Pop Art · 1963
Green Triptych (Marjorie Strider, 1963)
Marjorie Strider (1931–2014) made Green Triptych. It dates from 1963. It belongs to the Pop Art movement.
- 1963
Green Triptych, in brief
- Title
- Green Triptych
- Artist
- Marjorie Strider (1931–2014)
- Artist born in
- Guthrie, United States of America
- Date
- 1963
- Movement
- Pop Art
High-resolution images of Green Triptych
Protected by copyright: these files are for personal reference, not a licence to republish.
Marjorie Strider, Green Triptych (1963).
Questions on Green Triptych, answered
In what year was "Green Triptych" by Marjorie Strider created?
"Green Triptych" dates from 1963. The date places the work within Marjorie Strider's career and its era.
Can the image of "Green Triptych" by Marjorie Strider be freely reproduced?
The copyright answer for "Green Triptych" by Marjorie Strider: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.
Who created "Green Triptych"?
"Green Triptych" was created by Marjorie Strider. The information on this page describes Marjorie Strider's original work.
Which artistic current is "Green Triptych" by Marjorie Strider part of?
"Green Triptych" by Marjorie Strider belongs to the Pop Art movement. This movement provides the stylistic context of the work.
What was Marjorie Strider's age when "Green Triptych" was created?
Marjorie Strider made "Green Triptych" at the age of 32. The artist was born in 1931 and the work is dated 1963.
What explains the copyright situation of "Green Triptych" by Marjorie Strider?
"Green Triptych" by Marjorie Strider is still protected by copyright. Copyright terms are measured from the artist's death, and Marjorie Strider died in 2014.
About the artist, Marjorie Strider
1931–2014, United States of America
Marjorie Strider
A Pioneer of Pop & Beyond: The Life and Art of Marjorie Strider Marjorie Virginia Strider, born in Guthrie, Oklahoma, in 1931, emerged as a vital force in the American art landscape, challenging conventions with a boldness that resonated through the Pop Art movement and beyond. Her childhood spent amidst the rural landscapes of Oklahoma instilled within her an observant eye and a sensibility that would later inform her artistic explorations. This foundation was solidified by formal training at the Kansas City Art Institute, where she honed her technical skills and absorbed diverse artistic influences. Even before fully embracing her identity as a fine artist, Strider demonstrated a creative flair working on window displays for the Robinson Shoe Company in Kansas City—an early indication of her ability to capture attention and translate vision into compelling visual statements.