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Cup

Explore Giovanni Battista Gariboldi’s 1936 ceramic bowl – a textured masterpiece showcasing organic forms & serene green hues. A unique, hand-built piece reflecting Italian artistry.

Discover Giovanni Battista Gariboldi’s breathtaking Italian landscapes & genre scenes. A renowned 19th-century painter celebrated for his mastery of light & color.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
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W106C $8
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W218G $10
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W218JH $8
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W218Y $10
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W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
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W316PJ $8
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Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
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W4111J $10
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W500HY $15
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W500JH $15
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W692G $12
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Total Price

$ 81

Cup

Giclée / Art Print

Reproduction Size

-

Total Price

$ 81

Quick Facts

  • Year: 1936
  • Subject or theme: Mythic Art
  • Influences: Edward Burne-Jones
  • Movement: Pre-Raphaelite
  • Title: Cup

Art Quiz

There is only one correct answer for each question.

Question 1:
What artistic movement is Giovanni Battista Gariboldi’s ‘Cup’ primarily associated with?
Question 2:
The image description highlights a particular stylistic element of the artwork. What is it?
Question 3:
What color palette dominates the visual experience presented by the ‘Cup’ image?
Question 4:
Giovanni Battista Gariboldi's artistic style reflects a rejection of what characteristic found in academic painting?
Question 5:
Edward Burne-Jones's artistic approach involved studying and imitating masters like Botticelli. What was a key difference between his method and that of traditional art education?

Giovanni Battista Gariboldi: Cup - A Study in Organic Texture and Serene Green

Giovanni Battista Gariboldi’s 1936 ceramic bowl stands as a testament to the enduring power of Italian craftsmanship and a masterful exploration of natural forms. More than just tableware, it embodies a deliberate aesthetic choice—a commitment to capturing the essence of organic beauty within a meticulously crafted medium.

  • Subject Matter: The bowl’s central focus is simplicity itself: a single ceramic vessel designed to hold liquid. However, its unassuming appearance belies a profound consideration for visual harmony and textural richness.
  • Style: Gariboldi's work aligns squarely with the principles of ceramic art—a tradition rooted in ancient techniques and celebrated for its ability to transform raw materials into objects of enduring elegance. Influenced by Art Deco sensibilities, it leans towards geometric forms softened by organic contours.
  • Technique: The bowl’s surface is achieved through a painstaking process of hand-building – likely utilizing coil construction—followed by careful glazing application. This technique ensures that every piece possesses unique variations in tone and texture, reflecting the inherent irregularities of natural materials.

The glaze itself contributes significantly to the overall impression. Gariboldi skillfully employs a palette dominated by shades of green – from deep olive tones reminiscent of ancient woodlands to lighter hues suggestive of tranquil lagoons. These colors aren’t merely decorative; they evoke feelings of serenity and connection with the natural world.

Historical Context: Created in 1936, Gariboldi's bowl reflects the broader artistic currents of its time—a period marked by a renewed interest in organic forms and a desire to express emotion through visual language. It stands as an exemplar of Italian ceramic art during the Fascist era, showcasing a dedication to tradition while embracing stylistic innovations.

Symbolism: The bowl’s textured surface – resembling a leaf or petal – speaks to themes of growth, fragility, and renewal. These symbols resonate deeply within Pre-Raphaelite aesthetics—a movement that championed idealized beauty and sought inspiration in medieval myths and legends. Gariboldi's piece invites contemplation on the relationship between humanity and nature.

Emotional Impact: Viewing Gariboldi’s bowl is an experience of quiet contemplation. Its understated elegance and harmonious color palette inspire a sense of calm and appreciation for artisanal skill—a reminder that beauty can be found in simplicity and that objects crafted with care hold profound emotional resonance.

Questions & Answers

What use is suggested for "Cup" by Giovanni Battista Gariboldi?

The recommended use of a print of "Cup" is accent.

Where can I see the original "Cup" by Giovanni Battista Gariboldi?

"Cup" by Giovanni Battista Gariboldi is on display at the Sforza Castle, Milan, Italy. The museum listing refers to the original work, not to reproductions.

Is "Cup" held in the country of its creator?

Yes - the artwork is kept in the artist's home country. The birth country of Giovanni Battista Gariboldi is Italy, and the museum holding the original of "Cup" is in Italy.


Artist Biography

Edward Burne-Jones: A Dreamer of Myth and Beauty

Born in Birmingham in 1833, Edward Burne-Jones was more than just a painter; he was a conjurer of dreams, a weaver of mythic tapestries brought to life on canvas. His art, deeply rooted in the Pre-Raphaelite movement yet possessing a uniquely personal vision, captivated audiences and continues to enthrall viewers today. From his early days studying at Oxford University, initially with aspirations for the priesthood, Burne-Jones’s path swiftly diverged towards the intoxicating world of artistic creation, guided by the influential mentorship of William Morris and, crucially, Rossetti.

Rossetti's profound impact shaped Burne-Jones’s aesthetic. He rejected the perceived artificiality of academic painting, embracing instead a style characterized by rich color, intricate detail, and a fascination with medieval and Arthurian legends. Unlike his Pre-Raphaelite contemporaries who often focused on contemporary subjects, Burne-Jones sought inspiration in the distant past—in Botticelli’s graceful figures and the timeless narratives of classical mythology. His palette was bold and luminous, favoring deep reds, blues, and golds, creating a sense of otherworldly beauty and dramatic intensity.

  • Key Subjects: Burne-Jones consistently returned to themes of chivalry, romance, and tragedy – particularly those drawn from the legends of King Arthur and the stories of classical antiquity.
  • Technique: He employed a meticulous technique, layering paint with remarkable precision to achieve textures that seemed both solid and ethereal. His figures possessed an almost sculpted quality, imbued with a sense of timelessness.
  • Influence: Burne-Jones’s work profoundly influenced the Symbolist movement in France, inspiring artists like Gustave Moreau with his evocative imagery and symbolic use of color.

The Early Years and Artistic Development

Burne-Jones's artistic journey began not within formal academies but through self-directed study and a deep immersion in the visual arts. He eschewed the rigid structures of traditional art education, preferring to learn by observing and imitating masters like Botticelli. This unconventional approach fostered a distinctive style—one that prioritized emotional resonance over strict adherence to academic rules. His early works, such as *The Legend of Perseus*, demonstrated his burgeoning talent for capturing dramatic narratives with a heightened sense of color and form.

Crucially, Burne-Jones’s artistic development was inextricably linked to the vibrant social and intellectual circles of London during the mid-19th century. He engaged in lively debates about art and literature alongside figures like Morris, Rossetti, and Dante Gabriel Rossetti, absorbing new ideas and refining his own artistic vision. This period witnessed a flourishing of Pre-Raphaelite activity, with artists experimenting with innovative techniques and challenging conventional notions of beauty.

Major Works and Recognition

Burne-Jones’s career gained significant momentum in 1877 with the opening of the Grosvenor Gallery, where he unveiled a series of large-scale paintings that immediately captivated the public. These works—including *The Legend of King Arthur*, *Sir Percival at the Grail*, and *Sleeping Beauty*—were lauded for their dramatic intensity, exquisite detail, and evocative atmosphere. The success of these exhibitions catapulted Burne-Jones to international fame, establishing him as one of the leading artists of his generation.

  • The Legend of King Arthur: This monumental work, depicting a pivotal moment from the Arthurian cycle, exemplifies Burne-Jones’s mastery of composition and color.
  • Sleeping Beauty: A poignant portrayal of innocence and vulnerability, this painting showcases Burne-Jones's ability to convey complex emotions through subtle gestures and expressions.
  • Sir Percival at the Grail: This iconic image captures the mystical journey of Sir Percival as he seeks the Holy Grail, demonstrating Burne-Jones’s skill in creating a sense of otherworldly beauty and spiritual significance.

Legacy and Historical Significance

Despite initial acclaim, Burne-Jones's reputation experienced a decline after his death in 1898, partly due to critical backlash against the perceived melodrama of his work. However, in the mid-20th century, his art was rediscovered and reevaluated, leading to a resurgence of interest in his paintings. Today, Edward Burne-Jones is recognized as one of the most important figures in Pre-Raphaelite art—a visionary painter who captured the imagination with his dreamlike depictions of mythic tales and timeless beauty.

His influence extends beyond the realm of painting, impacting areas such as design, illustration, and decorative arts. Burne-Jones’s work continues to inspire artists and designers today, demonstrating the enduring power of his artistic vision and his ability to transport viewers to a world of enchantment and wonder. His legacy resides not only in the masterpieces he created but also in the profound impact he had on the course of art history.

Giovanni Battista Gariboldi

Giovanni Battista Gariboldi

1833 - 1908 , Italy

Quick Facts

  • Full Name: Pierre-Narcisse Guérin
  • Nationality: French
  • Date Of Birth: 1833
  • Date Of Death: 1908
  • Place Of Birth: Bergamo, Italy
  • Notable Artworks:
    • Return of Marcus Sextus
    • Phaedra and Hippolytus
    • Andromache and Pyrrhus
    • Aurora and Cephalus
  • Artistic Movement Or Style: Painting
  • Artists Who Influenced This Artist: ['Jean-Baptiste Regnault],\n "Artists or movements influenced by this artist": ["First Empire"]\n}']
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