Color Field · 1962
Untitled (Gene Davis, 1962)
Gene Davis (1920–1985) made Untitled. It dates from 1962. It belongs to the Color Field movement. It measures 24 × 275 cm.
- 1962
- 24 × 275 cm
Untitled, in brief
- Title
- Untitled
- Artist
- Gene Davis (1920–1985)
- Artist born in
- Washington, D.C., United States
- Date
- 1962
- Dimensions
- 24 × 275 cm
- Movement
- Color Field
High-resolution images of Untitled
Protected by copyright: these files are for personal reference, not a licence to republish.
Gene Davis, Untitled (1962).
Questions on Untitled, answered
In what year was "Untitled" by Gene Davis created?
"Untitled" by Gene Davis was created in 1962.
How big is the original "Untitled"?
The recorded dimensions of "Untitled" by Gene Davis are 24 x 275 cm. Reproductions can be ordered in other sizes while keeping the same proportions.
Is "Untitled" free of copyright?
Regarding copyright, "Untitled" is still protected by copyright.
Who created "Untitled"?
"Untitled" is attributed to Gene Davis.
Which artistic current is "Untitled" by Gene Davis part of?
"Untitled" is a work of Color Field. The movement indicates the artistic tradition the work is part of.
How old was Gene Davis when creating "Untitled" in 1962?
When "Untitled" was created in 1962, Gene Davis - born in 1920 - was 42 years old.
Why is the copyright status of "Untitled" what it is?
"Untitled" by Gene Davis is still protected by copyright. Copyright terms are measured from the artist's death, and Gene Davis died in 1985.
About the artist, Gene Davis
1920–1985, United States
Gene Davis
The Architect of Color: The Life and Legacy of Gene Davis In the vibrant tapestry of mid-century American abstraction, few threads shine as brightly or as rhythmically as those woven by Gene Davis. A pioneer of the Color Field movement, Davis possessed a singular ability to transform the canvas into a rhythmic experience of light and motion. Born in Washington, D.C., in 1920, his journey toward becoming a central figure of the Washington Color School was not one of immediate abstraction, but rather a gradual evolution shaped by a keen observational eye. Before he ever commanded the brush to create his iconic stripes, Davis worked as a sportswriter, a profession that demanded a sharp focus on movement, energy, and the unfolding drama of live events—elements that would later find their way into the pulsating verticality of his paintings.