Portrait of Claudius Jacquand

The 31 Most Famous Claudius Jacquand Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 31 works by Claudius Jacquand in our catalogue

In short

The night of Bartholomew 1572 (1837) is the Claudius Jacquand painting that draws the most eyes; the original belongs to the Nationalmuseum, Stockholm. After it, the eye goes to Laurence attendant Jocelyn (1836) and The Bubble Blowers (1844). Among the 31 works of Claudius Jacquand in our catalog, these 31 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1803 – 1878, Lyon Most works: Petit Palais

Top 10 paintings by Claudius Jacquand, through the gallery's eye

1
The night of Bartholomew 1572 (1837) by Claudius Jacquand

The night of Bartholomew 1572

1837 · Oil On Canvas · Nationalmuseum, Stockholm

In The night of Bartholomew 1572, Claudius Jacquand captures a moment of profound tension. Painted about 1837, this work by the French artist Claudius Jacquand focuses on a specific, violent confrontation during the St. Bartholomew's Day massacre. The scene is set within a dark, enclosed architectural space, where the weight of history is felt through the immediate presence of conflict.

Claudius Jacquand's famous paintings, numbers 11 to 31

The subjects that held Claudius Jacquand's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Claudius Jacquand's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Claudius Jacquand Paintings from this list
Petit Palais, ParisPetit Palais Paris 3 Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register), Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin"
Museum of Fine Arts of Lyon, LyonMuseum of Fine Arts of Lyon Lyon 2 Les Adieux de Cinq-Mars à Marie d'Entraigues or le Baiser du départ, Thomas More, Lord High Chancellor of England
Nationalmuseum, StockholmNationalmuseum Stockholm 1 The night of Bartholomew 1572
Musée de la Vie Romantique, ParisMusée de la Vie Romantique Paris 1 Laurence attendant Jocelyn
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 1 The Bubble Blowers
Musée des Beaux-Arts de Dijon, DigioneMusée des Beaux-Arts de Dijon Digione 1 Perugino Painting for Monks in Perugia
Musée de Picardie, АмиенсMusée de Picardie Амиенс 1 Galilée avant son abjuration
Musee National du Chateau de Compiegne, CompiegneMusee National du Chateau de Compiegne Compiegne 1 The Bachelor Samson Carasio Defeated by Don Quixote

Claudius Jacquand across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Claudius Jacquand's paintings: questions for the gallery

What is the single most famous work of Claudius Jacquand?Reveal the answer

The night of Bartholomew 1572 (1837), Nationalmuseum, Stockholm. Laurence attendant Jocelyn (1836) and The Bubble Blowers (1844) come next.

At what age did Claudius Jacquand create The night of Bartholomew 1572?Reveal the answer

34 years old: The night of Bartholomew 1572 dates from 1837, and Claudius Jacquand was born in 1803.

Which ten paintings by Claudius Jacquand are the most famous?Reveal the answer

The night of Bartholomew 1572, Laurence attendant Jocelyn, The Bubble Blowers, The Honorable Apology in a Convent of the Brother Knights, Hermits of Saint Maurice, Perugino Painting for Monks in Perugia, Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register), Galilée avant son abjuration, Jacques Molay Prend Jérusalem and Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin". The ranking above gives each one's year and museum.

How many works by Claudius Jacquand are known?Reveal the answer

Our catalog holds 31 works by Claudius Jacquand, dated from 1828 to 1867.

Where can the most famous Claudius Jacquand originals be seen?Reveal the answer

Mostly in Petit Palais (Paris), Museum of Fine Arts of Lyon (Lyon) and Nationalmuseum (Stockholm). The museum table above lists them all.

During which period did Claudius Jacquand create the best-known paintings?Reveal the answer

In 1830s: 7 of the 31 works on this page were made then, The night of Bartholomew 1572 among them.

Which famous Claudius Jacquand painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Thomas More, Lord High Chancellor of England (1828) and the latest Galilée avant son abjuration (1867).

What Claudius Jacquand originals can I see at the Petit Palais?Reveal the answer

Well-shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (first sketch): "Mirror of Justice" - "The Assumption of the Virgin" - "Help of the Infirm" (upper register); "The Education of the Virgin" - "The Death of the..., Shaped model for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (second sketch): "Angel" - "The Coronation of the Virgin" - "Angel" (upper register); "The Education of the Virgin" - "The Death of the Virgin" (lower register) and Model in shape for the Chapel of the Virgin of the church Saint-Philippe-du-Roule (third sketch): "The Coronation of the Virgin": the Petit Palais, Paris holds 3 of the works on this page.

Claudius Jacquand: a portrait of the artist

The Artisan's Legacy: The Life and Art of Claude Jacquand

Born into a world of meticulous craftsmanship in Lyon, France, on December 11, 1803, Claude Jacquand—often referred to as Claudius Jacquand—carried the precision of his lineage into the grand halls of French art. The son of a comb-maker, Jacquand’s early years were steeped in an appreciation for fine detail and manual dexterity, qualities that would later define his brushwork. His journey began at the École nationale des beaux-arts de Lyon under the guidance of Fleury François Richard, where he mastered the foundational rigors of academic painting. This period of intense training instilled in him a profound respect for anatomical accuracy and tonal modulation, preparing him for the dramatic shifts that would characterize his later career.

The trajectory of Jacquand’s life took a transformative turn following the death of his mother in 1836. Drawn by the magnetic pull of the art capital, he moved to Paris, a transition that served as the catalyst for his professional ascent. It was in this vibrant, often turbulent era of French history that Jacquand began to carve out a reputation for excellence. His talent did not go unnoticed by the prestigious institutions of his time; by 1839, he had been knighted in the Legion d'Honneur, and within a year, he was receiving international acclaim, including a Gold Medal at an exposition in Brussels and the Order of Leopold following another triumph in The Hague. These accolades placed him among the respected figures of the Romantic era, even as he navigated the complexities of a changing social landscape.

A Tapestry of History and Emotion

Jacquand’s oeuvre is a captivating exploration of historical narratives, religious devotion, and the intimate nuances of genre scenes. He possessed a rare ability to breathe life into the past, transforming static historical tableaus into breathing, emotional experiences. His works often functioned as windows into bygone eras, utilizing chiaroscuro lighting and rich, textured palettes to evoke the atmosphere of the Renaissance and the Baroque periods. Whether depicting the intellectual gravity of an 18th-century gathering or the dramatic tension of a royal encounter, Jacquand’s compositions were marked by a profound sense of storytelling.

His thematic range was remarkably broad, encompassing:

  • Historical Tableaus: Grand narratives such as Louis XI of France Surprising the Queen, which utilized dramatic lighting to capture moments of intense political and personal intrigue.
  • Religious Subjects: Devotional works that showcased his ability to handle sacred themes with both reverence and technical mastery.
  • Genre Scenes: Intimate glimpses into daily life, such as the Guard Room Scene, which offered viewers a sense of camaraderie and historical authenticity.
  • Intellectual Portraits: Capturing the essence of Enlightenment figures like Voltaire, where he focused on the psychological depth and contemplative nature of his subjects.

Evolution and Enduring Influence

As the art world shifted from the strictures of Classicism toward the emotional volatility of Romanticism and eventually the light-drenched experiments of Impressionism, Jacquand demonstrated a remarkable stylistic fluidity. While his roots remained firmly planted in the academic tradition—characterized by smooth surfaces and balanced compositions—his later works began to embrace more subtle color harmonies and atmospheric effects. This evolution reflects an artist who was not merely a chronicler of the past, but a participant in the living, breathing progression of French art history.

Despite the financial hardships that shadowed his later years following the French Revolution of 1848, Jacquand’s commitment to his craft never wavered. He lived through a period of immense social upheaval, yet he continued to exhibit regularly, maintaining a standard of excellence that earned him the respect of critics like Charles Baudelaire. Though history sometimes remembers his contemporaries more vividly, the legacy of Claude Jacquand remains etched in the meticulous detail and emotional resonance of his canvases. His life stands as a testament to the power of craftsmanship, representing a bridge between the disciplined traditions of the old masters and the expressive freedom of the modern age.