Text size

() ·

A painting made for you, by hand

St Paul and St Thomas

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

Collectible Description

Discover "St Paul and St Thomas" by Leonard Limosin (1547). This exquisite enamel painting showcases religious figures against a historic backdrop, reflecting Renaissance artistry & faith.

Artist Biography

Explore the exquisite enamel work of Leonard Limosin (c. 1505-1575), a French painter known for his religious plaques, portraits & decorative art influenced by Italian masters.

from ·

Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standard
custom
CM
INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
White $1
Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
Blurside $1
Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
Extended $1
Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8
Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-GOLD $30
Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-SILVER $30
Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-GOLD $45
Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-SILVER $45
Frame preview
Framed

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (8 November). No compromise on quality.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

St Paul and St Thomas

Reproduction Medium

Reproduction Size

-

Elite Senior Artist

More detail, finesse, and extra production time

-

Reproduction Frame

-

-

For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

Nameplate

-

-

Protective Varnish

Glossy Varnish (enhances colors, protects against light/moisture)

-

Customize My Artwork

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

-

Urgent

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (8 November). No compromise on quality.

-

Express Shipping

Worldwide Delivery () in 5 weeks. (15 November).

Included

Total Price

$ 300

Total Price $ 300

Glass option is only available in size under 110 CM

Included with every order

  • Free Worldwide Express Shipping
  • High-Quality Linen Canvas
  • Full Shipping Insurance
  • Customs Tax Refund Guarantee
  • True Color Matching Guarantee
  • 100-Day Return Policy (Defects Only)
  • 100% Money-Back Guarantee
  • Bulk Discount Offer

A Moment of Spiritual Encounter: Leonard Limosin’s “St Paul and St Thomas”

Leonard Limosin's "St Paul and St Thomas," painted in 1547, is more than just a depiction of two biblical figures; it’s a carefully constructed tableau brimming with Renaissance symbolism and imbued with a profound sense of contemplative piety. The painting captures a pivotal moment – the arrival of Saint Paul and Saint Thomas to evangelize the people of Rome, as recorded in Acts 21:3-4. Limosin masterfully portrays them not as triumphant messengers, but as humble seekers, engaged in earnest conversation within a richly detailed interior setting.

The scene unfolds within what appears to be a modest Roman dwelling, its architecture echoing the classical influences prevalent in Italian art of the period. A window, bathed in soft light, suggests an openness to divine grace, while the books scattered across the table hint at intellectual pursuit and the importance of scripture. The figures themselves are rendered with remarkable sensitivity – Paul, distinguished by his flowing white beard and authoritative stance, gestures towards Thomas, who listens intently, his youthful face reflecting a receptive spirit. The artist’s attention to detail is evident in the folds of their robes, the texture of the wooden table, and the subtle play of light and shadow, creating an atmosphere of quiet reverence.

The Language of Symbolism: Renaissance Values Reflected

Limosin's work is deeply rooted in the artistic and philosophical currents of the High Renaissance. The scene embodies key values of the era – faith, reason, and humanism. Paul’s gesture represents his role as a teacher and guide, while Thomas’s attentive posture signifies the importance of listening and learning. The inclusion of books underscores the centrality of knowledge and scholarship in the pursuit of spiritual understanding. Furthermore, the setting itself—a domestic interior—contrasts with the grand scale often associated with religious art, suggesting that faith is found not only in monumental cathedrals but also within the everyday spaces of human life.

The presence of two distinct figures – an older, established apostle and a younger, eager disciple – speaks to the transmission of knowledge and spiritual wisdom across generations. It’s a visual representation of mentorship and the ongoing process of faith development. The careful arrangement of objects—the books, the table, the window—creates a harmonious composition that invites contemplation on themes of divine guidance, human potential, and the enduring power of belief.

Technique and Artistic Legacy: Enamel Painting at its Finest

Limosin’s mastery lies in his exquisite enamel technique. Working with meticulously crafted copper plates overlaid with layers of colored glass paste, he achieved a remarkable level of detail and luminosity. The vibrant colors—the rich blues, deep reds, and shimmering golds—are applied with astonishing precision, creating an image that seems to radiate from within. This painstaking process, characteristic of Limosin’s oeuvre, demonstrates the immense skill and dedication required to produce these enduring works of art.

Limosin's work is considered a pivotal example of French enamel painting during this period, bridging the gap between German Renaissance influences (particularly Dürer’s prints) and the burgeoning Italian artistic tradition. His meticulous attention to detail, combined with his profound understanding of symbolism, firmly establishes him as one of the most accomplished artists of his generation. Reproductions of “St Paul and St Thomas” continue to resonate today, offering a glimpse into the spiritual and intellectual world of the Renaissance.

A Timeless Reflection: Emotional Resonance and Artistic Value

Beyond its historical and artistic significance, "St Paul and St Thomas" possesses a remarkable emotional resonance. The painting evokes a sense of quiet contemplation, inviting viewers to reflect on their own spiritual journeys and the importance of seeking guidance and wisdom. The figures’ expressions—a mixture of earnestness, humility, and respect—create a powerful connection with the viewer, fostering a feeling of shared humanity and faith.

Whether displayed in a private collection or a public gallery, this painting serves as a testament to the enduring power of art to illuminate the human condition and inspire profound reflection. Its meticulous craftsmanship, rich symbolism, and timeless themes ensure its continued appreciation for generations to come.

Questions & Answers

How is "St Paul and St Thomas" by Léonard Limosin proportioned, and how big is it?

"St Paul and St Thomas" by Léonard Limosin is proportioned as a square work of 92 x 43 cm.

What print size of "St Paul and St Thomas" by Léonard Limosin fits the recommended room?

For a living room, the recommended print size of "St Paul and St Thomas" by Léonard Limosin is medium.

When and with what materials was "St Paul and St Thomas" made?

The medium of "St Paul and St Thomas" by Léonard Limosin is enamel, and the work is dated 1547.

More about this painting

Switch to Print Switch to Digital Image Send
Details Guide Add to favorites Download Similars Diaporama Q&A Stats

In numbers

  • 1547the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it
Léonard Limosin

Léonard Limosin

1505 - 1575, France

Quick facts about Léonard Limosin

  • Full Name: Léonard Limosin
  • Nationality: French
  • Date Of Birth: 1505
  • Date Of Death: 1575
  • Place Of Birth: France
  • Notable Artworks:
    • Crucifixion
    • Resurrection
    • Portrait of Galiot de Genouillac
  • Artistic Movement Or Style: Renaissance enamel art
  • Artists Who Influenced This Artist:
    • Albrecht Dürer
    • Francesco Primaticcio
    • Rosso
  • Artists Or Movements Influenced By This Artist: ['Italian Mannerists']

Artist Biography

Biography

Léonard Limosin (b. ca. 1505, Limoges, d. ca. 1575/77) stands as one of the most celebrated enamel painters of Renaissance France, a figure whose legacy continues to inspire admiration for his masterful technique and profound artistic vision. Born in Limoges – a city renowned for its vibrant enamel tradition – he descended from a family of seven skilled enamellers, establishing him within a lineage deeply rooted in this distinctive art form. While precise details surrounding his early life remain elusive, scholarly consensus suggests that Limosin honed his craft under the tutelage of Jean Nardon Pénaud, a prominent Limoges artist whose influence undoubtedly shaped his formative years.
  • Early Influences: Limosin’s artistic journey commenced with an undeniable connection to German Renaissance art. His inaugural authenticated work, dated 1532, comprises eighteen enamel plaques depicting the Passion of Christ – a direct adaptation of prints by Albrecht Dürer. This stylistic debt underscores the pervasive impact of Northern European artistic sensibilities on French painters during this period.
  • The Fontainebleau School: Recognizing the importance of broadening his artistic horizons, Limosin actively sought inspiration from the Italian masters residing at Fontainebleau Palace. Artists such as Primaticcio, Rosso Fiorentino, Giulio Romano and Andrea Solari captivated him with their innovative use of arabesque ornament and their exploration of mythological subjects—elements that would subsequently permeate his own oeuvre.
  • Service to Royalty: In 1530 Limosin entered the service of Francis I as painter and valet de chambre, a position he maintained throughout Henry II’s reign. This patronage afforded him unparalleled access to royal commissions, resulting in numerous portraits executed in enamel—among them striking depictions of Diane de Poitiers, who served as Henry II's mistress, and elaborate decorative works adorning the palaces of Versailles and Fontainebleau.
His artistic output spanned an astonishing breadth of mediums and subjects. While Limosin achieved particular renown for his richly coloured enamels – characterized by their luminous hues and graceful grisaille designs on black or bright blue backgrounds – he was equally adept as an oil painter, producing works that showcased remarkable realism and expressive power. His meticulous attention to detail and masterful handling of pigment cemented his reputation as a true innovator within the artistic landscape of his time.

Major Achievements & Legacy

Limosin’s contribution to art history is undeniable, primarily evidenced by his monumental achievement: the creation of approximately two thousand enamels—a staggering number that testifies to his prolific creativity and unwavering dedication to his craft. Among his most enduring masterpieces are the two votive tablets commissioned for Sainte Chapelle in Paris – a breathtaking assemblage of twenty-three plaques meticulously crafted according to Dürer’s designs, symbolizing faith and devotion. These tablets remain treasured relics of Gothic art, captivating visitors with their exquisite artistry and symbolic grandeur. Furthermore, Limosin's portraits—including depictions of Henry II, Marguerite de Valois, the Duke of Guise and Cardinal Lorraine—are considered cornerstones of Renaissance portraiture, capturing the dignity and complexity of royal figures with unparalleled skill. His works continue to be exhibited at prestigious institutions such as the Louvre Museum, ensuring that his artistic legacy persists for generations to come.

Notable Works

Limosin’s oeuvre encompasses a diverse range of projects—from monumental enamel plaques to intimate miniature paintings—each reflecting his distinctive stylistic sensibilities and technical prowess. His most celebrated achievements include:
  • The Sainte Chapelle Votive Tablets
  • Portraits of Henry II, Marguerite de Valois, Duke of Guise & Cardinal Lorraine
  • Enamel Plaques Depicting Diane de Poitiers
His enduring influence extends beyond his individual creations; Limosin’s artistic innovations profoundly shaped the trajectory of enamel painting in France and established him as a pivotal figure within the broader context of Renaissance art.

Quick Facts

  • Notable elements: Religious figures
  • Dimensions: 92 x 43 cm
  • Influences:
    • Dürer
    • Italian masters
  • Year: 1547
  • Title: St Paul and St Thomas

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary subject depicted in Leonard Limosin’s ‘St Paul and St Thomas’?
Question 2:
In what year was ‘St Paul and St Thomas’ painted?
Question 3:
Which artistic movement heavily influenced Leonard Limosin’s style in this painting?
Question 4:
The image description mentions books visible in the scene. What do these likely represent?
Question 5:
What is a key characteristic of Leonard Limosin’s enamel work, as evidenced by this painting?