Romanticism

William Blake - (Thomas Phillips)

Thomas Phillips (1770–1845) made William Blake -. It belongs to the Romanticism movement.

William Blake - by Thomas Phillips
William Blake - by Thomas Phillips. Public domain.

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William Blake -, in brief

Title
William Blake -
Artist
Thomas Phillips (1770–1845)
Artist born in
Dudley, United Kingdom
Movement
Romanticism

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William Blake - by Thomas Phillips
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Public domain: the artist died in 1845.

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Thomas Phillips, William Blake -. Public domain.

Questions on William Blake -, answered

Can the image of "William Blake -" by Thomas Phillips be freely reproduced?

"William Blake -" by Thomas Phillips is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

Who is the artist behind "William Blake -"?

"William Blake -" is attributed to Thomas Phillips.

Which artistic current is "William Blake -" by Thomas Phillips part of?

The movement associated with "William Blake -" by Thomas Phillips is Romanticism. This classification situates the work among related artists and artworks.

Why is the copyright status of "William Blake -" what it is?

"William Blake -" by Thomas Phillips is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1845.

About the artist, Thomas Phillips

Thomas Phillips

1770–1845, United Kingdom

Thomas Phillips

Early Life and Artistic Foundations Thomas Phillips, born in Dudley, Worcestershire, in 1770, emerged from relatively modest beginnings to become a prominent figure in the British art scene of the late 18th and early 19th centuries. His initial artistic training wasn’t within the traditional confines of painting, but rather in the craft of glass-painting under Francis Eginton in Birmingham. This foundational experience instilled in him a meticulous attention to detail and an understanding of color and light that would later characterize his portraiture. A pivotal moment arrived in 1790 when Phillips journeyed to London, armed with an introduction to Benjamin West, a leading artist of the time and a key figure in the Royal Academy.

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