Pots and Bouquets
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists.
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 July). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Pots and Bouquets
Reproduction Medium
Reproduction Size
-
Total Price
-
Artwork Description
A Symphony in Color: Exploring Paul Gauguin’s “Pots and Bouquets”
Paul Gauguin's "Pots and Bouquets," painted in 1886, isn’t merely a depiction of flowers; it’s an embodiment of the Post-Impressionist movement’s audacious rejection of academic conventions. Created during his Breton period—a time marked by intense engagement with rural Brittany and its traditions—the canvas pulsates with a vibrancy that transcends mere observation. Gauguin sought to capture not just what he saw, but how he *felt*, channeling emotion directly onto the surface of the paint.Composition and Color Palette: A Calculated Delight
The painting’s arrangement is deceptively simple yet profoundly effective. Two vases dominate the foreground, holding a profusion of blossoms—primarily pink roses—against which red and white flowers offer striking contrast. Gauguin skillfully utilizes varying vase sizes and positions to guide the viewer's eye across the canvas, creating depth and dynamism. Importantly, he eschews meticulous realism in favor of expressive brushstrokes that prioritize color over precise detail. The tablecloth’s orange hue punctuated by yellow stripes serves as a grounding element, subtly reinforcing the overall tonal harmony. Gauguin deliberately avoids blending colors seamlessly; instead, he applies them side-by-side, allowing their individual hues to retain distinct identities and contributing to the painting's textural richness.The Style of Bold Impressionism Revisited
“Pots and Bouquets” firmly establishes Gauguin’s stylistic allegiance to Post-Impressionism—a movement born from disillusionment with Impressionist preoccupation with fleeting light effects. Unlike his predecessors, Gauguin prioritized conveying mood and emotion through bold color choices and gestural brushwork. This technique is evident in the thick impasto – heavily textured paint – applied liberally across the canvas, particularly on the vases and surrounding surfaces. The artist’s deliberate disregard for photographic accuracy reflects a broader artistic impulse to liberate painting from the constraints of representational art, prioritizing subjective experience above objective observation.Historical Context: Breton Inspiration
Gauguin's fascination with Brittany stemmed from his desire to escape the pressures of Parisian intellectual life and reconnect with primal beauty. He sought inspiration in the rural landscapes and customs of the region, immersing himself in the daily rituals of peasant communities. This influence is palpable in “Pots and Bouquets,” where Gauguin’s palette echoes the earthy tones of Breton soil and foliage. The inclusion of a clock—a symbol of time and mortality—adds an element of contemplation to the scene, prompting viewers to consider the passage of time against the backdrop of enduring natural beauty.Symbolism and Emotional Resonance
Beyond its visual splendor, “Pots and Bouquets” carries symbolic weight. Flowers themselves represent fertility, rebirth, and remembrance – themes central to Gauguin’s spiritual explorations during his Breton period. The pink roses specifically evoke notions of love and passion, juxtaposed against the quiet dignity of the vases and the contemplative gaze implied by the clock. Ultimately, the painting speaks to a yearning for authenticity and connection with nature—values that resonated deeply within Gauguin's artistic vision and continue to inspire audiences today. Its enduring appeal lies in its ability to capture not just what is seen but what is felt – a testament to Gauguin’s mastery of color and form as vehicles for emotional expression.Artist Biography
A Life Painted in Bold Strokes: The World of Paul Gauguin
Eugène Henri Paul Gauguin, a name that resonates with vibrant color and rebellious spirit, stands as a pivotal figure in the transition from Impressionism to modern art. Born in Paris in 1848, his life was anything but conventional. His early years were shaped by an unusual upbringing; his father a journalist, and his mother descended from Peruvian aristocracy—her grandmother, Flora Tristan, a pioneering feminist and socialist writer whose ideals undoubtedly resonated within the family. This heritage would profoundly shape Gauguin’s artistic vision, instilling in him a fascination with cultures beyond Europe. A formative period spent in Peru as a child, following his family's relocation in 1850, immersed him in a world vastly different from Parisian society, an experience that lingered and ultimately fueled his quest for authenticity in art. Returning to France after his father’s death, Gauguin received a formal education but found himself drawn not to academia, but to the burgeoning financial world, embarking on a career as a stockbroker—a path seemingly at odds with the artistic destiny that awaited him.From Finance to Artistic Calling
For years, Gauguin led a double life, diligently pursuing his business ventures while secretly nurturing a passion for painting. Initially influenced by the Impressionists, he began experimenting with color and light in his spare time, but soon felt constrained by their dedication to capturing fleeting moments of reality. The financial crisis of 1882 proved a turning point, forcing him to abandon his lucrative career and wholeheartedly embrace his artistic calling. This wasn’t merely a change in profession; it was a fundamental shift in worldview. He sought guidance from Camille Pissarro, who encouraged his development and introduced him to the avant-garde circles of Paris. However, Gauguin quickly began to diverge from Impressionistic principles, yearning for something more expressive, more symbolic—a means of conveying not just what he *saw*, but what he *felt*. This desire led him on a journey of artistic exploration that would take him far beyond the Parisian salons and into the heart of “primitive” cultures. He wasn’t simply interested in depicting these cultures; he sought to absorb their essence, believing they held a purity lost in Western civilization.The Call of Brittany and Tahiti
Gauguin’s artistic evolution was inextricably linked to his travels. He spent time in Brittany, captivated by the rugged landscapes and deeply rooted traditions of its people. This period saw him experimenting with flattened forms, bold outlines, and a simplification of composition—techniques that moved him further away from naturalism and closer to a more symbolic language. But it was his journey to Tahiti in 1891 that truly unleashed his creative potential. Seeking refuge from what he perceived as the stifling constraints of European civilization, Gauguin hoped to find inspiration in Polynesian culture, believing it offered a purer, more authentic way of life. This wasn’t simply an artistic pursuit; it was a spiritual quest. He immersed himself in local customs and beliefs, depicting Polynesian women, landscapes, and religious practices through his unique lens. Influenced by Japanese prints—Japonisme—and medieval art, he developed a distinctive aesthetic characterized by vibrant colors, exotic subject matter, and an air of mystery. Iconic paintings like “Vahine no te miti” (Woman with Mango), “Manao Tupapau” (Watched by the Spirit of the Dead), and “The Day of Gods emerged from this period, solidifying his reputation as a visionary artist. His use of color became increasingly bold and non-naturalistic, serving not to replicate reality but to express emotion and spiritual meaning.Legacy and Controversy
Despite his artistic breakthroughs, Gauguin’s life was often marked by hardship. He struggled with financial difficulties and declining health during his time in Tahiti and later on the Marquesas Islands, where he eventually settled. Yet, he continued to paint prolifically, relentlessly exploring themes of life, death, and spirituality. He died in 1903 on Hiva Oa, a remote island in the Marquesas archipelago, largely unrecognized for his genius. It was only after his death that Gauguin’s work began to receive the acclaim it deserved. Today, he is celebrated as a pivotal figure in the development of modern art, bridging the gap between Impressionism and Symbolism, and paving the way for movements like Fauvism. His use of color, simplified forms, and symbolic imagery profoundly influenced artists such as Pablo Picasso, Henri Matisse, and countless others. However, Gauguin remains a controversial figure due to aspects of his personal life—particularly his relationships with young Polynesian women—which continue to be debated and reinterpreted in light of contemporary ethical considerations. Nevertheless, his artistic contributions are undeniable, and his legacy continues to inspire artists and art lovers around the world. He was a true innovator, a rebel who dared to challenge conventions and forge his own path, leaving behind a body of work that is as captivating and enigmatic as the man himself.Key Influences & Artistic Characteristics
- Impressionism: Early influence on color and light, later rejected for its focus on fleeting reality.
- Japonisme: Inspired flattened perspectives, bold outlines, and decorative patterns.
- Medieval Art: Influenced symbolic imagery and a rejection of strict realism.
- Synthetism: A style developed by Gauguin emphasizing the creation of art based on subjective experience rather than objective observation.
- Primitivism: Fascination with non-Western cultures, believing they offered a more authentic and spiritual way of life. This is reflected in his subject matter and stylistic choices.
Eugène Henri Paul Gauguin
1848 - 1903 , France
Quick Facts
- Artistic Movement Or Style: Post-Impressionism, Symbolism
- Artists Or Movements Influenced By This Artist:
- Pablo Picasso
- Henri Matisse
- Fauvism
- Artists Who Influenced This Artist: ['Camille Pissarro']
- Date Of Birth: 1848
- Date Of Death: 1903
- Full Name: Eugène Henri Paul Gauguin
- Nationality: French
- Notable Artworks:
- Clearing
- Vahine no te miti
- Manao Tupapau
- Little Breton Shepherd
- Place Of Birth: Paris, France



Glass option is only available in size under 110 CM
