In The Fishing Boat Onto The Shore by Copley FieldingHauling In The Fishing Boat Onto The Shore 32Evening, Cattle Grazing By A Lake by Copley FieldingEvening, Cattle Grazing By A Lake 33Shipping off Portsmouth by Copley FieldingShipping off Portsmouth 34St. john's vale by Copley FieldingSt. john's vale 35View Of Langdale Pikes And Ullswater by Copley FieldingView Of Langdale Pikes And Ullswater 36Near Cadar Idris, North Wales by Copley FieldingNear Cadar Idris, North Wales 37Figures On A Bridge, With Ruins Beyond by Copley FieldingFigures On A Bridge, With Ruins Beyond 38Skiddaw from derwentwater by Copley FieldingSkiddaw from derwentwater 39Near Ullswater by Copley FieldingNear Ullswater 40Crowded Waters At Dusk by Copley FieldingCrowded Waters At Dusk 41Off to the fishing grounds by Copley FieldingOff to the fishing grounds 42Scarborough Castle by Copley FieldingScarborough Castle 43An Extensive Landscape With Cattle And A Drover by Copley FieldingAn Extensive Landscape With Cattle And A Drover 44On the glaslyn, north wales by Copley FieldingOn the glaslyn, north wales 45Droving cattle by Copley FieldingDroving cattle 46Mountainous Landscape With Lake And Stream by Copley FieldingMountainous Landscape With Lake And Stream 47Bolton Abbey From The River Wharfe, South View by Copley FieldingBolton Abbey From The River Wharfe, South View 48Loch Achray Ruskin by Copley FieldingLoch Achray Ruskin 49Distant View Of The Cumberland Hills From Eskdale by Copley FieldingDistant View Of The Cumberland Hills From Eskdale 50Scene Near Capel Curig Looking Towards Snowdon by Copley FieldingScene Near Capel Curig Looking Towards Snowdon 51Off Fingle's Cave, Staffa, Argyllshire by Copley FieldingOff Fingle's Cave, Staffa, Argyllshire 52Fishing Smacks And Other Vessels Off The Coast In A Squall by Copley FieldingFishing Smacks And Other Vessels Off The Coast In A Squall 53Mrs John Forster by Copley FieldingMrs John Forster 54Cattle Watering In The Lake District by Copley FieldingCattle Watering In The Lake District 55River view by Copley FieldingRiver view 56Dolbadern castle by Copley FieldingDolbadern castle 57Windsor Castle From The Park by Copley FieldingWindsor Castle From The Park 58View Of Loch Katrine, Perthshire, With Ben Venue Beyond by Copley FieldingView Of Loch Katrine, Perthshire, With Ben Venue Beyond 59Harlech Castle by Copley FieldingHarlech Castle 60An Extensive Landscape With A Hay-cart And Figures In The Foreground by Copley FieldingAn Extensive Landscape With A Hay-cart And Figures In The Foreground 61A View On The Brathay Near Ambleside by Copley FieldingA View On The Brathay Near Ambleside 62Cayton Cliff Mill, near Scarborough by Copley FieldingCayton Cliff Mill, near Scarborough 63Traeth Mawr, Port Maddock, North Wales by Copley FieldingTraeth Mawr, Port Maddock, North Wales 64Arundel Castle by Copley FieldingArundel Castle 65An Extensive Landscape With Cattle And Figures In The Foreground by Copley FieldingAn Extensive Landscape With Cattle And Figures In The Foreground 66View of langdale pikes and bow fell, over windermere, westmoreland by Copley FieldingView of langdale pikes and bow fell, over windermere, westmoreland 67Scarborough, with a boat being vitalled in the harbour by Copley FieldingScarborough, with a boat being vitalled in the harbour 68Fishing vessels before st michael's mount by Copley FieldingFishing vessels before st michael's mount 69Figures Conversing In A Mountainous Lake Landscape by Copley FieldingFigures Conversing In A Mountainous Lake Landscape 70Off ramsgate at sunset by Copley FieldingOff ramsgate at sunset 71Fishing boats in a stiff breeze, off shore by Copley FieldingFishing boats in a stiff breeze, off shore 72A Storm Passing Off on the Coast of Merionethshire by Copley FieldingA Storm Passing Off on the Coast of Merionethshire 73Distant View Of Rievaulx Abbey, Near Helmsley, Yorkshire by Copley FieldingDistant View Of Rievaulx Abbey, Near Helmsley, Yorkshire 74A Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape by Copley FieldingA Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape 75A View Of Penrhyn Castle, Wales, With Figures In The Foreground by Copley FieldingA View Of Penrhyn Castle, Wales, With Figures In The Foreground 76Figures by a lake at dusk by Copley FieldingFigures by a lake at dusk 77Lazing on the downs, watching over the flock by Copley FieldingLazing on the downs, watching over the flock 78Cows In A River Landscape by Copley FieldingCows In A River Landscape 79Adam Sedgwick, Fellow, Geologist And Woodwardian Professor by Copley FieldingAdam Sedgwick, Fellow, Geologist And Woodwardian Professor 80Byland Abbey, Yorkshire by Copley FieldingByland Abbey, Yorkshire 81The ferry boat, possibly dartmouth cove by Copley FieldingThe ferry boat, possibly dartmouth cove 82A figure standing on a beach with shipping beyond by Copley FieldingA figure standing on a beach with shipping beyond 83A Scene On The Coast, Merionethshire by Copley FieldingA Scene On The Coast, MerionethshireYale Center for British Art 84Richard Lynch Cotton by Copley FieldingRichard Lynch Cotton 85A rest by the wayside, sunset by Copley FieldingA rest by the wayside, sunset 86William Gibbs by Copley FieldingWilliam GibbsTyntesfield 87Ennerdale, from high point farm by Copley FieldingEnnerdale, from high point farm 88John Frederick Lewis by Copley FieldingJohn Frederick Lewis 89Mrs Susannah Milner-gibson, Nee Cullum by Copley FieldingMrs Susannah Milner-gibson, Nee Cullum

The subjects that held Copley Fielding's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Copley Fielding's originals

The 4 museums that hold the most of the paintings on this page.

Museum City Works by Copley Fielding Paintings from this list
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 2 Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Dunster Castle, sunset
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 A Scene On The Coast, Merionethshire
TyntesfieldTyntesfield 1 William Gibbs

Copley Fielding, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Copley Fielding's paintings: the gallery answers

Which Copley Fielding painting is the most famous of all?Reveal the answer

Richmond hill, (1830). Ambelside, (1829) and Lake Nemi with Pontine Marshes in the Background (1837) come next.

How old was Copley Fielding on completing Richmond hill,?Reveal the answer

43 years old: Richmond hill, dates from 1830, and Copley Fielding was born in 1787.

Which are Copley Fielding's top 10 paintings?Reveal the answer

Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide and Unloading the catch, whitby. The ranking above gives each one's year and museum.

How many works did Copley Fielding create?Reveal the answer

Our catalog holds 105 works by Copley Fielding, dated from 1829 to 1851.

Where do Copley Fielding's most famous originals hang?Reveal the answer

Mostly in Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) and Yale Center for British Art (New Haven). The museum table above lists them all.

When did Copley Fielding create the most famous paintings?Reveal the answer

In 1830s: 4 of the 89 works on this page were made then, Richmond hill, among them.

Which are Copley Fielding's earliest and latest famous works?Reveal the answer

On this page, the earliest is Ambelside, (1829) and the latest Byland Abbey, (1851).

Which subjects did Copley Fielding return to most?Reveal the answer

Beach (11), Landscape (9) and Animals (8), across the 89 works on this page.

Which movement is Copley Fielding associated with?Reveal the answer

Romanticism, judging by the originals on this page.

Which Copley Fielding originals does the Birmingham Museum and Art Gallery hold?Reveal the answer

Lake Nemi with Pontine Marshes in the Background and Scottish Loch With Mountains: the Birmingham Museum and Art Gallery, Birmingham holds 2 of the works on this page.

Copley Fielding: the artist

The Visionary Brush of Anthony Vandyke Copley Fielding

In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.

Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.

A Mastery of Landscape and Marine Subjects

The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.

His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.

Legacy and Historical Significance

The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.

Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.