Portrait of Charles de Steuben

The 19 Most Famous Charles de Steuben Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 19 works by Charles de Steuben in our catalogue

In short

Of all the originals Charles de Steuben left, the most famous is Portrait of Anna Benardaki (1844), in the collection of the Hermitage Museum, Saint Petersburg. Close behind it come Portrait of Baron Alexander Stieglitz (1844) and Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Our catalog holds 19 works by Charles de Steuben; the gallery has kept the 19 the world admires most, each shown with its date, its museum and its story.

1788 – 1856, Bauerbach Romanticism Most works: Hermitage Museum

Charles de Steuben's top 10 paintings: the gallery's choice

1
Portrait of Anna Benardaki (1844) by Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Hermitage Museum, Saint Petersburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) by Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Hermitage Museum, Saint Petersburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) by Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Hermitage Museum, Saint Petersburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) by Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Hermitage Museum, Saint Petersburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) by Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Hermitage Museum, Saint Petersburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) by Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Hermitage Museum, Saint Petersburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

The Charles de Steuben selection continues, 11 to 19

The subjects that held Charles de Steuben's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Charles de Steuben's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Charles de Steuben Paintings from this list
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet Museum, ParisCarnavalet Museum Paris 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Charles de Steuben's paintings

Which work is Charles de Steuben most famous for?Reveal the answer

Portrait of Anna Benardaki (1844), Hermitage Museum, Saint Petersburg. Portrait of Baron Alexander Stieglitz (1844) and Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) come next.

What age was Charles de Steuben when Portrait of Anna Benardaki was made?Reveal the answer

56 years old: Portrait of Anna Benardaki dates from 1844, and Charles de Steuben was born in 1788.

What are the ten most famous Charles de Steuben paintings?Reveal the answer

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" and Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. The ranking above gives each one's year and museum.

How many paintings did Charles de Steuben leave?Reveal the answer

Our catalog holds 19 works by Charles de Steuben, dated from 1800 to 1850.

In which museums do Charles de Steuben's masterpieces hang?Reveal the answer

Mostly in Hermitage Museum (Saint Petersburg), Palais des Beaux-Arts de Lille (Lille) and Carnavalet Museum (Paris). The museum table above lists them all.

In which years did Charles de Steuben paint the most famous works?Reveal the answer

In 1830s: 9 of the 19 works on this page were made then, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist among them.

What are the first and the last famous originals of Charles de Steuben?Reveal the answer

On this page, the earliest is The Death of Napoleon (1800) and the latest Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Which subjects did Charles de Steuben choose most often?Reveal the answer

Woman (3), Man (3) and Lace (2), across the 19 works on this page.

Which technique did Charles de Steuben use most?Reveal the answer

Oil On Canvas, for 5 of the 19 works on this page.

To which art movement does Charles de Steuben belong?Reveal the answer

Romanticism, judging by the originals on this page.

Which Charles de Steuben works hang at the Hermitage Museum?Reveal the answer

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz and Portrait of Alexander P. von Benckendorff (1819 – 1851): the Hermitage Museum, Saint Petersburg holds 7 of the works on this page.

Charles de Steuben: life and work

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.